Feb. 28, 2025
PipemanRadio Discusses The Morrison Project & Gods of Rock N Roll From Billy Morrison & Ozzy Osbourne
On the heels of the tremendous success of The Morrison Project and #1 song "Crack Cocaine", rock guitarist Billy Morrison and Ozzy Osbourne release an epic new single "Gods of Rock N Roll" today, Valentine's Day.
“Ozzy and I have breathed new life...
On the heels of the tremendous success of The Morrison Project and #1 song "Crack Cocaine", rock guitarist Billy Morrison and Ozzy Osbourne release an epic new single "Gods of Rock N Roll" today, Valentine's Day.
“Ozzy and I have breathed new life into what we always felt was a huge song. GODS OF ROCK N ROLL was written ten years ago in a South American hotel room, but with this re-recording we both feel we have finally made the song what it was always meant to be - a huge emotive ballad," says Morrison.
He adds, “A huge portion of the song was completely re-recorded, the 61 piece Budapest Scoring Orchestra recorded the orchestral score composed by Fred Coury, and then the John Burroughs High School choir were added. Barry Pointer had the unenviable task of mixing 132 tracks and he did an incredible job. The end result is what happens when Ozzy Osbourne makes some suggestions, and Billy Morrison listens!”
The orchestral score was composed and arranged by Fred Coury, and the song was mixed by Barry Pointer and mastered by David Donnelly. The recording features the renowned Budapest Scoring Orchestra. ”Gods of Rock N Roll" showcases the talents of Billy Morrison on guitar, Ozzy Osbourne on vocals, and Steve Stevens on lead guitar.
The video truly represents the spirit of the song that Ozzy and Billy wrote
Ozzy told Kerrang!, “Billy and I wrote GODS OF ROCK N ROLL together in a hotel room while I was touring in South America about 10 years ago. This re-recorded version of the song finally has all the bells and whistles. I told Billy then that it needed an orchestra and a choir, but it took 10 FUCKING YEARS for him to listen to me."
To add to the excitement, Morrison is set to release a deluxe digital edition of The Morrison Project album on February 21st.
Billy Morrison, the British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens.
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Hi, you have done to censure.
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For Wow, crazy Young.
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Ro Why come America, It's time for the Adventures of
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pipe Man on W four C. Why do com wes
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Pond Beach is number one internet radio station. Here's your host,
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the pipe Man. Only gods, Gods of Rover, Gods of rock.
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This is the pipe Man here on the Adventures pipe
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Man W four C Y Radio. I'm very excited about
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our next guest and the music that just came out,
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So I'd like to welcome to the show. Who needs
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no introduction? Hilly Morrison? How are you?
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Thank you?
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Actually, you know what you need introductions. Sometimes I'm the
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guy that knows, the guy that's been my whole career,
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the guy that can get us to the guy. And
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so this whole album cycle has been about well, actually
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I can also play.
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Music myself, you know, yeah, exactly. And you know it's
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kind of like one of those things where you go
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to shows and bands or artists or play a song
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and people are like, oh, I didn't know that was them.
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Yeah, there's that. There's that. There's also a generational thing.
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I mean, you know, when when Paul McCartney got up
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with I can't remember who a Miley Cyrus or so
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one of those one of the new new breed, and
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you know, their fans were going, I don't know who
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that old guy is, but he's really lucky to be
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on stage with whoever it was. So there's there's a
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generational thing and that's fine. That's the inherently the the
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essence of the music business.
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Yeah, total, And you know what, it's so funny because
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I remember when that happened recently. I was like that,
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that's pretty funny. Or you know, there's so many bands
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you could say that about, you know, or what the
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youth today considers a certain type of genre that really.
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Is not what it was then you know, yeah, yeah,
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I agree with that.
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I mean, the whole genre thing, the whole point of
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the Morrison Project album cycle has been to try and
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break down some of that genre shit because I love it.
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You know, radio radio is.
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Very format driven, and if you release a song and
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it doesn't fit into that station's format, they're not going
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to play it.
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And that's fine.
