Oct. 8, 2024

Pipeman Interviews Project Mishram at Louder Than Life 2024

Pipeman Interviews Project Mishram at Louder Than Life 2024

Pipeman Interviews Project Mishram at Louder Than Life 2024.

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”....

iHeartRadio podcast player badge
Amazon Music podcast player badge
Audible podcast player badge
Spotify podcast player badge
Pandora podcast player badge
Apple Podcasts podcast player badge
Spreaker podcast player badge
Overcast podcast player badge
Castro podcast player badge
PocketCasts podcast player badge
Podchaser podcast player badge
Deezer podcast player badge
Podcast Addict podcast player badge
RSS Feed podcast player badge
iHeartRadio podcast player iconAmazon Music podcast player iconAudible podcast player iconSpotify podcast player iconPandora podcast player iconApple Podcasts podcast player iconSpreaker podcast player iconOvercast podcast player iconCastro podcast player iconPocketCasts podcast player iconPodchaser podcast player iconDeezer podcast player iconPodcast Addict podcast player iconRSS Feed podcast player icon

Pipeman Interviews Project Mishram at Louder Than Life 2024.

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.

Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness.

Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment

Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support

Would you like to be a sponsor of the show?
Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?
Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?
Would you like to host your own Radio Show, Streaming TV Show, or Podcast?

Contact the Pipeman:
Phone/Text Contact – 561-506-4031
Email Contact – dean@talk4media.com

Follow @pipemanradio on all social media outlets

Visit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APP

The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).

The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

WEBVTT

1
00:00:04.519 --> 00:00:07.639
Hey, you have done to ensure.

2
00:00:10.199 --> 00:00:21.359
See Wow, crazy young, Wake up America.

3
00:00:21.920 --> 00:00:24.120
It's time for the Adventures of Pipe Man on W

4
00:00:24.280 --> 00:00:26.879
four C why dot com wis pomp Beats is number

5
00:00:26.879 --> 00:00:54.920
one Internet radio station. Here's your host, the pipe Manbama.

6
00:00:42.840 --> 00:00:52.640
He's already dim. I got he said money. Nobody's but hem.

7
00:00:52.679 --> 00:00:56.079
I don know who that's who? I mean?

8
00:00:56.240 --> 00:00:57.880
No, my movie in No.

9
00:01:00.200 --> 00:01:02.560
Man. Here on the Adventures pie Man W four c

10
00:01:02.799 --> 00:01:05.480
Y Radio and I'm here with I'm Shiva from the

11
00:01:05.519 --> 00:01:09.640
band Project Mishram Nice here at Louder than Life. Is

12
00:01:09.680 --> 00:01:15.000
this your guys, first time at a Danny Wimmer festival? Yeah? Wow?

13
00:01:15.280 --> 00:01:18.840
How's it feel like? I always hear great things about

14
00:01:18.840 --> 00:01:21.200
how Danny Wimmer treats artists, so I want to hear

15
00:01:21.359 --> 00:01:23.159
from you guys since it's your first time.

16
00:01:23.840 --> 00:01:26.799
Well, we kind of applied for this festival like four

17
00:01:26.920 --> 00:01:28.959
five years ago on our own, but it was a

18
00:01:29.000 --> 00:01:31.840
cold call and we didn't expect this to happen. Like

19
00:01:32.159 --> 00:01:35.560
five years later and we're still like digesting that the

20
00:01:35.599 --> 00:01:38.760
stream is coming true, especially with bands that we watched

21
00:01:39.120 --> 00:01:41.879
growing up and you know, sharing a festival with them,

22
00:01:41.920 --> 00:01:43.480
it's absolutely fucking insane.

23
00:01:43.840 --> 00:01:46.799
Nice, You're still digesting it. So is there a band

24
00:01:46.840 --> 00:01:48.359
that you want to see today?

25
00:01:49.040 --> 00:01:51.680
Oh, there are so many bands we want to see.

