Sept. 15, 2025

Pipeman Interviews Michael Cleveland & Jason Carter at Bourbon & Beyond 2025

Pipeman Interviews Michael Cleveland & Jason Carter at Bourbon & Beyond 2025

https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support for PERKS, BONUS Content & FREE GIVEWAYS! Bourbon & Beyond is the World’s Largest Bourbon, Food & Music Fest Bourbon & Beyond Kicked Off America’s 8 Biggest...

Click Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS!

Bourbon & Beyond is the World’s Largest Bourbon, Food & Music Fest

Bourbon & Beyond Kicked Off America’s 8 Biggest Days In Music on September 11-14 In Louisville, Kentucky  

World’s Largest Bourbon, Food & Music Festival Featured Headliners The Lumineers, Benson Boone, Alabama Shakes (Thursday), Phish, Khruangbin, Joe Bonamassa (Friday), Sturgill “Johnny Blue Skies” Simpson, Jack White, Vance Joy (Saturday), Noah Kahan, Goo Goo Dolls, Megan Moroney (Sunday), Plus Dozens More Rock, Americana, Bluegrass And Alt Rock Artists Along With Elevated Bourbon & Culinary Experiences.  

The seventh Bourbon & Beyond welcomed fans from over 50 states and around the globe and over 120 music artists on five stages to Louisville, Kentucky over the weekend. The World’s Largest Bourbon, Food & Music Festival was held from September 11-14 at the at Kentucky Exposition Center in Louisville, Kentucky and featured an incredible music lineup of music legends and rising stars with headliners The Lumineers, Benson Boone and Alabama Shakes on Thursday; Phish, Khruangbin and Joe Bonamassa on Friday; Sturgill “Johnny Blue Skies” Simpson, Jack White and Vance Joy on Saturday; and Noah Kahan, Goo Goo Dolls and Megan Moroney on Sunday. The lineup also included Cage The Elephant, Pat Benatar & Neil Giraldo, Collective Soul, Mary Chapin Carpenter, Iron & Wine, Trombone Shorty & Orleans Avenue, Switchfoot, Third Eye Blind, Ringo Starr & His All Star Band, Pixies, Lake Street Dive, Dashboard Confessional, Foreigner, Blues Traveler and many others.  

This year, Bourbon & Beyond’s newly expanded footprint doubled the square footage of past layouts, and made greater use of the Kentucky Exposition Center’s infrastructure, creating a more comfortable and resilient experience for fans. In addition, all festival passes included FREE access to amusement rides inside Kentucky Kingdom.

This year’s festival was packed with unforgettable performances, surprise collaborations, and historic moments that will be remembered for years to come.   Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”  

Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness.  

Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment.  
 
Would you like to be a sponsor of the show?
Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?
Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?
Would you like to host your own Radio Show, Streaming TV Show, or Podcast?

Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!

Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradio

Stream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV

Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.
WEBVTT

1
00:00:04.360 --> 00:00:08.679
Hi, you have done too, Yes, that's true.

2
00:00:09.400 --> 00:00:12.800
For see w forre you young roll.

3
00:00:22.679 --> 00:00:25.079
This is the pipe Man here on the Adventures of

4
00:00:25.120 --> 00:00:27.199
Pipe Man W four c Y Radio.

5
00:00:27.280 --> 00:00:30.280
And I'm here with Jason Carter.

6
00:00:30.679 --> 00:00:31.879
And Michael Cleveland.

7
00:00:32.479 --> 00:00:34.920
Nice here at Bourbon and Beyond.

8
00:00:35.600 --> 00:00:38.640
How's it feel, boys to be here at this great festival?

9
00:00:39.079 --> 00:00:39.240
Oh?

10
00:00:39.240 --> 00:00:42.799
It's great. We love playing bluegrass festivals. We get the

11
00:00:42.840 --> 00:00:47.079
play festivals like this with all different styles of music

12
00:00:47.159 --> 00:00:49.880
and well really a rock and roll festival.

13
00:00:49.960 --> 00:00:52.439
This is great. We're gonna have a blast.

