Click Here to Watch/Listen to The Adventures of Pipeman Live Every Wednesday 1PM ET at W4CY Radio
Sept. 21, 2026

Thrice at Louder Than Life: Creativity, Longevity, and the Joy of Making Music

Thrice at Louder Than Life: Creativity, Longevity, and the Joy of Making Music

In this episode, Pipeman sits down with Ed and Riley Breckenridge of Thrice at the Louder Than Life festival. They discuss the festival experience, their musical origins, band dynamics, creative freedom, and upcoming tours. The conversation is candid, filled with stories about their musical upbringing, sustaining a band for nearly three decades, and reflections on what it means to be authentic as artists.Main Topics Covered

  • Experiences at Louder Than Life and other Wimmer festivals
  • Musical influences and childhood memories
  • The path to forming Thrice and maintaining the original lineup
  • Navigating creative direction and compromises within the band
  • Thoughts on genre compartmentalization in rock and metal
  • Cherishing experimentation and personal expression in making music
  • The importance of supportive fans
  • Upcoming tour with Taking Back Sunday and Saves the Day
Key Discussions & StoriesFestival Talk
  • The size and atmosphere of Louder Than Life were discussed, with comparisons to other major festivals (00:28, 01:49).
  • Ed Breckenridge expressed excitement to see Gojira and shared past experiences watching them in Belgium (02:11, 02:22).
  • A story was shared about Gojira outdrawing Metallica at Hellfest and the band’s involvement in the Olympics opening ceremony (02:36, 03:02).
Origins and Influences
  • Ed and Riley described their childhood exposure to jazz, The Beatles, Led Zeppelin, and Stevie Wonder through their father (03:54, 04:07).
  • The brothers reminisced about picking albums based on covers and discovering music ranging from Led Zeppelin to Cat Stevens (04:32).
  • Metallica was mentioned as the band that opened the doors to heavier music, leading them to Sepultura, Pantera, and Iron Maiden, whose guitar harmonies and bass lines influenced Thrice’s sound (04:57, 05:11).
Forming and Sustaining Thrice
  • Riley Breckenridge recounted how the band formed organically with both brothers and friends, eventually finding their lineup and collaborative songwriting approach (05:36).
  • The band’s longevity—27 years with the same lineup—was highlighted, with reflections on navigating differences and finding balance (06:23, 06:54).
Creative Freedom and Authenticity
  • Ed Breckenridge emphasized the band's shared goal to push artistic boundaries rather than chase fame or commercial success (08:02).
  • Supporting one another’s varying commitment levels and personal choices was discussed as key for band survival (07:16).
  • The group celebrated having fans that support their evolving sound (08:57), and Pipeman encouraged artists to create true to themselves (08:34, 09:15).
On Genres and Experimentation
  • There was pushback against the trend of hyper-compartmentalizing genres in rock and metal (09:57), with praise for bands that retain distinctive sounds (10:18).
  • The conversation covered how experimentation and mistakes often lead to iconic riffs and lasting originality (10:47, 11:11), referencing Tony Iommi’s innovation.
Upcoming Tours and Memorable Shows
  • The band announced the start of their US tour with Taking Back Sunday and Saves the Day, with festival stops and a return to the full tour soon (11:47).
  • Discussion of memorable festival moments, including missed opportunities to see “Captain Kirk’s” new metal band due to rain at Riot Fest and the rarity of a daytime Tool show (12:39, 13:02).
  • Reflections on passion for live music at any age, and the camaraderie found in mosh pits (13:39, 13:54).
Notable Quotes
  • “We all share the same goal with this project, which is to be creative and to push ourselves as artists.” — Ed Breckenridge 08:02
  • “Make your music for you, and then you'll attract your tribe.” — Pipeman 08:53
  • “Having the freedom to explore what you want to is really nice, and not, not being worried about, um, not fitting into the box that people want to put you in. It’s very freeing.” — Ed Breckenridge 09:37
  • “We’ve been the same lineup for 27 years.” — Riley Breckenridge 06:23
  • “There's so many things that have to line up, like everybody's commitment level, life choices, finances...and like, I feel really lucky to be with other people that are willing to be as committed.” — Riley Breckenridge 07:16
Resources & Links Mentioned
  • Thrice (Band): Official Website
  • Touring with: Taking Back Sunday, Saves the Day (US Tour, upcoming dates mentioned 11:57)
  • Festivals Referenced:
    • Louder Than Life
    • Welcome to Rockville
    • Aftershock
    • Sonic Temple
    • Riot Fest
    • Hellfest
    • Pukkelpop (Belgium)
  • Bands & Artists Mentioned:
    • Gojira
    • Mastodon
    • Metallica
    • Sepultura
    • Pantera
    • Iron Maiden
    • Cat Stevens
    • Led Zeppelin
    • Stevie Wonder
    • The Beatles
    • Tool


Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.

Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!

Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradio

Stream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV.

Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.
WEBVTT

1
00:00:04.620 --> 00:00:13.210
Hey, you're listening to The Adventure of Spiderman on W4CY Radio.

2
00:00:19.449 --> 00:00:23.210
This is Spiderman here on The Adventure of Spiderman W4CY Radio,

3
00:00:23.250 --> 00:00:23.949
and I'm here with.

4
00:00:24.750 --> 00:00:25.710
Ed Breckenridge.

5
00:00:26.210 --> 00:00:27.870
And Riley Breckenridge from Thrice.

6
00:00:28.329 --> 00:00:33.009
Nice. You're at Louder Than Life, man. Yeah. They all

7
00:00:33.090 --> 00:00:35.189
swirl my head. I know you play a bunch of

8
00:00:35.229 --> 00:00:37.770
Wimmer festivals. Have you played Louder before?

9
00:00:40.119 --> 00:00:42.060
I don't know that we've done this one before. I

10
00:00:42.119 --> 00:00:47.920
know we've done Welcome to Rockville. We've done Aftershock. I

11
00:00:47.939 --> 00:00:49.399
feel like maybe one other one.

12
00:00:49.719 --> 00:00:52.509
Probably Sonic Temple or Incarceration.

13
00:00:54.090 --> 00:00:54.329
Yeah.

14
00:00:54.869 --> 00:00:58.549
So have you had a chance to check things out

15
00:00:58.609 --> 00:01:01.990
here at Louder Than Life at all? Not really.

16
00:01:02.020 --> 00:01:04.920
We're kind of like parked over by our stage, which

17
00:01:05.019 --> 00:01:06.060
is the.

18
00:01:07.459 --> 00:01:09.680
I don't remember what it's called. It's a decibel.

19
00:01:10.120 --> 00:01:10.359
Yeah.

20
00:01:10.560 --> 00:01:11.219
Something like that.

21
00:01:12.640 --> 00:01:14.359
So we're kind of parked like in the boonies and

22
00:01:14.409 --> 00:01:16.290
we had to take a shuttle here.

23
00:01:17.359 --> 00:01:19.319
Um, I have a feeling I know where you're parked.

24
00:01:19.400 --> 00:01:19.680
Yeah.

25
00:01:20.159 --> 00:01:24.280
But I'm hoping as the day progresses to wander a

26
00:01:24.340 --> 00:01:24.819
little bit.

27
00:01:25.439 --> 00:01:26.439
Um, heat permitting.

28
00:01:27.060 --> 00:01:27.420
Oh yeah.

29
00:01:27.579 --> 00:01:27.719
Yeah.

30
00:01:28.140 --> 00:01:32.079
Which I've renamed the festival hotter than life.

31
00:01:32.159 --> 00:01:32.400
Yeah.

32
00:01:32.519 --> 00:01:32.900
I agree.

33
00:01:32.920 --> 00:01:33.400
I agree.

34
00:01:33.459 --> 00:01:34.620
It's brutal. Right.

35
00:01:34.939 --> 00:01:35.120
Yeah.

36
00:01:35.159 --> 00:01:36.840
You're over at the reverb stage.

