Dec. 5, 2024
Liva is the first Canadian band to mix metal music and classical music since 1997!
Liva Ecce Mudus
Samson & Dalila I
Here’s a very different proposal, Liva is the first Canadian band to mix metal music and classical music since 1997!
Band members-photos: Pier Carlo Liva(tenor/death)-guitar-keys), Nadine Guertin(soprano),...
Liva Ecce Mudus
Samson & Dalila I
Here’s a very different proposal, Liva is the first Canadian band to mix metal music and classical music since 1997!
Band members-photos: Pier Carlo Liva(tenor/death)-guitar-keys), Nadine Guertin(soprano), Martin Tremblay(bass), Claude Lacroix(drums)
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WEBVTT
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Hi, you unto censure?
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Wow crazy young wacoume of America.
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It's time for the Adventures of Pipe Man on W
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four c hy dot com best pompkas is number one
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internet radio station.
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Here's your host, the pipe Man.
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Are your hortal.
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Dog's This is the pipe Man here on the Adventures
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pipe Man W four c Y Radio. And I'm very
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excited about our next g because man, what amazing musicians
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and artists they are, you know, and uh they're from
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one of my favorite areas of the world. And uh
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so what let's welcome to the show. Uh here from Liva.
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How are you? Did I pronounce it right anyway?
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Yes, yeah, you got it. Callo. It's my first name, Leva,
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it's the last name. It's Italian. Oh my family name.
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Oh see.
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So now you can speak Italian on the show if
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you want. I probably understand you're Italian better than French.
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So because in Jersey there's lots of Italians.
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And I'm Italian. I'm actually an Italian Jew.
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Okay.
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So my grandfather actually was like, uh, you know, old
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school Italian.
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If you if you catch my drift.
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Okay, that's pretty cool man.
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So that must be the reason why you're so good at,
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you know, matching up metal and classical music because I
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don't know. I think it's the Italian you that does that.
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And man, this latest song that you guys did is
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absolutely amazing.
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I think you're right because Italian we maybe we have
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the melody inside of us. Maybe it's the opera thing.
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I listen a lot of opera. It's maybe in the
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culture singing. Yeah, yeah, I'm always I listened to a
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lot of music. I'm singing all the time. It's maybe
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from the culture. Yeah, you're you're you're the one, and
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you make this. I think you're the first one because
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the head you made the finger on that point. You know. Well,
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I'm a classically trained classical guitarist. So the mix. We
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are the first Canadian band to mix mel and classical
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music because you know, when you study in classical college
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and university, you have to sing in choir. And my
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wife at this time and she she's still a soupano singer,
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classical singer. And two things. When I sing in a choir,
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I sing in Latin. And one day I tell to me,
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hm hmm, if I mix medal with this kind of
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Latin feeling, it would be probably it could be sound good.
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And on the other side, my wife, when I go
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to see her in concert, she sing, she sang. At
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this moment, she's still singing, so I'm gonna talk in
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the past. She sang in Spanish, German, French, Italian. Wow,
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there's opera, there's sacred music, secular music. But when she
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sang in the sacred music, I don't know I from
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back end there or lots of Italian composers. Her voice
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was so lovely, so there was a special thing that
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said to me, okay, if I mix her voice with
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my music. She played viola violence, the biggest violent, So
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it's a viola and I write for her. She was
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I don't know what to say in English, but in
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French muse, muse is a person. You write for her
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because yeah, she inspired me.
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It's the same in English. Actually, so she was my muse.
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I write all the lyrical things for her voice, her
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viola with my metal background. Now the sound starts there
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at the end of nineteen ninety eight. The band start
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at ninety ninety seven, but she came in the band
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in ninety eight, and then all the sounds of Leva
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came after that.
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So question.
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Is it.
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Would you say with all those languages, would you say
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it's easier to sing a different language or to speak
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in a different language, or do you think maybe from
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singing you feel it more so it's easier to remember.
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You know, singing a song is not talk, right, it's
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very it's very little different. You can't sing in Spanish
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in German, but you cannot talk in German easier than you. So,
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but her voice, the manner, she the color, all the
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stuff that's that was in the music inspired me.
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Nice. I love that.
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And you know, I remember though, when I was in
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college and I was taking like a music theory class.
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I was so happy because I was a total metal
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head and they were telling me, well, you know, for
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all those people out there that think like and this
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back then, you know, oh, metal is not really music,
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and uh, you know music and they're not musicians. But
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what the professor taught me was that metal actually is
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a derivative of classical music.
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Yeah. Yeah, the metal and the classical music or or
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are so it's the same, the same energy, it's the
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same kind of rhythmic. There's a lot in common, more
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than jazz jazz. It's another thing it's blues the country maybe,
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but so people never talk never always said metal and
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classical are different. Everybody think about that, but it's false.
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When when you explained to them that it's the same energy,
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you have the same rhythm, they all agree with you.
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And you listen to some of the like really old
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school classical music, it is pretty heavy, and especially if
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you go for the time that it was composed, it
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was probably the heaviest thing there was back then.
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Yeah. The you know, the there's you know in metal,
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there's virtuosity you in in in the era of back
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and and there's lots of Vivaldi, There's there's lots of
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virtuosity that we found in metal. The more the every
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sound I think arrived in the Romantic era, when orchestra
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are more bigger, the sounds are more, uh, the darker.
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Composer looking for new chords, more more darker chords, you know,
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Wagner and then all the modern stuff, Travinski, the Russian.
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Uh So at this time it's very clear that it's
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a kind of heavy metal before the time.