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But the issue I have with that is the people
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that are listening to let's say aor adult oriented rocky
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they like, they like a little bit of train right,
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but they also like a bit of Ozzy Osborne, right,
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And the people that are listening to Ozzie's Boneyard on
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Sirius are diehard Ossie fans, but they're also listening to
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Lincoln Park, right, which is over on octane. And so
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music is very fractured through the radio format. So my
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album was, well, I'm just gonna, I'm just gonna. I
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listened to hip hop like a fiend. I listened to
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hip hop, old school, NWA, Public Enemy, Cyprus, DMC. Well,
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of course there's a track with Cyprus on the deluxe edition,
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which is wonderfully behind you there, and there's a track
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with DMC. There's a ballad with Linda Perry, there's a
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metal song with Ossie. You know, fuck genres.
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I love it because I talk about that all time
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in my show. I so hate genres for multiple reasons. Like, Okay,
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so you go back to the eighties and there was
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the genre gatekeeping, you know, and it's like, oh, you
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can't like this music it's a new wave because you're
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a metal head or anything like that.
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It's always been the case.
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Yeah.
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The thing is, it has always been the case. When
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punk rock hit England in nineteen seventy seven. It was
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a backlash against bands like Yes and Genesis and Chicago
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and the big overblown bands. And you weren't allowed to
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like heavy metal except Motorhead. Motorhead punk rockers were allowed
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to like Motorheads. So, you know, as long as I remember,
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there's been these unwritten rules. And when you're twelve and
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the sex Pistols are on TV, you are just going
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to be, well, fuck everyone else. I just like the
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sex Pistols. But as you grow and mature, I mean,
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you know, I went through a Madonna phase. I loved Madonna,
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you know, in the nineties she was amazing. You learned
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that the genre thing is a young thing.
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Yeah, And you know it's funny because why am I
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friends now they've inviewed a few times. Was a new
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waiver And I said to her the first time I
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reviewed her, I'm like, well, I'm gonna say something I've
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never admitted, but I really liked you in the eighties,
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I just wasn't allowed to admit it. And now I can.
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Yeah, you know, and there are artists like post Malone
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these days that are breaking down genres. You know, he
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popped over to the country world and now he's putting
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out an album of Nirvana covers for Record Store Day,
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and you know that guy is multi talented and multi genre,
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and I like that we are smashing those genres a
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little bit.
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I mean on the.
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Serious you know, I obviously have two shows on oz Boneyard,
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but over at Octane they have been so I can't
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thank those guys enough because they played crack Cocaine and
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they've played Gods of rock and Roll, which is a
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ballad right and Octane is not a ballad entry format,
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but those guys are OCTANEA have shown me love. So
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even the formatted stations are willing to, you know, cross
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it over. Phenomenon is being played on Rock the Bells,
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which is a hip hop station. So my job is
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done here.
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I love it. I love it, and you know, there's
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so many micro genres and subgenres now that's ridiculous. Like
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I go on tour and I do coverage at music
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festivals in the US, UK, Europe, and it's like, it's
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like ridiculous we do things. When I do the interviews,
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I'm like, well, what would your genre be if it
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was just your band? Because that's what it's become. Like
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it's like it's so narrow, you know, and it does
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come out to be a funny thing. But I'm glad
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there's people like you that are showing that that genre
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stuff is to be blunt a bunch of bullshit. Because
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you're an artist, okay, you shouldn't be locked in to
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one type of music, you know. And it's like it
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seems like if you try to branch out, because we
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all have different interests too, that we might explore that
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you get punished for it.
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You know, well only in the major world.
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I mean, you know, in the major world, they're throwing
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millions and millions of dollars at acts and they want recouitment,
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they want their money back. So therefore, if you have
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a hit at you know, modern rock, your next five
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singles better be modern rock because that's where you've landed.
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And I've got three million dollars into your band. So
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that is why, that's why I advocate independent music. My label,
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CLG Zoid are fully independent and have embraced the fact
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that there's a hip hop song and a metal song
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and a punk song and a ballad.
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On one album.
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They don't love it, and you can only really do
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that at an independent level.
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I love it, and I'm also thankful over here in
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the US festivals have finally started to do that because
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Europe has been doing that forever. But we're fine. Like
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when you can have somebody like Joey Roll that's in
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pretty much every genre there is and he plays a
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metal festival and everybody like they're there to see him,
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all the metal heads are there to see him, that
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to me is beautiful.
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Yeah.