37
00:01:37.219 --> 00:01:37.780
Okay, cool.

38
00:01:38.140 --> 00:01:42.750
So yeah, that, that, that is definitely on the other side. So, um,

39
00:01:43.400 --> 00:01:46.620
But that says something, too. Like, you've done the Wimmer

40
00:01:46.680 --> 00:01:49.920
Festivals for years. Yeah. This place is massive, ain't it?

41
00:01:50.060 --> 00:01:51.599
Yeah, it's really cool to be a part of this.

42
00:01:51.719 --> 00:01:55.519
And, like, so many bands that we grew up listening

43
00:01:55.579 --> 00:01:58.620
to are newer bands that we're into. And it's rad

44
00:01:58.640 --> 00:02:00.569
to be just a part of it and amongst it

45
00:02:00.590 --> 00:02:02.810
and then just get to play a show ourselves.

46
00:02:04.030 --> 00:02:08.349
That's cool. And so you're the newer bands. Is there

47
00:02:08.409 --> 00:02:11.110
somebody set that you want to see today while you're here? Oh.

48
00:02:12.919 --> 00:02:14.039
Not on the newer side.

49
00:02:14.080 --> 00:02:17.900
The band that I'm really psyched to see tonight, I

50
00:02:17.939 --> 00:02:20.719
hope it works out schedule-wise, is Gojira.

51
00:02:21.060 --> 00:02:22.400
I knew you were going to say that.

52
00:02:22.879 --> 00:02:27.210
I saw them at, like, Pukalpop or something in Belgium,

53
00:02:27.430 --> 00:02:31.430
I remember, years ago. And they blew my mind, and

54
00:02:31.469 --> 00:02:33.449
I've just never had a chance to see them since.

55
00:02:34.270 --> 00:02:36.430
And I'm a huge fan, so I'm stoked to see them.

56
00:02:36.650 --> 00:02:39.669
You know what blew my mind? When they headlined Hellfest.

57
00:02:40.469 --> 00:02:40.870
Oh, yeah.

58
00:02:41.250 --> 00:02:44.449
Like, in their own country. Because I do Hellfest 2

59
00:02:44.449 --> 00:02:48.229
every year, and it blew my mind because the year

60
00:02:48.270 --> 00:02:53.069
before Metallica headline, Gojira had a bigger crowd. Oh, wow.

61
00:02:53.090 --> 00:02:54.030
If you could imagine.

62
00:02:54.069 --> 00:02:54.610
That's awesome.

63
00:02:54.810 --> 00:02:58.330
And it was like, oh, my God. The crowd, of course,

64
00:02:58.449 --> 00:03:01.669
loves it because the French, they love their hometown boys,

65
00:03:01.729 --> 00:03:02.069
you know?

66
00:03:02.569 --> 00:03:06.219
That and then the opening ceremony thing they did for

67
00:03:06.259 --> 00:03:06.819
the Olympics.

68
00:03:06.979 --> 00:03:12.909
Right. That blew my mind, man. You know? Gojira opening

69
00:03:12.990 --> 00:03:16.830
the Olympics. Metal has come a long way, man.

70
00:03:16.849 --> 00:03:17.650
Yeah, it's pretty rad.

71
00:03:17.969 --> 00:03:22.310
Like, I was there from the very beginning when we

72
00:03:22.349 --> 00:03:25.409
didn't even want it playing on the radio, much less

73
00:03:25.509 --> 00:03:28.770
playing something like that. We don't want anybody to know

74
00:03:28.810 --> 00:03:29.750
about our music.

75
00:03:29.870 --> 00:03:31.129
Yeah, it's great.

76
00:03:31.560 --> 00:03:33.719
I also really wanted to see Mastodon, but they play

77
00:03:33.750 --> 00:03:34.939
at the same time as we do.

78
00:03:35.289 --> 00:03:37.000
Oh, I hate when that happens, right?

79
00:03:37.259 --> 00:03:37.500
Yeah.

