May 14, 2026
10 years at Welcome to Rockville 2026 - PipemanRadio Interview
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WEBVTT
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Hi, you have done to censure.
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Wow for you young.
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Listen, it's the pipe Man here on the Adventure of
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Pipe Man W four C Y Radio and I'm here
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with Jesse from ten years Yes, you're at Welcome to Rockville, yes, sir,
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or welcome to Code Yellow.
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Welcome to Rainville. I know, right, yeah, yeah, it's Florida.
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Though it happens, it's what it's to be expected. Like,
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especially this time of year, at three four o'clock, you
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can guarantee there's going to be a thunderstorm no matter what.
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Absolutely.
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I use it as my alarm clock during the day.
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Uh huh. See.
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We did a tour with way back in the day
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called Project Revolution with Lincoln Park and Chris Cornell and
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our slot time was five o'clock and they called us
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the rain band because it just it just happened all
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over the country that way.
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Wow.
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Yeah, so you're the reason where code Yes, it's all
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our faults. Yes, rain dance, we need to stop that.
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I know, we need to go ahead and play and
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get it over with and that that way it all
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goes away.
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Well, maybe what you should do is like play a
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rain song, the rain song. The Yeah there I was
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thinking that too right after I said it, and we
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did just have Jason Bonham doing the led Zeppelink experience.
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The awesome right, that's crazy.
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Yeah, the singer he sounds so much like Plant too, dude.
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The ability for people to to mimic and pull off
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and just the the level of skill that musicians are
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at now is insane.
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It's insane.
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I think we're making a comeback with musicianship because a
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few years back I was like, man, we need real
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musicians again, and leads and you know, jamming and all that.
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I do think that it you know, fashion and culture
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and music and everything. It goes in waves. But yes,
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if something has substance and authenticity, it will last.
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It might come up and down, but it will always
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come back around.
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You know what I think too, Okay, I look at
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bands like that I've ever viewed like a Leonard skinnerd
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or anybody like that, and icons are always these nicest
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people that have no clue to a rock star. And
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I think that's the key, because to really be a
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true musician, you don't give a shit about becoming a
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rock star. You just want to play music.
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You couldn't say it better.
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I mean, the main focus should always be the love
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and the passion of the creativity of it and let
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the chips fall where they may. If you're a rock
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star on stage and when you see somebody play live
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and you're, oh, my god, that's a rock star, and
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then they get off stage and they're like Michael Jackson
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with a high pitched voice, it's like, but when he's
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on stage, he's a killer. And it's just that's I
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think that people talk to everybody that's ever met me
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or knows me, they're like, you're so normal. I'm like,
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because the character I'm on stage, I'm an entertainer. At
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that point, I love that you just said that. Yeah,
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I'm a character on stage because my job live is
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to be an entertainer, and then to write and create
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is what I do personally with myself, and that's that's where.
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I fall in love with it.
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And then I learn how to display it and entertain
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it to the masses in a way that hopefully portrays
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the song.
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Yeah, and listen, as somebody that would be in the audience,
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I can totally tell if somebody's dialing it in, if
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they're having fun. Yeah, you know, and like part of
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fun to live music is. It isn't perfect, that's absolutely it.
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And like for us, we can travel ten hours to
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play for thirty minutes to an hour, so when we're
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on stage for that time, that's when you really get
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lost the moment. And people like I interviewed earlier today,
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like what advice do you give, and I'm like, get
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lost in the moment when the music is happening. Don't
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pick your I mean, you can video it and get
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your phone out, but like really get lost in the moment,
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you know, and enjoy that you are here and you're
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not watching this at home on a YouTube.
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It's funny because I was just talking about this with
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my son the other day and then he made a
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comment like being funny, like you do that. I'm like, yeah,
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when I'm doing the media, it's for like thirty seconds.
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Because I said, it annoys me when people were out
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there recording the whole video, watching the whole set with
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their phone and they'll never look at that video ever again.
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Yeah, when I have them right front row and center
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doing that and their phones up the whole time, I'll
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just come over and mess with them. I'll just pull
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their phone down about where their chest is, like keep
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you gotta care if you keep your phone up. Just
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look out of your own eye holes. Yeah, the perspective's
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a lot nicer than looking through a little screen. So
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I don't know, it's it's maybe because we're a little
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old school and we're probably that weird trend, that transition
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of being alive before the Internet and then being alive
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while the internet's so present now.
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So we get it from being lost in the moment totally.
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And like back in the day when I was a teenager, like,
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we didn't have phones, we didn't have internet, and you
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didn't think about all that. I think about that every
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time I jump into a pit and I ham somebody
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in my phone. I'm like, I didn't have to do
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that when I was a teenager.
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No, No, I mean at this point, we kind of
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are cyborgs. You know, we are always on.
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We were always living in the entertaining, just constantly entertaining
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around the clock. But that's what I'm saying. When you've
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come and you've paid tickets or you're like us, you're performing, like,
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get lost in the moment while you're here. Rock Field
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is happening right now, be here, be present.