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Absolutely, and that's because Ozzie and Jelly Roll have been
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on the same stage together and it's more smashes genres
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and Danny Wimmer, who's a promoter here in America.
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He's had a lot to do with that. His festival
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bills have been really diverse.
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And also if you want to go back to the
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oz Fest, you know and Lollapalooza, those festivals Lolapalooza had
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iced Tea and Susie in.
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The banshees On and next phenomenal. So it's it's always
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been there, but I like that.
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I like that the success of the Morrison Project has
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contributed to that smashing of genres.
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It definitely has. And I also even dig like, okay,
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so you redid the Arsi song that you wrote with
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Arsi in South America forever ago, and it's like I
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love what I saw where it was like Arsie was like,
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it's finally finished. The song's finally finished.
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I was at Ozzie's yesterday and we were talking about it.
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And you know, it's a matter of it wasn't that
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I didn't want to finish it ten years ago. I
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didn't have the label behind me. I mean, people have
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to understand adding a fifty nine or sixty piece orchestra
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and a choir and re recording almost all of it
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costs money.
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Yeah, a lot of money.
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And it's not you get you know, you get your
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wallet out. I've got three hundred bucks in my wallet, so.
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I don't you know what I mean, people and the
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team behind me. And then there's timing. You know, at
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that time, my last solo album was coming out. I
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wanted the song, so we mixed it as it was
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and it went on that album. But to finally have
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it finished in the way that Ozzie always heard it,
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that's a nice feeling.
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And you did a phenomenal job because Gods of Rock
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and Roll was always a great song. But I think
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adding everything that you added to it just made it
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a complete song, like a just complete sensory experience.
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Well, I think it's a new song. It's so different
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that it's a new song. And that's you know, in part,
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that's thanks to Fred Corey, you know, the drummer of Cinderella,
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who knew is an incredible orchestral arranger. And when that
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came on my desk, I was like, yeah, well, first
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of all, I was a big Cinderella fan, the great band.
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Love Fred.
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Let's hear what he can do, and that's what he
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can I didn't have any part in that. He sent
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me an arrangement, a digital arrangement, and I was like,
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this is amazing. And then we made it into a
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real orchestra. The Budapest Orchestra actually recorded it.
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I love it. I love it, and you know, yeah,
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your project is just I think everybody needs to get
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the Billy Morrison Project because it's so good for everybody.
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And I would like everyone bought it.
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Well, how do they buy it? Let's tell them that
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right now.
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Oh my god, I mean, we've my label has made
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this so it's it's when they say available everywhere now,
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it literally is any online if you go to Amazon
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or Walmart or Target. You can order the album and
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it comes CD, vinyl digital, like if you're on Spotify,
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it's on Spotify. It really doesn't take much, so it's
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not like it's hard to find album. The job that
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I have, which is why I'm doing your show, is
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to tell people it's out there. That's that's the difficult
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thing in this world.
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It is a good album.
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I'm really proud of it, and you know, features all
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my big shot friends Al Jergens and Linda Perry, DMC,
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Ozzy Osbourne, Billy Idol, They're all on there, right, Corey
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Taylor from slip Knock, Steve by Steve Stevens. So for
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an album to be out there, you've just got to
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tell people that it's there and they will like it.
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So my job for the last year has been doing this.
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And it's a testament to you that all of those
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artists are on the album, because that says a lot.
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You know that, you know, an artists is not going
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to put their name on something unless they think it's good.
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And then my friends and you know, they all know
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that I have and would always step up for all
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of them. This was not an album put together by
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a bunch of managers and agents and discussing the deals.
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Every single artist on this album said yes because I
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personally asked them, hey, I've got this song, and without question,
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all of them when yes, send it over and they
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sang on it, and they came back and then we
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mixed it. And that is a testament more to friendship,
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real friendship than business.
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I love it, and that's where it should be in music, really.
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I mean, that's few and far between in this game.
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I know, and you know, like, I think it's great
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nowadays that there is a lot more of the independence
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and the record labels not involved. I was there in
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the eighties in Oa on the Sunset Strip and watching
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what happened backstage, and I'm like, yeah, I think the
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artist should be deciding what the music sounds like, not
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the suits.
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Yeah.
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138
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157
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158
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159
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160
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161
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162
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163
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180
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181
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183
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185
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189
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190
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191
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192
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199
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200
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