80
00:03:38.620 --> 00:03:42.960
So... What is it that first got you guys into this?

81
00:03:45.340 --> 00:03:49.599
Would you say Van Halen? Like metal or like heavier

82
00:03:49.639 --> 00:03:50.240
music in general?

83
00:03:50.259 --> 00:03:53.939
Music in general. And then maybe segue into the heavier.

84
00:03:55.479 --> 00:03:56.620
Music in general.

85
00:03:57.919 --> 00:04:01.539
Um, our dad was like a huge jazz head. So

86
00:04:01.560 --> 00:04:06.060
he was playing jazz all the time. Um, Beatles were

87
00:04:06.120 --> 00:04:09.860
on in the house a lot, Led Zeppelin, Stevie Wonder.

88
00:04:09.879 --> 00:04:14.650
So a pretty, like, wide array of musical styles.

89
00:04:14.659 --> 00:04:16.750
That's how it was when we were younger, right? Like,

90
00:04:17.089 --> 00:04:21.709
our parents influenced us, or other people, and my older brother, too. Like,

91
00:04:21.769 --> 00:04:24.850
all these different things, especially the beginning of metal, when

92
00:04:24.889 --> 00:04:26.689
there really wasn't the heavy, heavy stuff.

93
00:04:27.310 --> 00:04:27.389
Yeah.

94
00:04:27.420 --> 00:04:31.279
You know, everything you mentioned was an influence of mine, too,

95
00:04:31.540 --> 00:04:31.879
you know?

96
00:04:31.899 --> 00:04:31.980
Yeah.

97
00:04:32.449 --> 00:04:32.709
Sure.

98
00:04:32.750 --> 00:04:36.209
Yeah, I remember going through our parents, because we're brothers,

99
00:04:36.269 --> 00:04:39.829
our parents' music collection and just picking out things with the.

100
00:04:39.829 --> 00:04:41.250
Coolest album covers.

101
00:04:41.990 --> 00:04:42.189
Yeah.

102
00:04:42.209 --> 00:04:46.240
And just testing it out, you know, seeing what it was. And, like, yeah,

103
00:04:46.259 --> 00:04:51.620
I remember, like, specifically, like, Led Zeppelin and, like, even, like,

104
00:04:51.839 --> 00:04:53.360
Cat Stevens or stuff like that.

105
00:04:53.379 --> 00:04:54.060
It was, like, really cool.

106
00:04:54.139 --> 00:04:56.120
And I loved Cat Stevens, too.

107
00:04:56.230 --> 00:04:57.209
Yeah, yeah, for sure.

108
00:04:57.629 --> 00:05:00.610
And then on the metal side... I feel like Metallica

109
00:05:00.649 --> 00:05:05.029
was the first one. Metallica, and then that opened the

110
00:05:05.069 --> 00:05:09.509
door to Sepultura, Pantera, Iron Maiden.

111
00:05:11.149 --> 00:05:13.129
Iron Maiden is a big one. Big one for our

112
00:05:13.149 --> 00:05:20.360
band starting out. The Guitar Harmonies. And Steve Harris on bass.

113
00:05:20.480 --> 00:05:21.699
Oh my gosh, yeah.

114
00:05:21.839 --> 00:05:25.160
I remember being a kid and going, holy fuck, this

115
00:05:25.220 --> 00:05:25.899
guy is good.

116
00:05:26.180 --> 00:05:27.040
Yeah, he's so good.

117
00:05:27.790 --> 00:05:28.110
Right?

118
00:05:28.490 --> 00:05:28.750
Yeah.

119
00:05:29.470 --> 00:05:34.220
So then, what happened for you guys to decide to

120
00:05:34.279 --> 00:05:35.199
play together?

121
00:05:35.220 --> 00:05:37.279
You can tell that.

122
00:05:37.480 --> 00:05:41.540
Yeah, so the other two guys in the band, they

123
00:05:41.579 --> 00:05:43.220
were talking about starting in a band.

124
00:05:43.319 --> 00:05:45.660
And Riley, who's my older brother, he.

