Jan. 29, 2026

Kid Bookie - Rose McGowen - Ryan Roxie (Long-Time Alice Cooper Guitarist)

Kid Bookie - Rose McGowen - Ryan Roxie (Long-Time Alice Cooper Guitarist)

Season 20, Episode 12 of The Adventures of Pipeman. Chapter 1: KID BOOKIE - Rose McGowan (feat. Rose McGowan) released on 20th Jan * (early hrs of Tuesday morning) Rose has said…. "I chose Kid Bookie because the moment I heard him, I knew our...

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Season 20

Season 20, Episode 12 of The Adventures of Pipeman.

Chapter 1:

KID BOOKIE - Rose McGowan (feat. Rose McGowan) released on 20th Jan * (early hrs of Tuesday morning)

Rose has said…. "I chose Kid Bookie because the moment I heard him, I knew our collaboration would be electric. His DM to me in 2024 was direct and real, but hearing the track sealed it. His ability to go from melody to a full-throttle roar over a propulsive beat had purpose and fire. After years of silence, I arrived in South London with no lyrics and no idea if creativity was still in me. In the studio, I tore a page from an engineer’s manual and wrote my first lyrics in six years. Bookie called it Rose McGowan ft. Rose McGowan. And it was an honor that he named the track after the essence of me before I’d even written a word. Bookie reached across an ocean. I reached back. The rest is this track; this cultural moment. I hope it resonates with all needing a release with a dose of ascension. I’m mad for it”.

Kid Bookie

  • Two-time MOBO AWARD nominated alternative artist & Heavy Music Awards nominated (Best Breakthrough Live Artist) artist.
  • Kid Bookie has carved out a unique lane in the UK music scene through a blend of genre-bending ambition and high-profile collaborations.
  • Bookie has earnt recognition across both rap and rock circles, highlighted by his acclaimed feature on Hacktivist’s “Armoured Core” and his collaboration “Game” with Slipknot’s Corey Taylor.
Rose McGowan
  • Played Tatum Riley in the horror classic Scream but arguably best known for playing Paige Matthews on Charmed.
  • Time magazine named her one of the “Silence Breakers” (Person of the Year) in 2017.
  • Published a memoir called Brave (2018), where she talks about her life, trauma, and work. - Rose is both a pop culture figure (through acting) and a social voice: her speaking out on abuse and power. Her work spans many mediums: acting, writing, music, and art.
  • Her life story is compelling: from a very unconventional childhood to Hollywood success and then activism.
Chapter 2:

Ryan Roxie Guests on Rocky’s Rock and Roll Symphony; New Song & Video Premiere on YouTube

Fight Another Day the brand-new single and official video

Ryan Roxie, longtime guitarist for rock legend Alice Cooper, was the featured guest on Rocky’s Rock and Roll Symphony, which aired on Christmas Day on the Music From The 412 platform and is now available On Demand via https://musicfromthe412.com/ryan-roxie/ and Roku.

Recorded on the eve of Alice Cooper and Judas Priest’s Pittsburgh concert, the intimate appearance featured an acoustic performance, audience Q&A, and meet-and-greet. Roxie performed selections from his solo catalog including “Second Chances,” “When You See God,” “The Risk,” “36 Hours,” and “The Question,” while sharing personal stories and insights into his career.

Known for his deep connection with fans, Roxie often bypasses backstage downtime in favor of spontaneous meet-and-greets, record store visits, and impromptu performances—what he affectionately calls the “Rock ’n’ Roll Parking Lot.” Pittsburgh has hosted many of his most memorable fan-first appearances.

Fight Another Day, the brand-new single and official video by Ryan Roxie, blending indie rock energy with a retro 8-bit video game aesthetic inspired by the classic arcade worlds. Released on Boxing Day, Fight Another Day is about resilience, appreciation for where you've come from, and finding the strength to keep going, one more level at a time. https://youtu.be/2VE9X1PdU7U

The track features guest contributions from Keith Weir (The Quireboys) on piano and keyboards and Brijitte West (NY Loose) on background vocals. West is best known for the band’s 1990s hit “Spit,” featured on The Crow: City of Angels soundtrack.

Platform: Music From The 412 / Roku
Website: https://musicfromthe412.com/ryan-roxie/
Status: On Demand Now
Concert Photo Credit: Bill Domiano

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WEBVTT

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Hi, you have unto censure?

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Wow, pray you.

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Wake up America.

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It's time for the Adventures of pipe Man.

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I'll you four C.

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Why do com West pomp Beach is number one internet

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radio station.

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Here's your host, the light Man, perfect picture bun and

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on the post. Everyone should know people.

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Want to draw off the gun inside of the host.

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ABC should show hut close, wriggle and a home.

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Yeah, this is a pipe man here on the Adventures

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of pipe Man, W four C Y Radio. And I

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am very excited about our next guest because man just

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released a killer single yesterday, and uh, I love the

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whole story about and what he's about. So let's welcome

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to the show. Kid Bookie. How are you.

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I'm wonderful, my friend, mister Patman, I'm.

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Doing great, doing great, I gotta say right off the

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bat too. I was laughing because I saw an interview

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that Rose and You did where you were talking about McDonald's.

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And yeah, that was cool.

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So McDonald's and recording, So how does this all happen?

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How does this all start? Tell us the story?

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I guess it's weird. I'm a I'm a you know,

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I'm a big collaborator and I'm known for. I'm known

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for sometimes pulling out things at the bag that I

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guess not many would do, but if they had the position,

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I always think they should have done it.

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You know.

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Yeah, yeah, you know.

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So I guess, you know, I'm making a project. I've

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got loads of friends on this project, you know, And

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I guess I'm blessed and fortunate enough to to have

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those types of friends. But I thought I had this

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idea for a record that I wanted to name genuinely

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just Rose and Gown. And I didn't know Rose at

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the time. Like I was like, I have this song

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of the name rosemen Gown because you know, it wasn't

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just about people, you know, making a person's name of

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the song for any reason or you know, for buzzwords.

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You know, we've got so many people that just put

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a woman's name of a song just to make that

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ship pop.

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But I was like, I was like, oh good, my bad.

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I was like, stop it. So I was like, a sorry, sorry.

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That's all right. That I don't know if it's a

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he or she but wants to be on the show.

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Is the problem clearly clearly that it was just getting

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like I just wanted to make a song with someone

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who's like a monolith in this culture and aligned myself

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with them on the record if I could, and the

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alchemy brew it to fruition. So what can you do

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about the universe and putting that sentiments that come.

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Right back to you?

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I know, Man, it's so badass and what a great song.

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And see the song also brings me back to, you know,

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like decades ago of how music was longer, and you

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kind of went on a journey and it's like you

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didn't even know what to expect, Like you take the

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old school metal, you really didn't know what to expect.

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You took a song like Battery by Metallica, and if

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you listen to it for only ten seconds, you missed

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the shocker in that cave writer, you know. And I

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felt that same way about this song. I'm listening to

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it and then all of a sudden it turns into

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this like brutal screaming. That was so badass. And I

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just love combining like the melody with the brutal metal

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and just bending all the genres to make something unique.

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I think if you're not well too many this might

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be their first introduction to me, especially if they are more,

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you know, just fans of Rose mcgow went away from music,

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and but this is a fsis I play with in

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all of my stuff. You know, this is like pure identity.

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This is not it's not hard, and it's like it's

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natural because I'm a student of the game.

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So coming into this game and studying it first and foremost,

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but also being able to be friends of the people

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that have taught me a lot of what I've known

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in this music industry is like, how can I not

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mix them so affluently? You know, they're both literally genome

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patterns in my coding.

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Man, Like they're like my, my, you split, my you

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split my wrist notes come out of that ship, you

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know what I'm saying. So it's like that's what's what

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I believe.

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So it's like I'm the I'm the generation that grew

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up on such an amalgamation of sounds. It's like it's

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almost you're doing yourself a di service to not pay

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homage to the to the to what's in you.

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No doubt, and that's why I love about you. From

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everything I've seen, You're like just true to yourself. You

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don't really care what anybody thinks. You're gonna be true

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to your own values more.

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Start caring just a little bit. I'll be real. You

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had to I went too far into the no Fox

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given and I had to come back.

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I know, right, Sometimes that does happen, But you know

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it's still You're still being real and you're still being you.

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And I think that's what's so cool about this song,

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because I think Rose is super cool and the fact

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that you guys collaborated for something that I think it's

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like been six years since she's even written any lyrics.

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Yeah, it's you know it is.

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You know, sometimes I have to detach myself from like

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Kid Bookie, the artists and kind of put myself back

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into Tyrone, the normal dude that you know, who's just.

