June 3, 2026
Venom Is Kicked Outta Hell Into Oblivion - PipemanRadio Interview
Venom ANNOUNCE THEIR NEW SINGLE ‘KICKED OUTTA HELL’ PLUS GLOBAL ALBUM LISTENING EVENTS WATCH/STREAM THE SINGLE PLUS, PREORDERS HERE – https://venomslegions.lnk.to/intooblivionPR BRAND-NEW ALBUM, ‘INTO OBLIVION’ RELEASED ON NOISE/BMG ON MAY 1st...
Venom ANNOUNCE THEIR NEW SINGLE ‘KICKED OUTTA HELL’ PLUS GLOBAL ALBUM LISTENING EVENTS
WATCH/STREAM THE SINGLE PLUS, PREORDERS HERE – https://venomslegions.lnk.to/intooblivionPR
BRAND-NEW ALBUM, ‘INTO OBLIVION’ RELEASED ON NOISE/BMG ON MAY 1st 2026
‘Into Oblivion’ is Venom’s sixteenth studio album and features the long-standing line up of Cronos (bass/vocals and founding member), Rage (guitar) and Dante (drums) and marks their first new recordings since 2018’s, ‘Storm The Gates’. Into Oblivion consists of thirteen songs that are signature Venom: heavy, evil and catchy. There’s a combination of their classic 80’s sound adjacent to a more modern, progressive approach but without losing any of their fire and brimstone of old.
‘Into Oblivion’ will be released on May 1st 2026 via Noise/BMG and is available for preorder now and is available in these formats.
• Double, gatefold smoke vinyl
• Double, gatefold clear, black & red splatter vinyl (Limited Edition)
• CD digisleeve with 16-page booklet
• Digital
TRACKLISTING
1. Into Oblivion
2. Lay Down Your Soul
3. Nevermore
4. Man & Beast
5. Death The Leveller
6. As Above So Below
7. Kicked Outta Hell
8. Legend
9. Live Loud
10. Metal Bloody Metal
11. Dogs Of War
12. Deathwitch
13. Unholy Mother
Find Venom online at venomslegions.com / FB @officialvenomband / IG @venom_band_official
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WEBVTT
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Hi, you have done to censure?
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Wow, crazy young.
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This is the pipe Man here on the Adventures of
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Pipe Man W four C Y Radio, and I'm here
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with our next guest. Oh my god, I'm so excited
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about this because one of my first really heavy, heavy
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albums is from this band. So I want to welcome
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to the show, Dante from Venom.
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How are you hey, I'm thank you, d Nice to
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see you.
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Good to see you. So we were talking about that
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before the show. Like I didn't tell you about how
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I found out about Venom first, Like, so I there
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was this record store in the San Fernando Valley in
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Los Angeles, and there was this record and it was
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called OZ Records, and there was this record clerk. His
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name was Brian Slagel and yeah, yeah, and he had
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just started Metal Blade at that time. But we all
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as teenagers in LA we used to go to that
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record store and he would show us what we should
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listen to. The first album he ever handed to me
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and said this is the one you need to buy
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was Venom Welcome to Hell.
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So it's his fault, it's all his I know, right,
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that's a good tale.
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Right, It's so funny too. I brought it home. Like
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before that, I listened to metal, but nothing like, nothing
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like Venom, you know, and you know, I listened to
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Maiden and Priest and stuff like that. And then I'm so,
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I'm reading the lyrics because it's what we had back
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in the day, had the album the lyrics, and the
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album cover looks so cool. But then I'm reading the
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lyrics as I'm listening, so so I'm like, this shit's
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pretty scary.
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Man.
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Yeah.
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Hell, one of my favorite bands ever since, and that
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led me to where we are today.
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You know, hey, thanks for sticking with us.
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You know, not only sticking with you, but this new
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album Okay, oh my god, it gives me chills when
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I listened to it because it's like old school Venom
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from back then with a modern twist of a twenty
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twenty six version of Venom.
