Oct. 9, 2023

PipemanRadio Interviews Redlight King at Aftershock 2023

PipemanRadio Interviews Redlight King at Aftershock 2023

On this episode of The Adventures of Pipeman, we’re joined by special guest Redlight King at Aftershock. Pipeman and the band discuss the difference between Louder Than Life and Aftershock and which aspects of the festivals they enjoyed the most....

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On this episode of The Adventures of Pipeman, we’re joined by special guest Redlight King at Aftershock. Pipeman and the band discuss the difference between Louder Than Life and Aftershock and which aspects of the festivals they enjoyed the most. Redlight King is working on a few acoustic covers of some of their songs and shares the beauty of reinventing a song. Redlight King discusses promoting on social media in today's age and the challenges of keeping up with the trends to stay relevant. You can find more information on Redlight King’s upcoming tour dates, merch, and latest releases on any of their social media platforms. Check out the band’s latest release “In Our Blood” available on all streaming platforms now!

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.

Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world.

Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.

Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.

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WEBVTT

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Hey, you have THENTO censure Wow
Cray you you why Become of America.

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00:00:21.920 --> 00:00:25.480
It's time for the Adventures of pipe
Man on W four C why dot com.

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00:00:25.600 --> 00:00:29.559
West pomp Beats is number one internet
radio station. Here's your host,

4
00:00:29.679 --> 00:00:40.719
the White Man in the Life of
Middless, killing news dreams, the saying

5
00:00:40.840 --> 00:00:50.240
Owen has doing. Oh I'm not
giving up. This is the pipe Man

6
00:00:50.359 --> 00:00:53.280
here on the Adventure of pipe Man
W four c Y Radio. And I'm

7
00:00:53.320 --> 00:00:59.560
here with Cash Mark Julian from the
rock band Red Light King. And so

8
00:01:00.600 --> 00:01:04.200
what about your music now, I'm
just playing pipe with them? Man,

9
00:01:04.280 --> 00:01:11.719
tell us about our music Ghost Bang
Boom. So did you get your band

10
00:01:11.879 --> 00:01:17.680
name because you were hanging out in
Amsterdam Red Light Hey, it's where we

11
00:01:17.719 --> 00:01:19.159
should go with that. Well,
let's just go with that. That should

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00:01:19.159 --> 00:01:23.680
be your new thing. You know. It's rug District Reli King. Yes,

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00:01:23.439 --> 00:01:30.640
you're the King all stuff. Yeah, of okay, fucking Aftershock though,

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00:01:30.760 --> 00:01:34.200
man, Okay, last time I
saw you was at this other festival

15
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I won't name. But how you
fucking love Aftershock though? Oh? Solid?

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00:01:40.840 --> 00:01:44.480
Yeah, for sure. It's great, great crowd, great great venue,

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00:01:44.680 --> 00:01:49.120
good good staff and also just a
great collaboration of artists. We get

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00:01:49.159 --> 00:01:53.959
to see so many people, so
many friends that we don't normally see.

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So and then they're all hanging out
like cause, free drinks, Yeah,

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00:01:57.959 --> 00:02:01.400
free drinks, freak drink bar.
And do you know there's a chef to

21
00:02:01.480 --> 00:02:06.159
be serving food in a little while? Yeah, Mark Knowles. What do

22
00:02:06.239 --> 00:02:08.879
you can order? They're cooking up
some pizza right now. I think pizza,

23
00:02:09.120 --> 00:02:15.120
tacos and hamburgers, and they got
like carne of sada tacos, cauliflower

24
00:02:15.240 --> 00:02:21.120
tacos, fish tacos and chicken tacos
and hungry. Last time, I think

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00:02:21.319 --> 00:02:25.840
it's so it's Chris Santo's Yes,
and he's obviously a fantastic chef. Last

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00:02:25.879 --> 00:02:30.000
time, yeah, Chopped. If
you know the show Chopped, he's on

27
00:02:30.080 --> 00:02:34.120
it all the time. Last time
he was doing ribs. What I forget

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00:02:34.159 --> 00:02:36.719
what festival we were on, but
he was back there and he was doing

29
00:02:36.800 --> 00:02:39.800
ribs. Louder than Life, Yeah
it was. Yeah, it's fantastic.