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I think Drew of the artists too, you know. Yeah,
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and funny you mentioned about what you do, did you
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see it was because it went everywhere several years ago.
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What Corey Taylor did one time, I don't know.
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I mean we were blessed enough to tour with him
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with Stone Sour and he would go out after shows.
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This was on Family Values tour many many years ago,
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and he would go out with an acoustic guitar, out
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in the crowd, unexpected, into the parking lot and play.
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And he did this fifteen twenty years now.
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That's so cool and it's just like wow, that is
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someone that loves the moment, loves the act of playing music,
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and it's not about how famous you are, it's about
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enjoying actually doing it.
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Yeah, And there was one gig that somebody was on
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the phone but was like Ryan's face and kind of
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moving away is like you know, and he made a
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comment like put your fucking phone down, you know, as
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Corey would say, put your mother fucking phone down, and
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you will. You're like, oh, exactly, exactly. You know. So
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what do you going on after Welcome to Rockville that
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the listeners need to know about.
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Well, we are currently in the middle of working on
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new music where we're deep into hopefully having some stuff
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released late summer this year. We are going to Europe
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in September, in October Europe, UK.
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Well, we're trying to squeeze in before we go over
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in like July August.
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We're trying to work out some headlining stuff here in
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the States before going international. And then just when the
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music comes out, you just that's when the.
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You hit the road there it is, yeah, And how
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does it feel to you as an artist plane in
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the States, opposed to planning Europe, opposed to UK, opposed
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to South America.
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You know, I would like to say it's it's all
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the same, and the energy is just the energy, but
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it is different.
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It's absolutely different.
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And I think that in the beginning back in the day,
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like we played rock and Ring, Rock and Park and
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a lot of big European festivals, and America has now
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modeled after that, and we figured out how to do
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the same thing and it feels like that same crazy energy.
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But like we did a big one in Japan and
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they are pin drop quiet between songs and then if
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you say make some noise, it's all at the same
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time and they hang on every word you say, so,
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it's it's a different energy because over here we're just
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constantly just wide open and screaming.
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Over there, they're so just hanging on every little thing
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you say to do. So it's a different experience.
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That's second time I've heard that. So it gives it
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like a thing of the different cultures and how they act.
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And now, do you know how it happened that the
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US festivals have become more like the European festivals? I do.
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I'll just throw it out there. I'm just given just
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from touring and seeing it.
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It's obviously Europe was they had something they were doing
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it right that we just didn't really quite have over
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here yet. And I know that we were trying to
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model it after them. I don't know the the logistics
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in the business part of it.
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Whimber. He went to hell Fest, Okay, And that's what
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I was told, went to hell Fest and used that
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as a model, which is a great model to use.
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His name alone is absolutely on the very tip top
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for throwing this grandiose of a festival.
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So yes, in the States, he's the man.
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So yeah, like I've been doing his festival since the beginning,
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and just how he has transformed the industry for festivals
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here in the US, where it used to be more
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of like a carnival than a festival. Yeah, we did,
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and now it's an experience.
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Yeah, we've done all that stuff where it's a traveling
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thing that's like half a dozen bands, like we've done
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Family Values, Project Revolution, Carnival of Madness, like all these things.
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And then you got like o Osfests, Warped Tour, all
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that stuff, and it's cool. But like this level of
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just four days in the same place and it's just
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wide open, is this is totally He's pulled it off
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because this is europe vibes all day.
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And here's the thing too, because you already said how
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he is. In all these years me doing Wimmer festivals,
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I always ask artists how he treats you. Nobody's ever
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said a bad word ever.
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We've never had any issues. We've We've always to run something.
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This large as skill, there has to be a level
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of professionalism, which he obviously knows how to do, in
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the right infrastructure to put underneath it to make it happen.
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But when we show up, it happens. The only thing
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we have to do is dodge the weather. That's that's it.
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But other than that, it's it goes off without a hitch.
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Well, you know what's great too, As an artist, this
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is like the most stressful thing you could probably do.
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It's not usually necessarily your gear, you know, and you
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got a loan in and if you have stress for loaning,
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that's no good.
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Yeah for the show yep.
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And I've never heard artists feel stressful being at a
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Wimmer festival.
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Yeah.
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I mean, I think the most stressful far is whenever
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you're just trying to get the lay of the land
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and you're walking around and you feel like you're in
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a scene from Spinal.
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Tap where you're always lost. But that's just that's not
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his fault. That's just the size of the place.
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And I would think you were going to say it was, uh,
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you know, try and find catering.
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That's part of it, just getting the lay of everything,
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like where where's our dressing, where's catering? And it's it's
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just because you you have to just get in it.
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You just got to get out there and find it.
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I have all the Wimmer festivals that you've done, which
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one's your favorite.
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Man Louder than Life is incredible.
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I love the media artist lounge there.
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It's amazing. I know the name is probably good, but
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we did was it the very last rock on the Range?
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Oh yeah, before it became Sonic Temple. Yeah, it was.
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It was epic. It was huge. I mean, the roster
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was you know, I had a bunch of bands. I
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