Jan. 28, 2025
PipemanRadio Interviews Stowaway Sophie Lloyd on Shiprocked 2025
The Adventures of Pipeman continue on Shiprocked and we are talking to Stowaway Sophie Lloyd who killed it during the Stowaway Sets. We discuss guitar playing and working with other artists. We talked about how cool it is to be an artist on Shiprocked...
The Adventures of Pipeman continue on Shiprocked and we are talking to Stowaway Sophie Lloyd who killed it during the Stowaway Sets. We discuss guitar playing and working with other artists. We talked about how cool it is to be an artist on Shiprocked and how it's the most fun on this amazing rock cruise.
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WEBVTT
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Hey, you have done to censure.
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From see Wow for you your roll.
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Why Become America, It's time for the Adventures of White
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Men on W four C why dot com West pomp
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Beats is number one internet radio station. Here's your host
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of hit Man.
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Host for some reason, try to shoot stop your son.
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This is the pipe Man here on the Adventures pipe
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Man W four C Y Radio. And I'm here with
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Sophielloyd Nice here on ship Rock. Oh my god, And
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I just have to say, right off the bat, you
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absolutely freaking killed it last night.
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Thank you so much. It was so much fun.
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Honestly, Like, it's funny because you only get such like
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a short amount of rehearsal time, so you're never too
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short if it's gonna go good or if it's gonna
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be an absolute clusterfuck. But actually it was so much fun, honestly,
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if you just got there and have fun, it was.
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It was amazing. It was so fun to play with
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these people.
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I was watching the rehearsal the other day, I'm like, man,
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how are these people ever gonna perform these songs on
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like one rehearsal deck.
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Honestly, God knows, right, just luck you just pray to
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God and then it just proves.
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You guys are pros because it's not even like the
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genre that you're in. But that's even harder.
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Yeah, they got me playing material girl, which is all
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like super feel like one note like, which is I'm
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like heavy cords riffs all day, and I was like, god,
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I have the feel of like the whitest girl ever,
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like I do don't have any feel So it was
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that was definitely a challenge, but it's good. It pushes
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you outside your comfort zone and like to play with
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people you've never played with before as well.
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It's I don't know, it's a challenge, but it's so
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much fun.
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It must be fun too to play like different music
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than you're used to because you have even though you
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love what you're doing, sometimes you have the monotony when
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you're doing the same genre all the time. Definitely, it's
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almost like not from a professional or musical stamp by point,
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but mindset for you guys, I think it's almost like
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doing karaoke. We're just going have fun.
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That's so true.
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It really is, especially like eighties stuff because everyone knows
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the songs. They're such bops and you can't not just
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have so much fun with it, so it was Yeah,
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it was so much fun on stage, and then you
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feel so good once it's done. You feel like you've
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all like accomplished something really big as well, so you're
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like united forever.
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No doubt. And that's what I noticed too, because I
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look at everything and it's like you guys were like
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just totally bonding up there. Yeah, okay, Whereas when you're
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doing festivals or you know, you don't have that same chance,
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even if you're bonded and friendly, like everybody's like in
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such a rush to do everything that you don't have
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that chance exactly.
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And I think there's something about especially this scenario where
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we're all playing songs we're not.
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Necessarily like used to. It's quite vulnerable, do you know
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what I mean?
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Because everyone is like a little bit nervous, everyone's a
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little unsure, And I feel like it's that kind of
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vulnerability and the messing up in rehearsals and all of
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this stuff that kind of bonds you together even more
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because you're all kind of in it together. There's this big,
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like community feel, which is really cool.
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Totally, And you guys had from talking to some of
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my friends a lot of technical issues. Let's call it
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like five bass pedals.
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Yeah, the drum pedals were crazy. They were just during
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the first song as well. I was doing We Built
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This City, and poor Haley, her drum pedal just like
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fell apart. But she like it shows a professionalism people
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because she kept it going.
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I didn't even really I was doing so low. I
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didn't I in the text.
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Like, I just thought maybe a drumstick dropped or the
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tech was like tune in the drum. Yeah, I didn't
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know that there was a broken pedal. It happened five times.
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She even told me there was a hole in the
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bass drum at the end. Oh my god, imagine you
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hit the bass drum and I just go straight through right, like,
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I don't think that's meant to happen. But see that
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is the eighties because I remember. I remember being at
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the US festival. Yeah, and I was sitting there during
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Van Halen and they started talking about love and that's
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one of my favorite songs is that's like the first
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song I ever learned guitar on and Edie's playing but
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Dave's not singing, and they're all looking over to him,
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and Dave just goes typical Dave. He goes, three hundred
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thousand people, I fucking forgot the words, and the whole
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crowd like it was the best thing that ever happened.
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And then one person in the whole crowd heckled yeah,
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and he playing on me. He was like, I will
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fuck your girlfriend.
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And he probably did.
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But that's the thing is that I feel like that's
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what makes live performances is these like mistakes and these
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unique things that happened that someone can say it makes
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it memorable. Someone could say, oh, I was there when
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this happened. I was there when that happened. And that's
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sort of the joy and the beauty of music, especially
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like rock musick.
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I think as well, it's like.
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A specific kind of community about it that I think
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everyone likes to feel like it's human, do you know
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what I mean?
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And it's human to do that stuff.
