Sept. 26, 2025

PipemanRadio Interviews Gooseberry About Bourbon & Beyond 2025

PipemanRadio Interviews Gooseberry About Bourbon & Beyond 2025

Pipeman and Asa of Gooseberry discuss how amazing Bourbon & Beyond 2025 Festival was and how amazing they were treated by DW Presents and by the fans. We also talked about touring and new music for end of 2025 and 2026. 

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Bourbon & Beyond is the World’s Largest Bourbon, Food & Music Fest

Bourbon & Beyond Kicked Off America’s 8 Biggest Days In Music on September 11-14 In Louisville, Kentucky  

World’s Largest Bourbon, Food & Music Festival Featured Headliners The Lumineers, Benson Boone, Alabama Shakes (Thursday), Phish, Khruangbin, Joe Bonamassa (Friday), Sturgill “Johnny Blue Skies” Simpson, Jack White, Vance Joy (Saturday), Noah Kahan, Goo Goo Dolls, Megan Moroney (Sunday), Plus Dozens More Rock, Americana, Bluegrass And Alt Rock Artists Along With Elevated Bourbon & Culinary Experiences.  

The seventh Bourbon & Beyond welcomed fans from over 50 states and around the globe and over 120 music artists on five stages to Louisville, Kentucky over the weekend. The World’s Largest Bourbon, Food & Music Festival was held from September 11-14 at the at Kentucky Exposition Center in Louisville, Kentucky and featured an incredible music lineup of music legends and rising stars with headliners The Lumineers, Benson Boone and Alabama Shakes on Thursday; Phish, Khruangbin and Joe Bonamassa on Friday; Sturgill “Johnny Blue Skies” Simpson, Jack White and Vance Joy on Saturday; and Noah Kahan, Goo Goo Dolls and Megan Moroney on Sunday. The lineup also included Cage The Elephant, Pat Benatar & Neil Giraldo, Collective Soul, Mary Chapin Carpenter, Iron & Wine, Trombone Shorty & Orleans Avenue, Switchfoot, Third Eye Blind, Ringo Starr & His All Star Band, Pixies, Lake Street Dive, Dashboard Confessional, Foreigner, Blues Traveler and many others.  

This year, Bourbon & Beyond’s newly expanded footprint doubled the square footage of past layouts, and made greater use of the Kentucky Exposition Center’s infrastructure, creating a more comfortable and resilient experience for fans. In addition, all festival passes included FREE access to amusement rides inside Kentucky Kingdom.

This year’s festival was packed with unforgettable performances, surprise collaborations, and historic moments that will be remembered for years to come.   Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”  

Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness.  

Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment.  
 
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WEBVTT

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Hi, you love one to the censure.

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For se Wow for you young.

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It is the Pipe Man here on the Adventures pipe

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Man W four c Y Radio. And I'm actually back

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in the studio from both Bourbon and Beyond and Louder

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than Life, and uh, we have a band right now

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that we're going to talk about that performed at Bourbon

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behind It. In fact, they're like right behind me there

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performing at Bourbon Beyond.

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You know.

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So let's let's welcome to the show ASO from Gooseberry.

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How are you good?

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Thanks for having me, Oh my pleasure, and so first,

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right off the bat, tell me about your experience playing

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at Bourbon Beyond.

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Yeah, I guess, in one word, it was incredible. It

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was definitely the largest festival we've ever played, and we've

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played a couple before, but the scale of Bourbon Beyond

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was just far beyond anything that we had done, and

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they still treated us like royalty, you know, Like I

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feel like we got the same kind of treatment that

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you know, Pixies or Jack White or whatever is getting,

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which is a testament I think to what Danny and

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his team are doing over there.

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But it's just really cool.

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I don't know, I you know, even just like hopping

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in an artist transport to get from one stage to

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another is just like a unique thing that you don't

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recognize when you're just attending a festival, you know. I've

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been to many, just like as a as a fan

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just walking around and seeing bands. Yeah, there's just so

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many little things about what going on at the festival

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that were really cool for us to get to do

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and get to see and get to meet people and

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just see a lot of amazing bands.

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Play nice And yeah, I already answered one of my

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other questions because I always like to ask the artists

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at the Wimmer festivals how does he treat the artists?

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And then, like sixteen years of doing his festivals, I've

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never heard an artist say one bad thing.

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I mean, yeah, I guess the only bad thing I

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can say about Danny is that after he was very

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gracious and I met him the day before on Friday,

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and we were lucky enough to get to hang out

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in his little backyard party area. He had mentioned to

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me that he actually has an old whiskey that he's

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been aging since the start of the festival, and I

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made him promise that he would give me some if

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we earned it. You know, from our performance, and then

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I guess Saturday was so busy. I only saw him

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briefly that day, so unfortunately, you know, we had to

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keep on with tour and we left Kentucky without my

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getting a taste of the aged Bourbon and Beyond whiskey.

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So well, then that means one thing.

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Yeah, that means you're gonna have to play it again.

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And that's what I That's what I was trying to

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tell him. I guess we'll see if that lands. You know,

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we're also if he doesn't want, you know, us to

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be back to back at Bourbon and Beyond makes total

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total sense, Louder than life.

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There you go do that. Yeah, I love it. I

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love it.

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And that's what's cool about bands like you and some

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other band on the Bourbon Beyond ticket is they could

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play either festival.

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Yeah, yeah, Like the range of acts that they had

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at burb Beyond was pretty crazy, right right, Like we

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were playing the same day. Obviously, you know Ringo's playing,

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but then you also have Jack White, you also have

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like their bluegrass bands, you have like I know there

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was like pop stars you have like you know, Benson Boone.