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A civilian on earth, like you know, the Orgas that

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won the race. That's what I am.

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So like I have to sometimes go await a minute.

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You know where I come from in South London, you don't.

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I didn't know anybody, Like there's nobody I didn't know anybody,

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like you know what I'm saying. Like it's literally it

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was just me and and and the whistle of the wind.

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And you know, so I guess I do sometimes when

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I do step back and take look at the triumphs,

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but it's hard to sometimes count them.

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Like I'm really weird.

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I don't like I don't like to get excited too

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much because I know how quick excitement runs out. But

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that's because I'm experiencing my industry like I've had it,

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ole and I've had it.

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I've had nothing. So I'm like, all right, let me,

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let me focus and be very.

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Well.

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It's not even about being humble, because humble is such

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a weird word, but it's humility through the sections like cool,

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we've done this thing.

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You you can pull this together. So you clearly are

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you have you know what I mean, You have your

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magic in you.

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You can pull things together, whether or not you have

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to make people believe in your magic.

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It's a whole other level of magic itself. But yeah,

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you know, to be able to bring people out of there,

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I would say their own brain, because the reality is

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it was her choice to not you know, it.

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Is it is being inside your own head exactly. And

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you know, I get what you're saying too, because there's

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pipe Man and then there's Dean. Okay, and Dean. Even

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my ex wife confuses it. Okay, like, she'll listen to

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my radio show and she'll be like, she'll call one

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of my kids, what the fuck happy your father? Blah

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blah blah blah blah blah blah, and then she thinks,

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I'm like this different person. It's like there's there's multiple

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facets of our personality, you know, and like and I

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think that's the way everybody should be personally. I joke

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around on the show and I say I'm schizophrenic, but

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really it's just normal. You have different sides of you

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and different roles you play in your life.

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You know, in general, is every moment of mood and

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say it of who you are are, you know, And

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I think that's what I guess.

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It's weird.

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And I always say I relate to the crazy. So

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if you are one of the craziest getting on, so

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you know, well.

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They always say I attract the crazies.

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So for the same wavelengths, we're walking a very fine

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line of schizophrenia.

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So you know, it's and that's the thing.

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I'm so emboldened in my individuality, not to not just

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to serve it as this lawless, go fuck yourself mantra,

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but but but knowing that a lot of people project

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so much upon you that you start to rewire your

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own brain synapses to other people. Thinking where I've you know,

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I've had to really fight hard to trust myself more

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than anyone else because people make you not.

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Trust yourself and the only person you should trust. You

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need to learn to trust yourself because you have to make.

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Decisions every day through whether their choices of their inspiration,

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choices of happiness, sadness, whatever.

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You need to be very centered when you're going, when

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you're not, when you're not even centered, So you know,

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learning to be, like I said, operating through all of

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these places and knowing how who I want to be

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because I have been every.

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Shade of a man I don't want to be. So

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I like painting from the palette of the colors that

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I choose to be today, you know, I love and

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so yeah, it's nice to have people recognize that that

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that you know that I don't even know if it's

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just being yourself man, But it's like that many people

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are stuck. They're lost because everyone keep telling They listen

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to everyone telling them how to be, but most people

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don't even listen to their own advice.

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So I don't want to tell nobody had to be.

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I would always just say, take what's natural to you

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and manipulate it for yourself.

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And people can tell. People can tell when you're being

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natural or if you're being what other people want you

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to be type of thing. And you know, I do

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00:09:57.399 --> 00:10:00.679
want to clarify because even though you have you know,

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you are you and you don't give a fuck, but

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you do give a fuck. You just give a fucking

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the right places. And that's why you have a song

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like this like Rose McGowan and actually feature Rose McGowan

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in it, because she's somebody that does give a fuck

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about a lot of things. And that tells me something

200
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about you, because you guys wouldn't be clabbing unless you

201
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did give a fuck. But you give a fuck about

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the right things, like human beings.

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Oh you know what, Like it's she's she's she's her

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own beast, you know, and I'm my own beast too.

205
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I think the I think that's what allows us to

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kind of get on, because you know, we're not just

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trying to appease each other's happiness when you're not even

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like when it's just like hey hey hey, hey hey, No,

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that's like I don't have those relationships with anybody. So

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we are, you know, and I guess me being a

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very extreme character sometimes on the jump, I always say,

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you will know where you sit with me, and I'll

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probably know where I sit with you, just because you know,

214
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we're not just a bag of bones. We are vibing frequency.

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You know, we have brains for certain reasons, so you know,

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it's it's it's you know, And I try not to assume,

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so I won't assume who you are. But with five

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minutes will allow me to create a nice picture and

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run with that potential picture as a stairity, you know.

220
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But so roses, you know, we we are. We're very

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linear and relative in that kind.

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Of facet of just we're very open towards each other,

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whether we both like it or not. But that's the

224
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power of growth. It's knowing that it's not about what

225
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you both like or not. It's just about the betterment

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of remove ourselves from something and what is the betterment

227
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of this thing we're doing. And you know that's that's

228
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an enjoyable prospect for anyone you want to work with.

229
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I agree with that million percent just in general, Like

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I just think I did a person the other day

231
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because of course, you know all the bullshit going on

232
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in my country, and it's like people just like, if

233
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people aren't intentionally harming other people, accept them for who

234
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they are and you know, get to know them for

235
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who they are and opposed to who you want them

236
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to be.

237
00:12:07.720 --> 00:12:10.799
You know, like you said, was intent, Yeah.

238
00:12:10.919 --> 00:12:14.120
Exactly, exactly one hundred percent. And the fact of the

239
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matter is is we all come from different backgrounds, different upbringings,

240
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different geographics, different influences, friends, variables, family, that we're all

241
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going to have different opinions about things. Maybe we could

242
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learn from each other instead of fighting with each other

243
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because we don't agree, you know. And I think people

244
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should speak their mind. If they have good intentions, they

245
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should speak their mind, whether you agree with them or not.

246
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And that's the thing.

247
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I think everyone likes to know it all right, So

248
00:12:46.200 --> 00:12:48.679
no one's got room to learn anything because people think

249
00:12:49.159 --> 00:12:51.799
they're operating from their level of understanding, in their place

250
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of thinking. That sometimes, depending on how you think, might

251
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put a guard up to you thinking how you absorb

252
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other people's thinking.

253
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I'm very open, you know. The man on the street with.

254
00:13:01.399 --> 00:13:03.080
Nothing can teach me a lot, and not just because

255
00:13:03.080 --> 00:13:05.000
he's got nothing. But I don't even know what he's

256
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saying or what his thoughts are. But when you get

257
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into the when you get into speaking, speaking is just

258
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a flow state of consciousness. And the more people become

259
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conscious when you speak, the more you start to understand

260
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about them, and the more you learn.

261
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So I'm always open to learning.

262
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Like I'm I think, I guess people always said to me,

263
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like my my biggest problem in this industry.

264
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Is that I'm so, and maybe it is, but I'm

265
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so like I don't.

266
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I'm not like no matter what depresses say about me

267
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or I'm the this thing, I'm I'm just a dude

268
00:13:32.960 --> 00:13:35.879
with scars on his body, like I never.

269
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I'm not out here to be famous. I don't give

270
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a fuck about Hollywood.

271
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I don't care about the mannerisms I need to keep

272
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for someone to take a photo and looking I don't

273
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give a fuck.

274
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I'll put my asshole out there on the camera and

275
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probably far whilst doing it, you know, so like.

276
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Like don't like, and that will make the person who's

277
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who's trying to be the glass frame without the crack

278
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fucking fall over and shatter to a thousand pieces. But

279
00:13:58.159 --> 00:14:02.360
sometimes they need that because I fucking perfect shit and

280
00:14:02.440 --> 00:14:03.879
I don't want to be around it. I don't want

281
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to associate with it. I enjoy the visceral nature of

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human beings and all of their forms. If you're a

283
00:14:09.519 --> 00:14:13.000
bit unhinged, and you know, find out where it places

284
00:14:13.159 --> 00:14:15.639
best and just learn how to learn your method to

285
00:14:15.720 --> 00:14:17.279
your chaos or method to your madness.

286
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I'm a man who's lived in so much chaos that

287
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I found peace in it.

288
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But now it's more like I don't want to always.

289
00:14:23.200 --> 00:14:25.799
I'm not even angry like that anymore. So I'm more like,

290
00:14:27.320 --> 00:14:30.279
it's just nice to It's nice to operate from places

291
00:14:30.320 --> 00:14:32.759
of thinking and states of being where they are just

292
00:14:32.879 --> 00:14:35.639
literally from a neutral place, and I don't add any disdain,

293
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malice or whatever my intent is.