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We're really lucky. We're lucky.
That's all so louder than life After Shock,

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Which one did you like better?
I'm not gonna say which one I

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like better. I'll tell you what
they are all. The dam was warmer,

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00:02:55.080 --> 00:03:01.080
that's true. Here was pretty hot. Main stage are louder. Well,

34
00:03:01.159 --> 00:03:04.599
there you go. That was kind
of fun. But this stage was

35
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fun too, I'll be honest with
you. It's kind of cool vibe too,

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00:03:07.879 --> 00:03:10.960
with the park and the trees and
all that. I like the vibe

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for sure. People there and get
some shade under the trees here. It's

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not just all you know. That's
what a lot of people were doing,

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00:03:20.240 --> 00:03:23.280
like on our stage, hiding under
the trees. And you know over vip

40
00:03:23.520 --> 00:03:28.639
here they have all the trees are
there and picnic benches. You just hang

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00:03:28.719 --> 00:03:32.000
out on the picnic bench chill and
you got a great view from there too.

42
00:03:32.360 --> 00:03:36.919
But I like being in the pit. People watching for sure. Oh

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00:03:37.000 --> 00:03:39.159
yeah, people watching it. These
are awesome. You know what I noticed

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00:03:39.199 --> 00:03:46.319
the most in the pit yesterday corn
and not the band corn corn. People

45
00:03:46.439 --> 00:03:51.680
in corn out corn. Yeah,
people in cornering the cob out thing.

46
00:03:51.800 --> 00:03:53.719
Because you get it with the like
E lookte on it at the end of

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00:03:53.719 --> 00:03:57.520
the cheese or the butter. Yeah, I get it. Okay, you

48
00:03:57.599 --> 00:04:00.639
know it's either corner or banana in
the pit. Yeah, that's yeah,

49
00:04:00.680 --> 00:04:04.319
that's weird. Yeah, there are
some characters. Yeah, but that's what's

50
00:04:04.439 --> 00:04:09.039
that, What's that's what makes it
special. It's funny because last night I

51
00:04:09.159 --> 00:04:14.080
was standing on the stage for Turnstile
and the only thing I could notice was

52
00:04:14.199 --> 00:04:18.120
the banana in the pit. I
mean like that's that was the only thing

53
00:04:18.120 --> 00:04:24.079
that stood out? Did the banana
in the pit? Was I'm missing something?

54
00:04:24.759 --> 00:04:29.279
He had the banana? Oh yeah, yeah, yeah, Now that

55
00:04:29.319 --> 00:04:33.600
would have been like, I think
you a moshed that and late afternoon on

56
00:04:33.680 --> 00:04:38.360
a banana costume and going out into
the pit and they gotta give it up

57
00:04:38.360 --> 00:04:41.600
for that guy. I've come.
You can always see Waldough at the festival.

58
00:04:41.639 --> 00:04:44.680
You can't find Waldo in the books, but you can see him manifest.

59
00:04:45.000 --> 00:04:48.600
Oh he's here somewhere for sure,
definitely somewhere. So what's going on

60
00:04:48.720 --> 00:04:54.079
after after Chuck? Wow, We're
gonna do some writing and uh we were

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00:04:54.120 --> 00:04:57.920
putting out some acoustic versions of songs
that we have, like we put out

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00:04:57.959 --> 00:05:00.399
in Our Blood and I had to
heard which is another song on our new

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00:05:00.480 --> 00:05:04.720
record that yeah we're doing. We
did like an acoustic things. It's totally

64
00:05:04.759 --> 00:05:10.920
different the way left field and uh, you know we we uh we like

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it. Sometimes we just look at
each other, and I'm like, dude,

66
00:05:13.720 --> 00:05:15.839
this sounds like a different song,
but it's it's still true to it.