14
00:00:53.119 --> 00:00:54.719
Yeah. Man, it's just an honor to be here.

15
00:00:54.799 --> 00:00:56.560
Man, and I want to know.

16
00:00:57.079 --> 00:01:00.920
Okay, so first of all, how do you guys originally

17
00:01:01.000 --> 00:01:02.520
get together to play together?

18
00:01:02.759 --> 00:01:04.239
What's the story behind that?

19
00:01:04.719 --> 00:01:08.280
Well, this is something we've been talking about for years

20
00:01:08.480 --> 00:01:11.480
because Jason and I've known Jason since I was about

21
00:01:11.519 --> 00:01:12.760
thirteen years old.

22
00:01:12.959 --> 00:01:13.439
Wow.

23
00:01:13.640 --> 00:01:17.760
And I met him first in I think ninety three

24
00:01:17.920 --> 00:01:21.439
when he had just started with the Dell McCurry band.

25
00:01:21.560 --> 00:01:25.480
He was always one of my favorite fiddle players, and

26
00:01:25.560 --> 00:01:28.959
later on we kind of got to be friends and

27
00:01:29.079 --> 00:01:32.040
keeping in touch more and we would run into each

28
00:01:32.079 --> 00:01:35.959
other shows and he would invite me up on stage

29
00:01:36.000 --> 00:01:38.719
with Dell or the Traveling McCurry's, and then I would

30
00:01:39.280 --> 00:01:41.680
he would sit in with my band and the twin

31
00:01:41.760 --> 00:01:45.640
fiddle thing. That just kind of worked like we never

32
00:01:45.719 --> 00:01:49.680
really seemed like we never had kind to rehearse anything.

33
00:01:50.319 --> 00:01:52.760
It would just be the thing where I really don't

34
00:01:52.799 --> 00:01:55.319
know what we're gonna do, just come up, can't do it,

35
00:01:55.560 --> 00:02:00.239
and so that rarely works out well. But I think

36
00:02:00.280 --> 00:02:03.439
I've listened to Jason so much, and we both listened

37
00:02:03.480 --> 00:02:06.319
to a lot of the same fiddle players when we

38
00:02:06.359 --> 00:02:09.919
were learning how to play. We have the same heroes

39
00:02:09.960 --> 00:02:13.800
and influences, so it makes it that much easier to

40
00:02:13.800 --> 00:02:17.199
play together. And I remember saying one time, man, what

41
00:02:17.199 --> 00:02:19.120
do you think it'd be like we actually had a

42
00:02:19.199 --> 00:02:25.280
chance to rehearse. And we have been talking about doing

43
00:02:25.319 --> 00:02:28.840
this album together for the last fifteen years. When we

44
00:02:28.960 --> 00:02:32.599
finally got it done and we're so happy about it,

45
00:02:32.680 --> 00:02:37.120
and it's dream come true to me and also a

46
00:02:37.240 --> 00:02:40.360
dream come true for me to get to play these

47
00:02:40.360 --> 00:02:44.000
shows with Jason and the great band, the players that

48
00:02:44.080 --> 00:02:46.319
we have. I will never imagine this.

49
00:02:46.639 --> 00:02:50.039
So nice, that's great, And Jason, way you want to

50
00:02:50.039 --> 00:02:52.560
add to that story from your perspective.

51
00:02:52.039 --> 00:02:54.840
I think he just hit the nail on the head, right.

52
00:02:54.960 --> 00:02:57.639
I remember Mike when I hear we first met, he

53
00:02:57.680 --> 00:02:59.680
was a little He's a few years younger than me.

54
00:03:00.080 --> 00:03:02.919
He was a little guy back then, a little kid man.

55
00:03:02.960 --> 00:03:05.680
He played wonderful, beautifully back then, but he just kept

56
00:03:05.680 --> 00:03:08.159
getting better and better, and always try to say tell

57
00:03:08.199 --> 00:03:10.039
people that I think he's the best fiddle player on

58
00:03:10.080 --> 00:03:13.400
the planet. And so getting played with him, like he said,

59
00:03:13.400 --> 00:03:15.120
we did never had a lot of time to rehearse.

