June 16, 2025

PipemanRadio Interviews The Molotovs at Download Festival 2025

Show Notes
Transcript

PipemanRadio Interviews The Molotovs at Download Festival 2025

Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”

Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness.

Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment.

Would you like to be a sponsor of the show?
Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?
Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?
Would you like to host your own Radio Show, Streaming TV Show, or Podcast?

Contact the Pipeman:
Phone/Text Contact – 561-506-4031
Email Contact – dean@talk4media.com

Follow @pipemanradio on all socials.

Visit Pipeman Radio on the Web at www.linktr.ee/pipemanradio, www.theadventuresofpipeman.com and www.pipemanradio.com. Download The Pipeman Radio APP.

The Adventures of Pipeman is broadcast live Mondays, Tuesdays, Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).

The Adventures of Pipeman Podcast is also available on The Adventures of Pipeman Podcast, Pipeman Radio Podcast, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

WEBVTT

1
00:00:04.360 --> 00:00:05.480
Hey you have learnt?

2
00:00:06.120 --> 00:00:12.039
Yes, that's true. Wow crazy you.

3
00:00:16.600 --> 00:00:23.039
Hello, this is the pipe Man here on the Adventures

4
00:00:23.039 --> 00:00:25.079
pipe Man W four c Y Radio, and I'm here

5
00:00:25.160 --> 00:00:29.039
with the Monotop's nice here at Download Festival.

6
00:00:29.559 --> 00:00:32.479
We are indeed, Yeah, yeah, we're the Monotobs at Download Festival.

7
00:00:32.560 --> 00:00:36.000
Yeah nice. How does it feel to be here at Download?

8
00:00:36.039 --> 00:00:37.240
Have you ever been here before?

9
00:00:37.479 --> 00:00:41.079
Never been and never never yeah never the drives to go.

10
00:00:41.280 --> 00:00:43.719
But now that we're here, you know, it's really know,

11
00:00:44.000 --> 00:00:47.119
it's really cool, cool vibe, right, yeah, definitely, lot a

12
00:00:47.119 --> 00:00:48.119
lot of cool people as well.

13
00:00:48.679 --> 00:00:50.359
What's your favorite part so far?

14
00:00:51.240 --> 00:00:53.799
I know, I don't know. Probably the tissue just spends.

15
00:00:53.799 --> 00:00:56.039
So I've got Matt hay fever, so we're thinking that

16
00:00:56.079 --> 00:00:56.759
at the moment.

17
00:00:57.759 --> 00:01:00.399
For you, I feel for you. This is much time

18
00:01:00.479 --> 00:01:03.320
I've been able to breathe since January because I go

19
00:01:03.439 --> 00:01:06.519
and do all the festivals and all over the its

20
00:01:06.599 --> 00:01:10.519
the dust day fever, the festival does that stuff.

21
00:01:11.280 --> 00:01:13.760
My favorite place we changed once. We see a couple

22
00:01:13.760 --> 00:01:16.000
of bands in that. We're looking forward seeing the darkness

23
00:01:16.040 --> 00:01:17.480
and the pistols lay today.

24
00:01:18.519 --> 00:01:19.000
There you go.

25
00:01:20.879 --> 00:01:21.760
See the shirt?

26
00:01:21.879 --> 00:01:24.760
Yeah, yeah, well we'll go, We'll go and see them together.

27
00:01:25.200 --> 00:01:26.799
Oh yeah, well for sure, de let's do that.

28
00:01:26.920 --> 00:01:30.120
Yeah, so let's talk to about your music to listeners

29
00:01:30.159 --> 00:01:32.879
who have never heard you. How would you describe your

30
00:01:32.959 --> 00:01:36.719
music as the artists, not genre, but what you think

31
00:01:36.799 --> 00:01:37.439
of your music?

32
00:01:37.599 --> 00:01:40.640
Well, I'd say it's all a strong sense and melody,

33
00:01:41.319 --> 00:01:45.640
strong sense and melody influenced by bands of the I know,

34
00:01:45.799 --> 00:01:49.400
people like Who, the Kinks, the Small Faces, the Jam,

35
00:01:50.000 --> 00:01:53.519
the Happy Mondays, the Liboutines and people like that.

