May 28, 2026
LA Symphonic Metal LEVINIA Unleashes Silver Tongues
LA Symphonic Metal LEVINIA Unleashes “Silver Tongues” Exploring Dark Grooves Against Modern Idols Produced by Brandon Friesen (Halestorm, Nickelback, The Hu, Papa Roach) and lead guitarist Alon Mei Tal is hear to talk about it. Los Angeles...
LA Symphonic Metal LEVINIA Unleashes “Silver Tongues” Exploring Dark Grooves Against Modern Idols
Produced by Brandon Friesen (Halestorm, Nickelback, The Hu, Papa Roach) and lead guitarist Alon Mei Tal is hear to talk about it.
Los Angeles symphonic metal hybrid Levinia has announced the release of their second single and music video of 2026, “Silver Tongues,” the next chapter in a four single rollout that marks the band’s most ambitious era yet. The track follows the success of their first 2026 release, “The Thorn.” It continues their collaboration with acclaimed producer Brandon Friesen, known for his work with Halestorm, Nickelback, The Hu, and Papa Roach.
“Silver Tongues” showcases a new facet of Levinia’s evolving identity, groovier, more rhythm driven, and deceptively restrained on the surface, while lyrically cutting deep. The band describes the track as a warning against the seductive pull of modern celebrity culture, where public figures are elevated to near religious status.
"We think fans are going to have a strong reaction to these upcoming releases because each song reveals a very different side of Levinia. “Silver Tongues” will likely catch listeners by surprise with its groovier, more rhythm-driven feel. It is a bit more restrained melodically on the surface, but the lyrical message is sharp and unsettling, which we think fans will connect with once they sit with the song. It’s about the danger of surrendering your identity to someone else’s narrative. It’s a rebellion against polished voices that promise certainty while quietly demanding conformity. Overall, we believe fans will appreciate not only the heaviness but the versatility. This is Levinia pushing into new territory while still maintaining the cinematic drama and emotional weight that listeners know us for," says vocalist Kourt Henson.
The single’s artwork reflects this theme with a commanding, mysterious figure pressing a finger to her lips, an homage to a striking behind the scenes photograph of Henson that inspired the visual direction.
“Silver Tongues” is only the second step in a four part journey. Each planned single to be released will reveal a different side of Levinia’s identity, pushing them into new creative territory while preserving the cinematic drama and emotional weight fans have come to expect.
Levinia’s writing process has grown increasingly collaborative, with Alon and Kourt shaping the melodic and lyrical core before the rest of the band builds the dynamic foundation around it. This approach has led to music that feels more cohesive, more vocal driven, and more emotionally impactful.
Kourt’s lyrics draw heavily from personal experience, classical literature, and folklore, blending confession with gothic storytelling. The new singles embrace darker romanticism, haunting imagery, and a more mature narrative voice, marking a significant evolution from their earlier work.
Recommended for fans of Within Temptation, Amaranthe, Nightwish, Lacuna Coil, and Delain, listen to “Silver Tongues” at the following links:
Music Video - https://www.youtube.com/watch?v=Vqhk6j6wzKs
Spotify - https://hypeddit.com/levinia/silvertongues
First Single - Music Video - The Thorn - https://www.youtube.com/watch?v=30EmGiQL7ug
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WEBVTT
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Hi, you live done to censure? Wow for you your.
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This is the pipe Man here on the Avengers Pipe
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Man W four c Y Radio and I'm here with
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our next guests, who has some killer new music.
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I love it.
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I was listening to a new single Silver Tongues, and
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everybody needs to check it out. And so let's welcome
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to the show. And I hope I don't funck this up.
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But Lavinya Lavinia, you got it, you got all right?
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As like one of my biggest fears always it's mispronouncing
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the band's name. Like if I kind of think I
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know it, then I'm okay. If I look at him
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like I better, then I'll like Google search. I'm doing
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another interview for them to say it. Not not a
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press person.
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I want to hear the band say it, because.
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Yeah, sometimes those press people they'll say it wrong, but
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the band won't correct them.
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And like, if you do the.
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Wrong research, you're gonna say it wrong too.
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Right, And okay.
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So I do festivals all over the US, UK and Europe,
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and my trick there is I have the band say
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it like because you're doing one after another after another,
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so sometimes you don't really have time. So I'll be like,
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I'll announce me and i'll say it and I'm with
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and I'll give them the mic and then and then
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I know I won't screw up the band name because
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to me, as a press person, that would be the
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most embarrassing thing to do.