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At some point in Noakan like being able.

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To see all these different things and have a stage

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that has music for anyone who's coming.

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It's pretty incredible.

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Yeah, So I love that because the United States was

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never liked that europe festivals were like that, and I

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think that that's the page that Danny took out of

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the European festivals, you know, like where it doesn't have

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to be boxed into one genre. It can be because

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listen all of us, you know, like different kinds of music,

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and like, sure, I am a total metal head, but

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I also was totally pumped to see Blues Traveler, Yeah, Gooseberry,

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you know, Fish and like a whole list of artists

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on Bourbon Beyond.

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You know that.

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You know, some people think, well, he's a metal head,

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he listens to that. No, we all listen to different

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types of music and have different vibes man music's music.

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Yeah, and particularly finding good music.

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I think like that is something that a festival like

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this that has.

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Such a wide range of acts.

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I think the element of discovery is great for people

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who like obviously people are coming to see Fish, to

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come see you know, Stugel Simpson wherever it might be, right,

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that's the headliner. That's the point of the headliner, but

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having strength top down, which like I'd like to think

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we're you know, adding to that, but the reality is

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a lot of the bands that are on our level,

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a little bit above our level, that are playing earlier

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in the day. I got to catch a bunch of them,

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and they were also incredible. So like to be able

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to have not just headliners that you've locked in that

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allow people to go, wow, that's crazy that you got,

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you know, I mean, fish playing in festival like this

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is insane, you know, right, but.

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Then to also have that as you move down the

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list is pretty.

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Cool, well, you know.

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And the thing is is that, you know, there's so

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many different stages, there's so many different bands that you know,

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people pop can come and see who they want to see,

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and you know, it still doesn't take away from the

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other crowds because like you're set, and even sets a

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lot earlier than yours, Like there were crowds and crowds

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of people.

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Yeah, yeah, I was not convinced anybody would show up

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for us to play, you know. I kind of think

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that pretty much anytime we walk on stage, anytime that

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somebody is there, I'm kind of just just grateful that

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somebody decided to show up. But you know, we were

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playing at two pm on a Saturday, and it was

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the hottest day of the festival.

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It was like eighty eight almost ninety degrees.

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Yeah, and we were playing at the Revival Stage, which

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is one of the main stay I mean, it's a

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big stage, but it's the stage where.

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It's just concrete. Like there wasn't the turf for grass

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or whatever they have. It's the other ones which can

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at least, like you know, take any heat and spread out.

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This was like concrete. So not only is there no shade,

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the sun's beaten down on you. It's like the hottest

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time of the day and is nowhere for it to go.

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So I was like, no one's coming on this, like

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they're going to just go somewhere else. But you know,

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when we started there were probably like a couple hundred people.

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By the time we ended, they're probably close to a

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thousand like that.

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That was awesome.

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Did not expect that, and I think people enjoyed it,

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and so we enjoyed it.

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I think that's a testament to your talent, because like

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if you start at two hundred and end up at

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a thousand. Yeah, that means you drew people over at

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that point.

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I'd like to hope so, or you know, maybe they

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if they thought they were walking towards the third eye

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blind and then went.

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Back, OK, we're here, we're here. We might as well

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stick around for a little bit and see what this

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is all about.

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Well, see, what I love about festivals is that's where

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I find all the new music. Okay, yeah, So, like

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I'll be walking through a festival if I'm not working,

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which is kind of hard to do, but I'll be

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walking through and I'll hear sometime like, oh, let me

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check that out. And there were so many bands that

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I caught parts of, you know, because I was working

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in the media a tempt but I caught parts of that.

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I never even knew the bands existed, you know, because

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I'm so involved in the other Wimmer festivals and other

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festivals around the world that like, this is something like

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what was it that I went to that was pretty good?

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It is something salmon leftover salmon?

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Oh, leftover salmon.

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Yeah.

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I mean, so I've never listened to them, and I

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went over and I'm like, oh man, they're pretty cool,

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you know.

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Yeah, yeah, I mean Leftover Sam has been around for

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a minute, right, I've known them for a while, just

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like because for what I have an extensive knowledge of

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jam bands that I guess pertain to food and or animals.

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And we have to constantly explain to people that if

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we were talking with Peter Shapiro, and obviously Peter Shapiro

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goes all of these jam bands and is great at it,

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and his big one right now is Goose And so

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you know, having to just make sure Gooseberry but not

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not jam we can jam it were not Jampan, you know,

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just having the dichotomy there, you know, we have to

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start saying, like there's goose the jam band, there's a

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Geese and I'll turn to rock band that we know.

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From New York City, and then there's Gooseberry, and it's.

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Like there's one more that played that Louder than Life

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though Oh yeah, silly goose.

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Oh now now it's a it's a quadrant at this

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point where we fall on it.

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Yeah, And you'll love the story of them because okay,

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so they're basically like a punk band and they crashed

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one of the Wimmer festivals.

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It was incarceration won at Shawshank Prison.

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Okay, and they were playing like the old school thing

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that you did. They were playing in the parking out

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in the parking field, you know, they pulled up their

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trailer and Wimmer was in out there watching them.

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Wow. And they didn't they didn't know, they didn't know

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he was there, and he just watched them.

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Next they played on on a real stage, and they've

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been playing a bunch of Wimmer festivals ever since. So, yeah,

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you might get a lot of times bands like you.

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You'll play one and you'll play a.

