Aug. 10, 2026

Sepultura’s Final UK Show Reflections and Metal Family with Andreas Kisser at Bloodstock

Show Notes
Transcript

In this episode of Podcast, Pipeman sits down with Andreas Kister of Sepultura at Bloodstock Festival for an energetic and thoughtful conversation. The duo discusses Sepultura’s incredible journey, their final UK show, the unique spirit of the global metal community, and the role of music and culture in uniting people. Highlights include reflections on Brazilian musical heritage, challenges faced by touring musicians, and a passionate critique of censorship in the arts and education.Main Topics Covered

Sepultura’s legacy and career milestones
Brazilian cultural influences on metal
The global and inclusive nature of the metal community
Touring memories and the evolution of the band
The importance of family and generational connections in metal
Cultural appreciation and breaking down barriers
The significance of art and culture in society, and critiques of censorship
Reflections on ending Sepultura’s UK journey at Bloodstock Festival

Key Discussions & StoriesPronunciations and Cultural Identity

Pipeman and Andreas Kister joke about pronouncing Sepultura with the correct Brazilian accent, highlighting the importance of message over accent 00:26.
Discussion about the frequent mix-up between Portuguese and Spanish, with Andreas Kister emphasizing their differences 01:03.

Festivals and Metal in Brazil

Pipeman expresses his interest in attending Rock in Rio and Bangers Open Air; Andreas Kister describes how these festivals foster new bands and audiences in Brazil 01:29.

Brazilian Musical Roots

Andreas Kister explains how Brazilian culture—shaped by indigenous, African, and European influences—has played a crucial role in Sepultura’s sound 02:19, noting Carnival’s street-born music traditions and the blending of styles.

Metal Community and Inclusion

The interview emphasizes metal’s inclusivity, referencing female bands and Sepultura’s Black singer Derek Green 04:07.
Andreas Kister notes the global reach of metal and the genre’s resistance to exclusion and cancellations. Example: Rob Halford’s public coming out and the welcoming metal community response 03:52.

Touring, Milestones, and Evolution

Sepultura’s first UK show at the iconic Marquee Club in 1989, and now performing their last UK show at Bloodstock’s 25th anniversary 05:15.
Andreas Kister reflects on dreams versus reality, how life exceeded their wildest expectations, and the honor of forging friendships with their idols 06:03.

Family, Generations, and Breaking Cycles

Both share stories about introducing their children (and grandchildren) to metal shows and the importance of multi-generational connections in the metal community 08:45.
Andreas Kister shares his experience touring with his son for the first time 08:45.

Music as a Path Toward Understanding

Conversation turns philosophical: music as a way to unite diverse people worldwide and break the patterns of insular thinking 09:56.
Pipeman presents a tongue-in-cheek idea to solve global issues by gathering everyone at a music festival, excluding political leaders 10:26.

Critique of Censorship and the Power of Art

Discussion on the threats to art in fascist or dictatorial societies, and the dangers of restricting education and cultural knowledge 10:48.
Personal anecdotes about recent bans or attacks on teaching history and the arts in schools 11:05.

Closing Celebrations

Pipeman expresses gratitude for being present at Sepultura’s last UK show and promises to be in the pit 12:19.
Andreas Kister thanks the host and listeners, reinforcing Sepultura’s celebratory approach to closing this chapter 12:33.

Notable Quotes

"The most important thing is the message." — Andreas Kister 00:46
"The heavy metal community is a beautiful family, very inclusive." — Andreas Kister 03:43
"The privilege to travel the world, to have friends all around the world, to have fans... it’s amazing history that we had behind, and it feels great that we are finishing this in our own terms." — Andreas Kister 07:24
"Music opened the doors regardless of politics, dictatorship, or religion." — Andreas Kister 04:33
"That's why they're scared of art and culture." — Andreas Kister 10:45
"I say one major music festival that the whole world is required to attend, but the political leaders are banned from." — Pipeman 10:26

Resources & Links Mentioned

Bloodstock Festival: Main location for this final UK Sepultura performance.
Rock in Rio & Bangers Open Air: Referenced as iconic festivals representing Brazilian and global metal.
Marquee Club (London): Where Sepultura had their first UK performance in 1989.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.

Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!

Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradio

Stream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV.

Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

WEBVTT

1
00:00:04.599 --> 00:00:12.679
Hey, you love done to cure fore wow for you.

