May 19, 2025
PipemanRadio Interviews Deadly Apples at Welcome To Rockville 2025
PipemanRadio Interviews Deadly Apples at Welcome To Rockville 2025 at the Daytona International Speedway.
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WEBVTT
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Hi, you love done too? Yes, that's sure.
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Fore, Wow, crazy young Welcome to Rockville, North America's largest
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rock festival is finally here. This it's the pipe Man
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here on the inventors of Pipe Man W four Cy Radio,
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and I'm here.
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With Alex of Dead Lee Apples Nice.
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Here at Welcome to Rockville, and I caught your set
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Wednesday night. I feel bad for the people that didn't
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make it because it was a badass set.
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Oh, thank you much appreciated.
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What did it feel like playing at the Daytona Speedway.
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It was amazing because somehow everything we've done in the
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US always skipped Florida for some reason. So it was
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actually our first time playing in Florida. And I used
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to come here in Daytona on vacation as a kid,
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so it felt like a full circle moment to be
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able finally play here and not just be here on vacation.
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So it was really amazing and huge turnout. Couldn't have
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asked for better reactions, So yeah, we're very grateful for
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the opportunity and for everyone's reactions.
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And it was a great crowd for a Wednesday night
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before the festivals even officially started. Like yeah, people really
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liked it.
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Yeah, I honestly didn't know what to expect since it
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was the opening night. Felt great to see that people
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showed up and they came early to catch our set.
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Actually saw some Delly Apple's shirts in the crowd and
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I including some from past tours, and people singing the
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lyrics huge mosh bits from beginning to end. It was
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a very short set, so it was very intense set list,
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and yeah, it was fucking cool.
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What does it feel like when you watch people in
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the crowd sing in your songs?
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Vial feeling because whether it's myself writing lyrics alone on
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my own or my bandmate Onto Wine writing the music
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like you do this in a how can I say,
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in kind of a lonely isolated way. So to see
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it essentially come to life in the life setting, it's
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a very special feeling.
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No doubt. And I love what you said about coming
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to Florida because I live in Florida. Our main studio
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is in Florida, and no, bands don't come here often
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because it's a pain in the ass because it's such
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a big state. They have to drive so far into
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state and drive out to go to the next gig.
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So I'm thankful that you were here at Welcome to
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Rockville in Florida.
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Well, thank you. I appreciate that.
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We love when bands actually get to us. So, what
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would you say is one of the coolest stories in
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your whole journey in music that you would share with
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like your kids.
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I don't know if I can pick one, but generally speaking,
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we've been very fortunate to tour with so many amazing
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artists that we grew up listening to, Like Corn We've
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been on tour with them in Japan, which was amazing.
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Also in Europe did some dates Rob Zombie, manson Deftones.
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It's just a great feeling getting to get some form
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of recognition from people you grew up listening to. So yeah,
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I would say that it's in general just all these
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experiences And if you had told me all these things
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when I was a teenager listening to these bands, I
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wouldn't have believed it.
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You couldn't even imagine that looking forward to now from them.
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So I told you they like you'read your mind, but
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it's like something you came tom path them.
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Yeah, for sure, and hopefully we can keep doing it
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for as long as possible.
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Are you gonna be watching Corn tonight.
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Oh yeah, for sure. I've known Monkey since I was
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a teenager. Actually, I used to sneak backstage at their
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shows when I was a teenager Night and years later.
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He played guitars on two of our songs, including Further
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and Yeah. As I mentioned, they took us out on
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tour a few times. We also played many festivals with them. Yeah,
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I'm looking forward to seeing them nice.
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What else you got going on the rest of twenty
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twenty five.
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We're focusing on releasing new music. We've got a full
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new album called Distress, which was produced by my bandmate
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Onto One and was mixed by Ben Gross, who worked
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with so many amazing artists, everyone from Filter to Manson.
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There's too many to name, And I actually got Danny
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Lohner of Nine Inch Nails to play all the guitars
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and bass on the album. We actually released the first
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Volatile earlier this year. The reaction has been really good.
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Richard Patrick of Filter actually has additional vocals on the
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song That's Cool and Yeah. We released the music video
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for that, which was also directed by my bandmate Atwin
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and Yeah. The reaction has been really good, and we
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released a second song called Envus and Little and we're
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about to release next month the second single called Sacrifice,
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which we actually played here the other night. And yeah,
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I think we're going to keep releasing songs individually, and
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at one point later this year we'll just release the
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full album.
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Nice.
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Yeah, we're looking forward to also doing more shows, more
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tours and hopefully come back here in Florida.
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There you go, and the new music, how do you
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feel as the artist it's evolved from previous music of yours.
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I feel like it's in a sense we went back
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to our roots and it's unrestrained, but at the same
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time it was done I feel in a more modern way.
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We actually did some pre production work on the album
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with Michael Beinhorn. He's an amazing producer, and the demos
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we were doing back then, he sent us like ten
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pages of notes, which essentially was saying that it feels
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like you guys are like restraining yourselves and you're not
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like going full out. And I guess that's what we
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needed to hear. And a lot of the songs on
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the album are very aggressive, very dark, very angry. That
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there's also some very accessible songs and softer songs, so
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I feel like it's a good mix and the song's work,
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both on an individual level, since not everyone unfortunately listens
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to full albums these days. Yeah, but for those who
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still do, it feels like it's still a full story
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and there's a cohesion when you listen. When people will
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get to listen to the full thing from front to back.