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Yeah, it's got you know exactly what you've just said there.
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It's like, you know, Venom is Venom, and you know,
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as soon as Chronos opens his mouth, that's it. It's undeniable.
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You know, it's you know, exactly very unique. You know,
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he is the man, and it's like, you know, it's
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like when let me opens his mouth, he knows in
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a nausey and you know, Dickens and blah blah blah,
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Robert Plant, you know. But so it's one of those
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things you can't replace that person, because yeah, that's the
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that's the thing spear ahead of.
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What you're listening to. And then in regard to the
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sort of.
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Twenty twenty sixth version, yeah, I mean we obviously we
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say pretty.
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Much of respect to all the years and all the
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years of the lineups, you know, and the members who've
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been in the band of kind of you know, it's
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it's been a progression and okay, it's been sort of
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stopped for a while in the nineties and then they
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got back together and blah blah blah.
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But here we are today with this new album, and yeah,
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I'm pretty sused with it. Put it that way. It's
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a yes, it's a it's been a long time coming,
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but I think it's been worth the way.
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Well, yeah, you know, I kind of look at it
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this way. The way the life was in the eighties,
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It certainly was when we entered the eighties welcome to Hell.
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And I certainly think in twenty twenty six the way
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the world is now, we're going into the oblivion.
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We all are, well, we're taking it with us.
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We're going down.
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Yeah. Yeah.
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So tell me a little bit of a story of
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you know, your entrance into music and then eventually venom.
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Well, my story sort of starts when I was little
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giving me grandma, Remember I remember telling me that when
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you were little, you walked and crawled into our house,
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says and rich things little in England US have these
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like plastic things to keep the tea towels on, like
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a tea towel holder in the sort of nineteen seventies,
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so this would have about what I'm born in seventy five,
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so what's seventy seven or something. So it must have
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been the punk movement that made me do this. So
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she said, you wrenched them off the wall, and she said,
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your mother went again.
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To see what he does.
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I put one in his mouth, one in my hand,
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and I crawled, not my grandfather's legs off this foot
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puffy like a foot, school turned it upside down and
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started drumming on it. So that was probably my first
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drunk it.
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You know that. It was biscuit tins, pops and plans.
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I got a drunk it Eventually when I was twelve,
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started in the first bands with the best mates and
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was still best mates marvel One loads of stuff, doing
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loads of cover bands over there, sort of nineties, eighties, nineties,
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and then and then fortunate enough to join Tony Martin's
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band from Black Sabbath, who also featured Jeff Nichols God
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Rest his Soub and that was great, you know, went to.
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It all over the world and.
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Did some great, great shows, some great festivals and actually
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recorded on Tony's last album, Thrones, which was about three
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years ago something. And then joining Venom that happened in
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two thousand and nine, and now that came about h
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I think, yes, it was sort of I got email
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to go audition, and I went down chatting well, I
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spoke to Thronos, came to my house first to sort
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of check me out and see if I was.
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Okay.
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Passed that test, and then then we played played the
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next day just me and him, which was fun. And
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then you know, they said, prior to that, you sent
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me a few songs to learn and stuff like that.
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And then the next day the three of us played
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and we got halfway through the first song and stopped
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and just went.
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Do you want in all right, it's nice and that
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was it. Yeah, And here I are made two thousand.
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And nine.
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And here we are twenty twenty six, brand new album.
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Yeah wow.
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So what's it like writing music now in twenty twenty six?
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Post way back?
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Sorry? Say that again?
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What's it like writing music now in twenty twenty six
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opposed to way back?
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When writing it pretty much the same? Just comes from here.
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You know, whatever you come up with. It can be
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a great.
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Idea, it can be a crap idea.
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You know, you don't know until you get together in
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the room, change the things, and you know, whatever, your
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original idea can start there and then somewhere completely different,
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you know, or you use parts of your idea, or
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some of.
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Our ideas come from just jamming.
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Will just hit record, you know, a lot of it's
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just throw away and then we'll get some stuff free.