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00:05:15.920 --> 00:05:18.319
Well, that's it cool as an
artist to like be able to do

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00:05:18.439 --> 00:05:23.399
something different for change, you know, and like mix it up a little

69
00:05:23.399 --> 00:05:30.240
bit. Yeahs as like sometimes you
think when you record a song, that's

70
00:05:30.279 --> 00:05:32.759
it for the rest of its life
and its existence. But you know,

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basically what inspired is that when we
play live, we call a lot of

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00:05:36.639 --> 00:05:42.000
audibles. We changed sections, we
change arrangements. We've lengthd in solos or

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00:05:42.399 --> 00:05:46.120
moved songs around sometimes play them in
different keys, different tempos. And I

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00:05:46.160 --> 00:05:47.959
thought, well, let's just reimagine
a bunch of songs on this record.

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00:05:49.040 --> 00:05:54.879
It also shows the strength of the
song itself because you can you can rap

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00:05:54.959 --> 00:05:59.879
a song any way you like it, in different genres, different sounds.

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The song is fundamentally solid and has
a good melody and a good lyric and

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00:06:05.839 --> 00:06:11.439
it's it's definitely got a chance to
be well presented any any way you like

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00:06:11.560 --> 00:06:15.480
it. I often right now,
just with either a piano or a guitar,

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And if it doesn't stand up,
why put anything around it? Yeah,

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00:06:19.519 --> 00:06:24.040
under process where we're at, and
maybe I'm doing it wrong. I

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don't know. I know, I
think you're one hundred percent right, you

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00:06:27.279 --> 00:06:30.399
know, because and I think too, like, as an artist, don't

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you want to express yourself in different
ways? Like why do you want write

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the same song over and over again? And I think it's the reinvention is

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00:06:38.040 --> 00:06:43.000
interesting. It's an interesting play because
like hip hop guys remixed their own songs.

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00:06:43.199 --> 00:06:45.360
Yeah, they get a DJ or
a different producer to put a different

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beat behind their shit. So I
was like, well, that's that's also

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00:06:48.839 --> 00:06:53.120
kind of what inspired like why not. Yeah, generally Rockeyes will do an

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00:06:53.160 --> 00:06:59.040
acoustic version, but our our newer
versions aren't just acoustic. It's a different

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00:06:59.160 --> 00:07:02.600
arrangement. Is it's got different sounds, different field, different vibe, And

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00:07:02.720 --> 00:07:06.480
you know what you were talking about
the live aspect. That's what I like

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00:07:06.600 --> 00:07:11.959
in watching live band. There's bands
I could watch a million times, and

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00:07:12.079 --> 00:07:16.639
then there's other bands that I like
them live, but doing all these festivals,

95
00:07:16.680 --> 00:07:21.360
I'll see him like ten times in
the year and I'm like, I

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00:07:21.519 --> 00:07:24.759
was just out there there night.
I won't say which band, but one

97
00:07:24.839 --> 00:07:29.000
band, the girls with I kept
saying what the guy was gonna say on

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00:07:29.160 --> 00:07:31.839
stage? And you know, a
band's like that script, right, script,

99
00:07:32.439 --> 00:07:34.759
And she's like, how do you
know? How do you know what

100
00:07:34.879 --> 00:07:38.959
he was gonna say? I'm like, it's the same thing I've heard for

101
00:07:39.079 --> 00:07:43.399
five years now, so I know
I actually know what you're talking about.

102
00:07:43.720 --> 00:07:47.480
I'm sure I absolutely do. Uh. Here's the thing though, with with

103
00:07:48.040 --> 00:07:51.240
our good friend cast here, you
never know what's gonna come out of his

104
00:07:51.399 --> 00:07:56.439
mouth. I love that, seriously. Sometimes we'll walk off stage and be

105
00:07:56.519 --> 00:07:59.199
like, did you just say that? Like not a bad way, It's

106
00:07:59.279 --> 00:08:01.120
just like every day he'll tell stories, he'll be up there, you know,

107
00:08:01.480 --> 00:08:05.079
give him background as a song.
What's funny about that? When I

108
00:08:05.240 --> 00:08:09.360
was interviewing Jordan from Bringing Me to
Horizon, he was like, yeah,

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00:08:09.920 --> 00:08:15.800
we're kind of scared sometimes because we
never know what Ali's gonna say right exactly.