60
00:03:15.159 --> 00:03:18.039
It was just kind of off the cuff, and man,

61
00:03:18.240 --> 00:03:20.159
I don't think we could have done that with another guy.

62
00:03:20.319 --> 00:03:22.680
I couldn't have played with anybody else and it turned

63
00:03:22.719 --> 00:03:25.719
out like it did. Besides Mike, I think he's the

64
00:03:25.759 --> 00:03:28.240
only only way, only person I think that we could

65
00:03:28.280 --> 00:03:29.080
I could have done.

66
00:03:28.919 --> 00:03:29.840
That with nice.

67
00:03:30.000 --> 00:03:32.000
Like he said, we listened to the same We learned

68
00:03:32.000 --> 00:03:35.719
from the same that helped pioneers of bluegrass fiddle, and

69
00:03:35.800 --> 00:03:38.159
you know, so we kind of come from the same school,

70
00:03:38.199 --> 00:03:39.039
if you know what I mean.

71
00:03:39.120 --> 00:03:41.159
So, yeah, that it definitely helps.

72
00:03:41.280 --> 00:03:42.759
And I think we liked it kind of the same

73
00:03:42.800 --> 00:03:44.960
style of music. I think we liked the same stuff.

74
00:03:45.199 --> 00:03:47.319
So it's like easy when we finally did get a

75
00:03:47.400 --> 00:03:50.199
chance to like pick out songs. And I don't know

76
00:03:50.240 --> 00:03:51.680
if we disagreed on anything.

77
00:03:51.759 --> 00:03:54.039
I don't think we ever did.

78
00:03:54.159 --> 00:03:57.240
We might, I know, like you say, I'm the best

79
00:03:57.280 --> 00:03:59.319
fiddle player in the world. Most of the licks I

80
00:03:59.360 --> 00:03:59.919
stole from you.

81
00:04:01.120 --> 00:04:03.199
I'm just trying to yours now.

82
00:04:03.680 --> 00:04:06.840
I love after knowing so you guys, knowing each other

83
00:04:06.879 --> 00:04:09.319
for so many years, the respect that you have for

84
00:04:09.400 --> 00:04:13.240
each other like that doesn't always happen in this business, right,

85
00:04:13.280 --> 00:04:13.479
you know.

86
00:04:14.280 --> 00:04:17.360
And we've been friends for a long time. Man, And yeah,

87
00:04:17.399 --> 00:04:20.000
I'm a huge Michael Cleveland fan, so I was trying

88
00:04:20.000 --> 00:04:21.279
to play like him these days.

89
00:04:21.319 --> 00:04:24.879
I want to ask you apinion of Okay, do you

90
00:04:24.959 --> 00:04:30.160
think Michael is such a great fiddle player because of

91
00:04:30.959 --> 00:04:36.120
the hearing and vision issues, because he actually like feels

92
00:04:36.199 --> 00:04:39.600
the music instead of just playing the notes.

93
00:04:39.759 --> 00:04:42.160
Man, I don't know. I think Michael is a great

94
00:04:42.160 --> 00:04:45.759
player because he lives. He's lived to be a fiddle player,

95
00:04:45.759 --> 00:04:47.680
and he's put a lot of work into this and

96
00:04:48.000 --> 00:04:51.519
he's worth day, I mean hours and hours every day

97
00:04:52.000 --> 00:04:54.600
for his entire life to be able to play. You

98
00:04:54.680 --> 00:04:57.720
can't discard that, man, I mean, not put the hours in.

99
00:04:57.759 --> 00:04:59.839
And Michael has put more in than any of us

100
00:05:00.040 --> 00:05:01.720
and it comes and you can tell when you hear

101
00:05:01.839 --> 00:05:02.680
him play.

102
00:05:02.439 --> 00:05:04.800
I love it. Yeah, Oh well, you guys are both

103
00:05:04.879 --> 00:05:06.079
like unbelievable.

104
00:05:06.199 --> 00:05:08.360
It is not the easiest instrument to play.

105
00:05:08.680 --> 00:05:10.920
What makes it not the easy, Well, you.