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Bunch of them, you know, especially since you can go

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on both sides of the fence at the different festivals.

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Look, anytime, anytime he wants us back, as far as

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I'm concerned, we will be there. So if you if

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you got a word in with the with the boss man,

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we're definitely down.

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But I mean, I also say I.

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Saw Danny a couple of times in his backyard area,

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but more times I saw him.

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We're just walking around the festival, which I think is

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so cool that he is. He seemingly is just constantly

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on the move checking out the you know.

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He just wants to make Yeah, he just wants to

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make sure everything's running smoothly, everything's good forbody. Just like

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you said earlier, like it doesn't matter which band you are,

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you're getting treated like you're the headliner.

219
00:10:55.519 --> 00:11:00.320
Yeah, absolutely, I mean, yeah that was Maybe it's to

220
00:11:00.399 --> 00:11:04.120
be the case, but it really was such like a revelation.

221
00:11:05.279 --> 00:11:07.799
And maybe it's because that kind of respect for all

222
00:11:07.840 --> 00:11:10.360
people is rarer than maybe it should be.

223
00:11:10.840 --> 00:11:13.480
But he had it in space and it made us

224
00:11:13.480 --> 00:11:14.919
feel comfortable.

225
00:11:14.960 --> 00:11:19.000
Frankly playing this gigantic festival where I certainly was kind

226
00:11:19.039 --> 00:11:21.120
of just you know, jittering and you know, freaking out

227
00:11:21.159 --> 00:11:23.320
as I am pretty much all the time anyway.

228
00:11:23.080 --> 00:11:24.360
As I want.

229
00:11:24.679 --> 00:11:26.840
I'm glad you bring that up, because it doesn't matter

230
00:11:26.879 --> 00:11:30.720
who you are. It's like say, I'm also a speaker,

231
00:11:31.080 --> 00:11:33.879
but yeah I'm on the radio, and you know, you

232
00:11:34.000 --> 00:11:37.600
get nervous every time until the mic turns on, and

233
00:11:37.639 --> 00:11:40.960
then you go into the zone once the mic turns on.

234
00:11:41.399 --> 00:11:44.399
It's so much easier once you're doing it right, Like

235
00:11:44.480 --> 00:11:48.399
the anticipation, the build up right beforehand for this festival,

236
00:11:49.480 --> 00:11:52.000
because everything is so neatly taken care of.

237
00:11:52.080 --> 00:11:53.600
For us, it was a little bit less.

238
00:11:53.679 --> 00:11:54.879
It was more it's kind of just like, all right,

239
00:11:54.960 --> 00:11:56.679
how do I make sure I'm amped up and ready

240
00:11:56.720 --> 00:11:58.679
to go for a two pm set kind of thing.

241
00:11:59.080 --> 00:12:01.200
But like for a show that we're playing out on tour,

242
00:12:01.720 --> 00:12:04.039
there's so much logistical.

243
00:12:03.440 --> 00:12:05.960
Stuff that has to happen between a coordination of us

244
00:12:06.000 --> 00:12:09.399
and our team manager Asia, etc. Than with the venue,

245
00:12:09.480 --> 00:12:11.399
then with the opening bands and making sure we have

246
00:12:11.480 --> 00:12:14.120
merch set up, making sure we have you know, photography

247
00:12:14.159 --> 00:12:16.919
set like all these different pieces that kind of fall

248
00:12:16.960 --> 00:12:20.039
on us to make sure happening smoothly. Instead of just

249
00:12:20.600 --> 00:12:23.519
show up, get all your stuff situated, they had stage

250
00:12:23.559 --> 00:12:24.799
hands to help us move everything.

251
00:12:25.360 --> 00:12:26.360
Sound is great.

252
00:12:26.559 --> 00:12:28.399
You know that there's going to be a crowd, Like

253
00:12:28.440 --> 00:12:30.039
all of that is just kind of taking care of

254
00:12:30.120 --> 00:12:31.759
for you, and you just show up and you can go.

255
00:12:32.600 --> 00:12:34.840
I might as well just play right.

256
00:12:34.879 --> 00:12:37.279
And I say it all the time too, you know,

257
00:12:37.480 --> 00:12:41.200
like it's stressful being an artist when all those things

258
00:12:41.240 --> 00:12:44.519
go wrong. So it's kind of cool when you go

259
00:12:44.559 --> 00:12:49.279
to a festival like a Wimmer festival and basically you

260
00:12:49.360 --> 00:12:51.919
have no stress and that makes it a lot less

261
00:12:51.960 --> 00:12:52.639
nerve wracking.

262
00:12:53.679 --> 00:12:54.200
Yeah.

263
00:12:54.279 --> 00:12:58.639
Absolutely, I mean everything was so like meticulously detailed too.

264
00:12:58.720 --> 00:13:00.600
I mean they had they had so screen in the

265
00:13:00.639 --> 00:13:02.120
bathrooms like nice.

266
00:13:02.679 --> 00:13:05.720
That's a crazy flex in my opinion, to just have

267
00:13:05.919 --> 00:13:09.679
that ready for people. So you know, it's amazing the

268
00:13:09.679 --> 00:13:11.679
small things you take away, Like we ran into a

269
00:13:11.720 --> 00:13:13.240
lot of cool artists we got to hang out with,

270
00:13:13.279 --> 00:13:15.399
like my morning jacket. But the thing that I have

271
00:13:15.480 --> 00:13:18.000
repeatedly told people about this festival is that they had

272
00:13:18.039 --> 00:13:19.000
sunscreen in the bathroom.

