Jan. 14, 2025
PipemanRadio Discusses Roadie: My Documentary with TJ Hoffman
TJ Hoffmann is the Owner and creative Director of Iron Sound Productions.
Unapologetically indie, “ROADIE: My Documentary” spans the 20 year career of roadie turned Filmmaker, TJ Hoffmann as he takes you behind the scenes and on the run with...
TJ Hoffmann is the Owner and creative Director of Iron Sound Productions.
Unapologetically indie, “ROADIE: My Documentary” spans the 20 year career of roadie turned Filmmaker, TJ Hoffmann as he takes you behind the scenes and on the run with rock-n-roll road crews.
Filmed in a handful of countries over the course of ten years, "ROADIE" begins as a quest to find out why anyone would want to become one but over time another narrative is discovered as TJ, the man behind the camera is forced to confront his inner demons.
Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.
Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness.
Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment
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The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).
WEBVTT
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Hi, you have done to censure. Wow for you.
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Young wacome of America.
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It's time for the Adventures of Hipeman. I'll te you
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four c Why do com list pomp Beats is number
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one internet radio station. Here's your host, the light Man. Yeah,
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questions probably, Yeah, we're just a little bit. Give me
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a quick synopsis of your day when you get to
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the venue. Okay, I got a serious like, I mean,
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not lying, like what my day consists of what I do.
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This world of that victory Man is this little bubble.
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We can do whatever we want.
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And there's lots of times.
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Where we did.
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The touring world went from a bunch of outlaws to
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totally professional. Everybody's replaceable in this business unless your name's.
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On the ticket. Well sex dog sex sex. When people go, oh,
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you're a roadie, I go yes, but it's not quite
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what you think of this.
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You know, they don't get the glory. But these shows
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wouldn't happen without these guys.
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This is pipe Man here on the Adventures pipe Man
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w four CY Radio. And I'm very excited about the
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next guest for many reasons, but one of the biggest
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reasons is I got this email about the documentary, and
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I was like, now, that's an interview I want to do,
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because that's got to have some really cool stories. Because
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if you're gonna get the best stories, it's gonna be
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from the roadies. So let's welcome to the show, TJ. Hoffman,
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and let's talk about your documentary or my documentary, but
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it's yours, so it's not mine.
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How you doing today, Piper?
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Hey, how's it going?
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Awesome? Thanks?
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So first of all, tell me what how the first
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time you ever rodi? How did that happen?
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Oh? Geez, you know, it was kind of more or
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less some friends of mine, we're working for a local
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band in Jersey, and there was a club, actually a
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couple of clubs at the time, but they had a
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lot of gear. They had like double Marshall stacks, big
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refrigerator cases, and they needed help getting the gear up
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the steps. So more or less was teach, can you
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come help us lug these things up the steps, muscle
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them up and you get to drink for free, and
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then after the show just help them help us carry
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it down. And it was a pretty decent club. It
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was eighties, it was hair bands, it was a lot
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of girls and free beer and I was in.
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So I'm a Jersey boy. Which club was it?
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So it was a club called Sneakers.
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In the day, I remember. I remember that North.
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Jersey and then that led to like Studio One, Cricket Club,
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Birch Hill Club in Ay. You know, it was the
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whole you know, East coast, Central Jersey circuit at the time.
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So here's a trip. Okay. So I grew up. I
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was born New York, grew up in Jersey till nineteen
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eighty when I was about to enter high school and
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my dad comes to me and goes, pack your bags.
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We're moving to California in three days, and so we did.
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And then funny, after high school, I went back to
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Jersey to go to Rutgers and because I missed Jersey
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and and then I'm manager of this place on Route
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nine called Harrows and so yes, I'm very familiar with
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the whole Old Bridge scene there too. But it's interesting
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because for me what happened to me was the first
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show I ever went to in a club in my
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life was at the Roxy on the Sunset Strip. Had
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to be eighty maybe eighty one, and it was Motley
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Crue Wow before they had an album. There wasn't even
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an album yet.
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Cool.
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And I remember going into this club to watch this
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show and I'm like, oh my god, I'm never going
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to a real concert ever again. This is the best
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shit ever.
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Yeah. Yeah.
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And then you walked out of that club and you
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walked up with them, like a whole entourage of the
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fans that were there, and you went up to the
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Rainbow and I was like, I don't know, thirteen fourteen
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and I'm hanging out at the Rainbow with Motley Cruze
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and with Lemmy and Ron Jeremy.
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Yeah.
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And as you can imagine, the women that were in
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that in that night.
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Absolutely absolutely so that was stripped for me. You know, ironically,
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there's a club with the Roxy in New Brunswick, That's true.
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And I went to I went to high school in
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New Brunswick and one of my first shows that I
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paid attention to and really got into it was Billy
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Idol and it was at this Rutger Student Center and
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I believe that was eighty five or eighty six, and
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that was my first shock to wow, this is pretty
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fucking cool.
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Right. And then, as you know, and maybe a lot
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of people don't know that are listening or watching like
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I ended up after that show, like going to the
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Sunset Strip all the time, or the Troubadour or the
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country club in Resida, and I would just like offer
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to help and be roadie, just just to be there
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and to go backstage, and like, like, there's so many
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things that I probably don't remember, because you know what
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they say, if you were in the Sunset Strip in
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the eighties and you remember remember it, you weren't really there,
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but it was like, you know, it was so cool.
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I went to Metallica one of their first shows ever
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in la like probably their first like real show ever.
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Same with Slayer, but the Metallica one sits out in
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my mind. I've told the story before, but I think
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it's very apropos for this is so I'm saying out there,
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and the guitarist gets off stage after playing and comes
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up to me, introduces himself and starts talking to me.