106
00:05:10.879 --> 00:05:12.959
Don't it's got a bow. Well that's one thing. You

107
00:05:13.000 --> 00:05:14.920
got to figure out how to use the bow for

108
00:05:15.000 --> 00:05:16.639
one thing, and then you don't have frett so you

109
00:05:16.680 --> 00:05:18.279
have to feel the notes and be able to hear

110
00:05:18.279 --> 00:05:20.920
it to get your intonation. And I have a buddy

111
00:05:20.920 --> 00:05:22.759
of mine that says it it takes four years just

112
00:05:22.759 --> 00:05:27.040
to become a bad fiddler. But Mike even had it

113
00:05:27.079 --> 00:05:29.000
when he was a kid. He had something. But he

114
00:05:29.399 --> 00:05:31.480
even when we first met, I know, he put a

115
00:05:31.480 --> 00:05:35.319
lot of hours in from then and he's really studied

116
00:05:35.319 --> 00:05:37.879
the music. He's really studied and worked at his playing.

117
00:05:38.000 --> 00:05:41.680
So that's man, you nice hard work pays off.

118
00:05:41.720 --> 00:05:44.040
It's sure does especially and it's in this straight.

119
00:05:43.920 --> 00:05:44.360
You love it?

120
00:05:44.519 --> 00:05:45.600
Yeah, yeah, right, well.

121
00:05:45.480 --> 00:05:50.240
That's the point, right, And listen, just like anything, practice, practice, practice,

122
00:05:50.319 --> 00:05:50.839
that's it too.

123
00:05:50.839 --> 00:05:53.160
It's it's like if you love something like this. We

124
00:05:53.639 --> 00:05:56.360
were both fans of this music, and like I'm sure

125
00:05:56.399 --> 00:05:59.439
with Mike and I know for me. I was listening

126
00:05:59.480 --> 00:06:02.399
to something today and there was a tune come on

127
00:06:02.560 --> 00:06:05.199
and I remember that being like my favorite tune as

128
00:06:05.199 --> 00:06:07.360
a kid, one of my favorite fiddle tunes, and it

129
00:06:07.480 --> 00:06:09.560
come on today and I was riding down the road

130
00:06:09.600 --> 00:06:11.759
on my way here, and I had I kind of

131
00:06:11.759 --> 00:06:13.759
had that same feeling as that what I did when

132
00:06:13.759 --> 00:06:15.519
I heard it as a kid, and it's like, I

133
00:06:15.600 --> 00:06:16.639
don't get tired of it.

134
00:06:16.959 --> 00:06:21.240
Yeah, I love hearing that. That shows the true passion goes.

135
00:06:21.279 --> 00:06:23.480
This business can beat.

136
00:06:23.199 --> 00:06:26.959
You down after many years, and if you're still feeling

137
00:06:26.959 --> 00:06:31.000
the way you guys do, that shows the true passion

138
00:06:31.160 --> 00:06:32.160
for the music.

139
00:06:32.439 --> 00:06:32.680
Yeah.

140
00:06:32.839 --> 00:06:33.199
Period.

141
00:06:33.519 --> 00:06:33.759
Yeah.

142
00:06:34.079 --> 00:06:36.800
Now, what would you say about Jason about what makes

143
00:06:36.879 --> 00:06:39.519
him great? What makes him what you think is one

144
00:06:39.560 --> 00:06:40.759
of the greatest players?

145
00:06:40.920 --> 00:06:43.680
Well, a lot of the same things. The thing that

146
00:06:43.759 --> 00:06:47.040
I always liked about Jayson's playing, there's a lot of

147
00:06:47.040 --> 00:06:49.800
things to like. And I can hear all the fiddle

148
00:06:49.800 --> 00:06:54.079
players that I like in what he does when he plays.

149
00:06:54.120 --> 00:06:57.160
I hear Benny Martin, I hear Vassar Clements, I hear

150
00:06:57.279 --> 00:07:01.600
Kenny Baker and all that, Bob Higgs and Dale Potter

151
00:07:02.360 --> 00:07:05.120
and pretty much all of them. Then I hear Jason Carter.