273
00:13:19.120 --> 00:13:21.000
And I don't know what that says about me or

274
00:13:21.039 --> 00:13:23.559
about the festival, but I think.

275
00:13:23.320 --> 00:13:26.679
It says you're a true artist. And I'll tell you why.

276
00:13:27.759 --> 00:13:32.399
One of my best friends was the founding I wanted

277
00:13:32.399 --> 00:13:36.759
to founding members and lead guitarist of Anthrax, And he

278
00:13:36.840 --> 00:13:39.600
always tells me when they were like touring really big,

279
00:13:39.679 --> 00:13:44.759
He's like, man, I went like with interviews. He'd say,

280
00:13:45.240 --> 00:13:47.399
I wish instead of them asking me how I got

281
00:13:47.440 --> 00:13:49.600
and we got our band name, if they asked us

282
00:13:49.679 --> 00:13:53.720
what kind of skin condition we use on tour? You know, Oh,

283
00:13:53.759 --> 00:13:56.399
that's that's why he said. It's awesome And in hand

284
00:13:56.440 --> 00:13:59.240
with what you're saying with the sunscreen.

285
00:13:59.080 --> 00:13:59.840
That's incredible.

286
00:13:59.879 --> 00:14:04.879
Mean, maybe Anthrax and Gooseberry can do just a full

287
00:14:04.960 --> 00:14:08.519
hour on our skincare routines, right, I'd be happy to

288
00:14:08.799 --> 00:14:11.120
We've been trying to get La Roche Poise to sponsor

289
00:14:11.240 --> 00:14:13.919
us for years, so maybe this is what it takes,

290
00:14:14.039 --> 00:14:14.960
you know, to get there.

291
00:14:15.399 --> 00:14:19.080
But you yeah, that was a key detail for me,

292
00:14:19.279 --> 00:14:21.159
and right, yeah.

293
00:14:21.000 --> 00:14:23.519
And for all this and that's why, that's why when

294
00:14:23.519 --> 00:14:26.080
you said that, that's exactly where my head went to

295
00:14:26.159 --> 00:14:30.200
whether that's a conversation, you know, because like who thinks

296
00:14:30.240 --> 00:14:34.120
of musicians has given a shit about any skin products

297
00:14:34.200 --> 00:14:34.960
or sunscreen.

298
00:14:35.480 --> 00:14:39.000
But yeah, but you're humans, so over humans?

299
00:14:39.519 --> 00:14:41.879
Well okay, so here not to not to break out

300
00:14:41.879 --> 00:14:45.399
the pitchtick, but what what I tried to explain to

301
00:14:45.480 --> 00:14:47.879
some of these sunscreen companies was that not only are

302
00:14:47.919 --> 00:14:50.279
we humans, but who.

303
00:14:50.080 --> 00:14:53.480
Else, aside from say, like you know, cross country truck drivers,

304
00:14:53.679 --> 00:14:56.120
who is spending as much time in a car with

305
00:14:56.200 --> 00:14:58.799
windows that are open faced where sun is beating down

306
00:14:58.799 --> 00:14:59.039
on you.

307
00:14:59.320 --> 00:15:02.039
We played plenty of shows at like festivals or outside

308
00:15:02.039 --> 00:15:05.600
events or breweries wherever it might be sun everywhere.

309
00:15:05.720 --> 00:15:07.240
Right, you're just getting beaten down on.

310
00:15:07.840 --> 00:15:10.720
You're doing that for hours, Like we are a primary

311
00:15:10.759 --> 00:15:13.799
demographic that's being underserved and underutilized by.

312
00:15:13.720 --> 00:15:17.600
The great like especially like a place like Bourbon, and

313
00:15:17.720 --> 00:15:20.519
beyond that, sun was like, that was brutal.

314
00:15:20.840 --> 00:15:22.799
I lived in Florida, and I think that.

315
00:15:24.240 --> 00:15:27.399
Yeah, I mean honestly, we played a show at the

316
00:15:27.519 --> 00:15:29.440
end of June in Vermont and Burlington, Vermont.

317
00:15:29.480 --> 00:15:30.960
It was like as a beautiful day.

318
00:15:31.440 --> 00:15:34.960
We played it outside like a scenic little backdrop and

319
00:15:35.000 --> 00:15:37.759
the sun was just the whole time. We like, you know,

320
00:15:37.799 --> 00:15:40.039
we split it up into two sets, and halfway point

321
00:15:40.039 --> 00:15:42.720
I just had to run back to the truck, talk

322
00:15:42.759 --> 00:15:44.559
the way around and like get you know, some more

323
00:15:44.600 --> 00:15:47.519
to reapply. This is a core issue, you know. Of

324
00:15:47.559 --> 00:15:50.679
course everyone wants to talk about how you know, musicians

325
00:15:50.720 --> 00:15:52.320
will get paid as much as they used.

326
00:15:52.159 --> 00:15:54.360
To or streaming and AI is ruining a lot of

327
00:15:54.360 --> 00:15:54.919
it for us.

328
00:15:54.960 --> 00:15:59.559
But our platform will be first and foremost sunscreen for musicians.

329
00:15:59.559 --> 00:16:02.000
I think that is I love it's number one. Then

330
00:16:02.320 --> 00:16:03.840
then the AI streaming stuff.

331
00:16:04.799 --> 00:16:07.360
So it's funny like in the beginning this year, well

332
00:16:07.440 --> 00:16:11.360
this season, back in May, I was doing another wimmer

333
00:16:11.440 --> 00:16:15.080
festival Sonic Temple, and you know, I live in Florida.

