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Sept. 21, 2026

From Theme Parks to Mosh Pits: Holy Watr at Louder Than Life

From Theme Parks to Mosh Pits: Holy Watr at Louder Than Life

In this energetic episode of The Adventures of Pipeman on W4CY Radio, Pipeman sits down with members of Holy Watr at Louder Than Life Festival. The conversation weaves through the band’s first impressions of the festival, the clash between roller coasters and legendary setlists, the creative process behind their live shows and music, stories from their DMs, the importance of artistic diversity, and the serendipitous way the band came together. Hilarious banter, honest reflections, and a clear love for music and performance are front and center.Main Topics Covered

  • First Impressions & Festival Vibes
    • Thoughts on Louder Than Life (aka “Hotter Than Life”)
    • Unique perks of the festival, including free access to the adjacent theme park 01:10
    • Weighing amusement park rides versus catching bucket-list bands
  • Band Priorities & Fan Experiences
    • Choosing between iconic band sets vs. roller coasters
    • Bucket-list performances: Killswitch Engage, Animals as Leaders, Jutes, Gojira, Tool, Death Clock 03:00
    • Festival set conflicts and making tough viewing choices
  • What Makes Holy Watr’s Shows Special
    • Fan stories from social media—pole dancing routines to their music 06:47
    • The energy and diversity that define a Holy Watr set
    • Discussion of new aggressive material and creative directions
  • Artistic Vision & Authenticity
    • The importance of musical diversity and creative evolution 08:55
    • Remaining true to their artistic vision—making music for themselves and attracting like-minded fans
    • The emotional transfer between artists and the audience
  • Band Formation Story
    • The origin of Holy Watr: childhood friendships, chance meetings, and finding the right drummer at the right time 14:08
    • Embracing change and fate, with nods to Buddhist philosophy on positive and negative events
  • Tour Announcements & What’s Next
    • Launch of the Deo Gratias tour—40 shows in support of their new album 12:34
    • Upcoming Florida dates: Tampa, Orlando, Gainesville
  • How to Connect & Support
    • Where to find music, social media, and merch 19:21
Key Discussions & Stories
  • Roller Coaster vs. Band Dilemma
    The crew jokes about choosing between thrill rides and seeing their favorite bands, ultimately deciding the live music wins out every time.03:23
  • Pole Dancing & Fan Engagement
    Pat recounts how fans send them pole dancing routines set to their tracks, particularly “Nail Polish,” and why their shows guarantee either “ass or an elbow” in the crowd 07:15.
  • Artistic Growth & Refusing to Pander
    In-depth talk about why Holy Watr blends different styles—from abrasive metal to Southern rock 09:15, and the belief that artists should always do what feels authentic rather than please everyone else.
  • Finding the Perfect Lineup by Fate
    From long-time friendships to finding the right drummer at the exact moment of need 14:10, the band credits serendipity and openness to life’s twists and turns as key to their current magic.
Notable Quotes
  • “First impressions, they last the longest.” — Pat 01:50
  • “I was personally impressed by the theme park, right next door. That apparently we can just go hang out in, ride all the rides for free.” — Pat 02:01
  • “If you’re looking to catch some ass, come see our set.” — Pat 07:47
  • “You really live this shit.” — Pat 03:31
  • “The responsibility of an artist is just to express themselves... don’t pander.” — Pat 09:26
  • “If you try to appeal to other people, you’re not gonna be happy... Play and write what you like, because then you’ll attract your tribe.” — Pipeman 09:38
  • “You come see a show, you’re gonna walk away a fan.” — Pat 19:08
Resources & Links Mentioned
  • Streaming & Social Platforms:
    Holy Watr’s music is available on all streaming platforms
    Find and follow on all major social media channels (“We might not be the most consistent at posting, but we’re around!”)19:21
  • Tour Details:
    Deo Gratias Tour—40 shows across the U.S., including Tampa and Orlando 12:34


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WEBVTT

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Hey, you're listening to Adventure on W4CY Radio.

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This is the Pipe Man here on the Adventure's Pipe

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Man W4CY Radio, and I'm here with... Holy Water.