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Yeah, and that's why you know, like when you take
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bands like Metallica, who I've done Symphonic, Uh, you know
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albums of their their songs. It's really not that much
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different when when I hear like stuff like that, it's
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not that much different to me. It's just I think
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it's filling in the blanks. Actually it's it's adding a
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little more depth to it.
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Yeah. The difference between what we do and what Metallica
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did with the orchestra, the difference is that when I composed,
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the orchestra is already there, yeah, not after the song was.
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This is the big difference. You know, if if at
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Field at thinking when you composed Master, but Pet, it
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shouldn't be. It couldn't be different, very different. So I'm
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I'm I'm in this kind of approach. I compose for
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the drum, the bass, the guitar, the vocals, but there's
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still space for the orchestra. Yeah, right from the beginning,
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not after, because after it's maybe too late because all
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the walls of sound is full, so there's no space
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for any any room for any other instruments or vocal.
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And I love, I love with this new song. How
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you know you combine the operatic voice with the guttural
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metal voice.
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You think you saw the clip the video clip?
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Yeah, yeah, yeah, so it's.
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The story of sand Song and Dalila. Maybe in vain
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English it's Deliah delia.
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But yeah we say delilah.
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Yeah, because I keep the Latin pronunciation. So yeah, you
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know this guy, this song, the concept of sand Song
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and Dalila I have. It's around two thousand and eight,
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two thousand and nine. I always think about that, but
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I didn't found my music to be under the text.
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So there's no chronology in my my my songs. I
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when today, in fact, if I found and if I
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found a new idea, but it's it's only a five seconds,
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but the song maybe will be finished in two years.
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So I'm not a kind of composer, kind of guy
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who Okay, today I have to start composing the new album.
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I take my old ideas becomes new ideas. So sand
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Song and Dalli La was a concept in two thousand
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and eight, two thousand and nine. But when that's in
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the singer sopranos singer came in the band in twenty twenty,
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I thought it was the moment to do that song.
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There's two songs on sound song one and two. Okay,
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so when that's in came I have the all all
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all my ideas was there the cast. You know, she's
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a woman. I'm a man. I'm gonna do sound song.
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She's gonna do dli la. You know, it's it's like
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a movie. I want I want you for this, this cast.
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I want you to do, to do the the another
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the woman so mice. And in two thousand when I
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brought my new ninth string I played ninth string guitar.
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Man nice, it's so heavy. I have to modify my
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ams and it's a new way to see the new
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for me. But it's, uh, what are you saying English?
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My my my brain is here, but my guitar is
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the continuation of my my brain. There's an expression maybe
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in English. So when I played the nine string guitar
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from what three years ago, four years ago, this this
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instrument I have, I found new music and the text
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from San Soo was complete for me. This is what
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my new music, my new guitar, my new singer, all
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the elements were there to finish that song. You know,
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that's life.
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And that is kind of I think that is a
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classical music type of thing. You know, I think a
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lot of the old school classical music. It wasn't written
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in one day. It was built, you know, at a foundation,
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and you're built on top of that.
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Yeah, well there's there's lots of a composer who made
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the symphony. You know, there's number symphony number one, two, three, four,
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but it's not chronological. Yeah, maybe the right the fourth,
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the first, the first one is the fourth, and then
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the last one is the number one. So there this mind.
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I love it. I love it.
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Well that that comes from being technically trained, right, you know,
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like it's it's a little different, it's a different thought process,
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and it always is. It's always blown my mind how
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people don't realize how technically trained most death metal bands are,
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you know, and you know that they just all they
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hear is loud and heavy, but they don't hear the
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intricacy of the actual musicianship.
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Yeah, but there's this few are classically trained. There's one
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one guy of a band, the the it's almost the
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guitarists who take lessons when they're young drummers, singers, basement
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they always self self thoughts person. But there's so many
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guitarists who have lessons with with with the prof with
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with So.
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What I'm going to say is, uh, that's yeah, so
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I'm classically trained, so it makes me a different composer. Uh,
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there's another one thing I would I would like to
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say it's the and you know an onion.
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It's many you have to peel yeah, yeah, yeah, So
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my music is like that. I make it appeal and
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then another one. So when you listen to the song,
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it's okay. I today I listened one peel oh, but
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the other day I listen to another. It's it's always different.
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So I I I have to I move the perspective
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when you listen it's it's I always take my music
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in that minding.
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I love it.
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And so this track, how is it going to fit
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in with the rest of the new album you're going
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to drop with? Like does it all go together to
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tell a story or is it each a separate composition
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from different times, different mindset you were at?
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Uh, I always looking for old text, old poems. Uh,
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I'm for this album ichimundus. I didn't found a concept
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for all the album. So the way I worked is
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small section. So it's a section for me. I found
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so beautiful texts, quite different poets for the room era,
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for the antique, the antique feeling, you know, because when
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I'm looking for texts. When I go to the library
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and maybe, man, I could read a thousand of texts, poems,
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thousands poems, and I have to choose only maybe ten.
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So it's it's very special. When I I have my
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music first I met maybe Okay, I have ten music,
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ten songs. So when I go to the library, I'm
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looking for ten poems. There's a special connection. Man. When
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I found I read the books, I found fact. Oh
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this is one. This is goes to text text one
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goes to music number one. So this is the manner
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I work the music. It's like satellites, the ten ideas
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all all over my head.
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Yeah yeah, yeah, I can library.
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Oh this one goes to this one. So this is
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again the classically trained them methodic methodic. This is the
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right term, methodical, methodical.
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Yeah, there you go. So how do people reach out
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to you? Guys?
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