294
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I do my best.

295
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I try not to assume, I don't take anything personal,

296
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and blah blah blah blah blah. I might fail tomorrow,

297
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but as long as I keep remembering, it allows me

298
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to keep reshaping those thoughts that I have to go

299
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through and paintful this palette I said, I want to

300
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be you know.

301
00:14:53.399 --> 00:14:55.840
I love it and so true too, because like when

302
00:14:55.879 --> 00:14:59.080
we live in chaos, which I have too. It's like

303
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you become comfortable with it, and then it isn't until

304
00:15:03.240 --> 00:15:05.679
you decide not to live in that chaos that you

305
00:15:05.840 --> 00:15:09.799
realize how uncomfortable it was. You think you were comfortable.

306
00:15:10.960 --> 00:15:16.639
Yeah, oh my god, yes, yeah, yeah, yeah, yeah, but

307
00:15:16.799 --> 00:15:20.360
everyone aids you because sometimes your chaos is what's bringing

308
00:15:20.440 --> 00:15:22.559
their pleasure because.

309
00:15:22.360 --> 00:15:24.759
Oh yeah, they don't want you to change. They don't

310
00:15:24.799 --> 00:15:27.200
want I know people in my life when I've made

311
00:15:27.360 --> 00:15:30.480
changes that were better for me, they didn't like it

312
00:15:30.600 --> 00:15:32.240
because it wasn't better for them.

313
00:15:33.320 --> 00:15:39.200
Unfamiliar, right, So we like familiarity in patterns, and humans

314
00:15:39.519 --> 00:15:41.480
live in patterns, and when you break a pattern, they

315
00:15:41.519 --> 00:15:43.759
there's no fault to jump to because they normally jump

316
00:15:43.799 --> 00:15:46.039
to the next sport. But I don't mind scattering my

317
00:15:46.120 --> 00:15:49.000
thoughts around and kind of reshaping what ways I need

318
00:15:49.120 --> 00:15:51.679
to think, because everything a plot needs a different tendem,

319
00:15:51.799 --> 00:15:55.759
you know. Yeah, so yeah it is, it's weird. It's

320
00:15:55.799 --> 00:15:57.919
not weird at all. Actually, it's quite simple. But we

321
00:15:58.039 --> 00:16:02.120
are around people that enjoy and complex scenarios in the

322
00:16:02.159 --> 00:16:04.960
simple situations when all they require is sometimes yes or

323
00:16:05.039 --> 00:16:06.519
no exactly.

324
00:16:06.960 --> 00:16:09.759
And all this is why you're such a true artist

325
00:16:09.879 --> 00:16:14.720
because to me, the artists that last are the ones

326
00:16:14.840 --> 00:16:17.200
that think like you. They're not the ones looking to

327
00:16:17.279 --> 00:16:20.240
get rich and famous. They're not the ones looking to

328
00:16:20.480 --> 00:16:23.919
become a celebrity. Usually it's the exact opposite.

329
00:16:24.159 --> 00:16:24.320
You know.

330
00:16:24.519 --> 00:16:27.879
You take somebody like Kurt Cobain, he hated it, and

331
00:16:28.320 --> 00:16:30.360
you know he would rather just sit in the hotel

332
00:16:30.440 --> 00:16:33.720
room and play his guitar with Courtney, you know, instead

333
00:16:33.720 --> 00:16:36.519
of being out there with everybody like, oh my god,

334
00:16:36.600 --> 00:16:39.039
oh my god. And that's the truth, dude.

335
00:16:39.320 --> 00:16:42.200
I get vetted every single time people want me to

336
00:16:42.240 --> 00:16:44.320
be on something, and I just literally like, you know,

337
00:16:44.440 --> 00:16:45.960
the more you've just done this to me, the more

338
00:16:46.000 --> 00:16:49.559
you've made my brain oppose everything you just thought. And

339
00:16:49.639 --> 00:16:51.600
it's like, I hate it, but was just like almost

340
00:16:51.720 --> 00:16:54.240
molding a shape of you to be presented to people

341
00:16:54.600 --> 00:16:56.679
for a wider taste. But I'm like, you don't know

342
00:16:56.759 --> 00:16:59.639
what they want. You have no idea what people want,

343
00:17:00.000 --> 00:17:02.639
and you can't decide that until they've given it. Because

344
00:17:02.679 --> 00:17:05.160
you can hand people two folks that look like exactly

345
00:17:05.240 --> 00:17:07.960
the same and one might just have a small point

346
00:17:08.160 --> 00:17:11.519
at the top, and it's like it's just it's just

347
00:17:11.599 --> 00:17:14.039
their preference. We don't fucking know, you know what I'm saying.

348
00:17:14.519 --> 00:17:17.640
And it's like, so most of the time, I've always

349
00:17:17.680 --> 00:17:21.920
been like, ah, Bookie, like can you And I'm like, no, no,

350
00:17:22.519 --> 00:17:24.680
because every time I leave the thing that you told

351
00:17:24.720 --> 00:17:27.119
me I shouldn't been doing, you're sitting in the game

352
00:17:27.240 --> 00:17:29.759
that was amazing, And I'm like, you're so used to

353
00:17:29.920 --> 00:17:33.880
conventional bullshit that when you really get ship, that's not bullshit.

354
00:17:34.079 --> 00:17:36.799
And it's just shit with no sugar on top of it,

355
00:17:36.920 --> 00:17:39.279
not shit coated sugar. It's just a pile of shit

356
00:17:39.960 --> 00:17:41.880
and it's just there for you to look at without

357
00:17:41.880 --> 00:17:43.759
having to question and put under the microscope.

358
00:17:43.759 --> 00:17:46.640
It's just shit. People don't know what to fucking do

359
00:17:46.759 --> 00:17:48.880
because they want to explain this shit. They want to

360
00:17:48.880 --> 00:17:51.359
explain the ridges of the edge of that fucking pooh,

361
00:17:51.400 --> 00:17:52.519
and it's just shit.

362
00:17:53.039 --> 00:17:53.559
You know what I mean?

363
00:17:54.160 --> 00:17:59.039
Yeah, yeah, I love it, but I will say Rose

364
00:17:59.119 --> 00:18:02.599
McGowan feature Dan Rose McGowan is definitely not shit. It's

365
00:18:02.640 --> 00:18:06.319
a badass song and everybody's got to check it out.

366
00:18:06.880 --> 00:18:10.519
How do they connect to you on socials on the web,

367
00:18:10.680 --> 00:18:12.640
how they get the new song? Check out all your

368
00:18:12.680 --> 00:18:15.440
other stuff. You've also done a lot of other great

369
00:18:15.559 --> 00:18:19.279
collapse and some great songs with Corey Taylor. So let's

370
00:18:19.319 --> 00:18:21.920
share with everybody how they can connect to you, and

371
00:18:22.039 --> 00:18:24.519
we could make this message even bigger and stronger.

372
00:18:25.680 --> 00:18:28.960
You can connect to me by just I don't know,

373
00:18:29.079 --> 00:18:32.000
clicking my handle and having a gander upon the pages

374
00:18:32.079 --> 00:18:34.200
of the content I have to put out and the

375
00:18:34.279 --> 00:18:37.000
selected little writings I put on Twitter and making a

376
00:18:37.039 --> 00:18:39.640
big formation of who I potentially can be. And then

377
00:18:39.680 --> 00:18:42.000
you can message me in and I'll respond longer, and

378
00:18:42.079 --> 00:18:44.240
then you go, ah, now I've got a little personal

379
00:18:44.359 --> 00:18:46.079
thing into it, and then all of a sudden you've

380
00:18:46.119 --> 00:18:47.720
got a parasocial relationship.

381
00:18:47.960 --> 00:18:49.559
But there we go. That's where you can catch me,

382
00:18:50.039 --> 00:18:52.599
or you can just find me on the streets lingering

383
00:18:52.759 --> 00:18:53.759
finding out what's going on.

384
00:18:55.720 --> 00:18:58.759
There. You go, well, do you have any final words

385
00:18:58.799 --> 00:19:00.880
for our listeners that we haven't covered lay that you

386
00:19:00.960 --> 00:19:03.920
want to let them know that's coming up? And of course,

387
00:19:04.400 --> 00:19:07.599
oh we didn't talk about that. Your tour as well.

388
00:19:09.480 --> 00:19:13.119
I am not currently got any tours in the pipeline,

389
00:19:14.200 --> 00:19:19.279
but when I when I do, they'll be announced nice.