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Holy Water.

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Holy Water.

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Who can say it best? We should have a contest

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who can say it best. Holy Water. No, no, no.

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No, I'm doing like the word you'll find that.

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Holy water.

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I don't have an inflection. Go to Chandler.

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You got it, brother. Holy water. Ooh.

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Ooh, now say it like the UFC guy. Holy water.

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No, I did mine.

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Do it again.

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What?

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You watch UFC more than us.

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Oh, no, no, I'm not. It's too early.

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Holy water. Nice.

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I think you were the winner. Yeah. There must be

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a reason. Where are my flowers? Pick them up at

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the door.

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Okay, man.

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Oh, man, you're here. I renamed this festival. It's louder

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than life, but it's renamed hotter than life. It's hot

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as shit. Oh, it's not even hot yet. Oh. I've

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been doing this for days. This is what happens right now.

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This is cold.

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You got sunscreen?

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No, fuck that. I live in South Florida, and I surf,

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so I'm like, fuck it. Yeah, right. Okay. True.

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True.

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I have that base. Except my neck, I don't want

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to see what my neck... I might be a redneck now.

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I might have turned into a redneck.

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Fair enough.

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So, is this your guys' first time playing louder? It is. Nice.

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What do you think so far? I know you haven't

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seen much of it, but from what you know and

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how you've been treated before getting here.

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Well, first impressions. They last the longest.

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Yes.

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And I was personally impressed by the theme park.

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Right.

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Right next door.

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Right.

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And apparently we can just go hang out and ride

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all the rides for free. And that's the first festival.

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I mean, most festivals will have little carnival rides and shit.

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Yeah, they'll have like the Ferris wheel, maybe something else.

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Yeah, but I ain't doing the Ferris wheel. I want

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a roller coaster. Right. And they got that here.

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They got the whole, it's a whole actual amusement park.

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Yeah. Yeah. Some of our favorite bands are playing today.

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And so now we have to choose between roller coasters

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or seeing some of the most goaded bands of all time.

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It's not easy, but at least, you know, we won't

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be bored.

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All right, well, then let's do a survey here, okay?

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Of the bands you want to see today, let's list

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the bands, and then I want to know band or

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amusement park. Okay.

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What, am I listing the band?

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Whatever bands you want to see today.

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All right. Kill Switch Engage.

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Okay, so....

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Animals as leaders. I have to look at the thing.

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For the record, I woke up like 15 minutes ago.

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I know. That's why this is more fun.

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Right.

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Kill Switch, Animals. I would like to see Jutes. I

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don't know who else is.

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Going to tool. All right, so let's just take those four.

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If you had to pick between the roller coasters or

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their set, which one would you pick?

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Between all of those bands or the roller coasters?

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Each one, each band.

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I mean, for me, it's going to be the bands

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every time. I mean, that's just what it is.

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That's a good answer.

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Yeah.

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You really live this shit. No doubt. You're truly a

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music lover now. Like, I could have given you shit. Like,

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what do you mean you're going to go to roller

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coasters and stuff?

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I feel like I have to see all these bands.

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I've been on roller coasters before. I haven't actually seen

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any of these bands. So, like, I feel like I

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have to.

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There you go. You know? Okay, so let's go with

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you now.

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To be fair, there are roller coasters all over the country,

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but some of these bands I've never had the opportunity

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to see.

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Exactly. Like Death Clock. Oh, you have to go to that.

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Yes, I'm aware. I have to go see them. I

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love that TV show.

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Well, that's what they do.

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That's what I heard.

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They just do the TV show. You can't even really

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see them. They don't want it focused on them.

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And I think I need that. I need that. Um,

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Animals is leaders. Javi is my boy. Um, so, if

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we have time after Load In, which, I don't know,

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you never know with this shit, then I'm definitely going

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to see them. Um, Gojira, I've never had an opportunity

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to see them either. Killswitch Engage, like, grew up on them,

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you know? So, I mean, there's so many great bands

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playing today, so I, of course, I have to go

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see the bands.

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There you go.

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Of course.