334
00:16:15.240 --> 00:16:18.840
I'm a surfer. Yeah, you don't know, Ohio.

335
00:16:19.120 --> 00:16:22.440
I don't need sunscreen, you know, I'm thinking, That's what

336
00:16:22.480 --> 00:16:27.600
I'm thinking in my head. I never get burnt in Florida,

337
00:16:28.639 --> 00:16:33.639
and I got burnt at Sonic Temple because that sun

338
00:16:33.960 --> 00:16:37.559
is just beating down on you. You don't even know it's

339
00:16:37.639 --> 00:16:40.960
beating down on you, because you know, if you're playing

340
00:16:41.120 --> 00:16:44.759
or whatever, anything you're doing, it's like you're so immersed

341
00:16:44.799 --> 00:16:47.639
in that. It's not like you're laying in the sun

342
00:16:47.759 --> 00:16:50.399
and you're like, oh, maybe I only get out of

343
00:16:50.440 --> 00:16:54.200
the sun. You know, you realize until it's too late.

344
00:16:54.759 --> 00:16:56.840
Yeah, but you know, worst case, if you do get

345
00:16:56.840 --> 00:16:59.679
too badly March, you can always cool off with some

346
00:17:00.120 --> 00:17:00.919
skyline Chile.

347
00:17:01.679 --> 00:17:02.240
There you go.

348
00:17:04.440 --> 00:17:06.960
Yeah, Ohio is fun though. We love going to Ohio.

349
00:17:07.039 --> 00:17:08.759
We were just we were in Cleveland recently on this

350
00:17:08.839 --> 00:17:10.839
tour and that's always it's always a good time.

351
00:17:11.200 --> 00:17:11.480
Nice.

352
00:17:11.559 --> 00:17:14.319
Yeah, it shocked me, like, you know, I don't get

353
00:17:14.319 --> 00:17:17.440
burnt in Florida, but I got burned in Ohio in May.

354
00:17:17.960 --> 00:17:21.440
So Yes, that son is strong there too.

355
00:17:21.559 --> 00:17:25.880
So Yes, the musicians, wherever you play in the world,

356
00:17:26.440 --> 00:17:27.519
you need sunscreen.

357
00:17:28.000 --> 00:17:31.039
Yes, Yes, this is the PSA. I hope everybody needs

358
00:17:31.079 --> 00:17:31.519
our caution.

359
00:17:32.039 --> 00:17:36.160
There it is, And every festival promoter could learn a

360
00:17:36.200 --> 00:17:38.880
thing or two from Danny Wimmer for providing that.

361
00:17:38.759 --> 00:17:40.680
Sun Absolutely, I agree.

362
00:17:41.880 --> 00:17:44.480
So what else you got going on for the rest

363
00:17:44.480 --> 00:17:46.799
of the year, Maybe a begame of twenty twenty six

364
00:17:46.839 --> 00:17:48.400
that you want to let the listeners know about.

365
00:17:49.240 --> 00:17:53.039
Yeah, we are as I guess we record this.

366
00:17:53.319 --> 00:17:55.839
We are about to play our last show of this year.

367
00:17:56.000 --> 00:18:00.559
We're playing in Austin, Texas, and then from there we

368
00:18:00.680 --> 00:18:01.799
go into the recording studio.

369
00:18:02.000 --> 00:18:04.440
So the rest of this year and probably early next year,

370
00:18:04.839 --> 00:18:06.680
we're probably going to take a bit of a break.

371
00:18:06.400 --> 00:18:09.559
From shows and just focus on working.

372
00:18:09.279 --> 00:18:12.640
On the new record, where we've been working on a

373
00:18:12.680 --> 00:18:14.640
lot of these songs on the road and we've been

374
00:18:14.640 --> 00:18:18.519
touring pretty extensively since April of this year and playing

375
00:18:19.079 --> 00:18:23.440
over fifty plus sixty some odd shows and been able

376
00:18:23.440 --> 00:18:25.519
to work on a lot of like the new material

377
00:18:25.599 --> 00:18:27.640
through that test some stuff out, see a work, see

378
00:18:27.680 --> 00:18:31.160
what doesn't. And we've probably got like ten to fifteen

379
00:18:31.240 --> 00:18:33.079
songs or something like that that we're going to now

380
00:18:33.559 --> 00:18:38.279
put through the ringer in the studio and if all

381
00:18:38.279 --> 00:18:42.279
goes well and we don't hate everything that we've done

382
00:18:42.359 --> 00:18:46.519
and each other, hopefully come April of next year so

383
00:18:46.720 --> 00:18:50.319
we might have a first single to release, and the

384
00:18:50.519 --> 00:18:51.480
idea would be.

385
00:18:52.079 --> 00:18:53.880
Get back out on the road. We're hoping to get

386
00:18:53.920 --> 00:18:55.319
out to the West coast.

387
00:18:55.400 --> 00:18:57.400
This tour we went out to Colorado, that was kind

388
00:18:57.440 --> 00:18:59.839
of farthest west we've been as a band. We're hoping

389
00:18:59.839 --> 00:19:03.079
to do, you know, the West Coast tour from sort

390
00:19:03.119 --> 00:19:07.079
of like Seattle, Portland on down through California and also

391
00:19:07.119 --> 00:19:10.839
hopefully into Mexico because I know you got folks throughout

392
00:19:10.839 --> 00:19:14.519
Mexico that that dig our music. So yeah, I guess

393
00:19:14.720 --> 00:19:18.319
new record and more extensive touring to some new places.