390
00:19:19.920 --> 00:19:23.319
So everybody connect connect on socials to kid Bookie so

391
00:19:23.440 --> 00:19:27.119
you can see when that tour is gonna happen, and

392
00:19:27.440 --> 00:19:29.680
uh so you can see all the new music and everything.

393
00:19:30.000 --> 00:19:33.960
And thanks a lot for you know, giving a what

394
00:19:34.119 --> 00:19:37.160
I call a positive voice to the world when we

395
00:19:37.319 --> 00:19:40.359
need it most. And thanks for being on the adventures

396
00:19:40.400 --> 00:19:42.440
of Pipe Main and you look into.

397
00:19:42.400 --> 00:19:46.200
W four dy Radio with the pipeline, Kiki Bookie go

398
00:19:46.400 --> 00:19:47.599
walking stills, but don't do it.

399
00:19:49.960 --> 00:19:52.960
Welcome to rock Fille returns to Dayton on a international

400
00:19:53.079 --> 00:19:59.000
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five Finger, Dead Punch, The Offspring, Breaking, Benjamin a Data,

403
00:20:10.359 --> 00:20:12.960
remember At, a Smack, and so many more. Welcome to

404
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410
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and so many more. Sonic Temple in Columbus, Ohio, May

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fourteen to seventeen, passes on sale now for as low

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as one dollar down at Sonic Temple Festival dot com.

413
00:20:49.759 --> 00:21:04.920
Jamie how Vegas, Now, this is the pipe Man here

414
00:21:05.039 --> 00:21:07.559
on the Adventures of pipe Man W four c Y Radio.

415
00:21:08.000 --> 00:21:11.240
I'm super excited about our next guest and actually where

416
00:21:11.279 --> 00:21:13.359
he's at, because we were just talking about that before

417
00:21:13.440 --> 00:21:16.759
the interview. So let's welcome to the show, Ryan Roxy.

418
00:21:16.880 --> 00:21:18.640
How are you tut up?

419
00:21:19.119 --> 00:21:20.359
What's happening in pipe Man?

420
00:21:20.440 --> 00:21:22.720
Great to be on the show, Oh Man, Great to

421
00:21:22.839 --> 00:21:25.680
have you first. I have to say right off the bat,

422
00:21:26.079 --> 00:21:31.240
I love your studio. Back in there with all those guitars.

423
00:21:32.279 --> 00:21:35.240
Let's start there. Tell us about those guitars, because I'm

424
00:21:35.279 --> 00:21:37.440
sure each one of those the way you have them

425
00:21:37.519 --> 00:21:40.279
placed has some special significance to you.

426
00:21:41.400 --> 00:21:44.200
The only significance it has is that I actually need

427
00:21:44.359 --> 00:21:46.559
every single one of the guitars that that's sort of

428
00:21:46.680 --> 00:21:49.640
put around the room. Expect you This one, especially because

429
00:21:49.680 --> 00:21:54.759
it's a original Alice Cooper Band guitar, was the Gibson SG.

430
00:21:55.559 --> 00:21:59.279
Both the original ogs Michael Bruce and Glenn Buston played

431
00:21:59.319 --> 00:22:02.359
the SG. So there, in fact, I have to learn

432
00:22:02.400 --> 00:22:04.799
a lot of those songs and their parts. Makes it

433
00:22:04.880 --> 00:22:08.400
easier to do on the SG I thought you'd like

434
00:22:08.480 --> 00:22:10.960
to talk about the room because, like, to be honest

435
00:22:10.960 --> 00:22:12.319
with you, I can go and pick up that guitar.

436
00:22:12.359 --> 00:22:16.559
It's not even a green screen. Which for the longest,

437
00:22:16.640 --> 00:22:19.960
longest time I have done a podcast called the End

438
00:22:20.000 --> 00:22:25.279
of Trenches podcast, and I always had a studio green screen,

439
00:22:25.359 --> 00:22:27.799
and people always thought, oh, man, yeah, that's a cool studio.

440
00:22:27.920 --> 00:22:29.839
But I actually have a cool studio.

441
00:22:30.440 --> 00:22:33.200
See that looks cool to me. I'm like, I wish

442
00:22:33.279 --> 00:22:35.359
I had that as a green screen.

443
00:22:37.440 --> 00:22:40.480
I'll send you a screenshot of of just the studio,

444
00:22:40.599 --> 00:22:44.440
but no, I'm very lucky to have this and be

445
00:22:44.519 --> 00:22:48.079
able to record music. I recorded the last two singles

446
00:22:48.119 --> 00:22:51.400
of the guitars and vocals right here in this room,

447
00:22:51.480 --> 00:22:54.359
and then it kind of an international affair. The drums

448
00:22:54.400 --> 00:22:57.519
recorded in Albuquerque and his home studio, and then we

449
00:22:57.720 --> 00:23:01.559
send up all the tracks to Camp to our producer

450
00:23:01.680 --> 00:23:05.960
Robbie Miller, and he basically, you know, puts all the

451
00:23:06.039 --> 00:23:08.839
love in, puts in all the hard work making it right,

452
00:23:09.079 --> 00:23:12.799
and it becomes an international sort of recording, especially with

453
00:23:12.920 --> 00:23:15.640
this newest single that we just have called Fight Another Day.

454
00:23:16.119 --> 00:23:19.359
We had a keyboard player from the UK Keith Wheer.

455
00:23:20.240 --> 00:23:24.400
He emailed his tracks in to Canada from the UK,

456
00:23:24.599 --> 00:23:27.160
and then Bridget West from the New York Loose. She

457
00:23:27.319 --> 00:23:29.960
sang some backgrounds on it, and she was somewhere in

458
00:23:30.039 --> 00:23:33.200
Europe and she laid her vocals down, So truly is

459
00:23:33.240 --> 00:23:34.359
an international affair.

460
00:23:35.160 --> 00:23:37.680
And first of all, I want to say, I love

461
00:23:37.799 --> 00:23:40.839
the name of that song alone because I lived that

462
00:23:41.119 --> 00:23:42.000
my whole life.

463
00:23:42.480 --> 00:23:45.319
Okay, another day always you.

464
00:23:45.400 --> 00:23:50.039
Know that to me, like says it all, Like I

465
00:23:50.079 --> 00:23:53.119
don't even have to listen to this song yet and

466
00:23:53.480 --> 00:23:56.880
know that that is all me. And I'll tell you

467
00:23:57.000 --> 00:23:59.680
what tripped me out too. Okay. So I'm wearing today

468
00:24:00.039 --> 00:24:03.000
Grateful Dead shirt because my live show in a couple

469
00:24:03.160 --> 00:24:06.400
hours I'm going to be dedicating most of it to

470
00:24:06.519 --> 00:24:11.839
Bobby Weir. And I was like, trip it out what

471
00:24:12.039 --> 00:24:16.359
I saw the same name, and I'm like, wow, that's

472
00:24:16.480 --> 00:24:17.240
really weird.

473
00:24:17.920 --> 00:24:18.440
He's weird.

474
00:24:18.559 --> 00:24:21.480
Yeah. On the keyboards and on the piano, he's great.

475
00:24:21.519 --> 00:24:23.359
He was in a band called the London Choir Boys.

476
00:24:23.359 --> 00:24:25.359
He's been there for years and now he's him and

477
00:24:25.440 --> 00:24:30.559
Griff has their own band together, Griff Griffin from the

478
00:24:30.680 --> 00:24:33.640
Choir Boys. They've got their own thing together, and it's

479
00:24:33.720 --> 00:24:37.960
it's sounding real good. But you know, the grateful dead.

480
00:24:37.960 --> 00:24:39.880
If you're doing a whole show, and it shouldn't.

481
00:24:39.519 --> 00:24:41.599
You be like bong man and not pipe man.

482
00:24:42.960 --> 00:24:45.079
You know what's so funny about that? So I go

483
00:24:45.200 --> 00:24:48.440
on tour and I do festivals all over the US, UK, Europe,

484
00:24:48.480 --> 00:24:53.039
and you know, the one question I don't ever ask

485
00:24:53.279 --> 00:24:56.920
artists is the question that's asked of me all the

486
00:24:57.079 --> 00:25:00.759
time by artists Like so, I never asked, how'd you

487
00:25:00.839 --> 00:25:04.319
get your band name? You know, because I know from

488
00:25:04.519 --> 00:25:06.559
a lot of my friends too, that's like the number

489
00:25:06.640 --> 00:25:11.920
one hated question that they get. And they all go

490
00:25:12.160 --> 00:25:15.680
to me. They all go, well, word, pipe man, come,

491
00:25:15.759 --> 00:25:18.799
and they always make these assumptions and then they literally

492
00:25:18.920 --> 00:25:21.319
will write a song in the middle of the interview

493
00:25:21.400 --> 00:25:24.319
and like sing this song and it always either has

494
00:25:24.400 --> 00:25:27.880
to do with plumbing or what you just mentioned, bongs.