2
00:00:12.240 --> 00:00:21.719
Young, it's the pipe Man here on the Adventures Pipe

3
00:00:21.760 --> 00:00:25.399
Man W four c Y Radio, and I'm here with Andreas.

4
00:00:26.839 --> 00:00:30.280
Nice. See that's why I let you do it because.

5
00:00:31.440 --> 00:00:34.920
Sah, yeah like that that.

6
00:00:34.280 --> 00:00:40.359
That accent there, like I try sometime like, but I'm

7
00:00:40.359 --> 00:00:45.240
a great go That's all right, man. It's the same

8
00:00:45.280 --> 00:00:46.520
as it speaking English. You know.

9
00:00:46.640 --> 00:00:49.640
We have our accent and the most important thing is

10
00:00:49.679 --> 00:00:52.520
the message. What the hell are we saying? Exactly?

11
00:00:52.920 --> 00:00:53.679
And I live in.

12
00:00:53.600 --> 00:00:57.119
South Florida, so we have a lot of Brazilians there, definitely,

13
00:00:57.159 --> 00:01:00.960
you know. And I always laugh because all the Floridians

14
00:01:00.960 --> 00:01:03.759
I always want to talk to you in Spanish.

15
00:01:03.200 --> 00:01:03.479
I know.

16
00:01:05.560 --> 00:01:09.000
Yeah, you know, we understand Spanish, but it's a completely

17
00:01:09.000 --> 00:01:12.239
different language and there's a lot of exactlarities, but it's very exactly.

18
00:01:12.680 --> 00:01:13.040
I think.

19
00:01:13.079 --> 00:01:15.760
The one word that always sticks in my mind that's

20
00:01:15.760 --> 00:01:17.480
in Portuguese.

21
00:01:16.799 --> 00:01:18.920
Is abrigado albrigado.

22
00:01:19.000 --> 00:01:22.159
That's very polite, yeah, exactly, if you're getting a word,

23
00:01:22.719 --> 00:01:26.280
that's the word. And I do speak Spanish, not very well,

24
00:01:26.480 --> 00:01:28.480
but I go to Costa Rica a lot of the time,

25
00:01:29.079 --> 00:01:32.120
you know, so I love it there and I want.

26
00:01:32.519 --> 00:01:32.920
I want to.

27
00:01:32.959 --> 00:01:36.000
Actually I do festivals all over the US, UK, Europe,

28
00:01:36.000 --> 00:01:40.079
but I need to do rock and rio and bangers

29
00:01:40.120 --> 00:01:42.359
open air, like yeah you have to.

30
00:01:42.640 --> 00:01:45.760
I mean like it's getting bigger and bigger, especially Bangers

31
00:01:45.799 --> 00:01:49.280
because a very specific metal fest. Yes, that's why I

32
00:01:49.400 --> 00:01:51.319
like to place the door for so many new bands,

33
00:01:51.400 --> 00:01:55.879
especially in Brazil. You know, new new possibilities really, even

34
00:01:55.920 --> 00:01:58.799
for bands that never came down to Brazil to go

35
00:01:58.879 --> 00:02:01.599
and have the fastivo. We can do shows around and

36
00:02:01.640 --> 00:02:05.120
et cetera, and rock and real. It's fantastic.

37
00:02:05.400 --> 00:02:11.199
Nothing more fantastic I always know from bands and you

38
00:02:11.240 --> 00:02:15.639
know that the audience there, yeah, it is just insane.

39
00:02:15.759 --> 00:02:19.280
Yeah, we are very musical naturally.

40
00:02:19.599 --> 00:02:22.319
You know, we have the carnival, which is a party

41
00:02:22.319 --> 00:02:25.479
that was born on the streets. You know, people playing

42
00:02:25.479 --> 00:02:30.560
percussive instruments and singing. You know. The Brazilian culture influenced

43
00:02:30.599 --> 00:02:36.400
by of course enslavement that came to from Africa and all.

44
00:02:36.280 --> 00:02:37.439
The European as well.