394
00:19:18.359 --> 00:19:20.839
I think that's those are the goals for next year.

395
00:19:20.920 --> 00:19:24.799
And of course to play as many Danny Wimmer Presents festivals.

396
00:19:24.319 --> 00:19:26.400
And there you go. Gotta throw that in for sure.

397
00:19:26.480 --> 00:19:29.400
Yeah, just making sure he knows you know, right, And.

398
00:19:29.799 --> 00:19:34.680
You know, I love that you said you're stop doing

399
00:19:34.720 --> 00:19:38.160
shows and do music because yes, what you said after that,

400
00:19:38.200 --> 00:19:42.720
it is like artists nowadays they have to rush like

401
00:19:42.799 --> 00:19:45.759
an album while they're on the road, and I think

402
00:19:45.799 --> 00:19:50.000
there's something to be said of like stopping your shows,

403
00:19:50.640 --> 00:19:53.920
chilling out and just being in creative mode, because I

404
00:19:53.960 --> 00:19:58.519
think all the other noise can inflict that creative mode.

405
00:19:58.799 --> 00:20:02.359
Yeah, I think that's definitely one piece of it.

406
00:20:03.039 --> 00:20:04.759
I think also we are.

407
00:20:06.480 --> 00:20:10.200
I would argue fortunate and particular, I think others might

408
00:20:10.240 --> 00:20:13.960
say stupid in that the way that the model has

409
00:20:14.119 --> 00:20:18.599
changed for putting out music, it encourages artists to have

410
00:20:18.720 --> 00:20:22.119
something new as frequently as possible. So I think that

411
00:20:22.200 --> 00:20:28.079
if we were strictly playing the algorithmic game, it would

412
00:20:28.119 --> 00:20:30.160
actually be more prep We would never play a show

413
00:20:30.160 --> 00:20:32.920
again effectively, and you would just come up with music

414
00:20:33.039 --> 00:20:36.079
and release it every other you know, month or every

415
00:20:36.079 --> 00:20:39.519
other week. Even because it's a law of large numbers game.

416
00:20:39.759 --> 00:20:41.039
It's just like how much do you put out there

417
00:20:41.079 --> 00:20:42.559
and how much can you direct traffic to that? And

418
00:20:42.599 --> 00:20:45.839
that'll feed itself. Yeah, And if that were the end

419
00:20:45.880 --> 00:20:48.440
goal for us, I don't know. Maybe that's what we

420
00:20:48.480 --> 00:20:50.279
would do, and I don't begrudge anybody for doing that.

421
00:20:50.319 --> 00:20:53.480
But the reality is we have the great luxury of

422
00:20:53.680 --> 00:20:56.920
a being what I would refer to as a live fan. First,

423
00:20:56.960 --> 00:20:58.839
so the desire to go out and play in front

424
00:20:58.880 --> 00:21:02.839
of people and to feel confident that is better than

425
00:21:02.880 --> 00:21:04.279
a record, or maybe not even.

426
00:21:04.119 --> 00:21:05.920
Necessarily better, but just it's a separate.

427
00:21:05.720 --> 00:21:08.599
Entity that people want to experience, and it gives us

428
00:21:08.640 --> 00:21:10.039
something that's life affirming.

429
00:21:10.599 --> 00:21:11.799
So we're going to continue to do that.

430
00:21:11.880 --> 00:21:15.160
But then we also have no interest in just like

431
00:21:15.279 --> 00:21:17.079
cutting a single, to throw out a single, to just

432
00:21:17.119 --> 00:21:20.720
have something and feed that, which again I've had so

433
00:21:20.720 --> 00:21:23.279
many discussions with people in this industry, whether they are

434
00:21:23.319 --> 00:21:25.519
on the business side or other artists, and everybody has

435
00:21:25.519 --> 00:21:27.759
a different opinion on and that's fine. The position that

436
00:21:27.839 --> 00:21:30.839
we have taken is we're very deliberate about the art

437
00:21:30.880 --> 00:21:33.799
that we create, and even if it takes a little

438
00:21:33.799 --> 00:21:37.319
bit more time, I have no intention of rushing out

439
00:21:37.400 --> 00:21:40.079
a single or an EP for the soul's sake of

440
00:21:40.119 --> 00:21:42.759
having something out there. So our last record, our debut album,

441
00:21:42.839 --> 00:21:47.000
came out last September, and if you know, hopefully everything

442
00:21:47.039 --> 00:21:49.279
goes well, this new record, which will be another full

443
00:21:49.359 --> 00:21:52.640
length record, will probably come out September of twenty twenty six.

444
00:21:52.720 --> 00:21:54.960
So there's two years between that where we're not actively

445
00:21:55.039 --> 00:21:58.400
releasing music, and that's something that I've accepted and I've

446
00:21:58.400 --> 00:22:01.039
gotten the guys to see that our team and everybody's

447
00:22:01.160 --> 00:22:03.440
you know, at least in Team Gooseberry is behind that.

448
00:22:03.799 --> 00:22:06.799
But it's very different from the way that the model

449
00:22:06.799 --> 00:22:09.240
works now, which I think is really interesting, and again

450
00:22:09.319 --> 00:22:11.599
I don't I don't blame anybody who is playing the

451
00:22:11.640 --> 00:22:15.400
game how it's effectively been made to be played at

452
00:22:15.400 --> 00:22:19.119
this point. It's just for whatever reason, I just I

453
00:22:19.440 --> 00:22:21.880
don't work that way, so I can't write in that way.