495
00:25:30.519 --> 00:25:35.680
So everyone knows you were a former adult actor, so

496
00:25:36.240 --> 00:25:38.680
you know pipe man was your sort of your nickname.

497
00:25:38.759 --> 00:25:41.279
I guess, yeah, there there you go.

498
00:25:41.960 --> 00:25:44.799
He was your he was your moniker send in the

499
00:25:44.880 --> 00:25:45.359
pipe man.

500
00:25:46.079 --> 00:25:50.400
That's right, exactly, see, and I surf so it could

501
00:25:50.440 --> 00:25:52.680
go along with that too, like it could go so

502
00:25:52.920 --> 00:25:53.960
many different ways.

503
00:25:54.839 --> 00:25:57.279
I think that's where it actually came from, you know,

504
00:25:57.400 --> 00:25:59.079
cause you're in the pipe, you're in you know.

505
00:25:59.799 --> 00:26:04.759
Our skateboarder. I'm a skateboarder too. But guess what my

506
00:26:04.920 --> 00:26:09.359
last name. Yep, my last name is Piper. That's where

507
00:26:09.400 --> 00:26:12.039
it came from. It's as simple as that. And that's

508
00:26:12.119 --> 00:26:15.319
what I find if people ask how people got their

509
00:26:15.359 --> 00:26:19.759
band names, because usually there's not some big story behind it.

510
00:26:19.920 --> 00:26:23.839
It's some simple thing or like, hey, we were just

511
00:26:23.920 --> 00:26:27.519
hanging out, we were Stone and the name sounded good.

512
00:26:28.240 --> 00:26:31.480
Well, yeah, Roxy seventy seven, which is the name of

513
00:26:31.680 --> 00:26:35.359
my solo band. That is pretty obvious, is my last thing.

514
00:26:35.759 --> 00:26:37.119
Roxy seventy seven made sense.

515
00:26:37.359 --> 00:26:39.960
The band before that that I had a kind of

516
00:26:40.000 --> 00:26:42.599
my solo band, but I put a band name to

517
00:26:42.839 --> 00:26:45.480
it was Dad's Porno Mag DPM with the great Mike

518
00:26:45.559 --> 00:26:47.680
Fazano on the drums and Will Efforts on the base.

519
00:26:48.839 --> 00:26:52.079
But that was Dad's Porno mag And that's again pretty

520
00:26:52.119 --> 00:26:55.240
self explanatory. The first time you found out about sex,

521
00:26:55.680 --> 00:27:01.039
first time you found maybe he saw another another person

522
00:27:01.119 --> 00:27:03.880
of the opposite sex with no clothes on, was probably

523
00:27:04.039 --> 00:27:04.799
your dad's.

524
00:27:04.559 --> 00:27:07.759
Pornomag At least from my generation you know.

525
00:27:07.880 --> 00:27:11.119
Now's yeah, and that's true. It is true. It is true.

526
00:27:11.599 --> 00:27:13.359
And as somebody that used to hang out at the

527
00:27:13.480 --> 00:27:17.839
Rainbow with Lemmy and uh Ron Jeremy, it is true

528
00:27:18.799 --> 00:27:23.839
talking about a pipemin there you go, I know, and

529
00:27:24.119 --> 00:27:25.119
I want to know too.

530
00:27:25.359 --> 00:27:26.480
Like, so.

531
00:27:28.519 --> 00:27:31.720
I heard that Alice Cooper is like one of the

532
00:27:31.880 --> 00:27:36.799
greatest to work with, you know, like like and and

533
00:27:37.200 --> 00:27:40.319
encourages stuff like you're doing now, doing your own thing,

534
00:27:40.559 --> 00:27:46.920
doing your own creativity, having your own projects. So and

535
00:27:47.000 --> 00:27:49.039
I don't think everybody's like that. In fact, I know

536
00:27:49.279 --> 00:27:52.480
not everybody's like that. So how cool is he that?

537
00:27:53.319 --> 00:27:56.920
Being secure in your own ego and in your own legacy.

538
00:27:57.079 --> 00:27:59.279
For Alice, he really is. He's the best boss I

539
00:27:59.359 --> 00:27:59.839
ever had.

540
00:28:00.319 --> 00:28:03.359
And trust me, I've worked a lot of fast food restaurants,

541
00:28:03.440 --> 00:28:07.880
so I figure he is the best as far as

542
00:28:08.200 --> 00:28:12.279
letting you shine because of that sort of being relaxed

543
00:28:12.359 --> 00:28:17.759
in his own legacy and stardom and household name status.

544
00:28:18.640 --> 00:28:21.839
When you play guitar solo, he wants you up in

545
00:28:21.920 --> 00:28:22.559
front and center.

546
00:28:22.640 --> 00:28:24.519
He doesn't want you sitting in the back, sort of

547
00:28:24.599 --> 00:28:26.799
you know, pulling a Jeff Beck and putting your putting

548
00:28:26.839 --> 00:28:28.599
your back to the audience or anything like that.

549
00:28:28.880 --> 00:28:32.039
No, he wants you boom up in the center in

550
00:28:32.119 --> 00:28:32.799
the spotlight.

551
00:28:33.400 --> 00:28:36.880
And I really appreciate that about him because he's always

552
00:28:37.240 --> 00:28:39.400
supported us, everybody that's.

553
00:28:39.240 --> 00:28:42.519
In the band, with our solo projects. And you know what,

554
00:28:42.759 --> 00:28:44.279
if I can just get him to listen to the

555
00:28:44.359 --> 00:28:45.960
new single, I think he'll really like it.

556
00:28:46.880 --> 00:28:50.359
There you go, well, let's do that. And you know

557
00:28:50.480 --> 00:28:54.240
it is It's funny because it's true, because like I'm

558
00:28:54.319 --> 00:28:58.440
friends with Nita, and I just thought it was very cool.

559
00:28:58.720 --> 00:29:00.640
You know, she went and did something else for a

560
00:29:00.680 --> 00:29:03.640
little while, but then she was just welcomed back with

561
00:29:03.799 --> 00:29:06.039
open arms. When she realized it was time to come

562
00:29:06.119 --> 00:29:07.920
back to Alice, she did her.

563
00:29:07.920 --> 00:29:09.880
Version of tal Bachman of what I did.

564
00:29:11.599 --> 00:29:13.839
If anyone knows that name, if you know, you know,

565
00:29:14.039 --> 00:29:17.200
but I was in a band between the during the

566
00:29:17.319 --> 00:29:20.920
Alish years, between tours and stuff. It was an artist

567
00:29:20.960 --> 00:29:23.400
called tal Bachman, and there was you might not know

568
00:29:23.519 --> 00:29:26.400
the name, but you know, obviously there's big pedigree in that.

569
00:29:26.720 --> 00:29:30.599
Randy Bachman was the father. It's Buckman Turner Overdrive. It

570
00:29:30.720 --> 00:29:33.519
was his kid, his son, and his son wrote a

571
00:29:33.559 --> 00:29:36.880
bunch of great songs tal did, and I was part

572
00:29:36.920 --> 00:29:39.920
of that album and part of this song called She's

573
00:29:40.000 --> 00:29:42.880
So High. So next time you're writing in an elevator,

574
00:29:43.079 --> 00:29:45.119
you're at a pizza hut and you hear's some muzak,

575
00:29:45.319 --> 00:29:48.519
or you're on your peloton, you'll probably hear that song

576
00:29:48.599 --> 00:29:49.720
come up once or twice.

577
00:29:49.839 --> 00:29:52.200
But that's my guitars and my guitar solo.

578
00:29:52.599 --> 00:29:53.279
But nice.

579
00:29:53.720 --> 00:29:57.559
That being said, that did not pan out into the

580
00:29:57.720 --> 00:29:59.960
world of getting up into the front of the stage

581
00:30:00.160 --> 00:30:03.599
and being able to selo your ass off. So when

582
00:30:04.000 --> 00:30:06.640
I realized that that was sort of the writing on

583
00:30:06.720 --> 00:30:09.759
the wall, I'm very happy that Alice did ask me

584
00:30:09.880 --> 00:30:14.079
back and we were able to get back on stage

585
00:30:14.200 --> 00:30:16.599
together and rock as a unit as we have for

586
00:30:16.720 --> 00:30:17.599
the last God.