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Wow to listen back, you know, listen through all this
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music and we'll find parts where we can go. Let's
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base a song around this, or we could use that
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for a chorus or do you know what I mean?
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So yes, experimenting.
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Key word right there, experiment experimenting. It's all about I
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think that's metal in and of itself like Venom originally
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was experimenting. There was nothing else like Venom. You know,
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it's funny because black metal has become such a big
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thing now, but really there was only one black metal
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band back then and that was then.
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Now there's Shipboards.
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Yeah right, How does that feel to be part of
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the original, like the original black metal with how black
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metal is today.
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It's quite something, really nice.
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It's it's very okay, but it's.
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Cool, it's very great.
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And yeah, music is a thing. You know, some bands
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keep going or split up and he leaves or that.
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This has been a real stable lineup. But you know, to.
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Be part of something that's had an album out all
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those years ago and spawned it a genre of music
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is pretty special. So yeah, and then you know Venom
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started as Welcome to Hell and that, and now.
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In twenty twenty six, you're getting kicked out of Hell.
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You're getting kicked to Yeah.
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They don't with that bad, They don't even fucking want.
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I don't think we paid last month's run. I think
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that's what it is.
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That might be. It might be so one story, good
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or bad. In all your years with Venom, what would
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you say it is? What sticks o in your mind
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most of all, good, bad, crazy, whatever.
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The first one springs to mind is the first tour,
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which was South America. It was Mexico, Columbia, Chile, Argentina,
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and Brazil. And I remember it like it was tomorrow, tomorrow.
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Like it was yesterday. And that was a great thing.
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You know, met some really cool guys who I've never
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met before. He was working with us, and you know
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it's the sound manlike guy and you know the security guy,
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that road crew. Yeah, it was just special sort of
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thing with it. But my first show and my first
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run of.
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Gigs, yes, that's pretty.
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Plenty of Like, well, there's too many to mention really,
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you know, these ties of coming on a stage and
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low and the ship out of any fact, you know,
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all these thousands of sealed people. It's it's amazing, you know,
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and you know they're all there to see you. It's
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it's a incredible time, you know. And and then I
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would say the bad experiences, all the things that are
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sort of behind the scenes. You know, flight's being missed
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and you know, having to stay in a country for
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a couple of days when you should be going home
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and things like that, you know, just just stuff that's
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you know, things like that, equipment, equipment breaking down. Equipment
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breaking down can be like it's both part of the fun.
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You know, you don't stay and something happens, as like
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a guitar goes guitar, cab goes down, or symbols fall
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off the drunket.
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It's a part of that. It's so part of so
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fun games.
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You know, it's been able to stay.
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On thin ice and being able to get to the
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other side, you know what I mean. So some people
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freak out and what's happen?
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It's on fire, you know, we just take it in
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Australia because we've been doing it so long, I suppose,
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but yeah, you know it's a crazy old game.
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We're still doing.
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It here doing it And that's metal though anyway, isn't
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it metal? Metal has always been experimentation, but it's also
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that that live show that things happen. It doesn't have
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to be perfect. It shouldn't be perfect.
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Oh perfect, it looks perfect, right, there's no such thing
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as perfect.
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You know that it's perfect totally.
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There's a pencil, there's always a rubber on the end
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of a pencil because no one's perfect.
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There you go a pencil.
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Yeah, obviously I was listening to the radio days some
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classical music.
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Now that was perfect. And I was.
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In the morning from the gig and I was just like,
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listen to that. It was like, that's crystal clear. And
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then afterwards the audience was like, that was the BBC
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Philarmony Orchestra playing in the role huber Tour.
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I was like, it was live.
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That's wrong, that's amazing, that is wild for sure. So
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what was the spark that sparked this new album, new
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recordings for the first time since twenty eighteen. You know,
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that's that's a good build up.
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Moments of setbacks. Obviously, COVID will check everybody all over
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the world. So our usual writing process of the three
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of us in a room and I you know, we've
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