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Alright. Good answer.

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Can we take the mic from my wrist hurts?

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I think the hardest decision for me is Gojira or Tool.

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Oh, yeah.

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Because they're on at the same time, and that's really hard.

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I'm just going to say, in my opinion, Gojira 100%.

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All right. 100%. First of all, they're way more brutal.

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The pit will be insane, and they just have so

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much energy. Tool is cool, but Maynard sits in the back.

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And it's like, it doesn't give me that, I just

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want to jump into the mosh pit feeling. So that's

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why for me, Gojira. Like Gojira, the minute I hear

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that first riff, I'm like, exactly. Totally. Tool, I'll just

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be like, man, this is good. This is cool. I

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wish I was doing some drugs right now. It'd be

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even cooler. So there's my explanation right there. So who

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do you think you're going to pick?

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Probably Gojira.

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There. I think I sold you, huh?

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Sold me.

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I'll tell you what. One of the best shows I

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was ever at was Gojira at Hellfest in their home country. Headlining.

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Oh my god, that was fucking insane. Metallica headlined the

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year before. Gojira's crowd was bigger. Because it's their home country.

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You know? So there you go. But I think basically

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Gojira should go on tour, and, you know, be the

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warm-up band for you guys. You do a headliner, you

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invite Gojira to come along.

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Yeah, maybe first of three, something like that.

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Yeah, exactly.

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Make a good opener, you're right.

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Oh, man. So what could you guys tell the listeners

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about your band that would make them want to come

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see your set?

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You know, the first thing that comes to mind is

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probably from a video I posted a few days ago

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where I was just scrolling through our mentions, you know, Instagram,

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TikTok or whatever, or DM requests, and it's very often

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just entire pole dancing routines. I swear to God, bro.

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I swear to God.

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Maybe there's a message there.

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And we got there. There's something deep there. Like, I'm

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not sure what it is, but I know it's layered.

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And I remember there was this one story I read.

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This young lady reached out. She was like, yeah, so, man,

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I had the best night of my life the other night.

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I was dancing, doing my routine. And after I finished,

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this guy that was throwing money got up. He was beaming.

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He was like, yeah, it's my favorite fucking song. And

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she was dancing to Nail Polish. And so... Basically, I'm

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going to break the fourth wall. If you're looking to

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catch some ass, come see our set.

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Nice.

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Or an elbow. One of the two.

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Guaranteed. And both. I'll take both. Right.

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Best of both worlds.

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Like, what else could you want? Exactly. You know, to

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your point, though, it's so funny you brought that up.

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Because when I was listening to your newest song, I'm thinking,

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that totally... I could totally imagine being at a strip

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club and some chick, like, oh my God, she's doing

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this song perfectly.

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Yeah, you talking about Green Room?

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Yeah, yeah.

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Yeah, yeah, it's cool.

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It totally has that vibe, though.

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It does, and then we have Give Me a Show,

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and that's just aggression front to back, you know? But

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what else? What else do we have? I mean, we

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have some shit on the new record we're working on

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that's very aggressive, too. One of them's something of.

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A diss, but... I like that mix, okay? And I

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always talk about, I think the artists, like, when people

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give you shit, like, oh, how come you're not just

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keep doing this? Nah. Like, I think artists need to

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have that diversity to not be bored. Like, and, like,

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why not explore your creativity?

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Yeah, like, push the needle. Like, if we just did

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the same thing as everybody else all the time, then

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we wouldn't be progressing music.

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No.

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Today, you know? No. And at the end of the day,

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we're just... We just want to make shit that we like.

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And if that's something that's just abrasively heavy, cool, we'll

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do that. If it's something that mixes some shit in, cool.

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Or it's just smooth. We got something that's akin to

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Southern Rock to a degree off these new demos we

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cut a few weeks ago. I feel like the responsibility

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of an artist is just to express themselves. And whatever

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comes from that is... How should it be? You know,

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don't pander anything.