152
00:07:05.439 --> 00:07:09.959
Jason has an intensity to the way he plays where

153
00:07:10.480 --> 00:07:13.360
that's like our buddy Jeff, Like says man, when Jason

154
00:07:13.439 --> 00:07:16.319
starts playing and singing, it's like I'm here and I'm

155
00:07:16.319 --> 00:07:19.199
gonna play and sing you into the ground, like I'm

156
00:07:19.319 --> 00:07:20.680
taking no prisoners.

157
00:07:20.680 --> 00:07:22.000
It's just like and that's.

158
00:07:21.800 --> 00:07:25.480
What I've always liked. That's the players I've always loved

159
00:07:26.240 --> 00:07:29.959
to listen to, is the ones that just get after nice.

160
00:07:30.639 --> 00:07:33.279
I love it, man, It's funny. It's I fiddle is

161
00:07:33.360 --> 00:07:36.319
usually a backup instrument. And speaking of playing with that

162
00:07:36.519 --> 00:07:40.040
kind of intensity, what he's saying he does that he

163
00:07:40.079 --> 00:07:43.040
doesn't to me, he does it better than anybody. And

164
00:07:43.079 --> 00:07:45.240
he Mike, besides, this band can.

165
00:07:45.240 --> 00:07:46.480
Pull more volume than it.

166
00:07:47.040 --> 00:07:52.160
Yes, but he he runs his own band and he

167
00:07:52.240 --> 00:07:55.279
leads his band, and it's usually the leader of the

168
00:07:55.279 --> 00:07:57.800
band is a guitar player or a rhythm instrument or

169
00:07:57.839 --> 00:08:00.560
something like that. For the most part, that's who you're

170
00:08:00.600 --> 00:08:03.199
leaning on. And for somebody to be able to have

171
00:08:03.240 --> 00:08:05.879
that intensity in their fiddle playing like what Mike does

172
00:08:05.920 --> 00:08:08.360
and he leads his own band, it's pretty strong.

173
00:08:08.439 --> 00:08:09.399
Man. It's well.

174
00:08:09.439 --> 00:08:12.680
I listen to your guys songs and yeah, there's serious

175
00:08:12.720 --> 00:08:13.639
intensity there.

176
00:08:13.959 --> 00:08:14.800
I actually love to.

177
00:08:15.360 --> 00:08:18.720
I live in South Florida and right down the street

178
00:08:18.759 --> 00:08:21.680
from me there's a park and every weekend there's a

179
00:08:21.759 --> 00:08:25.800
live bluegrass band that plays all the time in the park,

180
00:08:26.319 --> 00:08:28.959
just a chill hang out. Because that's why I think

181
00:08:29.000 --> 00:08:31.600
of when I think of bluegrass, hanging out on the

182
00:08:31.639 --> 00:08:33.240
porch and just jamming.

183
00:08:33.799 --> 00:08:36.279
Some of the greatest bluegrass fiddles and fiddlers that ever

184
00:08:36.360 --> 00:08:37.440
lived came from Florida.

185
00:08:38.200 --> 00:08:39.639
Well there you go, see that.

186
00:08:39.840 --> 00:08:42.200
Why it's Aubrey Haney.

187
00:08:42.559 --> 00:08:42.840
Yep.

188
00:08:43.639 --> 00:08:46.879
Nice. Now I want to give a little education to.

189
00:08:47.000 --> 00:08:53.919
Listeners because I learned something your song vamp in the Middle. Now,

190
00:08:54.240 --> 00:08:57.919
without knowing what that meant, I had assumptions of what

191
00:08:57.960 --> 00:09:02.799
that meant that were like dead wrong. Tell them what

192
00:09:02.879 --> 00:09:07.320
that means. Because I learned what it meant. Afterwards, I'm like, wow,

193
00:09:08.279 --> 00:09:13.720
I learned what it was, so i'd do it vampires

194
00:09:13.799 --> 00:09:14.279
or something.

195
00:09:17.600 --> 00:09:23.720
The fiddle and vampires, I know, right, yeah, no, no, no,

196
00:09:24.000 --> 00:09:24.960
except for tonight.

