Oct. 9, 2023

PipemanRadio Interviews DJ Kilmore of Incubus at Aftershock 2023

PipemanRadio Interviews DJ Kilmore of Incubus at Aftershock 2023

On this episode of The Adventures of Pipeman, we’re joined by special guest DJ Kilmore of Incubus at Aftershock. Pipeman and Kil discuss the longevity of Incubus and how their success has remained steady over the past 25 years. Kil discusses the...

iHeartRadio podcast player badge
Amazon Music podcast player badge
Audible podcast player badge
Spotify podcast player badge
Pandora podcast player badge
Apple Podcasts podcast player badge
Spreaker podcast player badge
Overcast podcast player badge
Castro podcast player badge
PocketCasts podcast player badge
Podchaser podcast player badge
Deezer podcast player badge
Podcast Addict podcast player badge
RSS Feed podcast player badge
iHeartRadio podcast player iconAmazon Music podcast player iconAudible podcast player iconSpotify podcast player iconPandora podcast player iconApple Podcasts podcast player iconSpreaker podcast player iconOvercast podcast player iconCastro podcast player iconPocketCasts podcast player iconPodchaser podcast player iconDeezer podcast player iconPodcast Addict podcast player iconRSS Feed podcast player icon

On this episode of The Adventures of Pipeman, we’re joined by special guest DJ Kilmore of Incubus at Aftershock. Pipeman and Kil discuss the longevity of Incubus and how their success has remained steady over the past 25 years. Kil discusses the music-making process and the challenges of getting approval from all five members. Kil shares stories from touring in Australia and a fan climbing through the air conditioning vent to get to the band's green room. You can find more information on Incubus’s upcoming tour dates, merch, and latest releases at incubushq.com.

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.

Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world.

Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.

Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.

The Adventures of Pipeman Podcasts are heard on The Adventures of Pipeman Site, Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:

• The Adventures of Pipeman
• Pipeman Radio
• Pipeman in the Pit
• Positively Pipeman

Follow @pipemanradio on all social media outlets
Visit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com

Download The Pipeman Radio APP

Phone/Text Contact – 561-506-4031

Email Contact – dean@talk4media.com

The Adventures of Pipeman is broadcast live daily at 8AM ET.

The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).

The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com).

The Adventures of Pipeman Podcast is also available on...

WEBVTT

1
00:00:04.559 --> 00:00:20.679
Hey, you have done to the
censure? Why crazy you? Why become

2
00:00:20.719 --> 00:00:24.559
of America? It's time for the
Adventures of Pipe Man on W four c

3
00:00:24.839 --> 00:00:28.960
Y dot com. West Palm Beach
is number one Internet radio station. Here's

4
00:00:29.000 --> 00:00:47.759
your host, the White Man Experiences. He said, do you think that

5
00:00:49.560 --> 00:00:52.759
this is the pipe Man here on
the Adventures pipe Man W four c Y

6
00:00:52.920 --> 00:00:57.560
Radio And I'm here with d J
Kilmore from INKYB. Yeah, call me

7
00:00:57.640 --> 00:01:03.079
kill though. I love that.
And you know what's funny about that is

8
00:01:03.159 --> 00:01:07.599
people that aren't really into you,
but like you may not know what that

9
00:01:07.680 --> 00:01:10.439
means. If I just said,
hey, you know, I'm doing an

10
00:01:10.480 --> 00:01:12.040
interview with Killing, I might be
like, who's that. They'll be like,

11
00:01:12.079 --> 00:01:15.120
who's that? Well, you know, nobody knows the DJ. I'm

12
00:01:15.120 --> 00:01:18.480
a guy like the silhouette they see, you know, just in front of

13
00:01:18.519 --> 00:01:21.560
the backstage lights. You know,
they're all looking at Brandon. You know,

14
00:01:21.640 --> 00:01:26.000
they're waiting for him to take a
shirt off. Right. But I

15
00:01:26.040 --> 00:01:29.719
don't think there would be an incubist
without you. You know, they wouldn't

16
00:01:29.719 --> 00:01:32.719
be an incubist without all five of
us. That's right. That's that's what

17
00:01:32.920 --> 00:01:36.879
makes it special, is like everybody
has their part and that it's like a

18
00:01:36.920 --> 00:01:41.000
recipe for baking a cake, right, yeah, exactly exactly. It's a

19
00:01:41.239 --> 00:01:45.640
crazy recipe that's been around for over
twenty five years and it's still bacon.

