April 7, 2026
Fight From Within New Single “Let Me Out” Featuring Hidden Track “TATT” – PipemanRadio Interview
The band headed into 2026 like a freight train — all gas, no brakes. Upstate New York metalcore outfit Fight From Within released their new single, “Let Me Out,” through an exciting new partnership with Arson Theory. Produced by Pablo Viveros...
The band headed into 2026 like a freight train — all gas, no brakes.
Upstate New York metalcore outfit Fight From Within released their new single, “Let Me Out,” through an exciting new partnership with Arson Theory. Produced by Pablo Viveros (Formerly Chelsea Grin), the track captures the band’s energy and edge to their sound.
“We had a blast with this track,” the band shares. “We wanted it to be intense and kind of trippy. We even added a little surprise in the release."
That surprise comes in the form of a hidden track titled “TATT,” which stands for “Tired All The Time.” The track delivers a pointed message from the band about their frustrations with the current state of the scene.
“TATT stands for ‘Tired All The Time’ because we’re so over the bullshit in the scene,” the band explains.
Alongside the release of “Let Me Out,” Fight From Within will be hitting the road this spring, bringing their high-energy live show to fans across multiple cities. Known for their explosive performances and uncompromising attitude, the band continues to build momentum both on record and on stage. Recently, the band signed with Core Collective Talent Agency for US and Canada tours & Timeframe Booking for Europe.
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WEBVTT
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Hi, you love done to the censure? Wow for you you.
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Try. This is the Pipe Man here with the Adventures
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the Pipe Man W four c Y Radio and I'm
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here with our next guests, who are some killer musicians
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and friends of mine. So let's welcome to the show.
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Mikey from Fight from Within.
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Yay, what's going on, guys man, it's good to see
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you again.
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Thank you man.
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Yeah, dude, it's is a head of blast. Last time
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we were hanging.
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Out, it's always on, it's always fun and I have
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a blast that you have this new single out let
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Me Out. Yeah. I feel like that's the mantra of
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my life right now, and which is why I went
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to Costa Rica last month to escape. That was at
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That was a let me out moment, get me away
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from all this insanity that's going on. Yeah, you know,
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and uh, that's what music's all about. And you know,
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I want to hear about the surprise.
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Oh the other song.
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So so yeah, we dropped T A T T which
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is TAT tired all the time. We dropped that with
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it because it was just something that we wrote and
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it was so true because God, we're exhausted, we're so exhausted.
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It's hard out here, man. But like you know, let
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me out too. I feel like depending on what you
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did in Costa Rica or what you what you've done
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in the past. So that song is literally about a
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bad LSD trip.
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Oh though, well there you go.
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Yeah, so if you look, if you look at the lyrics,
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it was about a bad acid trip. The song itself
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instrumentally was just very you know, I felt like it
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was extreme. It was extreme and it was super trippy
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the way that the way that we blended, the breakdown
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in the middle and everything. So, uh yeah, I formulated
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it around a bad acid trip, not saying that I've
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ever done acid or anything.
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Well, only somebody that's done would know what it's like
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to have a bad one and want to get out
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of it and want to.
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Get out when you're sitting there for nine hours later.
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Why exactly exactly. And you know, to me, I think
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that's what makes great music too, is everybody puts their
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own meaning to stuff. And there's so many things that
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people could say let me out to nowadays, you know.
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And as far as the other song, I'm tired all
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the time, Well, listen, I don't know how you can
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even be a musician today. Like you know, back in
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the day, if you were a musician, you're fucked off
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your party, sex and all that, and people would cheer
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you on. Nowadays, you know, you don't have record labels
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throwing that silly money at people, so you have to
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work all the time. Is such hard work being a
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musician nowadays. You have so much to compete with, Like
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there's so many bands and people don't even give you
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consider a short attention span that the amount of time
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that's necessary, and so yeah, I mean that is definitely
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you know, like some of my favorite songs. Perfect example,
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I was doing coverage at we can call it at
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Hell's Heroes and you know, it's Udo was there and
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I heard the beginning of his set and it took
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me only one second to know what song it was.
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But that first ten seconds is something that nowadays kids
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probably wouldn't even listen to, And that was fast as
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a shark, and when it's starting to be a dude,
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most kids nowadays would probably go to the next track after
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hearing that, and they would miss one of the best
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songs ever.
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Yeah, I listened to all types of crazy shit. I
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was to this day, to this day I listened to
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my favorite pink floid EP with Animals.
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Right nice.
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I love that and I'll be putting it on and
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people be like, what are you listening to?
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And I'm like, are you out of your mind? This
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is music, man.
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That album specifically has given me insight to all my
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bad choices of women for the rest of my life.
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And I'll tell you why. Because Okay, So I was
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twelve years old. My dad's business part had two stepdaughters.
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Both of them were super hot. Okay, one was thirteen,
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one was eleven. The thirteen year old she was like,
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I was still kind of geeky. I wasn't even really
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that cool yet, Like I was still you know, I
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was still kind of like that, you know, you're on
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that border of geekiness and cool them at that twelve
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year old bark right in that.
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Mix of puberty when it's starting to.
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Hit exactly that. Okay, So, she turned me on to
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that album Animals, and to this day, I can't listen
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to that album without thinking about her. Now, the funny
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part about the story is I had a total crush
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arm massive but she was thirteen. I'm twelve. That wasn't happening.
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Her boyfriend was some dude van who was seventeen or eighteen,
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you know, like that type that situation, yeap. And she also,
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you know, she was partying doing drugs. I hadn't found
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that life yet. And then there was a sister who
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was eleven, who was also super hot, and she had
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a super crush on me, and I wasn't interested at
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all because she was too young.
