PipemanRadio Interviews Red Fang at Welcome to Rockville 2024
PipemanRadio Rocking out with Red Fang at Welcome to Rockville 2024 in the Daytona National Speedway as we discuss performing at the music festival and the iconic Nascar racetrack and all upcoming new music, tour dates, and merch. Plus we share good,...
PipemanRadio Rocking out with Red Fang at Welcome to Rockville 2024 in the Daytona National Speedway as we discuss performing at the music festival and the iconic Nascar racetrack and all upcoming new music, tour dates, and merch. Plus we share good, bad, crazy, and/or wild stories.
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Hey, you have one to censure. I'm wow, crazy young Why Become
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America. It's time for the Adventures
of pipe Man on W four C why
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dot Com West Pompeas is number one
Internet radio station. Here's your host,
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the White Man. Something thing to
make real than you found. This is
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pipe Man here on the Adventures pipe
Man W four C Y Radio and I'm
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here with Brian Giles of Red Fang. Thanks for having me pipe Man.
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Oh pleasure, great to have you
here at Welcome to Rockville, man.
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I you know, I do so
many festivals. I can't even remember after
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time. But have you played Rockville
before? No? I don't. We
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haven't done Rockville, but we I
want to say it's we're next week we're
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doing Sonic Temple. Yeah so,
and we've done Sonic Temple in the past.
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Did you do it when it was
Rock on the Range or Sonic Temple?
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Rock on the Range? There you
go, all right, yeah,
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way back? Yeah, there it
is. And so how does it feel
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to be here playing at the Daytona
International Speedway? Is that or what this
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is? This is? This is
the most famous place to take a left
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in the world. I think I
know, right, and like it's pretty
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wild too, Like you drove on
the raceway right when you first came to
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load in. Yeah, yeah,
we didn't. We didn't break any any
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records, right, we did.
We we did like a pace car kind
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offect. It felt good, nice, nice, Like where can you do
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that when you're loading in for a
festival? Right? And you know what,
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I well it makes sense. But
just looking at the wall, like
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you know the turns you know there, the embankments are severe. I mean
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it's halfway to like vertical that that
wall. It's not like you see on
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TV, like when you see this
wall face to face, right, It's
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like how are they riding on that? If you want to stand on the
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on the top end of the curve, you're gonna fall down. It's I
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mean, it's a it's a drop. It's crazy. I guess, uh,
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you know since it's like a centrifuge
keeps you, keeps you on there.
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Yeah. Well you know what they
say that you have to at least
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be going eighty miles per hour to
not fall off the wall. Okay,
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well that's that's good. So there
you go. Now here, I'll give
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you a trivia question. I've asked
a lot of other artists. Do you
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know why the seats are all colored? Poor attendants? They want to make
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it look like the stands are full. Nice, That's exactly the reason is
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it. It's to make it look
like the stands are full. Damn I'm
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good, I know right, I
was right off the dome. Now,
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you know it's weird. Now if
I watch it on TV, I'm gonna
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look for that ship. Oh yeah, it's like all that red chair is
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definitely wasted. Right, And so
tell us what's going on that the listeners
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need to know anything new? Like
obviously you're here at Rockville, you'll be
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at Sonic Temple next week. What
else is going on? Well, we've
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just got this is if just the
first shows we're doing today we played,
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and then we're doing We're filling the
week between this and and Sonic Temple with
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some co ha heyline shows a Baroness
And I've been Winston Salem Dance for tomorrow
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and then up as far as New
Jersey and then back down down to Columbus.
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So I'm looking forward to those club
dates Nice and Baroness, you know,
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I mean, we've played a lot
of festivals and cross paths and played
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shows together off and on over the
years, but never never did it,
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you know, honest to goodness.
You know, well, mini tour,
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but a tour. So I think
that's gonna be good night. And I
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think that young the young people will
enjoy it. I don't know, you
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tell me. I think music,
no matter what, is enjoyable. Especially
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I feel like our crossover, you
know, it's a good crossover. I
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think there's some people that are big
into Baroness. I don't know who the
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hell we are and versus Visa.
So I think it'll be it'll be nice.
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It'll be a nice little I think
it is kind of cool. And
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Baroness has like this cultish following,
so maybe you'll get a new cultish following
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from that tour. Yeah, man, you never know. So you know,
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we're out here and I still love
doing it, so so that and
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then well, I guess we go. We're gonna do a West Coast run
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and end of July into July or
end of June into July, and then
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we'll do a European festival tour,
so you know. And it was just
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kind of it's a pandemic. It
just kind of screwed up our whole you
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know, our rhythm and everything.