197
00:09:25.480 --> 00:09:27.919
Sure, But now I think it.

198
00:09:28.120 --> 00:09:31.159
I think vamp in the middle is actually the rift

199
00:09:31.480 --> 00:09:35.039
in the middle of the song, Like there's a line, Well,

200
00:09:35.080 --> 00:09:37.279
I wrote this song with a vamp in the middle

201
00:09:37.519 --> 00:09:41.879
and instead of another vocal line, the fiddle kind of finishes.

202
00:09:41.399 --> 00:09:43.039
Its alves nice.

203
00:09:43.080 --> 00:09:46.399
And it's that riff that Harder refers to as a

204
00:09:46.480 --> 00:09:47.720
vamp in the middle.

205
00:09:48.679 --> 00:09:51.159
And where did that come from? Do we know where

206
00:09:51.639 --> 00:09:52.919
calling it a vamp.

207
00:09:53.240 --> 00:09:54.039
Wrote that song?

208
00:09:54.120 --> 00:09:56.440
Yeah, I don't know. Sometimes people so just vamp on

209
00:09:56.480 --> 00:09:58.480
that cord, just kind of yeah.

210
00:09:58.360 --> 00:10:01.240
Because that's why I learned, is it is a fiddle thing,

211
00:10:01.559 --> 00:10:03.960
like vamp is a fiddly.

212
00:10:04.080 --> 00:10:07.679
I've heard musicians use the term to play other instruments,

213
00:10:07.720 --> 00:10:10.559
and it can be a way to describe something.

214
00:10:10.639 --> 00:10:12.919
It's like, Okay, we're gonna kick it off, and.

215
00:10:13.159 --> 00:10:15.240
There's a verse in a chorus and then it goes

216
00:10:15.240 --> 00:10:19.320
to be in you vamp for a while, all right, So.

217
00:10:20.240 --> 00:10:23.960
It's just I guess, a broad musical term.

218
00:10:24.399 --> 00:10:26.279
Yeah, I guess. So I didn't even know that.

219
00:10:26.320 --> 00:10:26.679
I don't know.

220
00:10:27.120 --> 00:10:28.639
Yeah.

221
00:10:28.840 --> 00:10:30.679
I think you're probably right for sure.

222
00:10:31.279 --> 00:10:34.200
So hopefully everybody ends at the same time.

223
00:10:34.320 --> 00:10:36.679
That's all. That's always what we thrive for.

224
00:10:37.039 --> 00:10:39.039
I just say somebody says vamp on this, and I

225
00:10:39.200 --> 00:10:40.919
and then I think, I just hope I'm doing the

226
00:10:41.000 --> 00:10:46.320
right thing all these years too, right, right, I have

227
00:10:46.960 --> 00:10:50.279
the wrong thing, the right way is there's a song

228
00:10:50.320 --> 00:10:53.759
in that. Yeah, there's a new song right there, right

229
00:10:53.799 --> 00:10:55.759
way there, it is there, it.

230
00:10:55.720 --> 00:10:59.039
Is there you go, Jason, give you credit, there you go.

231
00:10:59.200 --> 00:11:01.000
You could give me for that for sure.

232
00:11:01.120 --> 00:11:03.279
Right, we'll write that one this weekend.

233
00:11:03.279 --> 00:11:04.799
In I love it.

234
00:11:05.240 --> 00:11:10.879
And so what else you fifteen percent? That's a lot

235
00:11:11.559 --> 00:11:15.080
for just coming up with him? Oh no, no, no,

236
00:11:15.120 --> 00:11:16.320
we gotta go back up to twenty.

237
00:11:16.480 --> 00:11:20.279
Oh come on, you were negotiating down.

238
00:11:22.960 --> 00:11:26.480
I got to learn some better negotiating skills.

239
00:11:28.840 --> 00:11:29.360
I love it.

240
00:11:29.759 --> 00:11:32.759
So tell everybody how they can reach out to you

241
00:11:32.799 --> 00:11:36.600
guys on the web, social media or whatever. Find your music,

242
00:11:37.159 --> 00:11:39.080
find your live tour dates, all.