125
00:05:47.420 --> 00:05:52.290
Had been playing in punk bands before. And I was like, oh,

126
00:05:52.310 --> 00:05:55.970
I could borrow one of his bandmates' basses and try

127
00:05:55.990 --> 00:05:58.670
and figure it out and start out with you guys.

128
00:05:59.410 --> 00:06:00.990
And we were looking for drummers, and I was like,

129
00:06:01.009 --> 00:06:03.269
my brother could play with us until we find somebody.

130
00:06:04.189 --> 00:06:06.329
And then he ended up just sticking with us. And

131
00:06:06.870 --> 00:06:10.949
he also writes a bunch of guitar parts, too. And

132
00:06:10.990 --> 00:06:14.189
that's kind of been how the band has functioned ever since.

133
00:06:14.230 --> 00:06:17.310
We all write kind of everything, and it's a really

134
00:06:17.430 --> 00:06:21.490
cool way to keep ideas fresh and I think that's

135
00:06:21.509 --> 00:06:23.709
the way it should be, right? Yeah, and we've been

136
00:06:23.740 --> 00:06:27.680
the same lineup for 27 years.

137
00:06:27.680 --> 00:06:29.199
27 years, yeah.

138
00:06:29.420 --> 00:06:30.180
That's insane.

139
00:06:30.620 --> 00:06:30.839
Yeah.

140
00:06:30.959 --> 00:06:35.259
Right? Like, that rarely happens. I'm even, like, impressed that

141
00:06:35.279 --> 00:06:38.389
you guys are still together because I would not want

142
00:06:38.410 --> 00:06:40.329
to be in a band with any of my brothers.

143
00:06:40.389 --> 00:06:41.389
I'd probably kill them.

144
00:06:42.689 --> 00:06:43.870
I mean, we're like family.

145
00:06:43.930 --> 00:06:47.649
Like, we have our differences, but we've kind of figured

146
00:06:47.730 --> 00:06:52.250
out over the years how to, like... Let it talk

147
00:06:52.290 --> 00:06:54.569
it out or let it slide, you know.

148
00:06:54.610 --> 00:06:57.990
See, that's great because, you know, when you're in a

149
00:06:58.029 --> 00:07:01.829
band together, I think it's like taking growing up together

150
00:07:02.069 --> 00:07:05.790
and multiplying it times 20. Because you're spending 24-7, a

151
00:07:06.589 --> 00:07:10.420
lot of stress, a lot of shit goes on. And

152
00:07:11.009 --> 00:07:16.139
so it's kind of hard to stay close under those circumstances.

153
00:07:16.360 --> 00:07:18.069
There's so many things that have to line up.

154
00:07:18.779 --> 00:07:25.220
Like everybody's commitment level, uh, like life, you know, choices,

155
00:07:25.300 --> 00:07:29.000
all that stuff. Um, finances, you know, just everything has

156
00:07:29.050 --> 00:07:32.050
to line up. And like, I feel really lucky to

157
00:07:32.110 --> 00:07:35.329
be with other people that are willing to be as committed.

158
00:07:36.069 --> 00:07:37.970
And, uh, yeah.

159
00:07:38.009 --> 00:07:43.069
And just finding the balance to like being able to like, uh,

160
00:07:43.290 --> 00:07:46.230
give up some things that you might want, maybe touring

161
00:07:46.290 --> 00:07:50.310
more or doing whatever. And then, uh, Yeah, it just

162
00:07:50.350 --> 00:07:54.870
makes it difficult, but it also makes it so you

163
00:07:54.910 --> 00:07:59.399
can last. You just have to be willing to compromise

164
00:07:59.439 --> 00:08:01.639
in some places and not compromise in other places.

165
00:08:02.420 --> 00:08:05.800
I think another important thing is we all share the

166
00:08:06.040 --> 00:08:09.670
same goal with this project, which is to be creative

167
00:08:09.750 --> 00:08:13.870
and to push ourselves as artists. There isn't one guy

168
00:08:13.910 --> 00:08:16.029
in the band that's like, I want to be famous.