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Yeah, it's like you wouldn't listen to a part of
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the Dark Side of the Moon exactly. And I think
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we are making a little bit of a comeback maybe.
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I found that talking to some artists, like there are
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some people that are coming back to that full album
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experience opposed to just in the ten seconds of let
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me see if this is okay. I think that's what
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was better back in the day, where you had to
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spend your hard earned money as a teenager on an
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album that you never had a chance to hear. I
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think you because you spent your mon eye, you made
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sure you listen to everything on that album.
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Yeah, for sure, that's what I was doing growing up,
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and I'm happy that there's still people that listen to
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full albums that. At the same time, I understand that,
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especially for the younger generation, everything is so quick and easy,
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Like two seconds in, we didn't grab their attention and
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skip next next, And there's.
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Too much content for them to choose from. So it's
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not like it's either this album or that album, it's
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which of these ten million songs should we listen to next?
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Yeah, that's definitely a huge challenge, and especially I guess
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for a band like us, because we really wanted to
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put in the work on the album. You know, a
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lot of bands, and I have nothing against that, a
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lot of bands these days, you know, they just do
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everything in the box, like just on their laptops and
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in their basement thing. We spent literally a year at
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the studio in La like just working on this album
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with some legends, as I mentioned earlier, and we really
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wanted to have the quality there. I know that's very
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important for Aunt one because he writes the music, and
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so how can we get this level of quality and
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have it be as thoughtful as we want it to
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be and as meaningful as we want it to be
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and at the same time be able to appeal to
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that younger generation grab their attention, which is extremely difficult
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to do these days. Hopefully we'll pull it off, But
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so far as I was saying I feel like we
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got a great response with the release of Volatile, so
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we're very grateful for that response.
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And you kill the Eric Welcome to Rockville, so obviously
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it's working.
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Yeah, the live show is a whole different animal, and
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I feel like that's probably one of the best ways
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to experience Deadly Apples. I think a lot of bands,
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for them doing a show is Okay, I get up
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on stage, I play my instrument, and then I get
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off stage and that's it, which is fine to me.
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Like I just tried to get in a totally different
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headspace and it feels more like a therapy or an exorcism,
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and I'm really feeling it when I'm up there, and
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as much as I'm very calm and quiet and when
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I'm off stage, as you can probably see right now,
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like when I go on stage, just like this whole
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other side just comes out. And I think it's definitely
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part of what makes Deadly Apple's unique and what makes
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our live shows memorable, because it feels like rock has
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become so safe and it lost the danger, the excitement,
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the unpredictability, and I think when we go on stage,
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anything can happen, which got us in trouble many times unfortunately,
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But I think that's what people like and that's been missing.
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Yeah, totally. It's always what was associated with rock and roll.
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It's my even now, like people ask, hey, could he
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get me backstage? I'm like, there's no reason, yeah, nothing,
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nothing going on. They're still stuck in the eighties. When
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I was involved that backstage, that was a reason to
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go backstage. But then you didn't even have to ask.
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It's like the bands just brought you back there and stuff.
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Yeah. Hopefully, hopefully we can bring some of that excitement back.
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Yeah, it reminds me of what you were talking about before.
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Have you seen the meme of the eighties rock star
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compared to the rock star today?
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I haven't seen it.
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Okay, So it's got two pictures. You got the picture above,
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and it's like the hair metal dude lying on the
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ground with guitar in one hand and whist ball of
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whisk in the other, passed out, and then goes to
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today and it's some kid seeing as seat as desk
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with the guitar on his lap while he's typing on
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the computer. And that sets it all right. Yeah, yeah,
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it says it all right. And yeah, some of the
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greatest musicians. They dedicate eight hours a day to hone
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their craft. And then like you're talking about like the quality,
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I'm all about that too. Same with me. In my industry,
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it's become like you have all these DIY people that
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probably shouldn't be doing what they're doing, and they watch
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some YouTube video and they buy some sixty dollars podcasts
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set with a mic and a headphones and mixture board,
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and like they don't even realize and that's a piece
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of crap if it's only fifty nine dollars and it's
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going to sound like crap. Whereas I'm a big believer. Okay,
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we're great, we're streaming, we're doing it's cool, but we
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still have to run it like a real radio station.
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We have professional engineers, state of the art equipment, and
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you mix the sound to make it sound professional. And
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I'm hoping you bring that back.
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To Yeah, I guess it's a problem of everything being
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so accessible now.
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Yeah, and the fact that people thing that just because
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you can do it from your bedroom, you should.
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Yeah, it's a good way to put it.
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Anything else you want to share with the listeners that
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we haven't covered already.
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Look, out for the new songs and the new music
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videos that are coming very soon and the new album
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that's coming out later this year. And yeah, we hope
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to be back soon in Florida and elsewhere in the US.
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Nice and yeah, it's nice being in this kind of
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weather instead of freezing up in Canada at home.
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I could tell you the coldest I ever was in
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my life. And I've been like a half an hour
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from the North Pole is Niagara Falls. Oh yeah, Oh
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my god. It was like I told the story before,
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because we've had a few Canadian bands here this weekend
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and it's I'm from New York and New Jersey, so
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I've done Times Square on New Year's. One year, I
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decide to do Niagara Falls on New Year's and I'm
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a total fomo person, like I don't want to miss
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on anything. I was married at the time. It was
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like eleven thirty. I said to my wife. I was like,
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I'm going back to the room. I'm done, and she
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looked at me like I was insane because I would
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