243
00:11:38.919 --> 00:11:43.759
That Cleveland Fiddle at Jason Carter Fiddle. That's our website.

244
00:11:43.960 --> 00:11:46.600
Is that your website takes carterfiddle dot com.

245
00:11:46.639 --> 00:11:47.279
I think it is.

246
00:11:47.399 --> 00:11:50.799
Yeah, yeah, that's my Michael cleveland Fiddle dot com. And

247
00:11:52.000 --> 00:11:55.679
everything on socials is just our name and the word fiddle.

248
00:11:55.879 --> 00:11:56.279
Yeah.

249
00:11:56.360 --> 00:11:57.360
Nice.

250
00:11:57.559 --> 00:12:02.480
And so if there was no fiddle, then what instrument

251
00:12:02.559 --> 00:12:03.279
would you play?

252
00:12:03.600 --> 00:12:03.919
Oh?

253
00:12:04.000 --> 00:12:08.159
Man, well, I'd probably be a guitar player. I like

254
00:12:08.240 --> 00:12:08.960
playing guitar.

255
00:12:09.120 --> 00:12:09.600
I like it.

256
00:12:09.799 --> 00:12:13.559
If I'm well, I record a lot at my house,

257
00:12:13.639 --> 00:12:16.600
so it kind of keeps me playing fiddle. But man,

258
00:12:16.639 --> 00:12:19.120
when I'm just playing for the hell of it, I

259
00:12:19.279 --> 00:12:25.240
end up just like playing rhythm guitar along with like

260
00:12:25.440 --> 00:12:29.240
usually a live bluegrass show nice, and I just love

261
00:12:30.000 --> 00:12:33.559
I just love playing rhythm guitar. That's probably my next favorite.

262
00:12:33.879 --> 00:12:35.919
Yeah, all right, how about you, Jason.

263
00:12:35.600 --> 00:12:37.559
I would probably say the same thing. I started off

264
00:12:37.600 --> 00:12:40.480
on guitar, and I like to play rhythm guitar and sing.

265
00:12:41.120 --> 00:12:43.919
But if it wasn't that, it would might be the

266
00:12:43.919 --> 00:12:45.879
steel guitar just because of it.

267
00:12:45.879 --> 00:12:46.879
It's hard too.

268
00:12:47.000 --> 00:12:48.759
It's a lot of like fiddle. You have a lot

269
00:12:48.799 --> 00:12:49.960
of moving chords, and.

270
00:12:50.039 --> 00:12:52.120
You're crazy enough to play steel guitar.

271
00:12:52.399 --> 00:12:54.679
I'm crazy enough to attempt it right.

272
00:12:54.799 --> 00:12:55.879
It is hard.

273
00:12:56.039 --> 00:12:56.840
It's very hard.

274
00:12:56.840 --> 00:12:58.600
I don't think I could ever get one in tune.

275
00:12:58.919 --> 00:13:04.000
So the first time I did Bourbon and Beyond, I

276
00:13:04.080 --> 00:13:05.159
interviewed Lark.

277
00:13:05.000 --> 00:13:07.399
And Poe I before they got big.

278
00:13:08.440 --> 00:13:10.639
But then while I was watching one of the sisters

279
00:13:10.679 --> 00:13:15.919
play that steel guitar, Oh my god, I was like brilliant.

280
00:13:16.200 --> 00:13:21.240
She was brilliant and one of my best friends. He

281
00:13:21.440 --> 00:13:24.679
was the original lead guitars for the band Anthrax, the

282
00:13:24.759 --> 00:13:28.840
metal band Amtracks. He started playing steel guitar like in

283
00:13:29.000 --> 00:13:31.519
recent years, and he was just telling me.

284
00:13:32.559 --> 00:13:35.120
It's hard, Like I play lead guitar.

285
00:13:35.039 --> 00:13:39.720
And that thing is hard, you know, So more power

286
00:13:39.759 --> 00:13:41.240
to you if you play honestly.