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I feel like that happens so a lot, like especially
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or younger, the ones you were chasing are interested and
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the ones that were chasing you you weren't interested in
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Oh totally.
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I think it happens to everybody as adults too. But
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here's the best part. Okay, so the older one she
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ended up like a heroin, addict, prostitute, all these things,
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like I dodged the bullet that her not liking me,
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and yet it is sad where but karma is a
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bitch and somebody up there as a sense of humor
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because the younger one she became a famous supermodel and
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that's the one I turned down. So it just I
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look at now, I'm like that was the beginning of
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my wrong choices.
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Yeah, yeah, And that's all thing I could listen to
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the song.
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The song dogs so much.
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That seventeen minute masterpiece has always been stuck.
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Imagine we were just talking about this and lasts on
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the interview. Imagine somebody listening to a seventeen minute song
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now like a kid.
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No, that's seventeen songs now exactly.
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You know I was talking about. Imagine kids would never
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listen to Daston confused because it was too long, you know.
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And I think that's what's making a comeback a little though,
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is that bands, you know, are going back to musicianship,
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you know. And I think the young even younger generations
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are going back to that too, because I have like
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two granddaughters that what they want for their birthday, They
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want me to take them to get them a vinyl.
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Yeah.
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Like definitely the hard too. The hardcore community tends to
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be extremely just about the music.
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Yeah, right, total, and that's.
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Good to see, especially with the younger kids these days. Unfortunately,
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a lot of it, you know, it sets yourself up
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that you right now you have to just learn how
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to be your own label. It's kind of like you
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were saying earlier, because a lot of people aren't taking
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people and spending that kind of money anymore. And now
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everything's so oversaturated. But you actually have the tools to
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get out there, you just have to be able to
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use them. And a lot of people don't want to
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even bother learning.
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How Yeah, and it's a lot, you know, Like so
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you know, you go back to a day of the
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tape tape trading days. That was fun. It wasn't a lot.
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But like even what I do, I have to be
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on all these different socials and it's like sometimes I
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just want to like throw it all out the window,
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you know, because it's like it's so much for you
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artists to have to do. You can't just do like
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one thing. You can't you can't do like Motley cru
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did and plaster flyers all over LA on telephone polls,
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and you know you have so much. It's a full
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time job.
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It's a full time job, a million percent, you know.
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As a band manager too, you know, I tell I
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tell my guys, I'm like, listen, if you think you
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can take a day off, you can't.
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Like they're not relevant anymore.
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No, man, if you take a couple hours off, people
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don't know who you are anymore. So it's it's it's
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so important to just be in front of someone's face constantly, right,
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And that's something that my band has been pretty successful
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at with our like impact reels that we have. You know,
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someone crashes into a car and all of a sudden
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it goes to a breakdown.
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Right.
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It really punches people into your music. It makes people
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pay attention, right, And that's that's hard now, it's hard
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to get anyone's attention.
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Yeah, totally. And even from my end, like as you know,
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because we met this way, I go on tour and
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I do media coverage at music festivals all over the US, UK, Europe.
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There's sometimes that I'm like, maybe I'm gonna sit out
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this year, this one, and then it's like no, I can't.
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I can't.
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You can't sit one out, you know. It's like otherwise
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you're not unrelevant anymore the next year.
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Even me, my band doesn't even have to be playing,
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and I somehow need to make sure that I'm there, right,
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you know, my band still has to have a representative
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at these things, even if we're not.
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Playing exactly exactly.
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Now.
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That's also the beauty nowadays is that you do have
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people like Danny Wimmer. They're putting on these major festivals
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and bringing artists up that normally win because that used
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to be like it's coming back next year, but that
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used to be Osfest is like I remember I was
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at os Fest ninety nine and saw on the third
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little teeny stage slip Knop Monday and in this moment
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all on the little teenie stage.
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Yes, it's it's insane.
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I remember one of my things as a kid, You
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remember hit Parader in Circus magazine. Totally my bedroom was
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just posted in all those pictures they'd have so mud vane.
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Chad Gray is like my idol.
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Nice, right, So when I got to meet him at
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Louder than Life and actually hang out with the guys,
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they're guitarist Marcus Efferty is a good friend of mine,
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so uh yeah, that was It was a really cool experience.
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And you know, Danny Wimmer, dude, you know, like their
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whole community, they just want everybody. They provide really literally
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a spot where everyone can just network and talk and
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and help each other grow and form connections and relationships.
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I owe.
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I feel like I owed Danny Wimmer like half of
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our career, honestly.
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And there's a lot of bands that could say the same,
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you know, Like he discovers bands. The funniest thing I
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remember is, you know the band Silly Goose right, yep,
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So I was trying to remember which festival it was.
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I'm pretty sure all of them, but the first one
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that they crash okay like old school punk bands used
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to do. Yeah, just pulled up and they played in
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the parking area without permission and Wimmer was sitting there
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with arms folded watching them.
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Yep.
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Next day they were on the stage yep, on a
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real stage. And they've been on festivals ever since.
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Yeah, they're so sick. I remember seeing that happen. And
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then we ended up playing the festival Incarceration. We played
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the small stage, but they they played the campgrounds, the
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campground stage, and they just had they had people hanging
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in trees. Dude, it was a party out there.
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Oh yeah.
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And those yeah, they're they're kind of like even for
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being younger, like, they're definitely an inspiration to people who
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are older. I feel like too, man, getting out there
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and really getting back to the roots of just we're
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gonna play whether the fuck you like it or not.
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Yeah, And you know, it is funny because they used
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to they they were before the Danny Wimer thing. They
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were going on tour doing this, like they didn't. It
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