454
00:22:22.039 --> 00:22:23.920
We can't put stuff together in that way that meets

455
00:22:23.960 --> 00:22:26.720
the quality that we expected to And for the other

456
00:22:26.759 --> 00:22:29.079
part of it is just like the hearkening of nostalgia.

457
00:22:29.240 --> 00:22:31.319
Like all the bands I loved growing up, they were

458
00:22:31.319 --> 00:22:33.720
putting out a record maybe once every couple of years,

459
00:22:34.160 --> 00:22:37.160
but it was a big events, you know, Yeah, when

460
00:22:37.160 --> 00:22:39.000
they're putting on your record, like oh, I need to

461
00:22:39.039 --> 00:22:42.000
like my week, like my week is gone. I'm going

462
00:22:42.039 --> 00:22:43.720
to get this record. I'm going to sit down and

463
00:22:43.839 --> 00:22:45.599
pour through this, listen to this. I want to read

464
00:22:45.599 --> 00:22:48.599
through the you know, lyric leaflet. I want to understand

465
00:22:48.680 --> 00:22:51.640
what the situations were that led to some of this stuff.

466
00:22:52.079 --> 00:22:54.960
That is how I want us to create.

467
00:22:55.000 --> 00:22:56.519
And I know that the guys feel this way too,

468
00:22:56.559 --> 00:22:58.640
Like that's how we want to create things that we create,

469
00:22:58.680 --> 00:23:02.119
and we want our fans to feel like they know

470
00:23:02.720 --> 00:23:05.359
that's what they're getting from us, that that much effort

471
00:23:05.559 --> 00:23:08.480
and precision is going into it at the expense of

472
00:23:08.640 --> 00:23:09.599
there's not gonna be as.

473
00:23:09.599 --> 00:23:10.960
Much of it, right.

474
00:23:11.039 --> 00:23:14.200
Well, you know what, I'm a hundred million percent in

475
00:23:14.240 --> 00:23:19.319
agreement with you, because, like I think kids today are

476
00:23:19.359 --> 00:23:22.240
missing out on a big part of music because, like

477
00:23:22.319 --> 00:23:25.119
you were saying, I would go buy an album and

478
00:23:25.119 --> 00:23:28.359
I'd put the headphones on and I'd study every part

479
00:23:28.400 --> 00:23:31.079
of that album. Well, I'm listening to the album over

480
00:23:31.119 --> 00:23:33.599
and over and over again. I wouldn't skip a track.

481
00:23:33.960 --> 00:23:36.920
You would put on and played a whole thing. Imagine

482
00:23:36.920 --> 00:23:41.680
if Pink Floyd put out one one song at a time, like, yeah.

483
00:23:41.279 --> 00:23:44.400
You just got one song from dark Star every month

484
00:23:44.480 --> 00:23:47.000
and you just had to then eventually piece it together.

485
00:23:47.160 --> 00:23:49.640
Yeah, unfortunate, you know so.

486
00:23:50.519 --> 00:23:54.759
And I think also, yes, there's two sides to it.

487
00:23:55.039 --> 00:23:58.400
There's benefit to a band because you're in everybody's face

488
00:23:58.400 --> 00:24:00.440
all the time. But I think that this band too,

489
00:24:00.480 --> 00:24:03.799
when you're only putting out like a single, I don't

490
00:24:03.839 --> 00:24:06.839
think the people remember who the band even is.

491
00:24:07.279 --> 00:24:10.559
Well, that's a huge issue with today's environment, right, is

492
00:24:10.599 --> 00:24:14.759
that because of the way the algorithmically generated model works,

493
00:24:15.079 --> 00:24:19.079
it is not incentivizing you going deep into one catalog.

494
00:24:19.160 --> 00:24:21.799
It is incentivizing you having a base level or a

495
00:24:21.839 --> 00:24:25.599
service level understanding of many different things, right, and I

496
00:24:25.640 --> 00:24:28.920
think there's I can talk about this stuff for days,

497
00:24:29.440 --> 00:24:32.359
but like, there are so many good pieces from like,

498
00:24:32.480 --> 00:24:36.880
you know, journalists on how we have lost critical culture

499
00:24:36.920 --> 00:24:39.880
and we have lost the idea of people being very

500
00:24:39.880 --> 00:24:43.440
well versed in a particular area specialist as opposed to generalists,

501
00:24:43.640 --> 00:24:46.000
and the fact that everyone has become a generalist. Sure

502
00:24:46.240 --> 00:24:48.920
there are advantages to it, where music discovery is better

503
00:24:48.920 --> 00:24:51.839
now than it ever was, but at the same time,

504
00:24:52.359 --> 00:24:55.960
we have lost the kind of like fervor that certain

505
00:24:56.000 --> 00:24:56.559
people had.

506
00:24:56.680 --> 00:24:59.200
You know, you'd walk into an old record store or

507
00:24:59.200 --> 00:25:01.599
something like that just be like that was the rock

508
00:25:01.640 --> 00:25:03.720
guy or that was the right that you know, like

509
00:25:03.799 --> 00:25:04.640
that and that.

510
00:25:04.519 --> 00:25:08.079
Kind of specialized knowledge for oh, I want a really

511
00:25:08.079 --> 00:25:11.319
good recommendation that feels catered from a human to a

512
00:25:11.400 --> 00:25:14.440
human because they have put in that mileage. And it's

513
00:25:14.440 --> 00:25:17.559
not just oh, well, this genre sounds like, this genre's

514
00:25:17.599 --> 00:25:19.839
band sounds like. It's more like, well, look, there's this

515
00:25:19.920 --> 00:25:23.200
emotional element that I connected from this nineteen ninety two release,

516
00:25:23.480 --> 00:25:26.440
and you know this twenty ten band is actually heavily

517
00:25:26.440 --> 00:25:27.160
influenced by that.