26
00:01:53.120 --> 00:01:57.439
Today's lineup is like Ginger, Polaris, Gojira. I mean, these

27
00:01:57.439 --> 00:02:00.599
are bands we've taken so much inspiration from as we've

28
00:02:00.599 --> 00:02:03.239
written over the last ten years. And it's just undreai,

29
00:02:03.239 --> 00:02:05.319
like Shiva said, to be able to share the state

30
00:02:05.400 --> 00:02:09.479
with them, a festival with them, incredible crowds, like larger

31
00:02:09.479 --> 00:02:11.680
than Life is Louder than Life is probably the largest

32
00:02:11.840 --> 00:02:14.240
festival we have ever played at, which is awesome.

33
00:02:14.280 --> 00:02:17.039
So yeah, we're very excited. Yeah, you were almost right,

34
00:02:17.120 --> 00:02:19.240
it could be louder than Life is larger than.

35
00:02:19.240 --> 00:02:22.800
Absolutely, I guess the slip of tongue was yeah right.

36
00:02:23.520 --> 00:02:26.800
How do you compare playing over here in the US

37
00:02:26.960 --> 00:02:30.680
compared to other countries, especially your home We.

38
00:02:30.719 --> 00:02:34.599
Haven't actually played a festival in our home country. Really,

39
00:02:34.599 --> 00:02:36.599
we've played We've played a lot of shows.

40
00:02:37.319 --> 00:02:38.280
All the way over here.

41
00:02:38.759 --> 00:02:41.599
Well, we've played a couple of festivals in the UK,

42
00:02:41.960 --> 00:02:44.719
but this is definitely the festival with the largest proportions,

43
00:02:44.719 --> 00:02:47.240
and it's just it's life affirming. Really, the whole experience

44
00:02:47.240 --> 00:02:50.120
has been really life affirming. Now just six were impeccably

45
00:02:50.159 --> 00:02:53.520
managed for us. We've been taking care of really well.

46
00:02:54.159 --> 00:02:56.319
And that's the key thing that I hear a lot

47
00:02:56.400 --> 00:02:58.919
with artists doing this festival for years and all the

48
00:02:59.000 --> 00:03:01.960
DAMILY member festival is that they really treat the artists

49
00:03:02.000 --> 00:03:05.240
like they make it so stress free for you.

50
00:03:06.120 --> 00:03:10.599
Yeah. Absolutely, and in fact the other DWP festivals as well,

51
00:03:10.639 --> 00:03:13.680
I think after Shock, right, So these are all like

52
00:03:14.080 --> 00:03:17.479
we applied to these like many years ago, but we'll

53
00:03:17.479 --> 00:03:20.280
see someday. We've also played in the UK as well,

54
00:03:20.479 --> 00:03:23.759
which one festivals? So we played UK tech festky So,

55
00:03:23.800 --> 00:03:27.319
a prog metal festival, and then our Tangent in twenty

56
00:03:27.360 --> 00:03:31.039
twenty three. All right, cool, Yeah, this is absolutely huge,

57
00:03:31.240 --> 00:03:32.759
So there's.

58
00:03:32.560 --> 00:03:36.240
A nerd thing, okay, So, like, how do you compare festivals?

59
00:03:36.319 --> 00:03:41.000
They are more like tech progressive type of festivals compared

60
00:03:41.080 --> 00:03:43.919
to the rock metal type of festivals.

61
00:03:44.159 --> 00:03:48.879
As a band, sure, I think tech prog festivals people

62
00:03:49.000 --> 00:03:52.639
come in there expecting to see prog music. Yeah, and

63
00:03:52.719 --> 00:03:55.319
you have a much more focused audience, like who know

64
00:03:55.400 --> 00:03:57.719
what they want. The cool thing about playing at a

65
00:03:57.719 --> 00:03:59.680
festival like Louder than Life or a rock and metal

66
00:03:59.719 --> 00:04:02.879
festiv in general is people don't know what to expect,

67
00:04:03.400 --> 00:04:06.599
and the reception has been incredible. Right, I don't want