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Thank you.
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Uh.
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The only thing that would be worse is if you
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were not a metal head and didn't know metal music
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and your interviewing metal bands. Yeah, I'm sure, I guess
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I've seen it a lot of times too, and it's
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like you could see the look in the band's eyes like, oh,
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come on really, but and that's me. I won't take
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an interview unless I like the music, Like, how can
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you promote somebody's music if you don't like it or
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don't know it?
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You know, good to hear it made the cut the because.
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Yeah, say, you definitely made the cut. And so let's
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start off with for the listeners that don't know much
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about you, how would you guys as artists describe your band.
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I don't mean in some you know, genre specific bullshit,
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you know, because it's so ridiculous nowadays. I kind of
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like to hear what the artists how they you know,
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would paint the picture of what their music is for sure.
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Well, I guess i'd say it's kind of at least
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the more recent stuff, it's like epic, somewhat symphonic metal.
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You know, are singer does like the operatic you know,
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high singing or trying to make it a little bit
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more accessible to the mainstreams. We got think the heavy
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rifts are kind of first and foremost, and then like
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the operatic stuff kind of sprinkled in on top. So
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I think like more mainstream ish, like disturbed perhaps sounding
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with more.
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Epic, except except it's more disturbing, which in metal that
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would always be a compliment.
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We'll take it. We'll take that, yeah, right.
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Uh and yeah, So I love the fact that first
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of all, you said opera and you are kind of
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a symphonic metal band. And what I love about that
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is people don't realize that metal is actually a derivative
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of classical and and and sometimes opera based.
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I mean, look at Halford.
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Halford was an opera singer, you know.
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The Paganini stuff that I like. That guy was like
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and on the violin way back in the day.
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And then we get the.
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The Devil and Ralph Mascio in their in their Crossroads
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competition where Stevey is the Devil and he's playing they're
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playing a lot of that same stuff.
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It's it's Paganini.
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Rips right exactly, you know. And it's like it's interesting
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that people they they think it's like this.
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Just this loud sound, trashy stuff.
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But metal musicians, to me are some of the best
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musicians there is because not only are you playing technically
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difficult music, but you're doing it heavy and fast.
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Totally. Yeah. I mean, I think that's what drew me
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in metal initially, is because like I was playing guitar.
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It wasn't necessarily a metal head. I just really liked
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playing the guitar. And I heard like shred for the
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first time, I was like, oh my god, I didn't
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know you could do this on the instrument. Where do
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I find more of this? And of course metal was
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where you find it. That's the only place where you
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can find it. So that's you know, here we are now.
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It wasn't until we we were both on one of
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these other like similar sorts of interviews and Alan both
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had like the same answer about like what a what
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album really like drove you into getting into this like
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style of music, and it was my favorite Joe Satrianni album,
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Strange Beautiful Music. I never heard that mentioned by like anybody,
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but like that was such a watershed album for me
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because it like it showed you how you could speak
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and communicate this like this language of guitar without using
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any words, and nothing sounded like and it's a no
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skip album front to back, a lot of different vibes
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from like the the orient infor melody to the the
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James Bondie sounding song in the middle, and then a
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couple of heavy seven string stuff like It's just it
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spanned so many different feelings but amazing what that guy
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did with the guitar.
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Nice and you know, I also say that well, usually
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my question is more about what was the first gig
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you went to that you went, oh my god, this
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is what I want to.
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Do my first metal gig or just like gig.
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Gig at any gig, you know, Like my first one
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wasn't a metal gig.
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Yeah.
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First, I mean the first show I ever saw me
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I don't think this is the one made me think
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I'm gonna do this. But the first show I ever
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saw when I was eleven years old was the Spice Girls.
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Wow, that is so metal, and I have a funny
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story to tell you about that, but that is so cool.
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I like that eleven years old with my mom seeing
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the Spice Girls. But in terms of what I think
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maybe want to go that route, yeah, I think it
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might have been Joe Satrianni. When did I see him?
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I was like seventeen. I think that's when I discovered
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that same album Strange People from Music, and I was like,
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this is my thing. This isn't to play guitar for Oh.
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Also the Red Hot Leepeppers. Perhaps I saw them first.
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Nice a big one for me. Yeah.
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So now did you see them old school or once
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they already were commercial?
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Yeah, this would have been right around Californication. By the way,
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it's like two thousand dish early two thousands, okay, at
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their peak at that time.
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Nice.