20
00:01:45.959 --> 00:01:48.439
You know. It's funny too,
as you know. I do all these

21
00:01:48.480 --> 00:01:52.920
festivals too, and you know there's
some bands you see so many times and

22
00:01:52.920 --> 00:01:57.280
you're like, they're playing okay,
But then there's other bands like you guys,

23
00:01:57.319 --> 00:02:01.079
like every time I gotta catch yourself. I won't schedule any interviews because

24
00:02:01.719 --> 00:02:06.400
you're just badass every time. I
appreciate that, and that's that's key,

25
00:02:06.439 --> 00:02:09.240
because a live show is important.
Yeah, oh absolutely, I mean that's

26
00:02:09.280 --> 00:02:14.639
a bread and butter. These days, you know, we're not selling vinyl

27
00:02:14.759 --> 00:02:19.719
or CDs or any physical copies like
we used to, or or forty five's

28
00:02:19.879 --> 00:02:22.560
like your shirt, Oh yeah,
no more for Oh my god, how

29
00:02:22.599 --> 00:02:24.919
baby. People wouldn't know what that
is. Most people don't know. The

30
00:02:24.960 --> 00:02:29.159
older generation knows, but the younger
generation has no clue. They're like,

31
00:02:29.280 --> 00:02:34.840
that looks cool. The struggle was
real real. Yeah, oh my god,

32
00:02:35.080 --> 00:02:37.919
I can't believe I was looking.
I'm like, that's so funny.

33
00:02:38.080 --> 00:02:40.240
Yeah, you know, us DJ's
we're subtle but we're real there. It

34
00:02:40.319 --> 00:02:45.719
is. What can we expect here
after shock? Today? This hot weather,

35
00:02:45.800 --> 00:02:49.960
Oh it's hot, You're gonna be
shocked for sure. I would just

36
00:02:49.960 --> 00:02:52.960
say a classic incubist festival set.
You know, we got we got a

37
00:02:52.960 --> 00:02:54.719
couple of little surprises, but for
the most part, we're just gonna hit

38
00:02:54.759 --> 00:02:59.120
you with the bangers. Do you
have a song that is your favorite to

39
00:02:59.199 --> 00:03:02.800
play that's the most fun for you
to play? Yeah, there's a whole

40
00:03:02.800 --> 00:03:06.960
bunch of them. You know,
we're in our catalog. We're well over

41
00:03:07.000 --> 00:03:09.759
one hundred and thirty songs now right. I think some of the most favorite

42
00:03:09.759 --> 00:03:14.840
and meaningful songs are the earlier ones, kind of when I was still a

43
00:03:14.879 --> 00:03:20.120
greenhorn trying to figure out what I
was doing in this band. So my

44
00:03:20.240 --> 00:03:23.520
most fun song to play is probably
the Warmth Nice. There's a lot of

45
00:03:23.560 --> 00:03:29.520
whales on there and some scratching and
some organ playing, and it's just just

46
00:03:29.560 --> 00:03:31.919
a cool vibe and the crowd seems
to really love it, and it's one

47
00:03:31.960 --> 00:03:38.000
of my favorites. See what I
love about Somebody Like You is it's true

48
00:03:38.120 --> 00:03:43.560
experimentation. To me, That's what
music creativity is is like experimenting with sounds

49
00:03:43.599 --> 00:03:47.199
and different things and how it can
fit in to a song. Yeah,

50
00:03:47.240 --> 00:03:52.280
and I think that's like that's a
skill for sure, It definitely is.

51
00:03:52.360 --> 00:03:54.039
You know, when I first got
in this band, the guys just looked

52
00:03:54.039 --> 00:03:58.680
at me with like open jaws,
being like, what's what are you doing?