68
00:04:06.599 --> 00:04:08.400
toot our own horn, but we are like kind of

69
00:04:08.439 --> 00:04:10.680
different from most of the other bands that play here

70
00:04:10.680 --> 00:04:13.120
in terms of how we approach music, and it's just

71
00:04:13.159 --> 00:04:16.920
been incredibly warm and open to listening to different types

72
00:04:16.920 --> 00:04:19.439
of music. We have a very different sound. We're you know,

73
00:04:19.600 --> 00:04:23.279
mixing Indian elements in our music, which dates back thousands

74
00:04:23.319 --> 00:04:26.000
of years in itself. So if to get to do

75
00:04:26.079 --> 00:04:28.720
this to such an open and accepting audience has been

76
00:04:28.839 --> 00:04:29.879
absolutely incredible.

77
00:04:30.079 --> 00:04:33.639
I love hearing that. And you know, to your point

78
00:04:33.759 --> 00:04:38.240
of your music is and I'm a metalhead, but you're

79
00:04:38.399 --> 00:04:40.839
a But I also like Prague. Your music is way

80
00:04:40.879 --> 00:04:47.920
more musicianship and musical and like composed the post it

81
00:04:48.160 --> 00:04:50.720
just heavy and loud and fast.

82
00:04:51.560 --> 00:04:54.600
Yeah, no for sure. Well, just before I say anything else,

83
00:04:54.800 --> 00:04:57.839
I'm conscious we didn't. We're just changing voices at this point.

84
00:04:57.879 --> 00:05:00.480
But that was so much the money speaking before. He's

85
00:05:00.480 --> 00:05:03.519
our lead guitarist. My name is ram I play bass.

86
00:05:03.879 --> 00:05:04.160
Nice.

87
00:05:04.759 --> 00:05:07.199
As for the songs, yes, we have a lot of influences.

88
00:05:07.720 --> 00:05:09.720
Tessa Act, for example, is a big influence of the

89
00:05:09.839 --> 00:05:12.879
entire band, who are similar in terms of a very

90
00:05:12.959 --> 00:05:15.759
high level of technicality, Yeah, but a really keen sense

91
00:05:15.759 --> 00:05:19.319
of rhythm. And we all we're seven members in the band,

92
00:05:19.560 --> 00:05:22.879
so we have a lot of perspectives coming together converging

93
00:05:22.879 --> 00:05:24.839
to create a song. So we have a bunch of

94
00:05:24.839 --> 00:05:29.759
appreciations for technicality, and more recently, i'd say we've also

95
00:05:29.800 --> 00:05:32.399
been leaning towards a lot of songs with really catchy

96
00:05:32.480 --> 00:05:36.000
chord progressions and really big sounding choruses. So I'd like

97
00:05:36.040 --> 00:05:38.600
to think that we want to reflect our name as

98
00:05:38.680 --> 00:05:41.839
much as possible. Our name Micham means mixture in the

99
00:05:41.920 --> 00:05:44.120
language Sanskrit. I love it, so we want to represent

100
00:05:44.160 --> 00:05:46.439
that as much as possible in our songwriting. So yeah,

101
00:05:46.480 --> 00:05:47.720
I feel like we're always evolving.

102
00:05:48.040 --> 00:05:50.680
What's cool about that is Okay, I've talked about this.

103
00:05:50.839 --> 00:05:55.160
What I come from a time where you could play

104
00:05:55.199 --> 00:05:58.720
this music or this music, and I prefer like what

105
00:05:58.800 --> 00:06:02.959
you just said, like nowadays you have bands that have

106
00:06:03.040 --> 00:06:07.560
different influences and multiple genre influences that you can make

107
00:06:07.600 --> 00:06:11.160
this mixed sound that makes you unique instead of everybody

108
00:06:11.279 --> 00:06:15.199
sound in like a robot exactly the same. Yeah, that's right.