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In hand to me, it's business card and it said Metallica,
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Power Metal, Dave Mustain And the next thing I knew,
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me and all my friends were headbanging to Whiplash at
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their house and partying all night long.
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Awesome. That's a great story.
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You know, yes, and I'm sure you have ten million stories.
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That's why I wanted to do this interview, because the
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Roadies definitely have the stories, and then the whole journey
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of your whole career to this day, and then to
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come out with this documentary. I think it's amazing. Now.
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I appreciate that, you know, started as a more or
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less an unscripted type of series that we were pitching
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in the LA scene going back fifteen years or so
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ago already, and I music, television, legal, licensing, the whole
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thing kind of would bang heads constantly, and I had
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a I had a shelf that idea for a little while,
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and in the meantime, I decided if all the footage
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and all the work and money that I put into it,
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I just started to build the documentary. And what I
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wanted to do was paint a picture. And I was
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kind of want to be that Michael Moore type of
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investigative guy that goes to a venue and come follow
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me and let's go see what's going on, you know,
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peek behind the curtain. And as my interviews progressed and
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the story evolved and my story, a lot of my
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footage that I had from the eighties and nineties were
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placeholders as we were, you know, building the timeline of
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the film, and my producer, my editor, Andy Stroll, and
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a couple other guys saw it and said, this is
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the way to go, you know, more TJ in the story.
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And I didn't want that at all. So it evolved
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to what is now my documentary, which you know, as
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you know, in the film business, other things take left
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and right turns constantly. Yeah, just like the music business does.
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And this is the best that I could do at
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the time with what I have. And that's it.
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And you know, I gotta say, like one of the
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things I thought was really cool because it is like that,
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like unlike the debauchery that I experienced when I was
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a teenager of the roadie backstage life. Man, it's such
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a professional industry now. And I thank god you weren't
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there filming me, because I don't want any record of
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anything that went on from at least nineteen eighty to
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nineteen eighty five. Yeah.
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Yeah, the you know, I made this film starting with
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my friends and family and peers in the business. They
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trust me with the camera. I mean, I very easily
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could have made a really smutty film probably made a
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lot of money, but i'd I'd never be involved in
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the music business again. I'd lose a lot of friends,
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and that's not what this was about. So I got
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the trust of my friends and family on the road,
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and they introduced me to other people and more professional
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techs and roadies and tour managers and people in the business.
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That evolved to getting to the level and the access
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that I did. So without that, I don't think I
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could have made this film because nobody really wants to
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hear just my story about me being a punk kid
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from Jersey, carrying you know, cabinets up drinking beer and
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then getting clean on the road, and then you know,
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trying to tell my story. It's not that interesting. But
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the whole encompassing roadie profession I think people are are
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interested in.
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Yeah, because I don't think a lot of people even
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really know what that entails. You know. I think, as
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Eddie Trunk put it, they're like the most important people
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to make the show go down.
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Yeah, Yeah, And that was part of my goal I
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set out to do this, is to really paint a
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pictures so when people pay that money one hundred, two
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hundred and even at festivals now where it could be
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over thousands of dollars to go see a show. They
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have a little better understanding that. You know, it's just
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not the band making millions of dollars, the production aspect
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of it. And these guys are true professionals that earn
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their pay, you know, every single show. You know, these
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tours start months and months before the first concert per
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se in a in a venue or at a theater,
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and you know they're they're leaving their families and wives
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and everything way earlier than the actual in the first show.
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So it's it's a profession that's not for everybody. And
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I wanted to give them accolades and uh and and
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humanize the profession as well.
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And I love that because it is a profession. It's
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a lot of hard work without a lot of accolades.
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And nowadays, okay, like thank god it's professional because what
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went on way back in the eighties probably wouldn't survive
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today because there's no record labels just throwing like millions
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of dollars at these bands to go party, you know nowadays,
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So it's like me, it really did change the image
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of the music and the industry, and I think that's
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pretty cool.
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Yeah, that's another reason that I wanted to tell my
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story of getting clean and getting sober on the road.
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You know, a lot of these guys that have great
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stories and did battle some demons on the road. You know,
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there's still they're still in the business, they're still working,
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so to come out and say that it might have
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tainted some of their future work, right, So I kept
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it as professionals I can with those people, and I'm
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not afraid to tell my story. It's just part of
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my life now. And I hope through this film it
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would paint a picture of the music industry but also
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people that might be struggling about, you know, recovering and
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overdoing it, whether in the music business or not. I
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hope that maybe I could help them a little bit
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as well.
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That's amazing And as we can see in the back
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my background here, you have got received like not only
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you know, mentions of awards, but actually won awards, and
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there's quite a few. So that's pretty amazing. How did
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that feel?
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Yeah, No, that's it was great. So a lot of
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those awards and festivals were for the trailer also, so
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the very first trailer that we did it was kind
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of a mix between the the unscripted series that I
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was producing and the film any interviews. We just threw
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all the stuff together. So I was trying to get
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some some financial help right in the beginning, right, and
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it just took off and it was it was well received,
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and you know, after you get a couple of mentions
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in film festivals or screenings, you know, I started getting
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the calls and then it was okay, I got to
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finish this film. People really want to see what's going on.
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And it was released about five years ago. We debuted
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at the Garden State Film Festival in Asbury Park and
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it won for Best Documentary Homegrown from a Jersey Filmmaker.
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And from there I just entered it in a couple
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of more again with the with the idea of trying
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to get it noticed, because what I really wanted this
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