Feb. 18, 2026
TRIUMPH SET TO HEADLINE THE 23rd ANNUAL CELEBRATION EXOTIC CAR FESTIVAL
Season 20, Episode 23 of The Adventures of Pipeman.
TRIUMPH – WHO IS KICKING OFF THEIR FIRST TOUR IN 30 YEARS – SET TO HEADLINE THE 23rd ANNUAL CELEBRATION EXOTIC CAR FESTIVAL TO BENEFIT MAKE-A-WISH
The annual Celebration Exotic Car Festival (the world’s largest exotic car charity event) celebrates its 23rd year this April 10-14, 2026.
And this year will feature a concert by iconic rock band Triumph, who is kicking off its first tour in 30 years at the event.
Friday, April 10th, 2026
8:00 P.M
Orlando, Florida
Hard Rock Live Orlando
Triumph: The Rock & Roll Machine Reloaded Tour
100% of the net proceeds are being donated to Make-a-Wish, to create life-changing wishes for children with critical illnesses.
Formed in Toronto in 1975, Triumph quickly emerged as one of rock’s most powerful and influential trios. Rik Emmett, Mike Levine, and Gil Moore blended virtuoso musicianship, soaring melodies, and uplifting anthems (including "Lay It On the Line," "Fight the Good Fight," and "Hold On") to define arena rock in the late 70's and ’80s.
With 16 albums, 25 Gold and Platinum awards, and legendary live shows, Triumph became global superstars, highlighted by co-headlining the US Festival before nearly 500,000 fans. Honored with numerous Hall of Fame inductions and lifetime awards, Triumph’s 50-year legacy remains a towering force in rock history.
The five-day charity event is a national partner of Make-a-Wish, and has raised more than $7 million since its inception. The centerpiece of the event is the exotic car concours, set in the Disney-developed town of Celebration, Florida. The show features over 300 rare exotic cars, including Pagani, Bugatti, Ferrari, Lamborghini, McLaren, Aston Martin, Lotus and more, in addition to race cars and iconic Hollywood movie cars.
The event is heavily supported by the Hollywood and sports communities. Chris “Shooter McGavin” McDonald, Christopher Lloyd, Lea Thompson, Ernie Hudson, John Stamos, Patrick Warburton, Jay Leno, Jim Kelly, Johnny Bench, Johnny Damon, Daniel Baldwin, Paul Teutul Sr., Corey Feldman, Joey Fatone, Arsenio Hall and many others have attended. Previous performers at the event have included Styx, REO Speedwagon, the Beach Boys, Lover Boy, Jay Leno, and Steve Martin and Martin Short.
In addition to the concert and concours, the five-day festival also includes an exclusive ZD and ACTA Wine pairing dinner gala and charity auction at the Waldorf Astoria, headed by world renowned Michelin 2* Celebrity Chef Gabriel Kreuther. The event also encompasses a police-escorted exotic car road rally, and two track days at Daytona International Speedway, where the exotic cars run at full speed.
More information about the event and to purchase tickets, visit www.celebrationcarshow.com and www.ticketmaster.com/event/22006435CB656053.
FOR MORE INFORMATION, PLEASE VISIT:
https://www.triumphmusic.com
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Hi, you have done to censure.
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Fore Wow for you young.
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Ahead. This this is the Pipe Man here on the
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Adventures Pipe NW four c Y Radio. And I'm very
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excited about our next guest and we have some killer
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news we're going to talk about. So let's welcome to
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the show. Gil from Triumph, How are you Heyden? Nice
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to be here, Hey night, Nice to have you. You know,
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you guys are kicking off your first tour in thirty years.
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You're gonna headline the twenty third annual Celebration Exotic Car
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Festival and it's to benefit Make a Wish, which is
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personal to me, which we'll talk about. But the last
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time I saw your band live was at the nineteen
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eighty three US festival.
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Wow, you were there.
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I was there?
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Cool?
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I mean like it. I'm so glad that I was there.
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What an experience too. I think I was like sixteen
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and I just told my dad, I'm like, see you later.
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I'm leaving for the weekend.
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And you survived it?
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Oh that I drove me and three of my friends there,
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And it is fight that you should say survive because
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it was definitely an experience. First of all, in the
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morning waiting there as the cattle call as we all
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ran to the front, and then at the end of
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the night, it took me like nine hours to find
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my car after it was over.
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God, I believe it. I mean it was like a city,
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wasn't it.
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Oh my god? It was like to this day, it's
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one of my favorite experiences. I've gotten the like thousands
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of shows, but it was just so epic, and especially
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the day you guys played on three hundred thousand people, Like,
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I couldn't imagine being on stage for that and see
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like you wouldn't.