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00:08:16.079 --> 00:08:18.160
But that's part of the fun.
Yeah, you know, because I

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00:08:18.240 --> 00:08:20.519
get it. I get what happens
after you know, if you've been on

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tour for a long time, you're
playing, say the same set, or

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00:08:24.720 --> 00:08:26.600
maybe you try to switch it up
a little bit, and eventually you fall

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00:08:26.680 --> 00:08:30.720
into similar pattern. So like all
that worked or that didn't. So I

115
00:08:30.839 --> 00:08:33.919
kind of get it, and that
makes sense to me. But at the

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00:08:33.960 --> 00:08:37.000
same time, there are other bands
that have it like Scared, Like it's

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00:08:37.039 --> 00:08:41.559
almost like it's on the prompter.
Oh yeah, I don't ever want to

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00:08:41.600 --> 00:08:46.879
be on authentic And that's that's it. Like I just like, I have

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00:08:46.960 --> 00:08:50.919
an idea of what I'm gonna say, but then that usually changes during the

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00:08:50.960 --> 00:08:54.720
stuff. Well that's keeps it,
keeps it real for me. You'll never

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see me with script or notes or
anything like, because it takes a life

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00:08:58.519 --> 00:09:05.120
of its own. Every experience is
different, right, Yeah, so today

123
00:09:05.639 --> 00:09:11.440
today I wasn't perfect, but I
I didn't say anything. I didn't mean

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00:09:11.960 --> 00:09:16.360
you know what I mean. I
felt it felt good, like but you

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00:09:18.360 --> 00:09:22.360
I think our music is speaks for
itself, and so a lot of times

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00:09:22.799 --> 00:09:26.879
I'm trying to get out of the
way. I don't want to confuse the

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00:09:26.960 --> 00:09:31.559
message. And everyone has their own
message and experience with our music. A

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00:09:31.600 --> 00:09:35.039
lot of people were at a certain
time in their life or you know,

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00:09:35.279 --> 00:09:39.559
a lot of people play like old
man at their dad's funeral, or they

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play pulling my hand because they got
out of recovery, or there's there's a

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something people share in it. I
don't want to ruin that for him either.

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00:09:48.480 --> 00:09:50.879
Yeah, because that's the key to
a good song, by the way.

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00:09:50.639 --> 00:09:56.200
You know, you write it authorically
from your perspective, but when somebody

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00:09:56.240 --> 00:10:00.320
else in the crowd can put their
own perspective to it, you know,

135
00:10:00.559 --> 00:10:05.080
I think generally these days, I'm
we're all pretty light hearted. We we

136
00:10:05.679 --> 00:10:07.200
we know, we've been doing this
a long time. We were doing this

137
00:10:07.279 --> 00:10:11.879
because we love it. We're not, you know, in it for money

138
00:10:13.039 --> 00:10:16.600
or you know, well, you'd
be an idiot if you didn't like it,

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00:10:16.759 --> 00:10:18.960
you were doing it for money.
Nowadays, well, I think I

140
00:10:20.120 --> 00:10:26.480
think there's a way to monetize music
in a way that it becomes the focus,

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00:10:26.360 --> 00:10:31.639
especially now in a digital age.
There are like I don't I don't

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00:10:31.639 --> 00:10:35.399
spend a lot of time on socials, but a lot of people say that's

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the only that's the key, and
that's the only way to become something in

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this business. And that frustrates a
guy like me who comes from the heart

145
00:10:43.320 --> 00:10:50.200
and finds that experience for me a
bit. Uh, well, nothing's real

146
00:10:50.320 --> 00:10:54.960
on social it's not real. Redundant. Yeah, now I want to,

147
00:10:54.960 --> 00:11:01.240
I would love to. Sometimes I
find something very authentic and I share that

148
00:11:01.480 --> 00:11:05.240
on social media, and then it
becomes real for me. So I'm still

149
00:11:05.679 --> 00:11:09.639
trying to find that thing that I
connect with so that everyone can connect and

150
00:11:09.720 --> 00:11:15.039
find our music. Do you mean
you're not doing tiktoks? I'm not,

151
00:11:15.200 --> 00:11:16.879
but I'm not afraid to do it. I just haven't found my thing.