109
00:06:15.759 --> 00:06:18.480
I think it's also a testament to the evolution of

110
00:06:18.480 --> 00:06:21.279
how people listen, like to music itself. I think people

111
00:06:21.279 --> 00:06:25.040
are a lot more accepting of hearing unconventional sounds and

112
00:06:25.079 --> 00:06:28.160
ideas more and more in mainstream music, which is nice.

113
00:06:28.399 --> 00:06:30.759
And I think we're able to do that because there

114
00:06:30.800 --> 00:06:33.680
has been that precedence building over the last few years

115
00:06:33.680 --> 00:06:35.839
exactly like you said, Like the music that I grew

116
00:06:35.879 --> 00:06:38.800
up listening to was like the seventies, eighties thrash, right,

117
00:06:38.839 --> 00:06:41.279
like I grew up in Palica and made in and whatnot.

118
00:06:41.600 --> 00:06:43.759
And yeah, so it's an evolution of the bands, it's

119
00:06:43.759 --> 00:06:46.959
an evolution of the audience perspectives itself, which is awesome.

120
00:06:47.519 --> 00:06:50.319
So what I want to though, is seven people in

121
00:06:50.360 --> 00:06:51.800
the band, how do you agree?

122
00:06:52.759 --> 00:06:56.160
That's a wonderful question. We try to follow the principle

123
00:06:56.199 --> 00:06:59.399
of democracy. I mean, here's a side note. When we

124
00:06:59.439 --> 00:07:01.959
go on road, we do this thing called democracy where

125
00:07:02.040 --> 00:07:04.800
everyone plays a song like in sequence. It's like our

126
00:07:04.879 --> 00:07:07.560
think mission sting and that's been spreading my Wi Fi

127
00:07:07.600 --> 00:07:10.480
with our friend circles. And so that's coming back to

128
00:07:10.519 --> 00:07:12.839
the topic. Yes, it's more of a democratic kind of

129
00:07:12.839 --> 00:07:15.839
a thing what the majority wants, but sometimes there are

130
00:07:15.879 --> 00:07:19.639
ideas that might not you know, actually fit the song,

131
00:07:19.680 --> 00:07:22.279
and if someone feels strongly, then we.

132
00:07:22.160 --> 00:07:24.160
Talk a lot and then we yeah.

133
00:07:24.759 --> 00:07:26.759
So it's mostly democratic.

134
00:07:27.160 --> 00:07:31.279
And I still think it's incredible because to get seven

135
00:07:31.360 --> 00:07:36.439
people to agree on stuff, it's hard work, you know,

136
00:07:36.879 --> 00:07:41.759
and especially if everybody's different, and like even too, that

137
00:07:41.839 --> 00:07:44.120
you can come out with such a great sound with

138
00:07:44.399 --> 00:07:50.480
seven people, seven different musicians. You know, sometimes it's hard

139
00:07:50.560 --> 00:07:54.560
enough with three or four musicians for them to be

140
00:07:54.759 --> 00:07:59.399
in time together and be on the same page to

141
00:07:59.439 --> 00:08:03.600
where it sounds good. And so it's very impressive that

142
00:08:03.680 --> 00:08:06.480
you can make seven and make that happen. No, thank you.

143
00:08:06.560 --> 00:08:09.839
We try to be as meticulous as possible about how

144
00:08:09.839 --> 00:08:12.040
we execute our songs as well. When so a month

145
00:08:12.079 --> 00:08:15.199
and Shiva here worked really hard with our sound engineer

146
00:08:15.240 --> 00:08:18.959
to create well the tracks that we played to during

147
00:08:18.959 --> 00:08:22.959
rehearsals and during stage performances that just enable to enable

148
00:08:23.040 --> 00:08:25.319
us to execute to the highest level possible so that

149
00:08:25.560 --> 00:08:26.360
we're all on time.

150
00:08:26.959 --> 00:08:27.279
Nice.

151
00:08:28.720 --> 00:08:30.480
I just want to add a comment to your question.