287
00:13:41.279 --> 00:13:44.480
I think when people if they talk, if it's if

288
00:13:44.519 --> 00:13:47.519
they when they say it's hard, or I think any

289
00:13:47.559 --> 00:13:49.559
of it's hard. It depends on how good you want

290
00:13:49.600 --> 00:13:50.159
to get.

291
00:13:50.639 --> 00:13:53.519
And how much you dedicate to it to practice.

292
00:13:53.720 --> 00:13:53.960
You know.

293
00:13:54.399 --> 00:13:56.919
I played guitar when I was younger, but I didn't

294
00:13:56.919 --> 00:14:00.519
practice enough, so it was hard and I sucked, you.

295
00:14:00.480 --> 00:14:01.639
Know, and want to get dark.

296
00:14:01.799 --> 00:14:05.879
So ain'tthing exciting that you want to talk about that's

297
00:14:05.879 --> 00:14:06.320
coming up?

298
00:14:06.399 --> 00:14:07.759
After Bourbon and beyond.

299
00:14:08.240 --> 00:14:11.799
Well, we're headed to Arizona tomorrow. We got two shows,

300
00:14:11.879 --> 00:14:15.440
one in Flagstaff at the Picking in the Pines Festival,

301
00:14:15.519 --> 00:14:20.240
and then Monday we're at the Musical Instrument Museum in Phoenix,

302
00:14:21.120 --> 00:14:23.799
and that's a neat place to play. Man, It's just

303
00:14:24.559 --> 00:14:29.840
where musicians can nerd out look at all these instruments exhibits.

304
00:14:30.000 --> 00:14:33.639
And then right after that is the International Bluegrass Music

305
00:14:33.679 --> 00:14:37.919
Association's World of Bluegrass convincing Chattanooga, Tennessee.

306
00:14:38.000 --> 00:14:38.720
It just moved.

307
00:14:38.759 --> 00:14:42.080
This will be the first year of Chattanooga and we're

308
00:14:42.120 --> 00:14:44.799
playing the awards show on Thursday.

309
00:14:45.200 --> 00:14:48.120
Yeah, and then wow, that will be playing.

310
00:14:48.080 --> 00:14:49.879
The festival on Saturday.

311
00:14:50.120 --> 00:14:50.879
Yeah.

312
00:14:51.000 --> 00:14:51.519
Nice.

313
00:14:51.960 --> 00:14:54.159
And the first one you said, the picking in the

314
00:14:54.279 --> 00:14:57.759
park was going in the pines and the Pines Okay, yeah,

315
00:14:58.080 --> 00:15:02.399
I automatically assumed that was a bluegrass festival just by

316
00:15:02.399 --> 00:15:02.759
the name.

317
00:15:02.919 --> 00:15:03.399
Yeah right.

318
00:15:03.720 --> 00:15:06.919
It's like a great name there, but it's primarily a

319
00:15:06.960 --> 00:15:10.399
bluegrass festival. It's a great name like that was brilliant

320
00:15:10.480 --> 00:15:12.000
to come up with that.

321
00:15:12.000 --> 00:15:14.039
That's cool. I love it.

322
00:15:14.879 --> 00:15:17.039
You guys have a final words you want to leave

323
00:15:17.080 --> 00:15:21.159
the listeners with, Man, thanks so much for having us.

324
00:15:21.320 --> 00:15:23.679
Yeah, thanks, and thanks for listening to us. Get on

325
00:15:23.720 --> 00:15:24.919
out to Urban and Beyond.

326
00:15:25.320 --> 00:15:28.960
Yeah, and thank you guys for being like such amazing

327
00:15:29.120 --> 00:15:32.240
musicians and being here at Bourbon and Beyond.

328
00:15:32.600 --> 00:15:34.440
Thank you man, Thank you you guys.

329
00:15:34.480 --> 00:15:36.440
Thanks for being on the Adventures of Pipe Man.

330
00:15:36.639 --> 00:15:38.279
Yes, sir, thank

331
00:15:38.320 --> 00:15:42.799
You for listening to the Adventures of Pipe Man on

332
00:15:43.519 --> 00:15:46.240
w for CUI Radio.