Aug. 11, 2025

PipemanRadio Interviews Dead Flesh at Bloodstock Open Air 2025

PipemanRadio Interviews Dead Flesh at Bloodstock Open Air 2025

https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support for PERKS, BONUS Content & FREE GIVEWAYS! PipemanRadio Interviews Dead Flesh at Bloodstock Open Air 2025. The Pipeman Radio tour landed at The UK’s biggest independent...

Click Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS!

PipemanRadio Interviews Dead Flesh at Bloodstock Open Air 2025. 

The Pipeman Radio tour landed at The UK’s biggest independent metal festival featuring not only some of the biggest bands in Heavy Metal and Hard Rock, but also some of the best emerging metal music out of the UK and Europe competing in Metal 2 The Masses for a spot to play on New Blood Stage.  The festival also features The Sophie Lancaster Stage dedicated to the memory of Sophie being brutally beaten and murdered just for being Goth and different.  Sophie’s story particularly resonating with anyone who has been bullied, abused, or attacked for simply being who they are.  The mission of The Sophie Lancaster Foundation is to stamp out prejudice, hatred and intolerance everywhere.  This festival is more than just great music, fun, awareness, and togetherness.  It's a family driven DIY Festival that cares where there ar eno outsiders. We join together for a common cause.

Next year is the 25th Anniversary.  Get your tickets now at https://www.bloodstock.uk.com/  #BOA26 6th - 9th August 2026, Catton Park, Derbyshire

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”  

Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness.  

Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment.  
Would you like to be a sponsor of the show?
Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?
Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?
Would you like to host your own Radio Show, Streaming TV Show, or Podcast?

Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!

Follow @pipemanradio on all socials &  Pipeman Radio Requests & Info at www.linktr.ee/pipemanradio

Stream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV

Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.
WEBVTT

1
00:00:04.360 --> 00:00:05.679
Hey, you have done too.

2
00:00:06.120 --> 00:00:09.480
Yes, that's true for.

3
00:00:11.320 --> 00:00:17.160
Crazy Young. This is the pipe Man here on the

4
00:00:17.199 --> 00:00:20.000
Adventures pipe Man w four c Y Radio, and I'm here.

5
00:00:19.839 --> 00:00:22.359
With you have Nelly the drummer from Dead Flesh and

6
00:00:22.440 --> 00:00:24.559
Chris the guitarist from Dead Flesh.

7
00:00:24.679 --> 00:00:26.079
Nice. Oh yeah.

8
00:00:26.280 --> 00:00:30.399
So my first question, most important right now is did

9
00:00:30.440 --> 00:00:32.520
you go catch Cage Fight set?

10
00:00:32.960 --> 00:00:35.880
Yes? I did, because that was amazing.

11
00:00:35.920 --> 00:00:37.679
I've also just what gave it away is the fact

12
00:00:37.719 --> 00:00:40.560
I'm wearing a Cage Fight shirt right. But it's they

13
00:00:40.600 --> 00:00:42.719
were so good. Nick Blues, the drummer, is one of

14
00:00:42.719 --> 00:00:45.679
my favorite drummers. He's from around our area and just

15
00:00:45.719 --> 00:00:48.359
to be able to watch him play in that style

16
00:00:48.399 --> 00:00:51.119
of band that he's in, but add his vibes, so

17
00:00:51.159 --> 00:00:54.399
it's a great band anyway. They've got so many hardcore

18
00:00:54.520 --> 00:00:57.240
ish sounds and then he'll just rinse in a blastby

19
00:00:57.280 --> 00:00:58.399
and it makes me so happy.

20
00:00:58.719 --> 00:01:02.920
And I love when a drummer gives other drummers kudos.

21
00:01:03.200 --> 00:01:05.040
Oh no, but he is unbelievable.

22
00:01:05.040 --> 00:01:08.319
In the warm up, the sound check beforehand, you heard

23
00:01:08.359 --> 00:01:10.879
him and if anyone's listening, he's playing a normal drum

24
00:01:10.879 --> 00:01:14.400
BEI then he goes into the Rosanna Toto Jumbie, which

25
00:01:14.439 --> 00:01:17.760
is free individual drummies at the same time, and then

26
00:01:17.840 --> 00:01:20.519
comes out of that very easily into like just a

27
00:01:20.519 --> 00:01:24.079
normal standard jumpie that is so complicated and difficult. I

28
00:01:24.120 --> 00:01:26.480
am so impressed that he just sneaks it in sneaks

29
00:01:26.519 --> 00:01:27.239
it back out.