152
00:08:30.600 --> 00:08:32.679
I think you said seven people. I think of it

153
00:08:32.720 --> 00:08:36.720
as like seven different perspectives, seven different egos potentially. Yeah,

154
00:08:36.720 --> 00:08:38.879
but I think we started out. The cool thing is

155
00:08:38.919 --> 00:08:41.759
we started out we grew up in Bangalore in India,

156
00:08:41.799 --> 00:08:43.759
and we started out playing from the same college. We

157
00:08:43.799 --> 00:08:46.519
went to college together and we met and we became

158
00:08:46.639 --> 00:08:48.720
friends first before we start playing music together.

159
00:08:48.759 --> 00:08:49.960
So I think it's.

160
00:08:50.080 --> 00:08:54.200
Implicitly expected that the music and the song comes above

161
00:08:54.600 --> 00:08:57.000
our own perspectives, and we're always trying to strive for that.

162
00:08:57.080 --> 00:08:59.960
There has been songs that we made that some people

163
00:09:00.200 --> 00:09:02.679
in the band did not even like at first, but

164
00:09:02.759 --> 00:09:05.399
we stuck through it because that's what we wanted to

165
00:09:05.399 --> 00:09:08.320
do and we came out the other side loving it

166
00:09:08.440 --> 00:09:10.600
much more than we, you know, started out disliking it.

167
00:09:10.639 --> 00:09:13.919
So you're right too, starting off as friends first, that's

168
00:09:14.039 --> 00:09:16.320
key because it's hard enough to stay friends as a

169
00:09:16.360 --> 00:09:21.200
band as it is. That I think you need that foundation. Yeah.

170
00:09:21.240 --> 00:09:24.440
Absolutely, it's been ten years now, and the fact that

171
00:09:24.480 --> 00:09:27.799
we've stuck through despite being in different parts of the world.

172
00:09:28.000 --> 00:09:30.440
Four of us are in the USA, he sumonth is

173
00:09:30.480 --> 00:09:33.639
in San Francisco, three of us are in Boston, Ram

174
00:09:33.720 --> 00:09:36.120
is in the UK and Milton Keynes, and then we

175
00:09:36.200 --> 00:09:38.759
have another guitarist who couldn't make it here unfortunately, who's

176
00:09:38.759 --> 00:09:42.279
in the Netherlands, and the Flouts is from is in Bangalore, India,

177
00:09:42.360 --> 00:09:45.639
So we stuck together and making this happen was a

178
00:09:45.039 --> 00:09:47.919
magnanium a big task.

179
00:09:48.440 --> 00:09:52.519
Yeah, sorry, you had it right, magnanimous. Yeah, yeah, it's

180
00:09:52.519 --> 00:09:54.159
a hard word for us to say.

181
00:09:53.919 --> 00:09:58.879
Too, especially after a performance that right, Jerry Brain firts.

182
00:09:59.039 --> 00:10:01.799
Does it blow your mind that you're here at this

183
00:10:01.960 --> 00:10:08.360
festival that you haven't been to before, playing early last day,

184
00:10:09.200 --> 00:10:13.759
everybody's partying on Saturday night and there's a massive crowd

185
00:10:13.799 --> 00:10:14.279
out there.

186
00:10:15.240 --> 00:10:17.279
Yeah, for sure. We try to live in the moment

187
00:10:17.279 --> 00:10:19.480
a lot, and we really enjoy spending time with each other,

188
00:10:19.519 --> 00:10:21.320
so we don't often just sit and reflect on how

189
00:10:21.360 --> 00:10:23.840
far we've come, but today we did. Just before going

190
00:10:23.840 --> 00:10:26.159
on stage, we had a band huddle and we were

191
00:10:26.200 --> 00:10:28.360
all taking tons and talking about how far we've come.

192
00:10:28.519 --> 00:10:31.799
Where we started in the small rehearsal room in our university, Yeah,

193
00:10:31.799 --> 00:10:34.679
and where we are right now. It's honestly beyond what

194
00:10:34.759 --> 00:10:35.919
we could have prempted at the time.