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Yeah, the best thing you said was basically, you know, like,

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play and write what you like. Because then you'll attract

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your tribe, you know? And if you try to appeal

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to other people, you're not going to be happy. But

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you're also not going to make everybody happy because somebody

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else will bitch and complain, you know? So as long

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as it's for you, who cares who says what? good

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00:10:00.509 --> 00:10:02.990
or bad because you'll gather the good people and the

211
00:10:03.029 --> 00:10:05.889
bad they don't like it they don't like it you

212
00:10:05.929 --> 00:10:10.879
know I like the diversification too like I love heavy

213
00:10:10.929 --> 00:10:14.129
heavy music but some of my favorite songs by the

214
00:10:14.200 --> 00:10:20.129
heaviest bands are their mellow songs like Metallica, Nothing Else Matters.

215
00:10:20.669 --> 00:10:24.730
Perfect example. Would I have liked that as Metallica when

216
00:10:24.830 --> 00:10:29.080
I was a teenager? No. But now that I'm not

217
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stupid like a teenager, it's like, that's a really good

218
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fucking song. And it doesn't matter. And it meant something

219
00:10:38.039 --> 00:10:41.799
to James, so I think everybody pulls that. And that's

220
00:10:41.830 --> 00:10:43.769
the thing. It's a transfer of emotion.

221
00:10:43.789 --> 00:10:44.289
Yeah.

222
00:10:44.809 --> 00:10:47.350
Whatever you're feeling is what you should write. Yeah.

223
00:10:47.769 --> 00:10:51.710
I mean, we all just have, like, a lot of, like, inspo. Like, obviously,

224
00:10:51.730 --> 00:10:54.190
this is a rock festival, and it's a rock band. But, like,

225
00:10:54.750 --> 00:10:57.809
all of us love, like, so many different types of music.

226
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It isn't just rock music exclusively or metal music exclusively.

227
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So, yeah.

228
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I mean, the goal is just to execute on the

229
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highest level at all of those things, you know?

230
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And as you grow as an artist, you want to

231
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get better and try different things and experiment, right? For sure.

232
00:11:13.820 --> 00:11:15.779
Yeah, also just out of boredom, too, because, like.

233
00:11:16.139 --> 00:11:17.379
That's what I was saying before, right?

234
00:11:17.399 --> 00:11:19.460
I just get... Yeah, it's just... I don't want to

235
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get bored.

236
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Like, I find there's a lot of bands nowadays that use, like,

237
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this formula because they're in this micro-genre that they have

238
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to fit into. Sure. And then I'm just imagining if

239
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I was the musician, I'd be bored as shit playing

240
00:11:34.029 --> 00:11:37.480
the same riffs all the time, basically. Yeah. Or singing

241
00:11:37.519 --> 00:11:39.379
the same kind of stuff all the time.

242
00:11:39.779 --> 00:11:40.000
Yeah.

243
00:11:40.570 --> 00:11:43.529
We all have different vibes to the point of different music, too.

244
00:11:44.009 --> 00:11:44.110
Yeah.

245
00:11:44.149 --> 00:11:47.470
Like, how you're feeling in the moment. There's times I'll

246
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be in my car and I'll put on Slayer and

247
00:11:49.669 --> 00:11:51.929
then the next song will be Sugar Magnolia by the

248
00:11:51.970 --> 00:11:54.029
Grateful Dead. You know, like... Yeah.

249
00:11:54.549 --> 00:11:56.779
No, my shuffle is just, like, out of control.

250
00:11:57.279 --> 00:11:59.919
It just, like, doesn't... For me, it makes sense to have, like,

251
00:11:59.960 --> 00:12:01.740
Knock Loose right next to a pop song and I

252
00:12:01.779 --> 00:12:04.559
love that, but, like, it's not... I guess not everyone

253
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listens that way, maybe. Yeah.

254
00:12:06.289 --> 00:12:06.649
I don't know.

255
00:12:07.049 --> 00:12:10.009
I do. Yeah. That's what I'm into. Just whatever mood

256
00:12:10.029 --> 00:12:12.629
you're in, and sometimes even just going down the road,

257
00:12:12.669 --> 00:12:16.120
your mood changes. For sure. Somebody cuts you off, and

258
00:12:16.179 --> 00:12:18.460
now you're going back to the brutal music because you're

259
00:12:18.500 --> 00:12:19.100
pissed off.