30
00:01:27.400 --> 00:01:30.120
I'm always so impressed with people like you and people

31
00:01:30.239 --> 00:01:32.519
like him stuff because I played drums when I was

32
00:01:32.519 --> 00:01:34.599
a kid for nine years and I still suck.

33
00:01:36.719 --> 00:01:38.920
I played guitar for about twenty years and I still suck,

34
00:01:39.000 --> 00:01:39.799
So you do me.

35
00:01:40.200 --> 00:01:40.599
There you go.

36
00:01:41.120 --> 00:01:44.400
Funny story about that is like when I switched from

37
00:01:44.480 --> 00:01:47.439
drums to guitar, because when I became a teen danger,

38
00:01:47.480 --> 00:01:50.200
I'm like, it's cooler to play guitar. I'm thinking, I

39
00:01:50.200 --> 00:01:52.719
am want to do the fucking scales. It bored me

40
00:01:52.760 --> 00:01:55.760
to death, so I was just like fucking around, I

41
00:01:55.799 --> 00:01:57.519
want to see what sounds I can make. And my

42
00:01:57.599 --> 00:02:00.599
dad's like, you should give that shit up because you suck.

43
00:02:01.359 --> 00:02:03.799
But it didn't get it though. I just want, like,

44
00:02:03.879 --> 00:02:07.120
you gotta explore your instrument so you don't sound like

45
00:02:07.200 --> 00:02:08.439
everybody fucking else.

46
00:02:08.719 --> 00:02:10.000
Of course, you got to just sit there and make

47
00:02:10.000 --> 00:02:12.039
a lot of random noise. And just see what comes out.

48
00:02:12.080 --> 00:02:14.840
That's how you find your own sound, just just having

49
00:02:14.879 --> 00:02:18.319
fun with it and just exactly just make noise. That's right,

50
00:02:18.479 --> 00:02:22.080
that's right. I'll know the panetonics I learned, the others

51
00:02:22.319 --> 00:02:25.240
instantly forgot them. I've forgotten more stuff than most people

52
00:02:25.280 --> 00:02:27.879
have learned, So you know, it's all good.

53
00:02:28.800 --> 00:02:31.319
Who was the guitarist that did it for you, that

54
00:02:31.479 --> 00:02:32.840
made you want play guitar?

55
00:02:33.639 --> 00:02:35.080
When I was a kid, I was a massive Red

56
00:02:35.280 --> 00:02:38.039
Chillies fan, So John Frusciante. I mean, he's such an

57
00:02:38.080 --> 00:02:40.800
inventive guitarist and he's pull stuff out on the fly.

58
00:02:41.280 --> 00:02:43.479
But then when I started getting into heavy music, every

59
00:02:43.479 --> 00:02:48.280
time I die Jordan Buckley, He's just absolutely insane. He

60
00:02:48.400 --> 00:02:51.159
was just all over the for everybody were playing stuff backwards,

61
00:02:51.199 --> 00:02:54.400
being really weird chords. Just the way he plays it

62
00:02:54.439 --> 00:02:57.120
is just so chaotic and like that just speaks to me,

63
00:02:57.199 --> 00:03:00.719
so that while our music sounds nothing like that a genre,

64
00:03:00.919 --> 00:03:03.479
I'm really kind of that kind of chaotic energy is

65
00:03:03.479 --> 00:03:04.960
what really draws me into it.

66
00:03:05.560 --> 00:03:08.400
See, and I love that it's not the same genre

67
00:03:08.719 --> 00:03:11.919
because you know, like in the eighties, we were a

68
00:03:11.960 --> 00:03:15.719
bunch of fucking idiot gatekeepers now and I love that

69
00:03:15.840 --> 00:03:18.240
Today It's like we can be this big community. That's

70
00:03:18.280 --> 00:03:22.039
why we're a big community today. Metal we've never survived

71
00:03:22.120 --> 00:03:25.439
without people like you, guys that are accepting other types

72
00:03:25.479 --> 00:03:27.439
of metal, other types of genres.

73
00:03:27.520 --> 00:03:30.479
Oh of cose, there's so many different types of genres.

74
00:03:30.520 --> 00:03:33.919
Just this weekend alone, you got doom, black metal, hardcore,

75
00:03:34.039 --> 00:03:38.439
death core, metalcore, your fresh metal. There's just so much

76
00:03:38.439 --> 00:03:40.199
shre Why would you want to limit yourself to just

77
00:03:40.240 --> 00:03:42.479
like this is my genre, This is the one thing

78
00:03:42.520 --> 00:03:45.919
I'm going to listen to, right It's absolutely insane. So

79
00:03:46.280 --> 00:03:47.919
we'll do the same thing. When we're writing, we're trying

80
00:03:47.919 --> 00:03:51.319
to draw in as many different influences as possible. We've

81
00:03:51.319 --> 00:03:53.840
got a song that we are working on the moment.