36
00:01:53.640 --> 00:01:56.120
Really, I love that you mentioned bands like that, because

37
00:01:56.120 --> 00:01:58.640
I don't think there's any other band here I've interviewed

38
00:01:58.680 --> 00:02:01.599
that would mention those as as their influences.

39
00:02:01.760 --> 00:02:04.359
No, I guess we are right download, but what we

40
00:02:04.480 --> 00:02:06.640
do is quite a very different sort of music to

41
00:02:06.719 --> 00:02:08.400
what I supposed to getting played over here. But I

42
00:02:08.439 --> 00:02:10.599
guess was like A Green Night and the Pistols, and

43
00:02:11.319 --> 00:02:14.000
I suppose they're a bit closer. But I think our

44
00:02:14.000 --> 00:02:16.719
stuff has rooted more in like British stuff and more

45
00:02:16.800 --> 00:02:18.879
like the mod culture and the sort of sixties sing

46
00:02:18.960 --> 00:02:20.080
more than those bands really.

47
00:02:19.960 --> 00:02:22.439
And then that's how I got started in music, as

48
00:02:22.520 --> 00:02:24.960
bands like that, like when I was a kid, and

49
00:02:26.319 --> 00:02:31.159
the Kings, yeah, the Who, of course, the Beatles, of course,

50
00:02:31.439 --> 00:02:35.680
I exactly. Actually it showed my schizophrenic self while I

51
00:02:35.759 --> 00:02:38.960
was a kid, because my room was split exactly down

52
00:02:39.000 --> 00:02:42.240
the middle with posters. This side was the Beatles and

53
00:02:42.319 --> 00:02:43.199
this side was Kiss.

54
00:02:44.080 --> 00:02:48.360
It was Kiss, Yes, Wow, we were just talking about.

55
00:02:48.199 --> 00:02:50.319
Kiss yeah on the way here, because he thought they

56
00:02:50.400 --> 00:02:53.000
were Kiss was more like a kind of download band.

57
00:02:53.120 --> 00:02:54.680
We've got a friend who's must have been to all

58
00:02:54.680 --> 00:02:55.120
the Beatles.

59
00:02:55.199 --> 00:02:55.360
Gear.

60
00:02:55.400 --> 00:02:57.159
I was like saying, well, look his favorite bands Kiss.

61
00:02:57.199 --> 00:02:59.199
He was like, shut, no way, not a chance.

62
00:02:59.560 --> 00:03:00.840
But yeah, you proved it for us.

63
00:03:01.080 --> 00:03:04.159
And do you know that there's a lot of similarities

64
00:03:04.240 --> 00:03:08.120
between the Beatles and Kiss. Kiss actually modeled after the Beatles.

65
00:03:08.639 --> 00:03:11.159
There you go, they like the antithesis, the anti Beatles.

66
00:03:11.680 --> 00:03:13.560
Yeah, I mean, I haven't seen the sort of similarities

67
00:03:13.599 --> 00:03:14.199
in the Clothes yet.

68
00:03:14.240 --> 00:03:16.520
I'll show you the similarities. And it's not the clothes.

69
00:03:16.879 --> 00:03:17.639
It's not the clothes.

70
00:03:18.400 --> 00:03:22.439
Every Beatles song that's written by John and Paul they

71
00:03:22.599 --> 00:03:26.439
both get credit no matter who wrote it. Every song

72
00:03:26.520 --> 00:03:30.280
that was written by Gene or Paul, same thing, and

73
00:03:30.400 --> 00:03:35.240
whoever wrote the songs sang the songs. Think about Ringo,

74
00:03:35.680 --> 00:03:37.719
if he wrote a song, he sang it. George sang

75
00:03:37.759 --> 00:03:40.879
it and same with the kiss. So what so they

76
00:03:41.000 --> 00:03:44.919
kind of pattern that model of the whole band being

77
00:03:45.080 --> 00:03:47.520
involved instead of like one person.

78
00:03:47.680 --> 00:03:48.159
I didn't know that.

79
00:03:48.719 --> 00:03:51.400
See that. You learn something new every day, right, Oh yeah,

80
00:03:51.400 --> 00:03:53.360
I'm learning a lot today. Actually, all right, so I

81
00:03:53.439 --> 00:03:59.639
got another trivia question then? Yeah, So who is the

82
00:03:59.759 --> 00:04:08.080
most famous bassist that was not a bassist and had

83
00:04:08.159 --> 00:04:09.400
to be was forced to be?