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There's no end, honestly, Like when you looked out from
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the stage, you know, you kind of go to the
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you know, the front house consoles and stuff, and then
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you go to the delay towers you know that are
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actually behind front of house, and then it.
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Looks like, you know, an amphitheater that kind of just
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goes into outer space right to the mountains and then
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into the sky. Like it's just kind of crazy.
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It was. It was wild and you guys, man, you
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killed it, and it's like fight. I have a good
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question for you. If they had another Heavy Metal Day
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festival at today, do you think Triumph would be on
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that bill?
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Well, you know, it's a good question because now you know,
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we've got the band back together and into a performing
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entity and we're going to tour, so and eating's kind
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of possible. Now. If you'd asked me that a year ago,
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I would have said, not a chance. But the way
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this all came together was a lot of kind of
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fun circumstances and it you know, it's like, oh, sometimes
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you hit it in the woods that bounces back in
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the fairway sometimes result. It was kind of wild how
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this came together, but it's become a really, really a
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fun thing that I never anticipated was going to happen
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again in my life. But I got to say, my
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kids were so enthused by this whole thing. It's like,
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how do you say no to your kids?
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That's pretty cool. See. I think that's what's different about
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today because I think back in the eighties, your kids
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at this age would be like, come on, dad, okay,
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like leave that in the past.
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Oh yeah, no, It's like, all my kids want to
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come on the tour. It's it's it's wild. Even my
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eldest daughter is bringing my granddaughter and my son in law.
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They're driving like literally, I think two thirds of the tour.
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Maybe three quarters of the tour, my younger daughter is
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coming out and doing all our social media from the
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you know, from backstage, from the tour bus. The whole
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ball of axe. Looks like my son's going to come
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and work the stage and be one of the drum techs.
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It's a family affair, right.
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It's so cool, especially because that's what I do love
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about music today is there's like no line between the generations.
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You know. It's like I go on tour and I
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do radio coverage at music festivals all over US, UK
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and Europe, and I bring my grandkids sometimes to help
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me do interviews, you know, and I bring my kids
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and you know, and it's like really cool because if
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my dad ever invited me to go to a festival
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with them, I would have been, yeah, no thanks.
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You know.
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It's a it's a just a it's a great time
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for music, and what a great time to kick this off. Now,
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what's the story behind how it all led to this?
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Oh my god, Well, it's it's a it's a bouncing ball.
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And I'm trying to make it not too long, but
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it really is hard to explain it. It starts with, uh,
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you know, our lighting director and I we had talked
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begetting so many, so many requests or I guess just
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social media being what it is, uh, you know, uh communications.
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Let's just say from fans that are that some of
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them are extremely heart wrenching and just kind of pleading, well,
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you guys, please tour one more time before I've gone,
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Please tour one more time.
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And you know.
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So with that, with that in mind, and I had
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no intention of touring, So I got a lot going
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on that other interests that I have up here in
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things I'm doing, and I thought, okay, maybe we can
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do this in in a you know, a virtual format,
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let's call it. So Paul Dexter and I are lighting director.
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He was He did Ronnie James Dio's hologram from After Sabbath,
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and he did Frank Zappus as well, and he said,
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come out and see Frank and see what you think.
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So went out. I said, no, it's not going to
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work for a rock man. I've said it's a great hologram,
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but I said, no, that's not where it's at. So
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we went down this path that's lasted like until where
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we're at right now looking up mixed reality as a concept.
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But as that was happening and Paul and I were
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doing that in the background, you know, the documentary came
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along and then the feedback from the fans of what
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the documentary was overwhelmed. Then after the documentary, our record
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label they put their hand up and they said, oh,
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we got to do a tribute album. If you guys
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aren't going to tour, then we got to do a
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tribute album. So we went, okay, you know, how are
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you going to do that? Well, they hire Mike Klank,
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the best producer in rock in the world, and he
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does an unbelievable job during COVID putting this together with
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the best voices and the best guitarists and the best
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drummers and so on in rock from our era. The
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tribute album gets a ton of action when it comes out,
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an interest and again it kind of stokes the fire
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we keep doing, you know, Hall of Fame stuff that
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keeps pub of the metal Hall of Fame, the songwriters
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Hall of Fame, all these things are happening. So it's
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all this, you know, kind of going around us. And
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then the last thing that happened that was really was
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what flipped. It was up here in Canada and the
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Stanley Cup playoffs. Roger Sports that which is the big big,
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you know, hockey broadcaster, national broadcaster, biggest media company in Canada.