82
00:03:53.960 --> 00:03:58.280
It's a really stompy, aggressive hardcore song chucked in a

83
00:03:58.319 --> 00:03:59.960
black metal verse, and it like why not?

84
00:04:00.479 --> 00:04:03.719
I don't love it, But that's what's gonna make you

85
00:04:03.759 --> 00:04:06.439
grow and stand out because nowadays I find there's a

86
00:04:06.439 --> 00:04:10.159
lot of bands that are still pre gatekeepers. Everybody in

87
00:04:10.240 --> 00:04:12.759
the band listening to the same music, so they all

88
00:04:12.800 --> 00:04:16.079
sound the same because they're using some formula exactly like

89
00:04:16.240 --> 00:04:20.560
a metal shouldn't have a formula spawn that's why it's

90
00:04:20.600 --> 00:04:22.160
good to have different influences.

91
00:04:22.199 --> 00:04:25.199
And we all mostly hate each other's genres as well

92
00:04:25.240 --> 00:04:27.720
that we really like. So I love lots of standard

93
00:04:27.759 --> 00:04:30.800
old school death metal. Then he likes far more like

94
00:04:30.879 --> 00:04:33.000
rubbish music as far as like I said. So then

95
00:04:33.160 --> 00:04:34.959
we were to fight out over the style of Risks

96
00:04:35.000 --> 00:04:36.720
should be. But then you know, it seems to somehow work.

97
00:04:37.120 --> 00:04:39.519
There you go. Was there a drummer for you that

98
00:04:39.639 --> 00:04:40.439
stood out? Oh?

99
00:04:40.519 --> 00:04:43.439
Yeah, I'm a massive fan of a band called Status Quo.

100
00:04:44.680 --> 00:04:47.839
Heavily I remember that. Yeah, I heavily w is write

101
00:04:47.879 --> 00:04:50.439
that from my dad. And so when John Coglan was

102
00:04:50.480 --> 00:04:53.240
their drummer from the Frantic four era, he is just

103
00:04:53.560 --> 00:04:57.680
unbelievable in Rollover laid Down, he plays a blastbeat as

104
00:04:57.759 --> 00:04:59.639
much as people No no, no, no, no no, it's like

105
00:04:59.800 --> 00:05:03.040
he does. He plays sixteaphs on the snare and a

106
00:05:03.120 --> 00:05:05.959
high hat leading back out of the bridge, so it's

107
00:05:05.959 --> 00:05:07.560
a blastbey wow.

108
00:05:08.519 --> 00:05:10.879
So I'll give my answer for both.

109
00:05:11.079 --> 00:05:16.800
Yes, Lombardo, okay, yeah, no, fair fa fa fa fair

110
00:05:16.839 --> 00:05:18.360
Yeah enough set.

111
00:05:18.480 --> 00:05:20.079
You don't even need to go any further down.

112
00:05:20.199 --> 00:05:21.959
I was friends went back in the day because I

113
00:05:21.959 --> 00:05:25.079
went to Slayers show ever, no way. Yeah, So we

114
00:05:25.160 --> 00:05:27.560
used to hang out outside the club and laugh at

115
00:05:27.920 --> 00:05:31.839
that people thought they were devil worshipers when really, like

116
00:05:31.920 --> 00:05:35.360
Tom was a Christian, you know, yeah, yeah, yeah, it

117
00:05:35.519 --> 00:05:36.720
was just we used.

118
00:05:36.600 --> 00:05:39.399
To laugh about it. But like, look at all.

119
00:05:39.319 --> 00:05:43.079
The bands that Lombardo will play in, like he just

120
00:05:43.120 --> 00:05:46.560
can play anywhere. But in that double bass, he was

121
00:05:46.600 --> 00:05:49.839
like the original double bas That was like, oh my

122
00:05:50.120 --> 00:05:52.040
fucking god, how does he do that?

123
00:05:52.360 --> 00:05:54.079
And it's what you can do with the double bass

124
00:05:54.079 --> 00:05:56.680
as well, So it's not even just like where Motorhead

125
00:05:56.759 --> 00:05:58.720
had that bit of overkill and bringing it in and

126
00:05:58.759 --> 00:06:01.240
you're kind of going, okay, cool, that's cool. Lombardo went,

127
00:06:01.480 --> 00:06:03.120
this is what you can do if it isn't just

128
00:06:03.160 --> 00:06:05.879
go kitkickk ki ki kick kick, actually work it into

129
00:06:05.879 --> 00:06:08.560
a film, work it into the riff, do something pretty

130
00:06:08.600 --> 00:06:09.160
interesting with it.