169
00:08:16.310 --> 00:08:19.290
Or somebody else that's like, oh, we've got to write

170
00:08:20.670 --> 00:08:22.230
records for the radio and.

171
00:08:22.170 --> 00:08:22.689
This and that.

172
00:08:22.750 --> 00:08:23.029
It's like.

173
00:08:23.819 --> 00:08:25.819
We all just want to make stuff that sounds cool

174
00:08:25.839 --> 00:08:29.490
to us, and if that works out and people dig it,

175
00:08:29.490 --> 00:08:33.309
then that's awesome. And if they don't, then that's also awesome.

176
00:08:34.129 --> 00:08:36.509
I think so, because when you do it like that,

177
00:08:36.929 --> 00:08:39.769
first of all, you're real. So to the real people

178
00:08:39.809 --> 00:08:43.350
that are really into this music, we can see that.

179
00:08:43.850 --> 00:08:48.299
But also, if you're not having fun up there, which

180
00:08:48.340 --> 00:08:50.899
you wouldn't be if you weren't playing your own music,

181
00:08:51.440 --> 00:08:55.539
we're not having fun either. So... make your music for you,

182
00:08:55.759 --> 00:08:57.799
and then you'll attract your tribe.

183
00:08:57.980 --> 00:08:59.360
For sure.

184
00:08:59.580 --> 00:09:01.659
We have to give it to our fans, too, because

185
00:09:02.840 --> 00:09:06.039
our records have changed quite a bit just because we

186
00:09:06.100 --> 00:09:08.649
feel really free to just do whatever we want to do.

187
00:09:09.289 --> 00:09:12.470
And thanks to the people that support us, we've been

188
00:09:12.490 --> 00:09:14.350
able to do that and keep it functioning.

189
00:09:15.309 --> 00:09:17.669
And that's the way it should be, too. Like, to me,

190
00:09:18.169 --> 00:09:22.370
a musician or an artist shouldn't have rules or a box.

191
00:09:23.049 --> 00:09:26.149
It's like, it's what you feel. And we have different

192
00:09:26.190 --> 00:09:29.710
vibes at different times. So maybe one day you have

193
00:09:29.730 --> 00:09:34.049
this vibe that writes a song one way, and then

194
00:09:34.129 --> 00:09:36.100
another day you have a vibe that writes it a

195
00:09:36.159 --> 00:09:37.179
totally different way.

196
00:09:37.200 --> 00:09:37.559
Yeah.

197
00:09:38.970 --> 00:09:42.070
Having the freedom to explore what you want to is

198
00:09:42.110 --> 00:09:47.259
really nice. And not being worried about not fitting into

199
00:09:47.279 --> 00:09:49.179
the box that people want to put you in.

200
00:09:51.539 --> 00:09:52.399
It's very freeing.

201
00:09:53.100 --> 00:09:55.919
And they keep making those boxes smaller and smaller.

202
00:09:56.000 --> 00:09:57.470
Right, right.

203
00:09:57.710 --> 00:10:00.629
I think we need to just go back to it's

204
00:10:00.720 --> 00:10:04.700
rock music, it's metal, and that's it. Stop there.

205
00:10:04.860 --> 00:10:07.919
Yeah, we don't need to compartmentalize everything.

206
00:10:08.279 --> 00:10:11.860
Exactly. If it's good, it's good. Like even talking about Metallica,

207
00:10:11.899 --> 00:10:15.799
talk about the big four of thrash, which I was

208
00:10:15.820 --> 00:10:17.659
there for the very beginning of all that.

209
00:10:17.919 --> 00:10:18.159
Nice.

210
00:10:18.789 --> 00:10:22.240
The four of them didn't sound anything alike. There were

211
00:10:22.620 --> 00:10:28.210
some commonalities, but You could tell the difference. You could

212
00:10:28.230 --> 00:10:33.230
tell Slayer from Metallica from Megadeth from Anthrax. Now I

213
00:10:33.289 --> 00:10:37.090
see some sub-genres that are so finite and they use

214
00:10:37.110 --> 00:10:40.789
this formula. I can't tell what band is which.