84
00:04:09.800 --> 00:04:10.439
Keith Richards.

85
00:04:11.520 --> 00:04:14.800
No, I'll give you a clue. We were just talking

86
00:04:14.879 --> 00:04:15.319
about him.

87
00:04:16.759 --> 00:04:19.079
Well you go, she got it. He's not a bassist.

88
00:04:19.360 --> 00:04:22.639
Now, he was a guitarist and he had to do

89
00:04:22.839 --> 00:04:26.279
bass because you had John and George, and that's why

90
00:04:26.360 --> 00:04:30.000
if you listen to his bass, he plays it like

91
00:04:30.079 --> 00:04:30.560
a guitar.

92
00:04:31.439 --> 00:04:34.360
Yeah, so that melody lines, I guess there you go.

93
00:04:35.279 --> 00:04:39.959
So one story, good or bad in your whole musical journey?

94
00:04:40.879 --> 00:04:41.839
Oh what would it be?

95
00:04:42.839 --> 00:04:45.879
I mean, A great story that keeps on giving is

96
00:04:46.040 --> 00:04:49.439
our collaboration with like the Sex Pistols, our ongoing relationship

97
00:04:49.480 --> 00:04:52.079
with them, So first run into them. I mean we've

98
00:04:52.120 --> 00:04:54.199
done over five hundred gigs a band, so we've been

99
00:04:54.240 --> 00:04:56.879
all over getting into people's faces from the start. But

100
00:04:56.959 --> 00:04:59.240
we were doing these youth benished Bit shows at this

101
00:04:59.360 --> 00:05:02.680
place and Shepherds Bush Cooper Show, and Paul Cook John

102
00:05:02.720 --> 00:05:05.079
with the Sex Pistols showed up and he got on

103
00:05:05.160 --> 00:05:06.800
stage with us playing God Save the Queen.

104
00:05:07.279 --> 00:05:08.720
And so now we're going on tour with them in

105
00:05:08.800 --> 00:05:11.240
America in September, isn't it?

106
00:05:11.839 --> 00:05:11.879
So?

107
00:05:12.040 --> 00:05:13.160
Yeah, that's probably.

108
00:05:12.879 --> 00:05:17.399
An I'll be there, brilliant a nice one from in America.

109
00:05:17.759 --> 00:05:20.120
Florida is where I live, but I won't claim being

110
00:05:20.240 --> 00:05:23.399
from there because it's a little fucking crazy, to be blunt.

111
00:05:23.680 --> 00:05:27.680
Yeah, I couldn't tell, right, Yeah, I mean, yeah, we

112
00:05:28.040 --> 00:05:29.800
definitely will be going to Florida on that tour.

113
00:05:30.040 --> 00:05:31.279
Do you know where? Where are you at?

114
00:05:31.560 --> 00:05:33.439
I don't know. I'm looking at I'll manager Joe to

115
00:05:33.600 --> 00:05:37.720
see if he knows. But Florida, what tour?

116
00:05:38.040 --> 00:05:38.839
What town?

117
00:05:39.360 --> 00:05:39.680
Do you know?

118
00:05:40.319 --> 00:05:43.000
I don't know, we don't know yet. We're I don't

119
00:05:43.040 --> 00:05:44.199
care where it is I'm going.

120
00:05:46.920 --> 00:05:49.839
Yeah, well, yeah, I don't know. But yeah, Florida you're

121
00:05:49.839 --> 00:05:50.519
talking about crazy?

122
00:05:50.959 --> 00:05:56.439
Huh, Yeah, totally, But you know, so it's hot my

123
00:05:56.519 --> 00:05:58.160
whole country right now, to be honest.

124
00:05:59.439 --> 00:06:01.439
Yeah, that's a different conversation really.

125
00:06:01.360 --> 00:06:05.639
That's another conversation for another day. But I want to

126
00:06:05.800 --> 00:06:09.600
ask you, what do you think of Frank Carter doing

127
00:06:09.720 --> 00:06:10.800
the sex Bestors.