131
00:06:09.279 --> 00:06:11.199
Yeah, he's definitely developed something else there.

132
00:06:11.639 --> 00:06:16.240
And on the guitar side, we're talking about the Black

133
00:06:16.319 --> 00:06:17.240
Sabbath Bridge.

134
00:06:17.519 --> 00:06:19.120
I know what's coming you do?

135
00:06:20.519 --> 00:06:25.279
New Year's Eve. I told my dad I was sleeping

136
00:06:25.279 --> 00:06:27.959
at my friend's house. My friend said he was sleeping

137
00:06:28.000 --> 00:06:30.959
at my house, and we went to go see Ozzie

138
00:06:31.120 --> 00:06:37.639
with Randy Rhodes. Yes, and I was like, okay, I'm

139
00:06:37.680 --> 00:06:39.240
done with drums. I'm playing guitar now.

140
00:06:40.920 --> 00:06:43.600
Hey, no, no, no, no, no, you should do both.

141
00:06:43.800 --> 00:06:44.759
We can coexist.

142
00:06:44.879 --> 00:06:47.040
How about if you like sat at the drum set

143
00:06:47.160 --> 00:06:49.680
and played guitar and drums at the same time. Like

144
00:06:49.759 --> 00:06:52.800
I have a friend that plays it's a guitar as

145
00:06:52.800 --> 00:06:56.959
a guitar and bass, so he his band, he plays

146
00:06:57.040 --> 00:06:59.560
both on the same instrument.

147
00:06:59.639 --> 00:07:01.240
You will see are the one man bands, which I

148
00:07:01.240 --> 00:07:03.439
always think you're impressive whenever they've got like the kick

149
00:07:03.519 --> 00:07:05.639
jum on their back, guitar on the front, harmonica in

150
00:07:05.639 --> 00:07:09.199
their mouth. So that's incredible, right, another thing.

151
00:07:08.920 --> 00:07:09.680
Or how about this?

152
00:07:09.839 --> 00:07:13.160
Okay, so you definitely I think you definitely need there

153
00:07:13.240 --> 00:07:18.319
a metal one of the bands I interviewed today. Ah,

154
00:07:18.480 --> 00:07:25.600
it's been so long since I played one.

155
00:07:25.720 --> 00:07:28.079
Now we need to redo all of our albums, right.

156
00:07:28.360 --> 00:07:29.920
You gotta put the kazoo in there.

157
00:07:30.120 --> 00:07:32.560
It was so slightly on topic. You have no idea

158
00:07:32.639 --> 00:07:34.879
how long I've been trying to get this guy to

159
00:07:34.959 --> 00:07:37.199
blastbeat on a cowbell. He just refuses to do it.

160
00:07:37.360 --> 00:07:38.319
Oh, come on, man, this.

161
00:07:38.399 --> 00:07:40.720
Is a conversation that's genuinely happening more than once.

162
00:07:40.879 --> 00:07:42.639
Come on, you need the cow bell.

163
00:07:42.759 --> 00:07:45.120
Man will have to find a way to work it.

164
00:07:45.120 --> 00:07:48.120
And if we get there and it works, I'll consider it.

165
00:07:48.160 --> 00:07:50.040
I do have a cow bell. I just don't have

166
00:07:50.040 --> 00:07:50.600
a stand for you.

167
00:07:50.600 --> 00:07:53.560
You guys can make a deal. You guys can make

168
00:07:53.560 --> 00:07:53.959
a deal.

169
00:07:54.439 --> 00:07:56.959
You can do the cow bell and he could get

170
00:07:57.000 --> 00:07:59.480
one of those kids little guitars.

171
00:08:00.399 --> 00:08:02.519
See here's the issue of the deal. He would do that.

172
00:08:04.639 --> 00:08:07.279
I'm already thinking of how I'm gonna incorporate you.

173
00:08:07.720 --> 00:08:10.839
Right, I just think that shit would be playing a

174
00:08:10.920 --> 00:08:13.639
shit at live show, like you break out the kazoo.

175
00:08:14.120 --> 00:08:17.040
There is actually I can't remember where, but I was

176
00:08:17.079 --> 00:08:20.639
at some of them that there was a live band

177
00:08:20.680 --> 00:08:25.839
playing and they were like a heavy band and the dude,

178
00:08:26.519 --> 00:08:29.560
oh it was a pre party for a festival, and

179
00:08:29.600 --> 00:08:32.519
the dude had the kazoo around his neck and then

180
00:08:32.559 --> 00:08:35.639
all of a sudden he starts playing the kazoo in

181
00:08:35.799 --> 00:08:41.519
like some really heavy fucking song and like that's badass.