215
00:10:40.990 --> 00:10:44.909
Everybody's using the same guitar plugins and the same drum samples.

216
00:10:44.970 --> 00:10:46.750
The same producer.

217
00:10:47.929 --> 00:10:50.340
To me, that's not what music's about. I remember when

218
00:10:51.340 --> 00:10:54.539
I was trying to learn how to play guitar and

219
00:10:55.440 --> 00:10:57.960
I just was experimenting with it. I didn't know how

220
00:10:57.980 --> 00:11:00.100
to do shit, so I just wanted to see what

221
00:11:00.299 --> 00:11:03.080
noise I could make out of it. And my dad

222
00:11:03.120 --> 00:11:05.740
would yell from the other room, you should give that up,

223
00:11:05.799 --> 00:11:11.120
you suck. And maybe I did, but that's the key.

224
00:11:11.159 --> 00:11:16.639
That's how you find that riff that lasts forever, not

225
00:11:16.759 --> 00:11:20.799
from a formula. It's because you're experimenting and you're like,

226
00:11:20.850 --> 00:11:25.139
holy fuck, look at Tony Iommi. if he didn't have

227
00:11:25.460 --> 00:11:28.240
what happened to him happen and have to figure a

228
00:11:28.360 --> 00:11:32.129
different way to do things, maybe we wouldn't be sitting

229
00:11:32.169 --> 00:11:38.450
here right now. You know? So I'm glad that you

230
00:11:38.570 --> 00:11:43.009
followed that, because that's important. Is there anything you want

231
00:11:43.029 --> 00:11:45.549
to talk about that's coming up that we haven't discussed?

232
00:11:49.389 --> 00:11:53.269
We are kind of at the beginning of a tour

233
00:11:53.509 --> 00:11:55.490
with Taking Back Sunday and Saves the.

234
00:11:55.409 --> 00:11:56.110
Day right now.

235
00:11:56.409 --> 00:11:56.710
Nice.

236
00:11:57.009 --> 00:11:58.720
We did a show in Nashville like.

237
00:12:00.320 --> 00:12:03.379
Five days ago or something, and then all the bands

238
00:12:03.440 --> 00:12:05.659
split off to do a bunch of festivals. We did

239
00:12:05.700 --> 00:12:11.220
Riot Fest and a headline show and then doing this.

240
00:12:12.399 --> 00:12:16.080
But then we joined back up with them, I think, Tuesday.

241
00:12:16.100 --> 00:12:19.480
And we're hitting a lot of the U.S.

242
00:12:19.539 --> 00:12:22.129
Over the next month. So if people want to go

243
00:12:22.169 --> 00:12:23.490
see that, come out and see us.

244
00:12:23.809 --> 00:12:26.330
And I'm very jealous because normally I do Riot Fest

245
00:12:26.409 --> 00:12:29.309
every year. And they've switched Louder Than Life to be

246
00:12:29.350 --> 00:12:31.730
the same weekend. So I had to make a choice.

247
00:12:32.460 --> 00:12:34.679
And I just want to know, did you get to

248
00:12:34.740 --> 00:12:37.980
see Captain James T. Kirk of the Enterprise and his

249
00:12:38.039 --> 00:12:39.000
new metal band?

250
00:12:40.389 --> 00:12:41.029
We didn't.

251
00:12:41.970 --> 00:12:45.440
I looked at the list of when the bands were

252
00:12:45.460 --> 00:12:47.059
playing and I didn't see it. I don't know if

253
00:12:47.100 --> 00:12:48.000
I missed something.

254
00:12:48.259 --> 00:12:48.620
Right?

255
00:12:48.899 --> 00:12:49.509
I didn't see it.

256
00:12:49.940 --> 00:12:53.399
But it also... It rained out the day that we

257
00:12:53.450 --> 00:12:53.919
were there.