260
00:12:20.100 --> 00:12:20.600
Exactly.

261
00:12:21.340 --> 00:12:24.720
So what else you got going on after Louder?

262
00:12:26.210 --> 00:12:27.950
I'll hand you to my correspondent, Chandler.

263
00:12:27.970 --> 00:12:28.929
Yeah.

264
00:12:30.059 --> 00:12:32.759
We're just about to start the Deo Gratias tour.

265
00:12:33.100 --> 00:12:33.559
Yes.

266
00:12:34.360 --> 00:12:36.120
So we're touring our album that came out this year,

267
00:12:36.139 --> 00:12:40.299
and we have 40 shows overall.

268
00:12:40.399 --> 00:12:41.539
This is show number one.

269
00:12:42.500 --> 00:12:45.679
Oh, we're lucky enough to have the best one. The

270
00:12:45.740 --> 00:12:52.409
one when you're nice and fresh, got a good sleep, somewhat.

271
00:12:53.289 --> 00:12:56.990
But yeah, that's cool. So are you going to be

272
00:12:57.070 --> 00:12:58.049
in Florida at all?

273
00:12:58.549 --> 00:13:00.289
Yeah. We're going to be in Florida for a couple dates.

274
00:13:00.330 --> 00:13:02.750
I know we're doing Tampa. We're doing Warped Orlando.

275
00:13:02.769 --> 00:13:03.830
I think Gainesville.

276
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We're doing Gainesville.

277
00:13:05.830 --> 00:13:06.769
I'm actually not sure.

278
00:13:06.830 --> 00:13:08.970
I think we are doing Gainesville. Or maybe we're not.

279
00:13:08.990 --> 00:13:10.870
I don't know. Tampa for sure.

280
00:13:11.350 --> 00:13:11.649
Nice.

281
00:13:11.929 --> 00:13:12.110
Yeah.

282
00:13:12.990 --> 00:13:16.370
And so what can people expect from you guys from

283
00:13:16.389 --> 00:13:18.629
a live show? Why should they come out to your show?

284
00:13:20.320 --> 00:13:21.629
You can expect the best show of your life.

285
00:13:22.580 --> 00:13:23.320
That's beautiful.

286
00:13:23.440 --> 00:13:23.779
Yeah.

287
00:13:24.240 --> 00:13:25.919
I'm so fucking moved.

288
00:13:26.740 --> 00:13:27.279
There it is.

289
00:13:27.500 --> 00:13:30.539
This guy goes crazy. This guy goes crazy. I go crazy.

290
00:13:31.379 --> 00:13:35.039
I could definitely see all of you going crazy. And

291
00:13:35.080 --> 00:13:38.190
that's why I would go to your set. You better

292
00:13:38.210 --> 00:13:40.870
be there, boy. What time is your set today, anyway?

293
00:13:46.149 --> 00:13:48.419
I don't even know. If I get out of here,

294
00:13:48.960 --> 00:13:50.399
I do like to go to sets of all the

295
00:13:50.440 --> 00:13:53.220
bands I interview. I like it when I have the

296
00:13:53.259 --> 00:13:55.850
interview after, because then I can go to your set

297
00:13:55.899 --> 00:13:59.049
and talk about your set and shit like that. But

298
00:13:59.070 --> 00:14:00.789
what I'd like to talk about is how the three

299
00:14:00.830 --> 00:14:04.590
of you got together originally. How did that happen? How

300
00:14:04.610 --> 00:14:06.690
did this magic come together?

301
00:14:08.309 --> 00:14:09.570
Sure, yeah, I'll do it again.

302
00:14:10.649 --> 00:14:15.279
So, Pat and I have known each other... Since we

303
00:14:15.299 --> 00:14:17.740
were six years old. We both grew up in Atlanta together.

304
00:14:17.840 --> 00:14:19.220
Wow. Nice.

305
00:14:19.419 --> 00:14:21.740
And we've been making music ever since in some way.