195
00:10:36.159 --> 00:10:39.159
And it's great that you have that synergy together because

196
00:10:39.240 --> 00:10:41.840
going back to that, you know, if you're on tour

197
00:10:42.360 --> 00:10:44.919
and you gotta be around people all the time, you

198
00:10:45.000 --> 00:10:49.879
better like them, you know, or else you might have

199
00:10:49.960 --> 00:10:56.039
something happen that happened recently on TV. Yeah, yeah, yeah.

200
00:10:56.080 --> 00:10:59.240
On that note, like, we'd like to definitely thank PPMI

201
00:10:59.360 --> 00:11:02.840
Berkeley Popular Music Institute as well for making this an

202
00:11:02.840 --> 00:11:07.480
absolute reality because, as I said, we applied five years ago,

203
00:11:07.519 --> 00:11:10.440
but it became a reality only because, like you know,

204
00:11:10.919 --> 00:11:12.440
we got auditioned.

205
00:11:12.480 --> 00:11:19.000
And yeah, so thank you BPMI. That's great. So do

206
00:11:19.039 --> 00:11:22.759
you have anything you want to tell the listeners that

207
00:11:22.799 --> 00:11:25.960
we haven't touched on yet that either about you or

208
00:11:26.000 --> 00:11:26.720
that's coming up.

209
00:11:29.039 --> 00:11:32.200
We make music very slowly and carefully, but we are

210
00:11:32.440 --> 00:11:34.879
very very active. We've got a whole bunch of tracks

211
00:11:34.879 --> 00:11:38.639
in the pipeline, potentially an EP sometime maybe next year.

212
00:11:38.679 --> 00:11:41.720
But yeah, please check out our entire catalog. We've got

213
00:11:42.000 --> 00:11:44.200
very diverse set of music. We've got a jazz track,

214
00:11:44.240 --> 00:11:48.879
We've gotten like this DM dubstep, grime wrap track. It's

215
00:11:48.879 --> 00:11:50.720
all over the place. I would really encourage you to

216
00:11:50.759 --> 00:11:53.360
check out all of our music. Keep supporting us on

217
00:11:53.399 --> 00:11:55.440
social media because that's where everything happens today.

218
00:11:56.879 --> 00:11:59.240
Yeah, and how did I reach you on socials? On

219
00:11:59.279 --> 00:12:01.879
the web by your merch all that stuff.

220
00:12:01.919 --> 00:12:04.919
Absolutely you can find us. We're most active on Instagram.

221
00:12:04.960 --> 00:12:07.639
We're just Project Mission on Instagram YouTube is the same

222
00:12:07.720 --> 00:12:10.919
name Spotify, Apple Music. All of that stuff merchandise is

223
00:12:10.960 --> 00:12:13.879
available on a link in our bio in Instagram it

224
00:12:14.080 --> 00:12:17.320
READI actually to the right website depending on where you are. Yeah,

225
00:12:17.360 --> 00:12:19.200
we've got a whole bunch of much phone cases and

226
00:12:19.600 --> 00:12:20.840
T shirts and hoodies and whatnot.

227
00:12:20.879 --> 00:12:23.960
But yeah, nice, Well, glad to see you here at

228
00:12:24.000 --> 00:12:26.200
Louder than Life. I want to see you at some

229
00:12:26.320 --> 00:12:30.039
more dining wimmer festivals. Fingers crossed. There you go. I'm

230
00:12:30.080 --> 00:12:33.279
putting it out there so Danny can listen to this later.

231
00:12:33.919 --> 00:12:37.519
Thank you, no.

232
00:12:36.879 --> 00:12:38.759
Thank you very much. It's been a pleasure speaking to you,

233
00:12:38.799 --> 00:12:41.200
and it's just a pleasure being here in Gender Well.

234
00:12:41.240 --> 00:12:43.440
Thank you for being here, and thanks for being on

235
00:12:43.480 --> 00:12:44.519
the Adventures of pipe Man.

236
00:12:46.039 --> 00:12:50.200
Thank you for listening to the Adventures of pipe Man

237
00:12:50.759 --> 00:13:01.320
on w for CUI Radio.