45
00:02:37.479 --> 00:02:40.360
You know, influences like classical music and rock and roll

46
00:02:40.439 --> 00:02:43.240
and all that stuff. You know, I think Saputura is

47
00:02:43.280 --> 00:02:45.840
a consequence of that. Yes, to to to all that

48
00:02:46.039 --> 00:02:49.080
influences that we got even from the indigenous you know,

49
00:02:49.159 --> 00:02:53.400
the native people in Brazil that we work on, roots

50
00:02:53.400 --> 00:02:56.199
and et cetera, which didn't have any of that influence,

51
00:02:56.280 --> 00:02:59.080
you know, even from Africa or from Europe, just like

52
00:02:59.560 --> 00:03:02.520
dealing with the sounds of nature and creating their own

53
00:03:02.520 --> 00:03:05.759
instruments and uh and Sepultura I think have a little

54
00:03:05.759 --> 00:03:09.280
bit of everything that we try to put in our music.

55
00:03:09.319 --> 00:03:13.159
And once we start using these Brazilian elements, it puts

56
00:03:13.159 --> 00:03:15.280
a putui in a different place, you know, compared to

57
00:03:15.319 --> 00:03:16.599
other bands.

58
00:03:16.360 --> 00:03:19.039
One hundred percent. And what do you think it is

59
00:03:19.639 --> 00:03:26.039
about Brazil that the metal community is like so into it?

60
00:03:26.039 --> 00:03:29.639
It's not the same man. I mean, we love to party,

61
00:03:29.639 --> 00:03:30.039
I guess.

62
00:03:31.120 --> 00:03:34.159
We love together with friends, you know, and people to

63
00:03:34.360 --> 00:03:37.960
watch you know, our idols, you know, to go to

64
00:03:37.960 --> 00:03:41.560
see Kids or Maiden or festivals like Rock and Real.

65
00:03:42.240 --> 00:03:43.560
It's a it's a great family.

66
00:03:43.919 --> 00:03:48.439
Yeah, the heavy metal community is a beautiful family, very inclusive,

67
00:03:49.039 --> 00:03:53.800
you know, no bullshit, no cancelations. You know, Rob Halford

68
00:03:54.240 --> 00:03:58.199
came about being homosexual, you didn't see any cancelations any

69
00:03:58.400 --> 00:04:01.680
And I'm gonna say everybody really embraced of course.

70
00:04:01.400 --> 00:04:04.199
That's why I love about the metal community, Like all

71
00:04:04.240 --> 00:04:07.360
the outsiders are on the inside at a metal festival.

72
00:04:07.479 --> 00:04:09.639
Yeah, women, a lot of women bands.

73
00:04:09.879 --> 00:04:12.840
We have a black singer Derrek Green, you know, with

74
00:04:13.000 --> 00:04:16.600
so many elements that have a metal it's built on it. Yeah,

75
00:04:16.759 --> 00:04:19.560
that's why it's the most popular style in the world.

76
00:04:19.759 --> 00:04:22.399
Simple to re visited more than eighty countries in forty

77
00:04:22.399 --> 00:04:26.199
two years of a story of a career. It's amazing, right,

78
00:04:26.399 --> 00:04:30.519
how music opened the doors regardless of politics they take

79
00:04:30.560 --> 00:04:35.439
their ship or religion. You know, it's amazing, very powerful.

80
00:04:35.680 --> 00:04:39.000
And what I'm really excited about is, first of all,

81
00:04:39.079 --> 00:04:40.959
we're here at Bloodstock, which is.

82
00:04:40.920 --> 00:04:43.279
One of my favorite festivals. Oh yeah, because of.

83
00:04:43.319 --> 00:04:46.399
The community and the family. Like I got here, I

84
00:04:46.439 --> 00:04:48.720
was like I'm home with family now.

85
00:04:48.920 --> 00:04:49.120
Yes.

86
00:04:49.399 --> 00:04:53.040
And then the fact that I have the honor to

87
00:04:53.160 --> 00:04:56.079
interview you at your last thank.

88
00:04:55.879 --> 00:05:00.319
You performance ever, Like that was for me.

89
00:05:00.959 --> 00:05:04.000
It's not just interviewing you, it's that this is the

90
00:05:04.120 --> 00:05:06.399
last chance that happened in the UK.

91
00:05:06.959 --> 00:05:08.399
It's great, we feel great.

92
00:05:08.560 --> 00:05:11.360
We plan to be the way right we announced, We

93
00:05:11.480 --> 00:05:15.519
worked around this and it is truly a celebration. Yeah,

94
00:05:15.600 --> 00:05:17.600
we are having the best time of our lives, man,

95
00:05:17.680 --> 00:05:21.120
I mean the best tours. First show in UK was

96
00:05:21.120 --> 00:05:23.560
in at the Marquee Club in nineteen eighty nine opening

97
00:05:23.600 --> 00:05:25.240
for Sodom Wow tour.