306
00:14:23.600 --> 00:14:27.220
And then, like, Holy Water sort of started to, like, coalesce.

307
00:14:27.539 --> 00:14:31.799
And our other guitarist who's not here, Ice, he's only

308
00:14:31.820 --> 00:14:33.240
on the back half of the Stewart because he had

309
00:14:33.259 --> 00:14:34.090
some stuff to take care of.

310
00:14:34.179 --> 00:14:37.620
But he met Patrick, I think, at a party, right?

311
00:14:37.899 --> 00:14:38.419
It was a show.

312
00:14:38.460 --> 00:14:38.799
It was a show?

313
00:14:38.820 --> 00:14:40.279
I was playing a show with a side character.

314
00:14:40.840 --> 00:14:41.159
And then.

315
00:14:41.809 --> 00:14:45.090
He joined the project and then right when we were

316
00:14:45.629 --> 00:14:48.870
sort of in the process of not having our other

317
00:14:48.909 --> 00:14:54.110
drummer that started in Holy Water anymore, we met Daniel

318
00:14:54.590 --> 00:14:57.470
and it was sort of like fate because he walked

319
00:14:57.529 --> 00:14:58.809
up to me and was like, oh, are you looking

320
00:14:58.850 --> 00:14:59.409
for a drummer?

321
00:15:00.149 --> 00:15:03.889
And like that day we had decided we needed a drummer.

322
00:15:05.009 --> 00:15:05.409
Wow.

323
00:15:05.649 --> 00:15:07.629
So it's like, oh, this is crazy.

324
00:15:08.500 --> 00:15:09.419
That is crazy.

325
00:15:09.519 --> 00:15:13.019
So he came and played and absolutely, I was like instant.

326
00:15:13.039 --> 00:15:15.600
Absolutely. He was the first one to come in and

327
00:15:15.639 --> 00:15:17.570
we were like, well, no one else needs to come

328
00:15:17.620 --> 00:15:17.919
in now.

329
00:15:18.710 --> 00:15:22.750
See, that's proof like of things I think of, like

330
00:15:22.789 --> 00:15:25.210
when you have bad things or what you perceive as

331
00:15:25.269 --> 00:15:28.929
bad things happen, maybe they're not. Maybe they're exactly the

332
00:15:29.009 --> 00:15:31.470
good thing that's happening. You just don't see it yet

333
00:15:31.710 --> 00:15:33.690
because you're looking at the tree instead of the forest.

334
00:15:34.330 --> 00:15:37.409
And he was on the other side of the forest. Yeah, that's, yeah.

335
00:15:38.830 --> 00:15:41.809
I think there's a Buddhist saying or something or there's

336
00:15:41.830 --> 00:15:44.909
like a a story or it's not really much of

337
00:15:44.970 --> 00:15:48.830
a story say something good happens right like I don't

338
00:15:48.870 --> 00:15:51.700
know you just won a a Grammy or some shit

339
00:15:52.320 --> 00:15:54.279
I'm like bro I can't believe we won a Grammy

340
00:15:54.299 --> 00:15:56.659
this is like the best thing that could ever happen

341
00:15:56.700 --> 00:16:00.679
to us and then really what what it is to

342
00:16:00.720 --> 00:16:04.659
your point like well we'll see like we'll see or

343
00:16:04.679 --> 00:16:06.590
like the worst thing ever or something I think is

344
00:16:06.610 --> 00:16:08.710
terrible like oh fuck like You know, our drummer has

345
00:16:08.730 --> 00:16:09.269
to bow out.

346
00:16:09.289 --> 00:16:09.789
Yeah.

347
00:16:09.820 --> 00:16:12.080
What the fuck are we going to do? This is terrible.

348
00:16:12.120 --> 00:16:14.740
It's like, we'll see. Because then Danny came around, and

349
00:16:14.779 --> 00:16:18.500
this boy, he does not fucking miss. It's hilarious. Because

350
00:16:18.539 --> 00:16:20.980
we'll play a show. We'll do rehearsal. At the end

351
00:16:21.000 --> 00:16:22.480
of the show, he'll be like, yeah, I played all right.