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They decided, and the NHL decided. I guess the triumph
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was the hockey band because we had inspirational lyrics, right nice,
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and they decided to drive it home with Triumph songs
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on so many commercials and so many you know, timeouts
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between plays and things like that. And then they finally
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topped it off by saying, would you come to the finals,
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like the Edmonton Panthers finals and actually play? How do
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you say no to that? I mean, I was a
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hockey player as a kid. I wanted I didn't want
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to be a drummer. I wanted to be a left winger.
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I love it.
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You know, then you ask, you know, you're you know,
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we're initially we're kind of like, no, no, no, we're not
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going to do that. And of course you didn't ask
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your kids, and they go, oh, dad, yeah, yeah, we're
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going to do that. We're going to do that. So
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I called Rick and I said what do you think?
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And he goes, I don't know, And Mike was already
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doing Eddie trunk and he was he had had an
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appointment in Toronto, so he couldn't come. So we called
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Phil and then you know, Phil called Breton Todd, you know,
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and all of a sudden we had what we needed.
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So we go out there and then the thing you
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can't explain, honestly, is it, you know, the magic that
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just happens, like when you get musicians together. Sometimes it's like,
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you know, no, this is not working. Other times you
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get musicians together and you go it's like getting the
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right chefs in the kitchen and so you know, you're
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you're cheffing up the food and it's all that's what happened.
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It just was that kind of magic of getting together.
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And the live nation could see this happening right before
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the rise, so they just all of a sudden, we're like,
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let's tour, boys, let's tour. Like they were, you know, insistent,
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and of course, like I said, then our families ganged
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up on us, and it's like, all of a sudden
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we said, okay, let's make it into a thing. So
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back in the gym, back on the drum kit, back
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rehearsing vocals, let's do it. And it's been it's been
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a ton of fun. That's all I can say.
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That's the kid.
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At the same time, we're gonna be ready, so I'm
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not worried about anything.
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Well, you know, that's the magic power of triumph right there.
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But the fun part, that's the part right there, because
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it's like, in this business, if you're not having fun,
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why do it? Like that's that's part of being in
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this industry and being an artist is having fun, I think, right.
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And I think you know, you're lucky to have spent
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your life in music. I'm lucky to have spent my
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life in music. And you know, especially today, when you
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see all the stuff that's going on in the world
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and you look at music and you go, man, oh man,
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there's one thing you could point to that does a
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lot of good and brings people together and should always
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should always be there to make people laugh, clap, dance, shout,
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you know, all of that, just having a blast. That
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should be what music's about, or moving them emotionally and
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taking to a good.
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Place, you know, absolutely, And I've said for a while now,
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with all the stuff going on in the world, what
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we need is one big music festival for the whole world.
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And they're all required to attend and then we'll work
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out all our problems, because that's where we truly unite
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and get some therapy and work things out. Live music
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is like to me, the ultimate healer for all of us.
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That was my friend Steve Oisiac, my dear friend, Steve Wisniac.
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That was his goal, and people don't that wasn't widely
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publicized when he called it the US Festival. Some people
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thought it was the US Festival and the concept because
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I got to know Steve really well and we're still
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good friends. But us for him was exactly what you
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just said. It was bringing us together. He had a
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whole idea about satellite broadcasting, so far ahead of his
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time to get it around the world, to bring everyone
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kind of into it in a virtual sense. He was
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so far ahead of everyone else's. He still is ahead
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of everybody else, but a fantastic idea. And you know,
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to this day, like we from my personal passion project
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up here in Canada, I started a charity called soundsy
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Unite Canada, which is about free music education and music
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wellness for young people and yeah, and to give kids
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access because we're seeing the two things. My humble opinion
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the two things kids need most sports and music in school.
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Yes, yes, so.
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Important, right, not just for the physical side of it,
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the cognitive development, you know, learning how to work with
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people and communicate the whole thing. And seeing the boards
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of education like cut back in those areas, Like I think,
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it's just it's terrible, it's very unfortunate. So we built
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Sounds Unite as a way to be not to replace
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public education, but as an adjunct for music teachers who
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we support. You know, we work with a Coalition for
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Music Education up here in Canada, which is represents seventeen
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hundred music teachers across the country and try to promote
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you know, music in the schools and Sounds Nite has
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a wellness app as well that helps people use music
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as a therapeutic tool. So yeah, very excited about that.
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I love that because here in the US we're trying
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to get rid of the arts, you know. I love
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that you're doing something to keep it because I think
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every child needs, like you said, both sports and the arts,
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and like that's also what keeps them out of trouble
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and when they're young or teenagers, and you know, because
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