182
00:08:40.960 --> 00:08:42.679
That's proper, that's proper.

183
00:08:42.519 --> 00:08:44.279
Right, right, So you gotta love a.

184
00:08:44.279 --> 00:08:47.759
Kazoo from weird ol Like he smashes how well you

185
00:08:47.759 --> 00:08:50.879
can use a kazoo and hand fats, hand fats all

186
00:08:50.919 --> 00:08:51.919
the way there.

187
00:08:51.960 --> 00:08:54.919
You go listen, that's the best music right there, and

188
00:08:55.080 --> 00:08:56.080
doesn't even stink.

189
00:08:56.320 --> 00:08:57.360
No, it doesn't even stink.

190
00:08:57.559 --> 00:08:59.600
Perfect right, it sounds of the underground.

191
00:09:00.120 --> 00:09:04.440
I think they had one thing missing at the Back

192
00:09:04.480 --> 00:09:07.639
to the Beginning show because the band that gave me

193
00:09:07.759 --> 00:09:10.440
that kazoo, I said, man, I should have brought you

194
00:09:10.679 --> 00:09:14.080
to Back to the Beginning and we talked about he

195
00:09:14.120 --> 00:09:18.080
would play Wicked World or not Wicked World, but why

196
00:09:18.639 --> 00:09:21.120
I think it was maybe Black Sabbath or the Wizard

197
00:09:21.399 --> 00:09:23.519
with the kazoo instead of the harmonica.

198
00:09:24.519 --> 00:09:25.840
Yeah, can you imagine?

199
00:09:26.080 --> 00:09:28.799
Yeah, okay, yeah, I'll be about that.

200
00:09:28.840 --> 00:09:33.559
Right right, So we talk about the eighties. Here's my

201
00:09:33.759 --> 00:09:36.639
original battle vest is that all the way back?

202
00:09:36.879 --> 00:09:39.000
Yes? I started it in eighty one.

203
00:09:39.720 --> 00:09:41.559
I love the fact that you literally got to the

204
00:09:41.600 --> 00:09:45.080
point of Stormtroopers of Death, let's go. Yeah, and you're

205
00:09:45.120 --> 00:09:49.200
literally writing them down, not just patches. Literally why why.

206
00:09:49.120 --> 00:09:49.639
Don't you do that?

207
00:09:49.679 --> 00:09:52.000
These is the proper battle Jackie, and not my poser

208
00:09:52.279 --> 00:09:54.519
with a nice new stitching and eing form. A part

209
00:09:54.519 --> 00:09:56.039
of handwriis beautiful.

210
00:09:55.639 --> 00:09:59.440
And I even have on their no posers, no poses.

211
00:09:59.519 --> 00:10:03.840
Let's go, like, if you buy a battle jacket, you're

212
00:10:03.879 --> 00:10:07.519
a fucking poser. Okay, you got to create your battle jacket.

213
00:10:07.879 --> 00:10:10.600
Slayer didn't even have a patch yet, so I did that?

214
00:10:11.360 --> 00:10:12.840
Did you use? So what did you use to make

215
00:10:12.879 --> 00:10:14.480
that one velvet lettering?

216
00:10:14.759 --> 00:10:15.639
Oh? Really?

217
00:10:16.039 --> 00:10:16.200
Yeah?

218
00:10:16.240 --> 00:10:16.440
Yeah?

219
00:10:16.440 --> 00:10:19.399
Because it looks like he's written on but it looks

220
00:10:19.399 --> 00:10:20.080
too perfect.

221
00:10:20.799 --> 00:10:22.440
It looks like it's part of the jacket. Like you

222
00:10:22.840 --> 00:10:22.960
like that?

223
00:10:23.600 --> 00:10:23.720
Right?

224
00:10:23.840 --> 00:10:24.679
Forresci man.

225
00:10:24.799 --> 00:10:28.759
And then so last month at HELFESL was the interviewing

226
00:10:28.840 --> 00:10:32.440
Gene Hoagland. I've said this a few times today and

227
00:10:32.519 --> 00:10:35.120
I pulled this out. I'm like, do you recognize that logo?

228
00:10:36.360 --> 00:10:38.159
They just came out with a new album and they're

229
00:10:38.200 --> 00:10:42.200
going on tour. Yeah, I'm so fucking excited.

230
00:10:42.759 --> 00:10:44.399
They were one of my favorites man.