352
00:16:22.740 --> 00:16:24.830
I'm like, you did not miss a single fucking beat.

353
00:16:24.879 --> 00:16:27.149
I don't know what the fuck you're talking about. You

354
00:16:27.169 --> 00:16:27.590
know what I mean?

355
00:16:27.610 --> 00:16:30.870
Well, music artists are like their own worst critics all

356
00:16:30.889 --> 00:16:34.389
the time anyway. One more time? You guys are your

357
00:16:34.450 --> 00:16:36.289
own worst critics all the time anyway. Oh, yeah.

358
00:16:36.610 --> 00:16:40.009
Yeah, 100%. And I had something funnier to say, but

359
00:16:40.429 --> 00:16:43.029
I've since forgot. It'll come back to me, and I'll

360
00:16:43.070 --> 00:16:44.440
interrupt whoever's talking to say it.

361
00:16:44.450 --> 00:16:46.470
All right, you'll probably interrupt him because I want to

362
00:16:46.490 --> 00:16:48.169
know what made him approach you guys.

363
00:16:48.320 --> 00:16:50.379
Okay, yeah, yeah.

364
00:16:51.740 --> 00:16:55.419
I mean, we all live in L.A., and there was

365
00:16:55.440 --> 00:16:57.860
just like a party DJ.

366
00:16:58.179 --> 00:17:00.879
What was it? Y'all were doing a DJ set, but

367
00:17:00.899 --> 00:17:02.440
I forget what the bigger event was.

368
00:17:03.039 --> 00:17:03.379
Whatever.

369
00:17:03.899 --> 00:17:06.000
It was an event. They were doing a DJ set.

370
00:17:06.619 --> 00:17:08.700
I would sometimes pull up to those events and I

371
00:17:08.720 --> 00:17:11.700
just like saw like the like lineup or whatever. Um,

372
00:17:11.740 --> 00:17:14.099
and I had seen the band previously, like some of

373
00:17:14.140 --> 00:17:16.640
the videos, I just thought the shit was dope. So

374
00:17:16.680 --> 00:17:19.700
I just figured I would just like come say hi, uh,

375
00:17:20.160 --> 00:17:23.680
and just like meet people and see what happens basically.

376
00:17:24.359 --> 00:17:25.119
So yeah.

377
00:17:25.259 --> 00:17:26.819
And then it just so happened that we like got

378
00:17:26.839 --> 00:17:30.319
along great and we're like super aligned creatively and also

379
00:17:30.359 --> 00:17:33.759
just felt like a good fit, like immediately. Yeah.

380
00:17:34.220 --> 00:17:37.579
That's cool. So, like, if that other drummer didn't bow out,

381
00:17:37.920 --> 00:17:40.819
you wouldn't be at Louder Than Life. You can look

382
00:17:40.880 --> 00:17:41.500
at it that way.

383
00:17:41.519 --> 00:17:45.150
There's a really, really, really good chance. Oh, yeah, there's

384
00:17:45.190 --> 00:17:45.890
a really good chance.

385
00:17:46.329 --> 00:17:46.589
Right?

386
00:17:46.730 --> 00:17:49.589
If Danny had not hopped aboard, you know, we would

387
00:17:49.630 --> 00:17:53.509
not be who we are today. I'm confident in that.

388
00:17:53.789 --> 00:17:54.299
There you go.

389
00:17:54.319 --> 00:17:55.809
Yeah, this boy's the GOAT. I'm telling you.

390
00:17:56.170 --> 00:17:59.170
So that makes it even more exciting to see your set.

391
00:17:59.289 --> 00:17:59.490
Yeah.

392
00:17:59.509 --> 00:18:02.109
Because I like to hear when you have that camaraderie

393
00:18:02.130 --> 00:18:07.380
because that, to me, is key. If you're not connected, hmm.

394
00:18:07.940 --> 00:18:09.259
You can feel that shit.

395
00:18:09.319 --> 00:18:12.039
Oh, totally. You feel it in the studio. You can

396
00:18:12.059 --> 00:18:13.160
feel it on stage.