587
00:30:17.920 --> 00:30:19.839
What did I get back in the band? I was

588
00:30:19.880 --> 00:30:21.880
in it from ninety six to two thousand and six,

589
00:30:22.480 --> 00:30:24.039
took a small break, moved to.

590
00:30:24.039 --> 00:30:27.920
Sweden, did some gigs in Sweden, few bands in Sweden,

591
00:30:28.039 --> 00:30:30.640
did my own stuff in Sweden as well. But then

592
00:30:30.960 --> 00:30:34.160
back in twenty twelve, got asked back and we've been

593
00:30:34.200 --> 00:30:37.160
touring every year since then, so on and off since

594
00:30:37.279 --> 00:30:38.680
nineteen ninety six, and.

595
00:30:38.720 --> 00:30:42.160
There's definitely chemistry there, Like I've seen you guys quite

596
00:30:42.200 --> 00:30:45.519
a few times at the wimmer festivals, and like there's

597
00:30:45.759 --> 00:30:49.039
such you just see it on stage, like you can tell.

598
00:30:49.640 --> 00:30:51.880
You can tell when there's chemistry or if people are

599
00:30:51.960 --> 00:30:55.119
just going through the motions, and you know, like you

600
00:30:55.200 --> 00:30:59.319
can also tell that Alice makes it like a family,

601
00:30:59.440 --> 00:31:03.359
a post to you know, this is my band, like

602
00:31:03.440 --> 00:31:06.039
a lot of bands will do so.

603
00:31:06.559 --> 00:31:10.440
And I believe that cohesiveness.

604
00:31:11.799 --> 00:31:15.519
Is basically reciprocal with the audience because the audience becomes

605
00:31:15.559 --> 00:31:17.960
the family then as well, because we see so many

606
00:31:18.000 --> 00:31:20.640
of the same places. You know, you talk about Grateful

607
00:31:20.720 --> 00:31:23.920
Dead and how they travel and they sort of follow

608
00:31:23.960 --> 00:31:26.799
the band along caravan. We have our own little Alice

609
00:31:26.839 --> 00:31:30.720
Cooper Sick Things caravans that come out in certain sections

610
00:31:30.759 --> 00:31:33.119
of the country and they'll just be with us for

611
00:31:33.279 --> 00:31:35.240
like one or two weeks and they'll go to all

612
00:31:35.319 --> 00:31:40.440
the shows. And we're very thankful for it because of

613
00:31:40.599 --> 00:31:44.519
that sort of relationship that we have with the hardcorese

614
00:31:44.759 --> 00:31:49.039
and then with every show, hopefully we're still doing it.

615
00:31:49.400 --> 00:31:51.559
I will talk to people that will say, you know what,

616
00:31:51.680 --> 00:31:53.880
this is my first Alice Cooper show, but I'm coming back.

617
00:31:54.200 --> 00:31:56.000
So that's the best thing to hear is when when

618
00:31:56.799 --> 00:31:58.559
you know you've been doing this for as long as

619
00:31:58.599 --> 00:32:01.240
we've been doing it, and you deal get people that say,

620
00:32:01.319 --> 00:32:02.920
this is my first Alice Cooper show.

621
00:32:03.000 --> 00:32:03.680
Now I'm a fan.

622
00:32:03.839 --> 00:32:05.359
I'm like, I love it all.

623
00:32:05.400 --> 00:32:06.440
Right, what took you so long?

624
00:32:06.559 --> 00:32:11.079
But right, but that is amazing, And so what was

625
00:32:11.160 --> 00:32:14.599
it for you? What was that first moment, way back,

626
00:32:14.799 --> 00:32:19.039
way way way back when you decided playing guitar and

627
00:32:19.200 --> 00:32:21.920
being part of music was just a part of you.

628
00:32:23.599 --> 00:32:28.279
I think the pretty much the opening first few bars

629
00:32:28.359 --> 00:32:33.559
of music van Halen won, right because when van Halen

630
00:32:34.119 --> 00:32:36.319
and again, I grew up in the Bay Area, so

631
00:32:36.400 --> 00:32:37.880
I was very lucky to be.

632
00:32:38.079 --> 00:32:43.319
Born and raised by that much of a spectrum of music.

633
00:32:43.400 --> 00:32:48.160
There's there was funk, there was disco, there was punk rock,

634
00:32:48.319 --> 00:32:52.599
there was metal, there was classic rock. And I grew

635
00:32:52.720 --> 00:32:55.359
up in a very cool time, you know, going to

636
00:32:55.440 --> 00:32:57.759
concerts in the late seventies. One of my first concerts

637
00:32:57.799 --> 00:33:00.599
I ever went to was Jackson five at Oakland Colisseum.

638
00:33:00.960 --> 00:33:01.240
Wow.

639
00:33:02.079 --> 00:33:04.680
Then my second concert was right across the street at

640
00:33:04.720 --> 00:33:07.839
the at the that was the Oakland Arena Jackson five,

641
00:33:08.039 --> 00:33:10.240
And then across the street was the Oakland Colisseum. I

642
00:33:10.319 --> 00:33:15.039
went to Day on the Green with Journey and Black

643
00:33:15.119 --> 00:33:18.720
Sabbath with Ronnie James Dio, the late Great Ronnie James

644
00:33:18.799 --> 00:33:23.319
Dios on lead vocals and Journey headlining the gig.

645
00:33:23.400 --> 00:33:26.319
It was, I mean like I was very lucky.

646
00:33:26.839 --> 00:33:31.279
But then those guitar heroes that came out, man Edward

647
00:33:31.400 --> 00:33:34.720
van Halen, he just kind of made you listen and go,

648
00:33:35.480 --> 00:33:37.200
how is that done right?

649
00:33:37.839 --> 00:33:39.799
And how can I do it? How can I catch

650
00:33:39.920 --> 00:33:40.319
it on that?

651
00:33:41.519 --> 00:33:43.440
Like one of the first songs I ever learned on

652
00:33:43.680 --> 00:33:48.319
guitar was ain't talking about love and Heaven and Hell.

653
00:33:49.400 --> 00:33:51.920
My first three songs were not Smoke on the Water.

654
00:33:52.519 --> 00:33:56.400
They were Ain't talking about love, Heaven and Hell. And

655
00:33:57.000 --> 00:33:59.599
twenty five or sixty four by Chicago.

656
00:34:00.039 --> 00:34:02.880
Oh wow, that's a good one. Well became that Green

657
00:34:02.960 --> 00:34:03.400
Day song.

658
00:34:03.599 --> 00:34:04.839
I love it right then.

659
00:34:05.599 --> 00:34:09.039
But but then it was like my first was Smoke

660
00:34:09.119 --> 00:34:11.440
on the Water, just like everybody else. I'm one of

661
00:34:11.519 --> 00:34:15.039
you smoking. But I think the second one was your Mama,

662
00:34:15.119 --> 00:34:19.079
Don't Dance, Daddy, Don't rock and Roll? Not the Poison version, No, no,

663
00:34:19.239 --> 00:34:22.599
it was Kenny version Loggins of Messina.

664
00:34:23.159 --> 00:34:26.119
And then I think my third might have been it's

665
00:34:26.159 --> 00:34:29.239
a toss up between Jump and Jack Flash by The Stones,

666
00:34:29.760 --> 00:34:31.280
or it was do you Feel Like We Do?

667
00:34:31.400 --> 00:34:35.039
By Peter Frampton, who again another one of my guitar heroes.

668
00:34:35.079 --> 00:34:38.960
That again, I would stare at that album, and I

669
00:34:39.079 --> 00:34:41.760
know that that album came out before Van Halen, so

670
00:34:42.280 --> 00:34:43.039
I might have to.

671
00:34:44.599 --> 00:34:48.239
Read I might have to switch my story around a.

672
00:34:48.239 --> 00:34:49.800
Little bit, but never let the truth get in the

673
00:34:49.800 --> 00:34:51.320
way of a good story, so we'll stick with Van

674
00:34:51.360 --> 00:34:55.559
Halen Comes Alive, Come on man, that that was a

675
00:34:55.639 --> 00:34:56.639
game changer as well.