So it's just nice to be out on
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the road again, like everybody right, you know. And and then once
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you get back out on the road
again, it's kind of like it's weird.
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You can't get used to it again, you know. After that yeah,
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oh yeah, I mean, well, just getting used to going to
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a place and talking to people.
Right a second, I was like,
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wait a minute, small talk eh, you know, so you know,
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I guess I'm the I'm with small
talk again, so right, And then
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there's the other thing, Like I
remember the first show right after the pandemic.
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I was stand back sage looking out
at this crowd down in South Florida,
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looking at this crowd sweating starting,
and I'm like it looked like a
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Petri dish to me. At that
point, I was still institutionalized with the
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COVID stuff. And then, you
know, but once that comfort, I'm
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like, thank god, I'm back, like we're There's no better therapy than
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music. And I think we should
have had live music during that lockdown.
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Why, because I think that's why
everybody was so angry and pissed and depressed
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and everything else, because they had
no outlet. Oh I agree, and
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you know, and a nice thing. You know. I think our first
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we did a we did a US
Canada tour before that was our first thing.
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You know, we had this album
come out. It was we put
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that off like for a year and
a half because of because of the pandemic,
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and we're like, what do we
put out a record with no tour
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support? Seems dumb? Right then
that thing lasted so long We're like,
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fuck it, We're putting the record
out. But and so then finally did
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tour, you know, twenty twenty
two. I guess that was And anyway,
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the support was was crazy. I
was, it was really it made
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me feel really good. And I
feel like this is this is you know,
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not just for us, and I
think just I think people were starved
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for it. And I think that
it's something that I and I think I
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appreciate live music more too, because
it's something that you just it's your lifestyles,
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you know, it's what you do, it's your you know, it's
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your culture or whatever. And then
for it to go away, you realize
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how how vitally really it is important
for me anyway to go see you know,
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to commune with other musicians and to
see you know, a set happened,
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whether it's a disaster or you know, masterpiece, doesn't matter and care.
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It's just watching human beings get together
and do that. And then and
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to share a room with other people
that you know appreciate the same things you
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do. It's a it's a it's
a beautiful thing. And so when we
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went out back out again, it
was just crazy that the outpouring the energy
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that we were getting back was just
insane. And so anyway that that was
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real helpful, and so anyway to
any of you. It came out to
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many of our shows and showed us
that kind of love. It made a
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difference and appreciate it, and yeah, man, I love it. And
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you know I've said all along,
if you're gonna take a positive out of
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that whole lockdown for the artists,
there's two sides, artist and attendee listener.
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For the artists, you guys were
on such a hamster wheel for such
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a long time that like, I
think it's a recharge. You know,
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you got to get off the hamster
wheel and get creative again. It's almost
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like you were going through the motions
leading up, not you specifically, but
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just in general. Because you're going
stop to stop to stop, and deadlines
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to write these albums, and then
it's like finally a time where you could
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sit down and really evaluate where you
want your music to go, right,
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yeah, you know. Yeah.
And I did some real crazy shit during
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the I mean I learned how to
do home recording and I did some real
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crazy shit, you know. And
I was like, well, this is
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probably not safe for human consumption,
but I really enjoyed it, and it
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was it was a creative time for
me the pandemic, you know. I
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mean I would have preferred to get
in a room with my guys and you
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know, to hammer it out in
person. That's the best, you know.
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But I was like, well,
I'm gonna explode if I don't do
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something. So I, you know, kind of taught myself how to record,
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got some rudimentary recording equipment in my
basement, and now I can do
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that. So see that worse There
you go, dog new trick. That's
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it cool. And for the listeners, I think before the pandemic, how
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I describe it, but people were
just whiny, like they would complain at
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every festival, complain at every show. This is lamb lamba, And I
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think it's an all new appreciation of
what they miss. I fully agree with
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you. Yeah, you know,
it's it's amazing that you know, these
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massive things like like today is you
know that it's happening again. That's that's
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awesome. You know exactly knew it
would, But when it was happened,
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when you know, in the middle
of that whole pandemic, it's like,
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will it yeah? Is this just
I am? I It's gonna be you
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know, he's trapped in this house
forever and ever. It's kind of a
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points it felt like it was never
gonna end, you know, and every
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time every time, you know,
we we booked tours, and then there
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would be the delta variant, like
Son of a Bitch is like for a
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while there, you know, I'd
be like, well, instead of talking
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about oh I toured with that band, now it's like, oh, yeah,
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I canceled a tour with them.