518
00:25:27.240 --> 00:25:28.799
But the way they approach is reference.

519
00:25:28.839 --> 00:25:31.880
This is like, there are these connections that an expert

520
00:25:32.200 --> 00:25:35.920
in a field can make that a machine, I guess at.

521
00:25:35.799 --> 00:25:37.680
This point, maybe at some point won't be able to make.

522
00:25:37.720 --> 00:25:39.599
But it's not going to feel the same way as

523
00:25:39.720 --> 00:25:40.440
getting it from the.

524
00:25:40.359 --> 00:25:42.359
Person's great conversation.

525
00:25:42.599 --> 00:25:46.160
It's a great connector you feel like you're part of

526
00:25:46.200 --> 00:25:48.839
the music instead of just listening to the music.

527
00:25:48.920 --> 00:25:51.119
Yeah, there's a community element that gets developed that you

528
00:25:51.400 --> 00:25:53.920
you lose when you are listening in isolation.

529
00:25:54.119 --> 00:25:54.559
No doubt.

530
00:25:55.440 --> 00:25:57.839
So tell everybody how they reach out to you guys

531
00:25:57.960 --> 00:26:02.559
on socials, on the web. But get all your tour DAIDs,

532
00:26:02.680 --> 00:26:05.440
check out your music, buy your merge, all that good stuff.

533
00:26:06.000 --> 00:26:09.079
Yeah, we are at Gooseberry Band pretty much all the

534
00:26:09.079 --> 00:26:15.240
places you know. I usually tell people though that if

535
00:26:15.319 --> 00:26:17.240
I had to choose where you'd find this, you would

536
00:26:17.240 --> 00:26:20.160
come to our website, which is gooseberryband dot com. From

537
00:26:20.200 --> 00:26:22.680
there you can find all the things that I just mentioned,

538
00:26:22.799 --> 00:26:25.160
but it's a little bit more curated. We got stuff

539
00:26:25.240 --> 00:26:28.319
like our set list archive. There's you know, tabs for

540
00:26:28.319 --> 00:26:30.799
people want to learn how to play the songs. And

541
00:26:30.799 --> 00:26:33.400
then we have a newsletter called the Gooseberry Gazette on

542
00:26:33.519 --> 00:26:35.960
substack that if you really want to hear me ramble

543
00:26:36.119 --> 00:26:39.200
about useless stuff like this, that is the place to

544
00:26:39.200 --> 00:26:39.519
do it.

545
00:26:40.000 --> 00:26:40.559
I love it.

546
00:26:40.640 --> 00:26:43.400
And see you are a jam band because you have

547
00:26:43.559 --> 00:26:44.759
set list archive.

548
00:26:45.680 --> 00:26:46.920
Okay, Pearl Jam does too, though.

549
00:26:46.960 --> 00:26:49.720
Okay, so you know it's not just jam bands, but

550
00:26:50.599 --> 00:26:52.359
there is a lot of that ethos I grew up

551
00:26:52.599 --> 00:26:53.559
I really love.

552
00:26:53.640 --> 00:26:55.759
I still love a lot of those jam bands.

553
00:26:57.000 --> 00:26:58.640
I don't listen to it as much as maybe I

554
00:26:58.680 --> 00:27:01.079
once did, but like you know, bands like Fish and

555
00:27:01.160 --> 00:27:03.920
Dave Matthews band Grateful Day, like they were very formative

556
00:27:03.920 --> 00:27:06.920
for me in the same way that bands like Soundgarden

557
00:27:07.039 --> 00:27:08.000
and Nirvana were.

558
00:27:09.400 --> 00:27:09.720
Well.

559
00:27:09.960 --> 00:27:13.319
Yeah, and again going back to the beginning, like we

560
00:27:13.440 --> 00:27:16.079
have different vibes, different music. So I used to go

561
00:27:16.160 --> 00:27:19.359
to a Slayer show on Friday night and Dead show

562
00:27:19.400 --> 00:27:20.160
on a Saturday.

563
00:27:20.359 --> 00:27:21.279
That's awesome. I love that.

564
00:27:21.839 --> 00:27:24.839
The dully of man, right, I know, right, you know,

565
00:27:24.960 --> 00:27:27.400
some people may want to call that bipolar, but I

566
00:27:27.519 --> 00:27:28.839
like to do aality better.

567
00:27:29.000 --> 00:27:31.640
Hey, yeah, certainly interesting is what it is.

568
00:27:32.200 --> 00:27:33.480
Well, you guys rock.

569
00:27:33.880 --> 00:27:36.480
You killed it at Bourbon Beyond and I look forward

570
00:27:36.480 --> 00:27:37.920
to seeing a lot more of you at the Danny

571
00:27:37.960 --> 00:27:39.519
Wimmer Festival's hint hint.

572
00:27:40.240 --> 00:27:41.160
Oh, I appreciate that.

573
00:27:41.240 --> 00:27:44.599
Thank you, thanks for being on the Adventures pipe Man.

574
00:27:45.799 --> 00:27:49.960
Thank you for listening to the Adventures of Pipe Man

575
00:27:50.519 --> 00:27:54.039
on w for CUI Radio.