231
00:10:45.320 --> 00:10:47.679
In fact, that drumming right now sounds like a Dark

232
00:10:47.720 --> 00:10:51.759
Angel song. Let's go, maybe you guys should cover a

233
00:10:51.840 --> 00:10:52.840
Dark Angel song?

234
00:10:53.559 --> 00:10:54.440
Well, what would you go for?

235
00:10:55.559 --> 00:10:57.440
There's just there's too many I'd have to sit and

236
00:10:57.440 --> 00:11:00.080
think about it. I say only because I'm the following

237
00:11:00.120 --> 00:11:02.720
somebody who knows the drums way better than I do.

238
00:11:03.720 --> 00:11:05.639
We're about to look like complete poses. If we pick

239
00:11:05.679 --> 00:11:07.080
a song, So what do you reckon? What do we do?

240
00:11:07.279 --> 00:11:09.960
I reckon you like, just start your show. You have

241
00:11:10.000 --> 00:11:12.279
played a whole song where we have arrived.

242
00:11:12.440 --> 00:11:15.639
Oh I was excited, and then I remember how difficult

243
00:11:15.679 --> 00:11:17.759
it is, so you might have give me six months.

244
00:11:18.879 --> 00:11:21.600
If you can play like Gene, I'm impressed.

245
00:11:21.879 --> 00:11:23.799
If anybody can play like Gene, I'd be impressed.

246
00:11:23.840 --> 00:11:25.840
Oh my god, Bus could do it from Cage Fight,

247
00:11:26.120 --> 00:11:26.720
Oh my god.

248
00:11:27.120 --> 00:11:32.879
At Hellfest it was death Clock and I'm just like

249
00:11:33.559 --> 00:11:37.000
enamored by Jean, Like what the fuck? Who can play

250
00:11:37.080 --> 00:11:38.000
drums like that?

251
00:11:38.720 --> 00:11:41.200
And it's like a mean band, and yet it's he

252
00:11:41.519 --> 00:11:44.120
does it as if that was genuine. I could play

253
00:11:44.159 --> 00:11:45.879
every little beat in there and.

254
00:11:46.559 --> 00:11:49.360
He wasn't even sweating. It was like he wasn't even trying,

255
00:11:49.559 --> 00:11:51.440
Like it was just so easy.

256
00:11:52.000 --> 00:11:52.960
Ah.

257
00:11:53.000 --> 00:11:54.559
I'm jealous of him, so jealous.

258
00:11:55.879 --> 00:11:57.840
So what else do you guys got coming up after

259
00:11:57.919 --> 00:11:59.679
Bloodstock that you want to tell people about.

260
00:11:59.679 --> 00:12:01.799
We got couple of shows in London in a few weeks.

261
00:12:01.919 --> 00:12:05.399
We're playing in Camden Assembly with gut Wreck to Me

262
00:12:05.600 --> 00:12:08.000
and Cane Iron. They're coming over from Europe. I am

263
00:12:08.080 --> 00:12:11.039
so excited for that. It's gonna be so many bass drops.

264
00:12:12.080 --> 00:12:14.960
And then the week after we're in the underworld with

265
00:12:16.039 --> 00:12:21.279
to the Grave Osiah and Beyond Extinction. So somehow we're

266
00:12:21.279 --> 00:12:24.200
gonna end up looking like the lightweight ones on that bill. Nice,

267
00:12:24.320 --> 00:12:26.559
that's gonna be one of the heaviest shows. And again

268
00:12:26.720 --> 00:12:29.840
I am just too excited for that. We got a

269
00:12:29.879 --> 00:12:32.759
new single coming out. Just play that for the first

270
00:12:32.799 --> 00:12:36.679
time on Thursday, England. You gonna hear it how it's

271
00:12:36.759 --> 00:12:39.159
meant to sound without all the cock ups. That'll be good.

272
00:12:40.879 --> 00:12:43.440
A few other bits, but I'm gonna wait to say

273
00:12:43.480 --> 00:12:46.240
about that just because I don't want to upset our boss.

274
00:12:48.559 --> 00:12:50.919
Imagine might hog tie as for us in his basement.

275
00:12:51.440 --> 00:12:52.399
We don't know what he's like.

276
00:12:52.879 --> 00:12:54.440
And Joel can't get incredibly violent.

277
00:12:54.759 --> 00:13:02.840
Yeah, well, you know, so, how did the audience receive

278
00:13:03.000 --> 00:13:05.279
the new song that you played for the first time?

279
00:13:05.879 --> 00:13:09.480
It seems that was the most insane audience we've ever

280
00:13:09.480 --> 00:13:12.039
played to. I mean, we used to people getting excited

281
00:13:12.200 --> 00:13:14.480
and chining and stuff, but that was on another level.