98
00:05:25.319 --> 00:05:26.879
That really showed us the world.

99
00:05:27.600 --> 00:05:30.839
We were four kids with no crew, no nothing, hardly

100
00:05:30.839 --> 00:05:35.199
speaking any English, you know, and there we were doing

101
00:05:35.319 --> 00:05:38.839
amazing history for not only for Sepultur, for the Brazilian

102
00:05:38.839 --> 00:05:42.759
and South American metal to plinging such an iconic you know,

103
00:05:43.160 --> 00:05:46.079
imagine like first show in England's at the Marquee Club. Man,

104
00:05:46.199 --> 00:05:49.959
Wow show is the Bloodstocks twenty fifth anniversary.

105
00:05:50.040 --> 00:05:50.319
Wow.

106
00:05:51.000 --> 00:05:56.160
Exactly, It's fantastic and like if you did you have

107
00:05:56.439 --> 00:05:59.519
any clue back then that.

108
00:05:59.480 --> 00:06:03.480
You would be morn now right.

109
00:06:03.920 --> 00:06:06.120
You know, when you dream, you have limitations on your

110
00:06:06.199 --> 00:06:09.920
dream and your imagination, and real life shows you that

111
00:06:10.319 --> 00:06:14.639
a dream can go much further. Reality can be much

112
00:06:14.680 --> 00:06:16.560
more intense than any dream.

113
00:06:16.879 --> 00:06:18.959
You know, to us life it's a proof of that.

114
00:06:19.199 --> 00:06:22.079
You know, we could dream to play outside, to meet

115
00:06:22.120 --> 00:06:24.800
our idols, but we went much further, you know. Now.

116
00:06:24.920 --> 00:06:26.600
We have a song on or lest Ep that it's

117
00:06:26.639 --> 00:06:29.439
called Beyond the Dream and it talks about that. You know,

118
00:06:29.480 --> 00:06:32.240
we could dream to be a musician, to travel the

119
00:06:32.279 --> 00:06:34.920
world to record an album or to meet how For

120
00:06:35.199 --> 00:06:36.319
or Ausy and stuff like that.

121
00:06:36.360 --> 00:06:37.160
And we did all that.

122
00:06:37.399 --> 00:06:41.120
You know, we jammed together, we toured together, We even

123
00:06:41.560 --> 00:06:44.720
friends with our idols. That it still bothers me somehow,

124
00:06:44.759 --> 00:06:47.399
you know, not bothers. But it's it's kind of weird

125
00:06:47.480 --> 00:06:50.040
still talk to a metallic or.

126
00:06:49.959 --> 00:06:51.720
Real you know, it's real. It's great.

127
00:06:51.839 --> 00:06:54.279
Yeah, I was a Metallica's first show ever. I was

128
00:06:54.279 --> 00:06:57.920
at Slayer's first show ever. Amazing, and it blows my

129
00:06:58.160 --> 00:07:01.560
mind that bands like you and them are still here

130
00:07:01.600 --> 00:07:06.120
today because I never thought of that bigger than ever exactly.

131
00:07:06.319 --> 00:07:09.040
You see Ben talking with twenty five people in the club, like,

132
00:07:09.079 --> 00:07:10.600
who would ever fucking figure?

133
00:07:10.839 --> 00:07:13.800
Yeah, you know, no shit, it's just that's what I mean.

134
00:07:13.839 --> 00:07:17.319
Because once you live your life in the present and

135
00:07:17.560 --> 00:07:20.920
absorbing new elements, learning new things.

136
00:07:21.160 --> 00:07:23.879
You know, life is That's what life is all about.

137
00:07:23.920 --> 00:07:25.959
Man. That's a privilege to travel the world, to have

138
00:07:26.040 --> 00:07:28.680
friends all around the world, to have fans you know

139
00:07:28.759 --> 00:07:32.519
that supports you and buy tickets and albums and merch

140
00:07:32.720 --> 00:07:37.160
and everything. You know, it's a it's it's so real,

141
00:07:37.519 --> 00:07:41.959
it's so truthful, right, it's a it's amazing. History that

142
00:07:42.000 --> 00:07:44.959
we we head behind and it feels great that we

143
00:07:45.040 --> 00:07:49.120
are finishing this in our own terms. You know, consciously

144
00:07:50.160 --> 00:07:54.560
why we're stopping when we're stopping, and uh, it feels great, man.