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Yeah, so, I you know, for me, it's like, okay,
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So my first gig ever, what I don't even call
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it my first concert because it was Beatlemania at Madison
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Square Garden, so it wasn't really the Beatles, but it
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was you know, it was really cool. And then my
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next concert after that was Journey with Lover Boy.
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Oh. Nice, that's that's phenomenal, right, and that what Steve
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Perry was still singing.
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Yeah, yeah, yeah, that was nineteen seventy nine. Okay, hell
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yeah Okay. And then so I'm originally from Jersey. My
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dad moved me to California in nineteen eighty. If you
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can imagine the best time to be a teenager, move
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into the Sunset Strip area.
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Ya, you know, oh my god, last night.
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Like so the first gig I have, club gig I
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ever went to, which really like like, I was into music,
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I was into metal before that, but this just brought.
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Me into the scene.
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Was at the Roxy Motley Crue before they had an album.
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They weren't glam yet, they were horror punk and they
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were trying to light the Roxy on fire to bring
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Satan in.
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And I was sold.
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I was like, I'm never going to a real concert again, man.
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And I started going to clubs on the on the Strip,
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the Troubadour, the Country Club in Resiita, you know all
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the places, the infamous eighties La places like every Friday
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and Saturday night from that day on. And that it
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is funny too, because like I think about now when
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I'm in La and I go to the Rainbow. I'm like,
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I'm looking at somebody at the door id and everybody.
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I'm like, how did I get in there? When I
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was thirteen years old? Oh yeah, I was walking in
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with Motley Crew, you know, and stuff like that. So
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I think for metal too, it's about the music, but
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it's also about the scene and the people.
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You know.
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It's like, I've gone to many different types of music concerts.
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There's only one type of concert or festival I'll go
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to where you hardly ever see a fight. Everybody's a
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big family, and that's a metal show.
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Everybody thinks it's violent.
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Yeah.
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When my dad took me to my first show show,
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it was a children about I'm opening a for I
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think a fear factory or somebody like that at the.
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House of Blues.
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And when it was still in Disneyland, right, he was
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a chatting with the security guards there and they say like,
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oh no, these metal people are like the most best
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behave crowd we had.
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It's the country guys that start on the fights and
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get kicked out.
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See I'll tell you what's funny about that.
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Okay, So one, this is like several years ago, Like
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I go on tour and I do coverage of music
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festivals all over the.
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US, UK and Europe.
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And there was one time there were two on the
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same weekend that I got credentials for, and I knew
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I couldn't show up to both, so I had There's
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this girl that worked for me. She was a country girl,
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never been to a rock show ever. I'm like, hey,
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you gotta go cover this festival. It's near the studio.
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You don't have to go too far, you know, because
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I gotta go into this other one. And she was
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really kind of scared about it, because you know, metal
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heads scare people. And I laugh with a lot of
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my rs friends were like, yeah, let's keep them thinking
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that you know, it'll keep it'll kick the assholes out,
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it kiss the assholes out, okay. And so I said
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to her, I'm like, listen, you don't understand, okay. You
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go to these country shows where a bunch of rednecks
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are getting drunk on Jack Daniels and getting into fights.
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That doesn't go on at metal festival. In fact, what's.
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Gonna happen is you're probably gonna make a bunch of
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new friends. You're probably gonna meet some dude, and you're
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gonna have the best time of your life.
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So she might get hurt from like hugging somebody too hard.
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I know, right exactly.
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You know, you go to a metal show and you
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got you got these big, scary looking dudes wearing shirts
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that say free hugs, you know, or signs that say
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free hug. And so she comes back and she's like,
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oh my god, you're so right. I made all these
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new friends. Everybody was so cool. I tea bagged some
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guy and he's now my boyfriend. And I found this
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new my new favorite band. I don't know if you
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know them. They're called Bring Me the Horizon. I'm like, yeah,
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I think I kind of know who. They are, tremendous
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acting right exactly, and it's like it just proves the point,
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you know.
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And it's funny. Every time I do.
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Talk to like country people and they talk about the
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metal shows that they've never been to, I'm like, please,
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you guys are ridiculous. You guys get in the fights
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instead of having fun. You know.
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I was at a show on the East Coast once
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in the you know, metal venue, and metal band was
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playing and there's a huge mosh pitch. It's like going nuts, right,
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and then somebody in the middle of the pit is
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just like I dropped my contact lens and like like
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five giant dudes are like we got you, and it's
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