53
00:03:58.759 --> 00:04:00.879
What are you doing? I'm like, just trust me, one of

54
00:04:00.879 --> 00:04:02.960
these things is gonna work. Like, Okay, if it's not frogs,

55
00:04:03.439 --> 00:04:06.479
these whales will work. If it's
not if it's not a bird, you

56
00:04:06.479 --> 00:04:10.360
know, this snake kissing will work. Well. I was. I was

57
00:04:10.599 --> 00:04:13.919
playing for them all kinds of weird
sounds when I when I got these guys

58
00:04:13.960 --> 00:04:17.279
way back in the day, and
I was playing things from like me recording

59
00:04:17.319 --> 00:04:20.920
bus screeching at a at a sidewalk
bench, you know, waiting for the

60
00:04:20.959 --> 00:04:26.279
bus which actually made the record that's
cool, to whales and things like that,

61
00:04:26.360 --> 00:04:27.920
and they were just kind of like, what are you doing? I'm

62
00:04:27.959 --> 00:04:31.040
like, these this is almost like
a way of sampling, you know,

63
00:04:31.120 --> 00:04:34.000
And that's the world I came from. I came from DJing and sampling and

64
00:04:34.040 --> 00:04:39.040
things like that. So I'm always
trying to fit weird things into weirder music.

65
00:04:39.199 --> 00:04:41.560
I love that because, like when
I was a kid and I was

66
00:04:41.600 --> 00:04:45.759
playing instruments, I kind of sucked, but I always like, I wanted

67
00:04:45.800 --> 00:04:48.920
to make these weird sounds with everything, and my dad would like give me

68
00:04:49.040 --> 00:04:54.240
shit, and he'd be like,
uh, I think you better stick to

69
00:04:54.319 --> 00:04:58.839
something else. And I'm like he
didn't get it, and some people don't

70
00:04:58.879 --> 00:05:00.279
get it. Yeah, yeah,
my family didn't get it either. My

71
00:05:00.360 --> 00:05:03.160
dad asked me when I had asked
him for two turntables, why I needed

72
00:05:03.160 --> 00:05:06.079
too? He said, why do
you need to? You don't You're not

73
00:05:06.079 --> 00:05:10.720
gonna listen to two songs at the
same time. Oh man, that's that's

74
00:05:10.759 --> 00:05:13.600
breef. You know. He didn't
get it, but I persevered and kept

75
00:05:13.600 --> 00:05:17.759
on and eventually he got it.
Well, Persevering is a pretty good word

76
00:05:17.800 --> 00:05:21.040
to use, because like, what
is it in this business? You have

77
00:05:21.160 --> 00:05:26.879
to persevere, Like overnight success takes
like twenty years? Yeah yeah, yeah,

78
00:05:26.959 --> 00:05:29.680
yeah, that one hit wonder song
took twenty years to get to that

79
00:05:29.920 --> 00:05:33.160
exactly. Now, one hundred and
thirty songs. I think of, like,

80
00:05:33.839 --> 00:05:38.519
man, how the hell do you
write that many songs and just keep

81
00:05:38.560 --> 00:05:42.240
doing it? Well, Like,
does it blow your mind? Think about

82
00:05:42.279 --> 00:05:45.800
that that there's that many songs.
Yeah, we we have a song list

83
00:05:45.839 --> 00:05:47.879
in our studio and I keep it
keeps growing and I'm like, oh my

84
00:05:47.959 --> 00:05:50.759
goodness, how are we gonna if
we go back to this one song.

85
00:05:50.839 --> 00:05:54.800
I'm like, I don't even have
the same gear that I had back when

86
00:05:54.839 --> 00:05:57.360
we wrote that song. I don't
know how we play that one. But

87
00:05:57.560 --> 00:06:00.439
yeah, no, it's it's a
lot. And I think the way we

88
00:06:00.279 --> 00:06:05.240
keep going is that we hold ourselves
to a really high standard, and that

89
00:06:05.279 --> 00:06:09.240
standard gets higher and higher the more
we go out and tour and play the

90
00:06:09.319 --> 00:06:12.360
music for people. Then we start
to know, oh this works, this