152
00:11:18.039 --> 00:11:20.360
Like I don't dance, but I
know, like I put our song up

153
00:11:22.039 --> 00:11:26.039
me Ryan and Old Harley with Cold
Killer playing, and it got some views

154
00:11:26.080 --> 00:11:28.600
on TikTok because you go a lot
of guys like Harley and I got a

155
00:11:28.639 --> 00:11:31.039
lot of guys like rock and roll. There it is. I don't know.

156
00:11:31.240 --> 00:11:35.960
I think the key like on TikTok
as an example, is just doing

157
00:11:37.120 --> 00:11:41.240
stupid shit that maybe isn't even related
to your music type of thing. You

158
00:11:41.360 --> 00:11:46.120
never know what's gonna work now.
It's like you have no idea whether or

159
00:11:46.159 --> 00:11:50.679
not somebody's can connect going to connect
with one thing or the other. So

160
00:11:50.759 --> 00:11:54.799
you just try to stay I don't
know, just as honest and uh,

161
00:11:54.440 --> 00:11:58.279
just focus on what you want to
hear and what do you want to do.

162
00:11:58.480 --> 00:12:01.080
I think more than any other industry, you need to be honest.

163
00:12:01.120 --> 00:12:05.399
In this industry. People can tell. I can see on stage whether somebody's

164
00:12:05.440 --> 00:12:09.600
being authentic and if they're loving it. And that's their passion, or if

165
00:12:09.600 --> 00:12:13.480
they're just up there doing it,
oh for sure, for sure you can

166
00:12:13.559 --> 00:12:16.399
see immediately and I'll walk away.
I want a good live show, and

167
00:12:16.519 --> 00:12:20.960
I like when you mix it up
different arrangements because then I'm like, oh,

168
00:12:20.279 --> 00:12:24.320
I don't want to miss this set. Who knows what's gonna happen right

169
00:12:24.559 --> 00:12:26.919
where? It's like some it's like, well, yeah, I'll hang back

170
00:12:26.960 --> 00:12:30.159
here, Mabia. I already know
what's gonna happen, you know, And

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00:12:30.320 --> 00:12:33.960
I don't think there's any rules about
I agree with you, first of all,

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00:12:33.039 --> 00:12:35.960
but I I mean, you see, there's lots of bands, any

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00:12:37.039 --> 00:12:41.039
band that can get out and be
on stage night after night, day after

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00:12:41.120 --> 00:12:45.399
day. However they do it whether
or not it's you know, they have

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00:12:45.679 --> 00:12:48.919
a script that they don't or you
know. I tend to gravitate towards the

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more authentic performances. But I don't
give anyone any shade about being up.

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Just the fact that they're doing it
alone is hard enough. I agree,

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because it's hard. I just respect
all the bans that are able to make

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a living or just go out and
sleep. A whole business is hard,

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you know, Like my heart goes
out to every artist because man, especially

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the new ones, especially younger bands. Man, it's it's a different world.

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But you got to do today.
Like you know, it's not like

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some record labels saying here, exactly, go party fellas, We're gonna make

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you rich exactly exactly. You gotta
work your ass off and that's what I

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respect about you. Guys. Are
any artists nowadays? You're you're doing it.

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You're working your ass off, and
man, you guys rocking. I'm

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so happy you're here it after show, Oh, we appreciate you. Man,

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that's awesome. There any other final
words? You need to leave the

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listeners with our stuff? You want
to tell them we haven't covered yet.

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You know, we're thankful after all
these years I've known Kaz, I've been

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playing with Kaz for over twenty years
now. Wow, the fact that I'm

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still out here coming to festivals like
Aftershock and being able to play to people

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and see people sing along, that's
it's insane, And you know it's it's

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hard, right, but it's it's
not an easy gig. But you know,

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to come out and be able to
do it again and continue to do

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it to blow your mind too,
that you like been doing it for twenty

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years, I don't I don't like
doing right. That does I'm sure like

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twenty years, but sometimes it feels
like forty. Love it well, Thanks

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guys, and thanks for being on
the Adventures of pipe Man. Thank you,

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Thank you for listening to the Adventures
of Pipe Man on w for CUI Radio