258
00:12:53.950 --> 00:12:55.230
So maybe they.

259
00:12:55.110 --> 00:12:56.990
Like shortened everybody's set list.

260
00:12:57.070 --> 00:12:58.509
And it was, I wonder if they cut.

261
00:12:58.570 --> 00:12:58.750
Yeah.

262
00:12:58.809 --> 00:13:00.950
I think tool went on at like seven o'clock.

263
00:13:01.690 --> 00:13:02.110
Wow.

264
00:13:02.169 --> 00:13:02.990
It's like, yeah, yeah.

265
00:13:03.230 --> 00:13:03.990
That's insane.

266
00:13:04.070 --> 00:13:05.889
Daytime tool show was interesting.

267
00:13:06.169 --> 00:13:08.409
I don't think I've seen them so many times. I

268
00:13:08.429 --> 00:13:10.710
don't think I've ever seen a daytime.

269
00:13:10.250 --> 00:13:11.970
Show, but it was raining.

270
00:13:12.029 --> 00:13:14.629
So like their light show and the lasers and whatnot,

271
00:13:15.129 --> 00:13:17.629
it still looked awesome with the rain coming through it.

272
00:13:17.690 --> 00:13:17.789
Yeah.

273
00:13:17.809 --> 00:13:18.590
It was, it was cool.

274
00:13:18.950 --> 00:13:22.090
Does that blow your mind, 95 years old, Captain Kirk

275
00:13:22.110 --> 00:13:23.009
starting a metal band?

276
00:13:23.029 --> 00:13:23.230
I know.

277
00:13:23.330 --> 00:13:25.269
I can't believe it. I can't believe it.

278
00:13:25.309 --> 00:13:28.149
It's cool. I'm like, what world are we living in?

279
00:13:28.190 --> 00:13:31.049
Because it's both of my worlds. I lived through college

280
00:13:31.110 --> 00:13:32.169
through Captain Kirk.

281
00:13:32.509 --> 00:13:32.750
Yeah.

282
00:13:33.009 --> 00:13:35.320
You know? So I was like, fuck, I'm going to

283
00:13:35.360 --> 00:13:36.000
miss that.

284
00:13:36.240 --> 00:13:36.519
Yeah.

285
00:13:37.320 --> 00:13:39.039
I love that he's going for it. That's sick.

286
00:13:39.320 --> 00:13:41.740
I know. It gives us all hope, right?

287
00:13:41.820 --> 00:13:42.179
You know?

288
00:13:42.600 --> 00:13:45.700
Like, imagine being 95 and playing a metal band. I

289
00:13:45.740 --> 00:13:49.309
hope I'm 95 and I'm in a mosh pit. I'm 59.

290
00:13:49.309 --> 00:13:51.320
I'm alive at 95.

291
00:13:51.320 --> 00:13:53.539
I'm 59. I was in Chad Gray's mosh pit the

292
00:13:53.580 --> 00:13:54.500
other night. Nice.

293
00:13:54.519 --> 00:13:54.860
You know?

294
00:13:55.179 --> 00:13:55.799
Oh, that's great.

295
00:13:56.740 --> 00:13:59.559
That's what it's about, man. It's the best therapy there is.

296
00:13:59.720 --> 00:14:00.600
Oh, it's for sure.

297
00:14:00.720 --> 00:14:03.360
You know? And I'm glad that you're part of that therapy.

298
00:14:03.720 --> 00:14:05.899
Thank you. Yeah, we're glad to be a part of it, too.

299
00:14:06.139 --> 00:14:08.340
Well, you guys are badass, and thanks for being on

300
00:14:08.360 --> 00:14:10.460
The Adventures of Pipeman. Thank you for your time.

301
00:14:10.480 --> 00:14:11.139
Yeah, thank you.

302
00:14:11.159 --> 00:14:11.919
Thanks for having us.

303
00:14:13.759 --> 00:14:18.870
Thank you for listening to The Adventures of Pipeman. On

304
00:14:19.210 --> 00:14:20.210
W4CY Radio.