91
00:06:12.439 --> 00:06:16.319
doesn't work. You know, this
is just a brain fart and we got

92
00:06:16.399 --> 00:06:18.959
lucky and it worked. It's not
going to work another time, you know

93
00:06:19.000 --> 00:06:21.800
what I mean. So we just
hold ourselves to a high standard. And

94
00:06:21.839 --> 00:06:26.120
I think if we if it makes
it past the five of us and we're

95
00:06:26.120 --> 00:06:29.040
all like, okay, let's put
our you know, seal of approval on

96
00:06:29.120 --> 00:06:32.480
it, then if it doesn't go
out to the world in the greatest way,

97
00:06:32.600 --> 00:06:35.399
at least we know that it's true
to our hearts and we like it.

98
00:06:35.639 --> 00:06:41.720
And that is key. That is
what creates the long and the longevity,

99
00:06:41.839 --> 00:06:46.920
because if you don't care about it
and you're not loving it, how

100
00:06:46.920 --> 00:06:49.759
can anybody else? Exactly exactly,
That's that's the truth. There's nothing more

101
00:06:49.800 --> 00:06:54.360
to say to that. How hard
is it to get five people that decide?

102
00:06:55.600 --> 00:06:58.199
Well, it's a lot harder now
than it used to be. Right,

103
00:06:58.279 --> 00:07:01.839
everybody's got families, come into rehearsal, start at one. Not everybody

104
00:07:01.839 --> 00:07:04.639
will show up till two, and
then at three point thirty the drum will

105
00:07:04.680 --> 00:07:06.120
be like, oh, I gotta
go, I gotta go pick up my

106
00:07:06.199 --> 00:07:09.920
daughter. And so you know,
we get a good hour and a half

107
00:07:09.959 --> 00:07:14.839
in before something something happens. But
yeah, to get five people to agree,

108
00:07:15.160 --> 00:07:19.360
it's it's really tough. And five
like opinionated, super talented people,

109
00:07:19.720 --> 00:07:26.000
right, yeah, at least four
of them are. I think that's very

110
00:07:26.120 --> 00:07:29.959
humble you. But you're definitely yeah, I appreciate that one of the better

111
00:07:30.000 --> 00:07:36.959
ones. Yeah, craziest story you
can remember in this long winding road journey

112
00:07:36.959 --> 00:07:41.839
of music. Oh man, there's
probably more that I forgot that I can

113
00:07:41.959 --> 00:07:46.720
remember, and then there's a lot
I probably cannot say. There's always that,

114
00:07:46.920 --> 00:07:49.120
there's always that we were in Australia
one time. I'll tell you this.

115
00:07:49.120 --> 00:07:54.120
Once we were in Australia one time
backstage. Backstage was locked off,

116
00:07:54.160 --> 00:07:58.560
no one could get back there,
and we had cubicle dressing rooms, and

117
00:07:58.600 --> 00:08:01.920
all of a sudden, this kid, all dress in white, comes knocking

118
00:08:01.959 --> 00:08:03.959
at our door and just opens up
the door and like takes a step into

119
00:08:05.000 --> 00:08:09.079
our dressing room. He was dressed
in white, but he was covered in

120
00:08:09.199 --> 00:08:11.319
soot. He looked like he had
come down a chimney like Santa Claus or

121
00:08:11.319 --> 00:08:13.720
something like that. And our bass
player at the time, he's like,

122
00:08:13.759 --> 00:08:18.079
did you just did you just climb
through the air conditioning vent? And he

123
00:08:18.160 --> 00:08:22.079
was in Australia. I'm gonna give
you my best Australian accident. He was

124
00:08:22.120 --> 00:08:26.800
like, oh, I did oh. He had crawled through the air conditioning

125
00:08:26.879 --> 00:08:30.319
vent and came out into the hallway
and then right into our dressing room.

126
00:08:30.879 --> 00:08:35.159
Wow. What people will do,
right Australians many they go hard down there.

127
00:08:35.360 --> 00:08:39.720
Well, you know, you remind
me of a story that happened here.