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And that's the thing I've had to learn because I
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had really bad imposter syndrome.
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For quite a while.
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Well I felt like I couldn't because I did a
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lot online, so I grew up where everything can be
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like edited, filmed a million times and stuff. So it's
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only when I had the transition to live and obviously
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you can't play something a million times and you hit
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a wrong No.
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I was like, oh, well that's not good enough, right,
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do you know what I mean?
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So that's the thing I've learned in my years now,
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and now I've been performing for quite a few years now.
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Now I've you know, finally kind of got to the
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part where I accept that and I can enjoy those
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moments as well.
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Who do you think is your biggest influence as a guitarist.
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That's a good question.
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I think it changes like every day, depending on what
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I'm doing.
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I that's a rock thing too. I've had different favorite bands,
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Like it's like chronological, like going up a Hill, It's like, okay,
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they were my favorite. That Navy Game, you know, it
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builds on.
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It exactly like I think my original. The person that
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kind of got me into guitar was Joe Satriani. He's
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surfing with the Alien album was nice one that I
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absolutely loved. And someone else I think that had a
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big influence was David Gilmour. When I started listening to
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the comfortably Numb stuff and like, you know, kind of
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his feel I feel like for a long time I
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kind of just shredded for the sake of shredding without
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much feel into it. And when I started getting into him,
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that was when I noticed that I started to put
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more feel and more emotion and try and like tell
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these stories and it wasn't just about all the silly
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nonsense and look how us I can play stuff.
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See. I love hearing that, because I've talked about that before,
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Like there's shredders I like, and there's shredders that bore me,
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you know, yeah, and I like that maybe the first time,
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and then after that, well it's just the same exactly.
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That's the thing.
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It's only and it's if you're just treading for the
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whole thing and there's no kind of story or emotion
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to it, it does get pretty unlistenable.
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Because you're like, oh.
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At first it's like oh cool, and then it's like, okay, now,
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now what can I hang on to? What's like the
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melody behind this or something that I can because as humans,
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we want to hear like a repetitive lick or something
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that we can like hang on to, like you do
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with the vocals, you know, like they have a chorus,
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and that's what people say. You want to achieve a
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similar thing when you're soloing, or when if you're just
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doing an instrumental song, you know, something that people can
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hang on to and listen and it sticks in their brain,
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you know, creates.
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That ear one.
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It makes so much sense because I think of it
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almost like when they're shredding, they're just doing scales, like practicing.
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Yeah, well, yeah exactly, And honestly, that's the biggest trick
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of all is the same with the legato stuff, is
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really just running up and down the scales and making
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it make it sound fancy, which has its place.
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I do that way too much, probably as well, but.
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I think it's important to do that and then ends
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up with like a cool blues lick that.
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Makes it interesting something in exactly yeah, exactly. Like it
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might be an unpopular opinion, but I love Dave and Hilm,
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but I didn't think it was as great as everybody thought,
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because that is opinion, right, But I thought it was great.
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But like some of the things, it was what we're
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talking about. Sometimes it was just the.
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Yeah, I think the thing is with him he was
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kind of the first to do it. Yeah, well I
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doubt he was like the first. He probably had influences
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it before but he was the first that did it
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on like such a mainstream scale that everyone saw, and
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he did it live, and he had these like a
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cappella moments where there was no band. It was just
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him that kind of showed it off a lot, more
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like they were a band that kind of really showed
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it off. Whereas I think before that kind of hadn't
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have been done. But yeah, I guess like things that
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wouldn't necessarily work now because it has been done before,
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Like so many people can play like that, you know,
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there needs to be something else, Like.
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To me rarely, Roads was a whole another level.
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Oh, he was phenomenal. He's another like massive influence for
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me as well. And I think his creativity with music
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as well, I think is really like kind of inspiring.
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Like I think it was him that kind of did
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the two hands slides stuff, And that's the thing I've
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incorporated into my playing a lot. Like I love like
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just his uniqueness and things that I was playing.
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I just think it's really cool.
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Nice And so you teach guitar. In fact, you did
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clinic here on ship Rock correct.
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Yeah, it was more of it.
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I feel I can't play as much as I shared
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it was more of a Q and A and me
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talking about my dog way too much.
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You know essentials right, Well, tell us about your dog.
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My dog is just incredible.
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He's a rescue, he's a half burny his mountain dog,
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half beagle, and he's just the best.
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I miss him so much.
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I've been away from her for so long, and as
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he pissed at you because you're gone all the time.
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Oh yes, oh, I well think is we have two cats,
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and whenever I get an animal, I'll go on tour
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and then the animal will start liking my other half
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better because I'm away, and I'll come home and suddenly
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they won't want to cuddle me, they want to cuddle him.
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So then I have to buy another animal, you know.
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So now I went on our third and maybe when
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we get back, I'll have to buy another one because
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they were like me as much.
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You know, so nice.
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I'm planning to build a farm.
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I love it. I normally cover like download and bloodstock
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on your side.
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Yeah yeah.
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How do you, as an artist feel the difference of
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plane in the UK compared to plane in the US.
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I think UK.
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Well, I'm kind of biased towards the UK obviously, like
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you say that's where I'm from, so.
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I think I am too. By the way, I even
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married a British girl before.
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Oh very wise, I'm.
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