145
00:07:54.639 --> 00:07:58.199
It's smart. It's smart, hope. So you know, going out

146
00:07:58.240 --> 00:07:59.879
on top, you know, and.

147
00:08:00.199 --> 00:08:04.240
And still young and feel great to go after new things,

148
00:08:04.279 --> 00:08:07.680
you know, to challenge ourselves and artists as and as

149
00:08:07.720 --> 00:08:11.040
people as well, to do new things, to explore new

150
00:08:11.399 --> 00:08:14.959
elements and it's great, man. And to put more time

151
00:08:15.000 --> 00:08:16.920
in stuff that we don't have too much time because

152
00:08:16.959 --> 00:08:22.439
of sepulturum. Yeah, family or friends and relationships and all

153
00:08:22.480 --> 00:08:24.959
that stuff that it's really hard when you are a musician,

154
00:08:25.000 --> 00:08:29.519
touring musicians, it's really really hardly aware of yeah, you know,

155
00:08:29.519 --> 00:08:33.159
away from the family, missing very important dates and et cetera.

156
00:08:33.320 --> 00:08:34.399
You know, it's one.

157
00:08:34.240 --> 00:08:36.559
Thing when you're young and you don't have that and

158
00:08:36.600 --> 00:08:39.240
then it's like who cares? True, But then once you

159
00:08:39.279 --> 00:08:41.840
have the family, it's hard.

160
00:08:42.000 --> 00:08:42.919
Yeah, it's very hard.

161
00:08:43.399 --> 00:08:46.759
I have my son here today, actually my youngest you know, Enzo,

162
00:08:46.840 --> 00:08:49.519
it's twenty years old. First time on the road, you know,

163
00:08:49.559 --> 00:08:51.919
going to places for the first time, and that's great,

164
00:08:51.960 --> 00:08:53.200
you know, it's a great experience.

165
00:08:53.320 --> 00:08:57.000
That's what it's Cobalt metal too, Okay, Like I've put

166
00:08:57.039 --> 00:08:59.919
my son in his first marsh Pat and my grand

167
00:09:00.240 --> 00:09:02.039
children in their first mash bit.

168
00:09:02.240 --> 00:09:05.320
I still waiting for my grandchildren, so I don't that's

169
00:09:05.360 --> 00:09:07.080
the best, man, I'm ready.

170
00:09:07.480 --> 00:09:11.279
My grandchildren have actually done interviews for me, like them

171
00:09:11.320 --> 00:09:16.759
to festival and then like okay, you interview them, you know,

172
00:09:17.320 --> 00:09:20.919
And the bands love it too, because like, yeah, that's

173
00:09:20.960 --> 00:09:24.320
the thing. This community is about family and it is

174
00:09:24.399 --> 00:09:27.039
about and that's how we're going to keep metal going. Yes,

175
00:09:27.320 --> 00:09:30.879
you know, in our generation, you and my like my

176
00:09:31.039 --> 00:09:33.360
dad would never gone to a metal.

177
00:09:33.120 --> 00:09:34.120
Show, you know.

178
00:09:34.759 --> 00:09:38.639
And so it's so cool that my kids like the

179
00:09:38.720 --> 00:09:42.159
same music I do. My grandkids like the same music

180
00:09:42.240 --> 00:09:45.679
I do. You know, metal it's like a worldwide phenomena.

181
00:09:45.840 --> 00:09:47.879
You see people from all over the world here.

182
00:09:48.240 --> 00:09:51.720
You get in touch with an American, with the Italian,

183
00:09:51.799 --> 00:09:56.120
with the Australian, you know, get in touch with different cultures.

184
00:09:56.279 --> 00:09:58.120
Yes, And I think.