128
00:06:11.720 --> 00:06:13.720
Well, I only think positive things about it, because at

129
00:06:13.720 --> 00:06:15.079
the end of the day, the songs that they're singing,

130
00:06:15.120 --> 00:06:18.199
they're youthful songs, and I suppose it's a bit of

131
00:06:18.240 --> 00:06:20.480
a contradiction if you've got a load of old geezer

132
00:06:20.480 --> 00:06:23.120
singing them songs. And it's so I think Frank Frank Carter,

133
00:06:23.360 --> 00:06:25.560
he puts that youthful twist on it, and he I

134
00:06:25.639 --> 00:06:27.560
think he embodies what those songs are.

135
00:06:28.199 --> 00:06:31.279
Se I love that like with how you put that,

136
00:06:31.560 --> 00:06:34.439
because I think it. I think all the older bands

137
00:06:34.480 --> 00:06:36.879
should probably think like that, bring somebody young and so

138
00:06:37.000 --> 00:06:38.279
you can appeal to both.

139
00:06:39.199 --> 00:06:41.399
I mean that's why. I mean, that's why pul Well,

140
00:06:41.480 --> 00:06:42.800
you know, I mustive pull Well a fan. That's why

141
00:06:42.839 --> 00:06:44.920
he never sings in the city, you know, and all

142
00:06:44.959 --> 00:06:46.839
those sort of things, just because they're they're young songs

143
00:06:46.879 --> 00:06:48.720
and you know, you can't sing you know, he's sixty

144
00:06:48.759 --> 00:06:50.920
seven now, you can't sing that like an angry eighteen

145
00:06:50.959 --> 00:06:51.319
year old.

146
00:06:51.959 --> 00:06:54.120
You know. It's so funny you should say that. Because

147
00:06:54.399 --> 00:06:56.680
Joe from the Vandals, who I'm friends with and I've

148
00:06:56.680 --> 00:07:00.639
interview a few times. He always says, like, don't ask

149
00:07:00.759 --> 00:07:02.839
me when the Vandals are coming out with new songs.

150
00:07:02.920 --> 00:07:05.240
Nobody wants to hear a fifty year old writing punk

151
00:07:05.360 --> 00:07:05.959
rock songs.

152
00:07:06.439 --> 00:07:08.279
Well, no, I mean it's like if they can change

153
00:07:08.279 --> 00:07:10.439
the style and adapt to their yeah, you know, adopt

154
00:07:10.480 --> 00:07:12.160
the experiences their ages. But it can never be it

155
00:07:12.160 --> 00:07:14.800
can never truly be authentic. If you just try to know,

156
00:07:15.120 --> 00:07:16.959
recreate something you're doing when you're in your twenties and

157
00:07:17.040 --> 00:07:18.519
when you're in your fifties becauset the end the day,

158
00:07:18.800 --> 00:07:20.319
it could never be true and you won't.

159
00:07:20.160 --> 00:07:22.839
Feel it, no doubt, because it's a different way of thinking.

160
00:07:23.000 --> 00:07:25.639
You've gone through a lot of different life experiences. And me,

161
00:07:26.560 --> 00:07:28.800
I looked up before coming here. That's my highlight of

162
00:07:28.839 --> 00:07:32.120
the whole weekend. It's the Pistols. Okay, after you guys

163
00:07:32.879 --> 00:07:34.800
like their second, you guys are first.

164
00:07:34.920 --> 00:07:35.600
Ohity, But.

165
00:07:37.199 --> 00:07:40.600
I watched the videos with Frank Carter. I'm like, oh

166
00:07:40.759 --> 00:07:43.399
my god, he is so good.

167
00:07:44.000 --> 00:07:45.560
He's fucking mental on stage.

168
00:07:45.639 --> 00:07:48.199
And that's coming from somebody that comes from the old

169
00:07:48.319 --> 00:07:51.959
school time. And I think all the gatekeepers out there

170
00:07:52.000 --> 00:07:55.240
are like, oh, unless it's suit vicious or unless it's

171
00:07:55.319 --> 00:07:58.439
Johnny Rott and it's not the sex pistols. I watched

172
00:07:58.480 --> 00:08:00.160
the videos and I call bullsh it.

173
00:08:01.600 --> 00:08:04.079
Yeah, people say it's karaoke and all the rest of it.

174
00:08:04.199 --> 00:08:07.560
But not to put any dispects John Lynon or whatever.