676
00:34:57.639 --> 00:35:00.639
So speaking of Van Hale and I'll tell you, just

677
00:35:00.679 --> 00:35:03.800
because it's funny, my favorite, I think one of my

678
00:35:04.000 --> 00:35:08.280
favorite memories and of thousands and thousands of shows in

679
00:35:08.360 --> 00:35:12.480
my lifetime, was nineteen eighty three the US Festival in

680
00:35:12.599 --> 00:35:18.079
sam Bernardino. Van Hallen was headlining heavy Metal Day and

681
00:35:19.239 --> 00:35:22.400
there they did start Ain't talking about love. There's three

682
00:35:22.519 --> 00:35:26.920
hundred thousand people there, and and he's looking over at

683
00:35:27.000 --> 00:35:30.599
Dave because he ain't singing, and then Dave just goes

684
00:35:30.679 --> 00:35:34.639
into the mic and he goes, I fucking forgot the words,

685
00:35:34.960 --> 00:35:37.840
and the whole place roared like that was the best

686
00:35:37.960 --> 00:35:41.840
thing that ever happened, except one dude who heckled him,

687
00:35:42.159 --> 00:35:44.400
and he turned to that dude and he's like, I

688
00:35:44.559 --> 00:35:50.519
will fuck your girlfriend. And like, I'm just thinking, that's

689
00:35:50.760 --> 00:35:56.639
live music. Like people talk about backing tracks and stuff

690
00:35:56.719 --> 00:36:00.880
like that. That was so live music right there, because like,

691
00:36:01.000 --> 00:36:04.599
you're a good front man if you can overcome forgetting

692
00:36:04.679 --> 00:36:06.639
the words by doing shit like that.

693
00:36:07.719 --> 00:36:09.639
And I love the fact that he probably said that

694
00:36:09.880 --> 00:36:13.400
line in every town and every like concert.

695
00:36:13.519 --> 00:36:17.239
But you know what, for you, for me one that

696
00:36:17.519 --> 00:36:18.280
was the one that did.

697
00:36:18.400 --> 00:36:20.159
And for me it was the same thing at the

698
00:36:20.239 --> 00:36:22.199
Cow Palace when he said it to some guy and

699
00:36:22.599 --> 00:36:26.480
at the Cow Palace and everything exactly. Never let the

700
00:36:26.519 --> 00:36:28.480
truth get in the way of a good story, because

701
00:36:29.480 --> 00:36:32.760
that guy deserved it. Yeah, I think I think at

702
00:36:32.800 --> 00:36:35.480
the Cow Palace, somebody threw an orange up on stage.

703
00:36:35.519 --> 00:36:38.880
That's what that was. The thing war jet me up

704
00:36:38.920 --> 00:36:39.280
on day.

705
00:36:39.400 --> 00:36:43.400
That's okay, pal because after the show, I'm gonna fuck

706
00:36:43.519 --> 00:36:44.719
your girlfriend.

707
00:36:44.960 --> 00:36:48.000
And so we all have that David Lee Roth moment.

708
00:36:48.920 --> 00:36:52.239
It's true though, you know, like you go and it's

709
00:36:52.320 --> 00:36:54.440
the first time for you, so you think this is like,

710
00:36:54.920 --> 00:37:00.280
oh my god, I'm at this special thing that never happens. Well,

711
00:37:00.400 --> 00:37:00.840
you're a.

712
00:37:01.320 --> 00:37:03.960
I almost didn't last that show at the Cowpouas because

713
00:37:03.960 --> 00:37:06.679
that was on the Diver Down tour and I was,

714
00:37:06.760 --> 00:37:10.679
you know, pretty young up in front, pushed up in front,

715
00:37:10.880 --> 00:37:12.760
and I wasn't tall at all.

716
00:37:12.840 --> 00:37:15.960
I'm still not, but my girlfriend at the time was

717
00:37:16.039 --> 00:37:19.360
even smaller, and all of a sudden, the show starts

718
00:37:19.599 --> 00:37:20.719
and she goes under and.

719
00:37:20.760 --> 00:37:23.440
I go, what the hell, where is everybody? And then

720
00:37:23.519 --> 00:37:26.000
I get pushed in this thing. And we were lucky

721
00:37:26.079 --> 00:37:27.760
to make it out of that one because that was

722
00:37:27.840 --> 00:37:31.760
way before GA. That was way before GA got banned.

723
00:37:31.800 --> 00:37:32.199
In general.

724
00:37:32.239 --> 00:37:34.639
Admission was just the way you did it at concerts.

725
00:37:35.119 --> 00:37:40.880
So yeah, I love Van Halen's stories. But the US Festival,

726
00:37:41.239 --> 00:37:44.599
I think Motley Crue I think they opened it. Didn't

727
00:37:44.639 --> 00:37:45.519
they open Metal.

728
00:37:45.360 --> 00:37:49.039
Day on that one? I know, I think Quiet Riot

729
00:37:49.119 --> 00:37:51.519
opened it because you had Quiet Riot, you had Crew,

730
00:37:51.679 --> 00:37:54.119
you had Ozzie, you had Priest, you had Triumph, you

731
00:37:54.199 --> 00:37:56.760
had Van Halen. I'm trying to think who else.

732
00:37:56.719 --> 00:37:57.239
Was that day.

733
00:37:57.679 --> 00:38:00.800
It sounds like a twenty twenty five tour, I know, right,

734
00:38:01.760 --> 00:38:06.760
Cad Breeze uh and it you know, what was a

735
00:38:06.880 --> 00:38:07.519
trip about?

736
00:38:07.760 --> 00:38:09.840
I think it was that year that that happened that

737
00:38:10.039 --> 00:38:13.599
I saw Ozzie with three separate guitarists in one year,

738
00:38:14.440 --> 00:38:22.079
because because I saw Randy New Year's Eve right before

739
00:38:22.119 --> 00:38:26.360
he died, then you saw Jake. Well, actually, I also

740
00:38:26.440 --> 00:38:32.079
saw Pat Travers Pat Travers for a short period after

741
00:38:32.280 --> 00:38:35.199
Randy played, and I caught one of the shows.

742
00:38:36.320 --> 00:38:39.039
Pat Travers taught me a great way of playing Schools Out.

743
00:38:39.079 --> 00:38:40.880
We were we did a we did a show with

744
00:38:41.000 --> 00:38:44.440
him years ago, and we asked him to come up

745
00:38:44.480 --> 00:38:47.760
on stage for Schools Out. And everybody you know says

746
00:38:47.800 --> 00:38:50.159
they know schools Out, and then when it comes right

747
00:38:50.239 --> 00:38:52.800
down to jamming it, it's a little triggier than than

748
00:38:52.840 --> 00:38:57.800
most people think. But Pat Travers actually knew it better

749
00:38:57.840 --> 00:38:58.719
than I think I did.

750
00:38:59.280 --> 00:39:03.679
And he played part in the No Mo fanzas No

751
00:39:04.000 --> 00:39:04.559
Mo Books.

752
00:39:04.559 --> 00:39:08.320
He played that part and he literally taught me a

753
00:39:08.440 --> 00:39:10.679
new way of playing it that I play today. So

754
00:39:11.239 --> 00:39:15.119
I never got to thank Pat for I haven't seen

755
00:39:15.199 --> 00:39:18.079
him since that gig, And thank you Pat for teaching

756
00:39:18.119 --> 00:39:21.360
me a very new cool way to play Schools Out.

757
00:39:21.400 --> 00:39:23.000
And I do it today.

758
00:39:23.440 --> 00:39:25.920
See that's way cool. I love hearing stuff like that.

759
00:39:26.559 --> 00:39:30.400
I don't talk about that because you know, I don't know.

760
00:39:30.480 --> 00:39:32.360
It's not that Pat Travers and I are in a

761
00:39:32.480 --> 00:39:34.480
huge feud or anything like that. I just never have

762
00:39:34.599 --> 00:39:37.480
a chance to tell that story when all my brain

763
00:39:38.480 --> 00:39:41.599
memory function is working and I'm on the phone.

764
00:39:41.360 --> 00:39:42.360
With the pipe man, and.

765
00:39:45.000 --> 00:39:46.360
There it comes. There, it is.

766
00:39:46.800 --> 00:39:49.079
It's what you bring out in people, pipe man, that's

767
00:39:49.119 --> 00:39:51.000
what you do. You bring out good memories.

768
00:39:51.440 --> 00:39:54.400
That's the way it should be too. And how about

769
00:39:54.480 --> 00:39:57.360
this is it? This is a recent good memory probably

770
00:39:57.440 --> 00:40:00.639
for you that you guess it on rock It's Rock

771
00:40:00.760 --> 00:40:01.920
and Roll Symphony.

772
00:40:02.679 --> 00:40:05.679
Good segue. Yeah, absolutely, that was cool. That was a

773
00:40:05.840 --> 00:40:06.599
very cool memory.

774
00:40:07.280 --> 00:40:10.880
I got hats off to Rocky and hats off to

775
00:40:10.960 --> 00:40:13.519
Paul Hunger for setting it all up and promoting it

776
00:40:13.639 --> 00:40:17.280
and getting people into the studio because they had never

777
00:40:17.400 --> 00:40:19.159
done a live studio audience.