282
00:13:14.840 --> 00:13:17.679
I mean, it seemed like every single person was already

283
00:13:17.720 --> 00:13:20.320
just so off their heads and just out for anything.

284
00:13:20.360 --> 00:13:23.960
There was jumping around, screaming, so much the biggest mush

285
00:13:23.960 --> 00:13:29.080
bit we've ever had crowdsurfers. It was insane, absolutely ridiculous.

286
00:13:29.080 --> 00:13:31.399
They did just want to jump out there and join them, right.

287
00:13:31.399 --> 00:13:34.120
Yeah, it did. I was like, I'm tevered to this stage.

288
00:13:34.120 --> 00:13:35.679
I want to go down and throw some shapes.

289
00:13:36.279 --> 00:13:36.519
Right.

290
00:13:37.720 --> 00:13:39.559
They were really really up for it, and it was

291
00:13:39.600 --> 00:13:43.320
so it was so nice to have that warmth response

292
00:13:43.600 --> 00:13:45.759
where you know they've got your back and they don't

293
00:13:45.799 --> 00:13:47.279
really know who you are. They're giving you a go,

294
00:13:47.679 --> 00:13:50.200
and it's nice that rather than having the feeling sometimes you.

295
00:13:50.200 --> 00:13:52.600
Can get where you have to prove yourself. They were

296
00:13:52.639 --> 00:13:53.480
already on our side.

297
00:13:53.519 --> 00:13:54.840
They want us to just have a good show as

298
00:13:54.919 --> 00:13:56.679
much as we wanted to have a good show, and

299
00:13:56.879 --> 00:13:58.600
you kind of just get that feeling in the attitude

300
00:13:58.600 --> 00:13:59.799
the whole time, and it was amazing.

301
00:14:00.000 --> 00:14:03.720
One thing that I find at Bloodstock is like, I

302
00:14:03.799 --> 00:14:07.039
don't think any band has to prove themselves at Bloodstock.

303
00:14:07.279 --> 00:14:09.320
Yeah, yeah, And it just seems to go in and

304
00:14:09.399 --> 00:14:10.519
being like we're on your side.

305
00:14:10.639 --> 00:14:13.039
Just do what you do, like ganging up at to

306
00:14:13.120 --> 00:14:16.000
go to a set at ten thirty in the morning,

307
00:14:16.120 --> 00:14:18.799
Like it doesn't happen all the time at festivals. They're

308
00:14:18.879 --> 00:14:22.399
usually partying all night long and sleeping, So that says

309
00:14:22.399 --> 00:14:25.679
a lot when bands can come out and play that

310
00:14:25.759 --> 00:14:28.120
early in the morning, expecting that there's only going to

311
00:14:28.159 --> 00:14:31.039
be a couple of people, and then it's like, holy fuck,

312
00:14:31.519 --> 00:14:31.919
well for.

313
00:14:31.879 --> 00:14:33.639
Sure, Like we just watched cage Wait it was what

314
00:14:33.799 --> 00:14:37.000
ten thirty, and we might just so many people with

315
00:14:37.679 --> 00:14:40.000
shirts and the crowd's going mass like it is so early?

316
00:14:40.080 --> 00:14:41.080
What are you doing a week?

317
00:14:41.759 --> 00:14:42.000
Right?

318
00:14:42.120 --> 00:14:46.080
That's my circle pit as well, exactly me. I'm like,

319
00:14:47.039 --> 00:14:49.840
I want to save my circle pitting until later. So

320
00:14:49.960 --> 00:14:52.600
I fucking hurt myself now and ruined me for the

321
00:14:52.639 --> 00:14:57.200
rest of the day. So tell everybody how they can

322
00:14:57.240 --> 00:14:59.320
reach out to you on socials, on the web, and

323
00:14:59.399 --> 00:15:02.000
most important, they buy your merch because they can't listen

324
00:15:02.000 --> 00:15:03.519
to my show unless they buy your merch.

325
00:15:04.000 --> 00:15:06.679
Oh yeah, no, absolutely merched buying is a pre werik

326
00:15:06.879 --> 00:15:09.120
is it? For any future shows of yours, They're going

327
00:15:09.200 --> 00:15:11.360
to have to fill in a form with the receipt

328
00:15:11.480 --> 00:15:14.039
number from buying our merch in order to operate your show.

329
00:15:14.200 --> 00:15:18.600
That's right, Go on Facebook, Instagram, TikTok all the bits,

330
00:15:19.080 --> 00:15:22.039
dead fash. We'll go up band camp for all our

331
00:15:22.080 --> 00:15:26.039
merch r EP singles. We've got quite a few different

332
00:15:26.080 --> 00:15:28.159
bits on their t shirts. Hats all the good stuff.