175
00:08:07.680 --> 00:08:11.040
But you know, I think nowadays Frank Carter would feel

176
00:08:11.040 --> 00:08:13.279
that feel those songs more and that would mean more

177
00:08:13.319 --> 00:08:16.040
to more and more to people than it went to

178
00:08:16.120 --> 00:08:19.160
John Lyden at this point. Definitely, And I think he's

179
00:08:19.199 --> 00:08:21.480
really good and he's he's fucking mental on stage, say

180
00:08:21.680 --> 00:08:23.680
to say the least if it's you're going to talk

181
00:08:23.680 --> 00:08:27.079
about punk or whatever, he definitely carries that punk energy over.

182
00:08:27.079 --> 00:08:28.639
I mean, you know, we've supported him a few times

183
00:08:28.720 --> 00:08:32.120
now in Nottingham, Birmingham and Abberhole and that sort of thing,

184
00:08:32.759 --> 00:08:34.440
and just seeing the way he works the crowd and

185
00:08:34.919 --> 00:08:38.080
sing those songs and just you can totally means it.

186
00:08:38.200 --> 00:08:40.519
And if music is about anything's about honesty, and it's

187
00:08:40.519 --> 00:08:43.639
about media and passion. And your passion has change and

188
00:08:43.840 --> 00:08:45.399
your priorities change when you get.

189
00:08:45.240 --> 00:08:49.799
Older, so absolutely you're on point with that. So speaking

190
00:08:49.840 --> 00:08:53.320
and passions, what are your guys, passions outside of music?

191
00:08:54.960 --> 00:08:57.440
Passions outside of music? I say clothes.

192
00:08:59.440 --> 00:09:01.240
That, Yeah, how about you?

193
00:09:02.159 --> 00:09:05.039
Yeah, Like, I mean, it all goes together when you're

194
00:09:05.279 --> 00:09:08.120
working working in music. It's fashion, it's art, it's cinema,

195
00:09:08.200 --> 00:09:10.279
it's all of it together. So it's just like trying

196
00:09:10.320 --> 00:09:12.840
to draw from as many like influences and many parts

197
00:09:12.879 --> 00:09:13.320
as we can.

198
00:09:14.000 --> 00:09:16.840
Yeah, And when was that moment in time that you're like,

199
00:09:17.159 --> 00:09:18.080
this is what I need to do.

200
00:09:19.519 --> 00:09:21.000
Just as soon as you get into bands, you go,

201
00:09:21.120 --> 00:09:21.759
I want a bit of that.

202
00:09:22.200 --> 00:09:22.799
I'll do that.

203
00:09:22.960 --> 00:09:24.840
And they were lucky enough that we're siblings, so we

204
00:09:24.919 --> 00:09:27.279
live together and it's like it's aper easy for us

205
00:09:27.320 --> 00:09:29.799
to collaborate and we just got on like the circuit

206
00:09:29.879 --> 00:09:31.879
really quickly. We saw bands like every night of the

207
00:09:31.919 --> 00:09:34.240
week because London's got such a scene going on at

208
00:09:34.240 --> 00:09:36.840
the moment as a real zite guys, bands pulling from

209
00:09:36.879 --> 00:09:39.320
all those kind of the same eras that that we are,

210
00:09:39.759 --> 00:09:42.200
and everyone's doing a slightly different take on it. It's

211
00:09:42.200 --> 00:09:43.840
like you're talking about the Beatles before you got bands

212
00:09:44.080 --> 00:09:46.360
pulling from that, people doing more like the grudge thing

213
00:09:46.440 --> 00:09:48.960
going like the mud Honey Nirvana route, people pulling from

214
00:09:49.000 --> 00:09:50.240
like Bowie and Swede and.

215
00:09:50.279 --> 00:09:52.679
That kind of more like adrogynists sort of scene. I

216
00:09:52.720 --> 00:09:53.240
guess you could all.

217
00:09:53.360 --> 00:09:53.679
I love it.

218
00:09:53.799 --> 00:09:56.080
See, it's just really sparring to be around that. It's

219
00:09:56.120 --> 00:09:56.879
really energetic.

220
00:09:57.399 --> 00:09:59.559
I've always loved London for music where I was a

221
00:09:59.639 --> 00:10:03.399
teenage is like my my life goal to go to

222
00:10:03.559 --> 00:10:04.840
London for the punk scene.

223
00:10:05.519 --> 00:10:09.360
You know, Well you where did you live? Are you

224
00:10:09.360 --> 00:10:10.080
still living Florida?