397
00:18:13.359 --> 00:18:16.099
We can feel it. We can see it. You know,

398
00:18:16.119 --> 00:18:19.460
and God forbid you have something happen like punching out

399
00:18:19.500 --> 00:18:21.359
your guitar player or something like that.

400
00:18:23.740 --> 00:18:26.119
Yeah. We probably bounce back from that, too, to be fair.

401
00:18:26.519 --> 00:18:27.000
There you go.

402
00:18:27.640 --> 00:18:31.259
Or maybe not, actually. It's never happened. We'll see. Like

403
00:18:31.279 --> 00:18:31.779
I said, we'll see.

404
00:18:32.059 --> 00:18:35.460
There you go. Is there anything you want the listeners

405
00:18:35.480 --> 00:18:37.980
to know we haven't covered already? And tell them how

406
00:18:38.000 --> 00:18:40.000
I connect with you on socials, the web, and buy

407
00:18:40.039 --> 00:18:41.980
your merch, too, because they can't listen to my show

408
00:18:42.009 --> 00:18:42.980
unless they buy your merch.

409
00:18:43.309 --> 00:18:45.769
Okay. That's great. We got a paywall for the interview.

410
00:18:45.789 --> 00:18:46.849
Man.

411
00:18:47.730 --> 00:18:51.609
Man. I don't know, come fuck with us if you

412
00:18:51.630 --> 00:18:54.410
like real music, if you like real shit. If you

413
00:18:54.430 --> 00:18:55.910
want to listen to songs that come from a real

414
00:18:55.950 --> 00:19:00.210
place and from artists who are just making music ultimately

415
00:19:00.250 --> 00:19:04.130
for themselves and to honor that creative force that runs

416
00:19:04.150 --> 00:19:06.190
through each and every one of us, that's what the

417
00:19:06.230 --> 00:19:08.400
fuck we're doing. That's what we're on. Whether you like

418
00:19:08.420 --> 00:19:10.640
it or not, just know it comes from a real place.

419
00:19:10.660 --> 00:19:12.480
And I guarantee you, you come see a show, you're

420
00:19:12.500 --> 00:19:13.359
going to walk away a fan.

421
00:19:14.250 --> 00:19:17.849
Real is the best word for music anyway. If it

422
00:19:17.910 --> 00:19:21.089
ain't real, you shouldn't be doing it. It's bullshit. Exactly.

423
00:19:21.109 --> 00:19:21.589
It's bullshit.

424
00:19:21.630 --> 00:19:25.279
And you can check us out on any streaming platform.

425
00:19:25.319 --> 00:19:28.079
We're on every social media, though we might not be

426
00:19:28.559 --> 00:19:33.140
the most consistent at posting. You know, we're around. And

427
00:19:33.160 --> 00:19:35.609
we're on tour. We got 40 shows in two months.

428
00:19:36.089 --> 00:19:38.430
So there's a good chance if you're in the States,

429
00:19:38.890 --> 00:19:40.170
we're going to come to a city near you.

430
00:19:40.190 --> 00:19:40.490
So come on.

431
00:19:41.220 --> 00:19:41.779
Come check us out.

432
00:19:42.180 --> 00:19:42.500
Nice.

433
00:19:43.000 --> 00:19:45.509
Well, I'm glad you're here at Louder Than Life. You're

434
00:19:45.529 --> 00:19:46.309
going to kill it.

435
00:19:46.450 --> 00:19:46.930
Hell yeah.

436
00:19:47.089 --> 00:19:48.329
Next year, main stage.

437
00:19:48.470 --> 00:19:49.369
Fuck yeah. Let's do it.

438
00:19:49.589 --> 00:19:52.099
There it is. Thanks for being on the Adventures of

439
00:19:52.119 --> 00:19:52.579
Pipe Man.

440
00:19:52.779 --> 00:19:53.140
Thank you.

441
00:19:55.099 --> 00:19:59.289
Thank you for listening to the Adventures of Pipe Man

442
00:19:59.329 --> 00:20:00.769
on W4CY radio.