Oh yeah, we were. We
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canceled tour with them too, We're
supposed to go on tour. It was
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crazy, the laundry list of exciting
things that didn't happen because of that fucking
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who was the best band you had
to cancel on tour with? Oh geez,
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I don't know. I mean,
we had some really cool lineups when
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you put me on the spot.
See that. Yeah, as soon as
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this interview is over, I'll have
a list for you. Yeah, you'll
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you'll remember as soon as we shut
the mic off. Yeah, that's how
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it goes, what Europeans. I
stared in the fridge and being like,
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well, I knew I opened the
door for some reason. Or where are
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my keys in your hand? Buddy? No that, or I did this
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early? And where's my sunglasses?
Yeah, you know where they are exactly.
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So tell everybody how they can reach
out to you guys on socials,
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on the web, get your merch
check out all the things you got going
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on. Well, I think the
best way to get stuff from us is
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probably either straight through our record label, Relapse, or our first album is
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on Sergeant House and you can reach
out to them directly, or band camp.
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I'm a strong believer in band camp. I think that's the best way
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to support whatever, but not you
know, not necessarily our band, but
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any band. I think that's the
the best way these days to really show
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your support for the band directly and
that it actually goes to them. You
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know, I'm just talking about you
know, the proliferation of fake merch out
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there. You know these companies like
Red Bubble or whatever, these things are
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just they're leeches, and it's like
do I would just suggest that, just
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in general, just find out just
who it is making that T shirt and
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if and if you see a throw
pillow by some band you love, it
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is like, did the band really
think make a throw pillow is gonna be
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a good idea? Right before you
hit by? Just find out where it's
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coming from. Anyway. Yeah,
we're on Instagram and fan Facebook, so
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if you you know, I'm a
big proponent of that because it kind of
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passes me off. People don't realize
that, especially nowadays, merch is the
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only way that you guys get from
show to show to show. Forget making
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money, It's just how you get
the next stunted, and tragically these days
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it's not even music. It's exactly
what fills your gas tank is soft goods,
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T shirts, you know, beer, koozies, this booble bobbles,
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that's weird shit. That's how we
fill our guesst like, that's how we
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live, so exactly, So buy
some stupid crap right in your local rock
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band from the rock band, Yes, straight from the knuckleheads themselves. That's
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I love. What Like, I'm
very outspoken. So when I leave like
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concerts festivals and I see those guys
outside selling the fucking bootleg shirts, I
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give them shit. Yeah, Like
they'll come to like how much are you
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giving to the band? And they
don't know what to say at that point.
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We just recently played a Latin American
tour and we played it where I
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guess it was Monterey anyway, the
club, you know, just their their
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you know, intellectual property laws are
not as hardcore as they are you know
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in the States or some other places, So you know, knockoffs, that's
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just how it goes. And so
I remember being in the green room was
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like above the street in front,
and there was like a block and a
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half of red fangear, and I
was just like, damn, that's like
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a whole ecosystem of people. And
I was like, well, whatever,
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they need to make money, I
understand it. I'm not going to go
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down and give them any kind of
shit. But what I did feel bad
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for it was this one gall in
particular, had had bootlegged one of our
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shirts that sold particularly poorly. I
was like, oh, you fucked up,
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lady should have ripped off. It
never won because there had no customers.
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I was like, I could have
told you, Oh man, that's
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good. So from now on,
if you're a bootleg or you gotta reach
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out to the band, they get
your research. Yeah, do your research,
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you know, make sure make sure
you're stealing the Primo stuff right,
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good god? Oh man, So
is there anything you want to share with
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the listeners we haven't covered already?
No. I mean, if you're out
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here on the East Coast in the
next week and you want to come see
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us in a small venue, I
think those shows of barness are gonna go
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off. I think it's gonna be
that's gonna be sweaty, real good time.
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So what do you like? I
won't say better, because both sides
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are better. But what do you
like about a club show versa festival or
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big stadium and vice versa. Well, well, I think this is not
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uncommon, but you know, it's
a small venue. You feel more connected
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to the crowd, The crowd feels
more connection to you, the sound is
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more encompassing, so you feel it's
more like a full body experience, you
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know, yeah, you know,
And then you're likely to break in an
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armor a little higher in the club. So that for better worse, that's
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true. And so and I grew
up, you know, doing clubs,
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so that's just I feel more comfortable
in a smaller venue versus one of these
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things. And you know, and
I think, whether it's required or not,
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I've never been a very much of
a cheerleader, you know, as
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far as like, hey, everybody
in the lefts go yay, I'm not
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doing that shit. I can't be
no, I won't do it. But
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anyway, I'm just glad that people
will listen to our music anyway, you
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know. But it's a different skill
set, I think, and I just
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never really learned how to do it. I'm like, well, we'll just
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play songs and see what happens.