225
00:10:10.159 --> 00:10:10.320
Yeah?

226
00:10:10.360 --> 00:10:12.000
Yeah, yeah, she just down there for the weekend.

227
00:10:12.720 --> 00:10:15.240
Actually, I'm on tour right now, so next I'm going

228
00:10:15.279 --> 00:10:19.519
to hell Fest from here. Oh right, France, And I

229
00:10:19.679 --> 00:10:21.919
just got done with Punk Rock Bowling and Welcome to

230
00:10:22.039 --> 00:10:23.799
Rockville and Sonic Temple.

231
00:10:24.039 --> 00:10:26.399
And do you find there's a lot of different bands

232
00:10:26.519 --> 00:10:28.159
or is it mostly the same so fast?

233
00:10:28.200 --> 00:10:32.200
It depends, It depends. It's different when I come over here. Yeah,

234
00:10:32.279 --> 00:10:35.000
Like in America, every festival it's like the same bands.

235
00:10:35.080 --> 00:10:39.159
It gets old. Here it's always fresh. No matter where

236
00:10:39.320 --> 00:10:41.559
I go, it's always fresh. And that's why I love

237
00:10:41.600 --> 00:10:42.120
about it here.

238
00:10:42.240 --> 00:10:43.519
Well who are you excited to see here?

239
00:10:44.639 --> 00:10:47.799
Well? Yeah, sex Pistols. Second to you guys.

240
00:10:48.200 --> 00:10:49.279
We well we're not playing here.

241
00:10:49.480 --> 00:10:52.320
I know that's why, but I gotta say second to

242
00:10:52.399 --> 00:10:56.240
you guys. Yeah, So CONDI tell everybody how they reach

243
00:10:56.320 --> 00:10:59.320
out to you on socials, on the web, by your

244
00:10:59.440 --> 00:11:01.080
merch all that stuff.

245
00:11:01.480 --> 00:11:03.559
Well, yeah, just just search at the Monotovs anywhere and

246
00:11:03.840 --> 00:11:06.159
you'll find us. If you want Instagram, it's just the

247
00:11:06.240 --> 00:11:09.440
monotov same on Twitter and Facebook or whatever. But but yeah,

248
00:11:09.480 --> 00:11:10.799
you know, if you want to, if you want to

249
00:11:10.840 --> 00:11:13.279
take notice, and do you like all the influencers that

250
00:11:13.320 --> 00:11:17.440
we mentioned earlier, then you might very much like our band.

251
00:11:17.519 --> 00:11:19.120
And if you like what you hear online, then they

252
00:11:19.200 --> 00:11:21.159
see his live so as well.

253
00:11:21.240 --> 00:11:23.399
I mean, we play all the time. I said before,

254
00:11:23.440 --> 00:11:25.679
We've done over five hundred gigs. We can'stantly playing. But

255
00:11:26.320 --> 00:11:28.639
we have got a single out, cool More and More

256
00:11:28.799 --> 00:11:31.039
that was released in March. We've also got another one,

257
00:11:31.120 --> 00:11:33.879
our second single, Today's one Day, coming out next week.

258
00:11:34.399 --> 00:11:36.639
Nice time, so go listen to that as well.

259
00:11:37.080 --> 00:11:39.039
Yeah, everybody go listen to that, or you can't listen

260
00:11:39.080 --> 00:11:39.519
to my show.

261
00:11:40.080 --> 00:11:41.960
Yeah, there's only one thing, so just put that on

262
00:11:42.080 --> 00:11:43.639
repeat the drive, you mad.

263
00:11:44.000 --> 00:11:46.799
I love it well, I love that you guys are here, okay,

264
00:11:47.159 --> 00:11:50.200
and I'll be hanging with you the sex Pistols tonight.

265
00:11:50.919 --> 00:11:52.840
And thanks for being on the Adventures plate Man.

266
00:11:52.960 --> 00:11:58.399
Thank you Dean cheers, Dean, thank you for listening to

267
00:11:58.639 --> 00:12:04.840
the adventures of Patement on w for c Ui Radio.

268
00:12:12.399 --> 00:12:12.600
Yah

PipemanRadio Interviews The Molotovs at Download Festival 2025

Listen On

Featured Episodes

Recent Episodes

Support On