128
00:08:39.919 --> 00:08:43.639
I think it was that Louder than
Life or Carolina Rebellion, one of

129
00:08:43.639 --> 00:08:50.399
those where one of the media people
wanted to get an interview with Rob Zombie.

130
00:08:50.720 --> 00:08:54.720
Yeah, and walked backstage and without
knocking walked into his dressing room.

131
00:08:54.799 --> 00:08:58.279
That's ballsy, Like, who the
fuck's that? Yeah, you gotta have

132
00:08:58.360 --> 00:09:03.600
some caha like right, you know, I'm like, yeah, how do

133
00:09:03.679 --> 00:09:09.000
you do that? Do you get
the interview? Of course? Not well,

134
00:09:09.120 --> 00:09:11.679
I and I've had I've interviewed Rob
before and one time they were bringing

135
00:09:11.720 --> 00:09:15.080
me back on the golf car and
all the other media people are like,

136
00:09:15.360 --> 00:09:16.919
how do you get that interview?
On one of them It's like I emailed

137
00:09:16.919 --> 00:09:20.840
them twenty times. I'm like,
that's why you didn't get the interview exactly

138
00:09:20.919 --> 00:09:24.000
right, e mail them once.
They're already gained ten million emails. They

139
00:09:24.000 --> 00:09:28.320
don't they want it, they'll come
back. Yeah. Yeah, Well,

140
00:09:28.320 --> 00:09:31.240
if you know you're not gonna get
the interview, then it's worth the risk.

141
00:09:31.559 --> 00:09:33.559
Right. But if you got if
you got a chance to get the

142
00:09:33.600 --> 00:09:35.519
interview in the future or something like
that, that is not the work,

143
00:09:35.840 --> 00:09:41.120
no doubt, no doubt. Yeah. So anything else you want to share

144
00:09:41.120 --> 00:09:43.440
with the listeners we haven't covered yet
that you want to know. I mean,

145
00:09:43.559 --> 00:09:48.840
just keep you updated to us.
We're re recording our record morning View.

146
00:09:48.919 --> 00:09:52.840
We're gonna have some a little you
know, special guests on it,

147
00:09:52.960 --> 00:09:56.360
and then refine the songs a little
bit. That'll be coming out next year.

148
00:09:58.080 --> 00:10:01.919
Uh. Tomorrow will be at the
Hollywood Bowl and we're doing Morning of

149
00:10:01.919 --> 00:10:03.720
You front the back. So if
you are in Los Angeles and you can

150
00:10:03.759 --> 00:10:07.480
get tickets, it's gonna be a
special one. Nice. But yeah,

151
00:10:07.480 --> 00:10:09.200
we're just getting you know, we're
wrapping up this year, full year touring

152
00:10:09.279 --> 00:10:15.279
and gonna write some music, write
some new music as well, and head

153
00:10:15.279 --> 00:10:18.399
back out next year. I love
it. I love that you guys,

154
00:10:18.519 --> 00:10:22.559
just you're one of those bands.
It's like I have a lot of friends.

155
00:10:22.559 --> 00:10:24.240
I'm like, come on, let's
go see Incubus at a festival or

156
00:10:24.240 --> 00:10:28.000
something, and they're like, oh, no, really know there music And

157
00:10:28.039 --> 00:10:33.600
then all of a sudden, I
know every single song. Yeah you know.

158
00:10:33.679 --> 00:10:35.919
We're like we're like mold. We
just kind of slowly grow on you.

159
00:10:37.480 --> 00:10:39.720
Oh man. But it's a good
mold. Yeah. I love it.

160
00:10:39.919 --> 00:10:43.799
Yeah. Well, thanks for being
here at Aftershock and thanks for being

161
00:10:43.799 --> 00:10:48.559
on the Adventures of Pipe Man.
Yeah. Absolutely, it's been fun.

162
00:10:50.519 --> 00:10:54.799
Helpous up everybody. I'm DJ Kilmore
from the band Incubis and you're listening to

163
00:10:54.879 --> 00:11:05.720
the Pipe Man on W four C
Why Radio. Thank you for listening to

164
00:11:05.879 --> 00:11:13.120
the adventures of Pipemin on w f
c u I Radio.