185
00:09:58.000 --> 00:10:00.600
That's so important too, because the we all live in

186
00:10:00.639 --> 00:10:02.639
the school, you know, we live in this bubble, a

187
00:10:02.679 --> 00:10:05.639
lot of us, you know, and it's so cool to

188
00:10:05.679 --> 00:10:08.480
get out there in the world and discover that we're

189
00:10:08.480 --> 00:10:12.720
all just human beings, you know, and learning each other's

190
00:10:12.799 --> 00:10:16.679
cultures instead of trying to say I know everything and

191
00:10:16.759 --> 00:10:20.080
my God is better than yours, you know, faking the

192
00:10:20.159 --> 00:10:22.960
world up. You know, I have this idea to fix

193
00:10:23.000 --> 00:10:25.480
all the world problems. You want to hear it? Of course,

194
00:10:26.399 --> 00:10:30.759
I say. One major music festival that the whole world

195
00:10:30.879 --> 00:10:35.159
is required to attend, but the political leaders are banned

196
00:10:35.240 --> 00:10:39.279
from security, does not let them in, no speeches. Put

197
00:10:39.399 --> 00:10:42.240
everybody in the mash pit, will work it all out

198
00:10:42.279 --> 00:10:44.039
and all hug each other afterwards.

199
00:10:44.039 --> 00:10:47.879
And that's totally that's why they scared of art and culture.

200
00:10:48.120 --> 00:10:51.320
Yes, on a fascist government or a dictatorship, the first

201
00:10:51.399 --> 00:10:57.879
one to suffer are arts. Yeah, movie theaters, music, paintings, poems,

202
00:10:58.840 --> 00:11:02.919
you know, newspaper text and whatever it was was the first.

203
00:11:03.039 --> 00:11:05.799
Why they burn books because they change people listen.

204
00:11:06.559 --> 00:11:09.720
In my country, as ridiculous as it sounds, so the

205
00:11:09.759 --> 00:11:13.399
state I live in, books are being remote from school.

206
00:11:13.720 --> 00:11:17.360
I can't teach certain things. I just saw recently the

207
00:11:17.360 --> 00:11:21.759
teacher got fired for teaching about the Holocaust. Jesus a

208
00:11:21.840 --> 00:11:28.600
principle had to formally apologize to Muslims and Arabs for

209
00:11:29.120 --> 00:11:33.120
having a class that taught the Holocaust as one example,

210
00:11:33.840 --> 00:11:39.240
and taking art out of the curriculum of school. It's

211
00:11:39.320 --> 00:11:43.759
so necessary, if for nothing else, not to become a musician,

212
00:11:44.279 --> 00:11:46.120
to be a well rounded.

213
00:11:45.879 --> 00:11:50.200
Person because arts it touches you in a very unique way. Yeah,

214
00:11:50.240 --> 00:11:54.879
that's a self knowledge process exactly. Watch a painting or

215
00:11:54.960 --> 00:11:57.559
to paint yourself or you know, or listen to a

216
00:11:57.639 --> 00:12:01.799
music and whatever, you know, whatever art it helps you

217
00:12:01.600 --> 00:12:05.759
to self knowledge and for evolution, you know, self evolution.

218
00:12:06.120 --> 00:12:08.360
And that's what people are scared, you know, because they

219
00:12:08.480 --> 00:12:11.279
want us like stupid, you know, so they can control.

220
00:12:11.000 --> 00:12:13.879
Different, divide and conquer. I say it all the time.

221
00:12:14.200 --> 00:12:16.639
I say the politicians are all on the same team

222
00:12:16.679 --> 00:12:17.559
and it ain't mine.

223
00:12:17.759 --> 00:12:18.840
Yes, exactly.

224
00:12:19.559 --> 00:12:23.720
Well, I'm so happy that I'm here for your final

225
00:12:24.399 --> 00:12:29.159
performance or being your pit tonight. All right, fantastic and

226
00:12:30.279 --> 00:12:32.919
thanks for being on the Adventures pipe Man you're at Bloodstock.

227
00:12:33.120 --> 00:12:34.200
Thank you so much. Man.

228
00:12:34.759 --> 00:12:38.519
Here's Andreas Kisser from Sepultura straight from Bloodstock Festival.

229
00:12:38.559 --> 00:12:44.399
We wre with Pipemin on W four Cy. Thank you

230
00:12:44.519 --> 00:12:50.200
for listening to the Adventures of Pipeline. I'm w for

231
00:12:50.559 --> 00:12:52.159
CUI Radio.

Sepultura’s Final UK Show Reflections and Metal Family with Andreas Kisser at Bloodstock

Listen On

Featured Episodes

Recent Episodes

Support On