333
00:15:29.120 --> 00:15:29.840
I think that's it.

334
00:15:30.679 --> 00:15:33.320
Yeah, that's streaming as well. Will have the streamings too.

335
00:15:33.360 --> 00:15:34.840
So if you even if you want to listen to

336
00:15:34.879 --> 00:15:37.759
it somewhere to follow out ourselves, find any streaming service

337
00:15:37.840 --> 00:15:39.080
with their somewhere on the internet.

338
00:15:39.399 --> 00:15:41.679
That's it. You got Spotify, nice and free. You just

339
00:15:41.679 --> 00:15:44.279
want to listen to us, but your money's hard. Spotify,

340
00:15:44.320 --> 00:15:46.480
Apple Music YouTube were in there. Get on it just

341
00:15:46.519 --> 00:15:50.080
as long as people who are enjoying theirselves nice get

342
00:15:50.159 --> 00:15:50.360
on it.

343
00:15:50.720 --> 00:15:53.200
Which one of your tiktoks is the one you're most

344
00:15:53.200 --> 00:15:53.919
embarrassed for?

345
00:15:54.000 --> 00:15:54.039
That?

346
00:15:54.159 --> 00:15:58.120
Oh, there is an absolutely ridiculous one our guitarists made

347
00:15:59.399 --> 00:16:02.759
nearly here. It's very excited when he's boss being and

348
00:16:02.960 --> 00:16:06.480
he alluded to some newer divergence and it got a

349
00:16:06.480 --> 00:16:07.279
bit out of hand.

350
00:16:09.679 --> 00:16:13.600
So everybody go check out their TikTok and find that one.

351
00:16:14.159 --> 00:16:15.960
He's also on Instagram as well, in case you can't

352
00:16:15.960 --> 00:16:16.279
find it.

353
00:16:16.279 --> 00:16:19.879
That there you go. Yeah, well you guys fucking rock.

354
00:16:20.360 --> 00:16:22.759
Thanks for being here at Bloodstock and thanks for being

355
00:16:22.759 --> 00:16:24.120
on the Adventures of Pipe Man.

356
00:16:24.440 --> 00:16:25.879
Thank you for coming over as well.

357
00:16:26.159 --> 00:16:28.120
That means a lot to actually have somebody coming from

358
00:16:28.120 --> 00:16:30.480
abroad as well to actually come here and even talk

359
00:16:30.519 --> 00:16:31.799
to us as well with a bunch of nobody.

360
00:16:31.840 --> 00:16:32.600
So thank you very much.

361
00:16:32.679 --> 00:16:35.720
Oh my pleasure, and I love coming over here, especially

362
00:16:35.879 --> 00:16:37.519
escaping my crazy country.

363
00:16:37.840 --> 00:16:38.960
Yeah good.

364
00:16:40.440 --> 00:16:45.840
Michelle Kerr was my press officer for my entire fucking

365
00:16:46.279 --> 00:16:49.919
career here in the UK, my entire career with Machinat.

366
00:16:52.639 --> 00:16:55.799
She recently passed away and it was a very, very

367
00:16:55.840 --> 00:16:58.519
sad day. And I can tell you the reason that

368
00:16:58.600 --> 00:17:02.399
I'm going to tell this story because she was family.

369
00:17:02.879 --> 00:17:07.400
She was Bloodstock family. She was heavy metal UK family.

370
00:17:09.519 --> 00:17:10.200
Most of the.

371
00:17:10.240 --> 00:17:13.799
Bears that you know and love you probably heard of

372
00:17:13.960 --> 00:17:22.480
because of that woman right there, slip Knots, Slayer, Machinehead, Trivium, Killswitch, Engage,

373
00:17:22.680 --> 00:17:29.079
Hey Reed, you name it. She helped lift everybody up, man,

374
00:17:29.440 --> 00:17:32.319
She helped lift everybody up, and in so many ways,

375
00:17:32.880 --> 00:17:37.839
she helped make this entire music scene, this incredible, beautiful

376
00:17:37.880 --> 00:17:39.960
community that lives here at Bloodstock.

377
00:17:40.039 --> 00:17:41.279
Man, she helped make it.

378
00:17:42.480 --> 00:17:43.119
So, ladies and.

379
00:17:43.079 --> 00:17:46.400
Gentlemen, please make some noise from Michelle Kerr.

380
00:17:51.440 --> 00:17:55.640
Thank you for listening to the adventures of plate Man

381
00:17:56.200 --> 00:17:59.640
on W for Cui Regio