That's our approach. Well for me.
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Like the first club show I ever
went to in ninth it was nineteen eighty
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Sunset Strip the Roxy Motley Crue before
they had an album, first club show
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ever. They weren't glam yet,
glam yet. Had you heard of them
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or did somebody say, hey man, you got to see this band.
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I just saw their picture. Their
flyer was everywhere in La You know,
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like they were the best marketers ever. I'm like, those fuckers look cool
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because they weren't through the nose for
pr or something like that. No,
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no, that it was total grassroots
man. Dudes drink Kinko's all night.
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00:15:26.480 --> 00:15:31.120
Zero. I used to hang out
with Mick Mars and Zero. They were
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And then you saw them all over
La staatepling to the telephoam poles and ship
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00:15:37.799 --> 00:15:41.080
like that, and they looked cool. Then that was before they were glam.
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They were more like horror punk.
Yeah, man, I mean their
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their look on Too Faster Love and
Shouted the Devil. Man. I bought
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into a hook line and singer.
I must be a little younger than you,
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you know, but that was I
was seventh grade, I guess when
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when Shouted the Devil came out and
I was like, this is scary man.
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Whatever that that was your beginning,
whatever that track is, Yeah,
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00:16:02.600 --> 00:16:06.279
dude, there's some scary shit and
I totally bought into it. I mean
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I was like, these dudes are
dangerous. These are a dangerous group of
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guys. And originally they were,
you know, because chat at the Devil
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was their original music, not Too
Fast for Love, and they when I
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saw him at the Roxy. They
tried to burn the Roxy down to bring
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Satan in and I was like,
I'm never going to a real concert ever
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again. That was the fast and
it is for us as the listeners,
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Like you're talking about that intimate experience. That's what I love about clubs because
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I am. I made friends with
so many bands back in the eighties that
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because just being at the club,
Like I went to Metallica's first show ever
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and Mustaine came out and started talking
to me afterwards. I'm fifteen years old.
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It's like, oh, yeah,
so cool. When would that happen?
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You know, Yeah, nobody's got
a no eye contact clause and if
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they're playing the Roxy, you know
exactly. And to your point too about
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the sound or the feeling, to
me, ma washing to the music and
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a club has way more connection than
at a festival. In other words,
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when you're up close and that sound
is pounding on you. There the washing,
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I think it's just way more intense. Yeah, And I think people
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are just more it's more of a
family feeling where it's like someone goes down
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to feel like people are more likely
to pick you up in a small venue
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00:17:30.279 --> 00:17:34.519
because you are You're like a little
small family of people that are always experiencing
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00:17:34.519 --> 00:17:37.200
this thing together where you know,
festfo like this. There's a lot of
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really good people out there that are
looking at for each other and stuff.
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But also there's some people that see
it as like, oh, I'm anonymous,
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so I can behave poorly, you
know, so you're exactly right.
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And you know what else too,
is there's people that wouldn't go to those
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club shows because they're not really metal
heads or whatever. They end up at
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a festival or usually the big dudes, they see these mash pits and they
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00:17:57.720 --> 00:18:00.480
want to show how macho and tough
day all right, Like, oh I
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can win the mush pit. Yeah, there's no winning, dude, No
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no having a good time. If
you're having a good time, you're winning.
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What's funny about that, though,
is like the little dudes like me
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and I'm big now compared to why
I was back as a teenager. Yeah,
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I'm the one that comes around the
pit like down low, like Mike
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Tyson really fast and I come take
out that big dude with elbow and he
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didn't even know what hit him and
I'm already on the other side. Well,
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yeah, I mean some of these
guys they got a date. You
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know, they have some decorum people. That's right. So man, Rockville,
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you guys rock here and you're going
to rock it at Sonic Temple.
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You want to give any final word
store listeners, No, just stay awesome
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out there and Hydra That's what I
say, hydraate definitely here. You know
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how many people last night I saw
like I was up, you know,
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in the pit by the stage and
they were bringing so many people out on
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00:18:56.960 --> 00:19:00.920
stretchers because it was so hot.
Yeah, so it's no. Definitely got
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hi. Dra. Well, you
guys killed it here at Welcome to rock
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00:19:03.920 --> 00:19:07.079
Bille. Thanks for having me and
thanks for being on the Adventures pipe Now
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00:19:07.240 --> 00:19:11.559
awesome enjoy the rest of the weekend. To thank you for listening to the
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00:19:11.799 --> 00:19:18.559
Adventures of Pipe Man on w for
CUI Radio.




