778
00:40:19.280 --> 00:40:21.119
And it was a night off that we were having

779
00:40:21.239 --> 00:40:24.239
on tour on this last Alice.

780
00:40:24.000 --> 00:40:30.199
Cooper Judas Priest tour, and ironically enough or I don't

781
00:40:30.199 --> 00:40:33.800
know if it's even ironically, but I had a gig

782
00:40:34.000 --> 00:40:37.760
to do with the Rock and Roll Symphony. The bands

783
00:40:38.119 --> 00:40:40.480
Judas Priest and Alis were having a band dinner that

784
00:40:40.719 --> 00:40:43.079
night and I had to miss it.

785
00:40:43.840 --> 00:40:45.400
But in retrospect.

786
00:40:45.599 --> 00:40:48.400
It was the best missed band dinner I ever had

787
00:40:48.519 --> 00:40:51.519
because we had such a good time filming this and

788
00:40:51.880 --> 00:40:55.280
doing it, and it hopefully will turn into something that

789
00:40:55.360 --> 00:40:59.159
we're able to do in more places, in more.

790
00:41:00.159 --> 00:41:02.960
Cities and towns when there are nights off on tour.

791
00:41:03.320 --> 00:41:07.519
I love going coming in live studio audience, they ask questions,

792
00:41:07.679 --> 00:41:11.039
I play some songs acoustically. I get asked good questions

793
00:41:11.119 --> 00:41:13.840
by the host, which is rocky, and then Paul.

794
00:41:13.679 --> 00:41:17.159
Lunger's there, you know, waving the flag, waving his blinder

795
00:41:17.719 --> 00:41:20.760
like that. So it was a good time had by all.

796
00:41:20.800 --> 00:41:22.400
I think, So go check it out. I think it's

797
00:41:22.440 --> 00:41:24.800
a maybe you can put the links in somewhere.

798
00:41:25.000 --> 00:41:27.360
Yeah, I'll put I'll put the links in the description

799
00:41:27.599 --> 00:41:30.360
for the podcast afterwards, for sure, because I checked it

800
00:41:30.400 --> 00:41:32.880
out and I thought it was pretty cool, for sure,

801
00:41:32.920 --> 00:41:36.199
and everybody has to check it out. So is there

802
00:41:36.199 --> 00:41:38.719
anything else you got going on in twenty twenty six

803
00:41:38.840 --> 00:41:40.760
that you want the listeners to know about.

804
00:41:41.559 --> 00:41:43.440
I want them to check out all the new music

805
00:41:43.519 --> 00:41:46.039
that I have out. I put out a single earlier

806
00:41:47.360 --> 00:41:50.239
called Better than You, and then we just released this

807
00:41:50.400 --> 00:41:53.599
one called Fight Another Day, and it's sort of.

808
00:41:54.239 --> 00:41:55.199
It's it goes.

809
00:41:55.280 --> 00:41:57.360
They go hand in hand together, So go check them

810
00:41:57.400 --> 00:42:00.159
both out on my YouTube channel if you can. All

811
00:42:00.199 --> 00:42:03.000
the links are at Ryanroxy dot com. New music is

812
00:42:03.039 --> 00:42:05.320
going to continue to come out all throughout the year,

813
00:42:05.960 --> 00:42:08.880
and we've got another year of Alice touring all in

814
00:42:08.960 --> 00:42:11.840
the works. We're excited about not one but two shows.

815
00:42:12.239 --> 00:42:15.840
There's a Chris Angel Alice Cooper show that's happening in Vegas.

816
00:42:16.199 --> 00:42:17.320
Oh, that's gonna be cool.

817
00:42:17.800 --> 00:42:20.280
It combines illusions in rock and roll, which is one

818
00:42:20.280 --> 00:42:22.719
of the first times I think it's happened. And then

819
00:42:23.880 --> 00:42:28.320
we have the Alice Cooper Alice's Attic brand new set

820
00:42:28.400 --> 00:42:31.480
list and set pieces as well, So that's something to

821
00:42:31.519 --> 00:42:34.480
go check out. And then, you know, if you want

822
00:42:34.559 --> 00:42:38.400
to get dive in and become more inner circle, I

823
00:42:38.519 --> 00:42:42.119
do this thing every year called Roxy's All Out Excess

824
00:42:42.639 --> 00:42:46.639
Pass and it's led basically like having a backstage pass

825
00:42:46.719 --> 00:42:50.360
to everything that goes on, you know, before the show,

826
00:42:50.480 --> 00:42:53.320
after the show, backstage.

827
00:42:54.239 --> 00:42:57.559
Post on the bus, getting.

828
00:42:57.400 --> 00:43:01.239
Dressed the days off, so I kind of give everybody

829
00:43:01.320 --> 00:43:02.559
a sort of a glimpse into.

830
00:43:02.480 --> 00:43:06.679
What Wife on the Road is about. And again Ryan

831
00:43:06.800 --> 00:43:09.320
Roxy dot com, you go check out all excess past,

832
00:43:09.400 --> 00:43:11.280
but U yeah, look out for new music.

833
00:43:11.400 --> 00:43:14.960
And I appreciate you taking the time to spend with

834
00:43:15.119 --> 00:43:17.760
me and giving me some good memories of my own

835
00:43:17.880 --> 00:43:19.800
and best of luck with everything you're doing.

836
00:43:19.880 --> 00:43:20.079
Pipe.

837
00:43:20.119 --> 00:43:24.800
Man, Hey, you rock and I love what you're doing.

838
00:43:24.920 --> 00:43:27.239
I love your new music. Everybody's got to check it out.

839
00:43:27.480 --> 00:43:30.519
And h they'll have to check out some Alice shows

840
00:43:30.639 --> 00:43:35.880
us here too, because man, those are definitely show. You

841
00:43:35.920 --> 00:43:38.119
don't even have to like the music to love the show.

842
00:43:38.400 --> 00:43:41.039
I happen to love the music, but it's just such

843
00:43:41.079 --> 00:43:41.679
a great show.

844
00:43:41.920 --> 00:43:44.679
There's so much to love about the music because Alice

845
00:43:44.800 --> 00:43:49.599
is put together some really amazing bands over the years

846
00:43:49.639 --> 00:43:53.880
with its original ogs, you know, with you know, Glenn

847
00:43:53.960 --> 00:43:55.719
and Michael and and Dennis and.

848
00:43:57.199 --> 00:44:01.440
That that musicality of it is. They're just great and

849
00:44:01.519 --> 00:44:03.840
they're the reason why we're still able to tour.

850
00:44:03.719 --> 00:44:07.440
Today, that whole original band, Yeah, because we get to

851
00:44:08.800 --> 00:44:12.000
we get to play those hits and those iconic legacy hits,

852
00:44:12.039 --> 00:44:15.920
and then all the songs that Steve Hunter and Dick

853
00:44:16.000 --> 00:44:17.800
Wagner were part of, and.

854
00:44:18.000 --> 00:44:21.679
Then all the Caine Roberts era stuff. We touch on

855
00:44:21.880 --> 00:44:23.920
all of it throughout the show, there's a lot of

856
00:44:24.480 --> 00:44:28.039
It doesn't matter if your seventies, eighties, nineties, aughts, or

857
00:44:28.320 --> 00:44:32.039
even up until this last album that we did with

858
00:44:32.199 --> 00:44:36.480
the band called Road, It doesn't matter whatever era you're into.

859
00:44:36.519 --> 00:44:39.800
Alice, I think you're going to enjoy the show absolutely well.

860
00:44:40.599 --> 00:44:44.599
You are an amazing musician, and thank you very much

861
00:44:44.679 --> 00:44:46.880
for everything you've done all these years, and thanks for

862
00:44:46.960 --> 00:44:48.320
being on the Adventures of pipe Man.

863
00:44:49.239 --> 00:44:51.840
Appreciate you having me pipe Man. Enjoy the ride.

864
00:44:51.880 --> 00:44:55.519
Everybody, We'll see out there somewhere. What's happening in rock

865
00:44:55.519 --> 00:44:58.360
and rollers? Ryan Roxy here the Alice Cooper Band, and

866
00:44:58.519 --> 00:45:01.079
you are listening to the pipe Man right here on

867
00:45:01.400 --> 00:45:03.119
W four c Y Radio.

868
00:45:03.679 --> 00:45:16.480
Rocket, thank you for listening to the Adventures of Pipemin

869
00:45:17.079 --> 00:45:20.519
on W for c u I Radio.