June 25, 2026
Progressive Metal Band Entropist New Single “Intense Warmth,” & New Album, The Vision, drops June 26
Denver, CO progressive metal band Entropist share their new single “Intense Warmth,” as the follow‑up to their debut single “Creation.” Both tracks appear on the band’s upcoming debut full‑length album, The Vision, arriving June 26.
The album’s artwork comes from a hand‑painted canvas by guitarist Solomon’s wife, Shannon Bortfeldt, an impressionist depiction of the story’s opening moments and the emotional weight of its darker themes.
Formed through a decade-long bond, Entropist began in 2013 when guitarist/vocalist Solomon Smith, vocalist Parker Kitching, bassist Jeremy Smith, and drummer Matt Gleason met as college roommates and neighbors in Greeley, Colorado. After years of jamming, drifting apart, and reconnecting during the COVID era, the band solidified its lineup with the addition of guitarist Will Vinson, whose creativity helped elevate the project into its fully realized form.
“The Vision” is a bold, cinematic progressive metal odyssey built on a dual-concept narrative: one story set in a fantastical world of demons, celestial beings, and the void, and another grounded in real-life themes of mental struggle, nihilism, and the search for meaning. Written largely from the perspectives of characters within the story, the album is designed to be experienced from start to finish — with recurring motifs, callbacks, and evolving themes woven throughout.
Musically, the record spans progressive metal, djent, deathcore, metalcore, and post-hardcore influences, while maintaining a cohesive identity. Fans of Between the Buried and Me, Meshuggah, Opeth, and The Contortionist will find familiar touchpoints, yet Entropist’s voice remains distinctly their own. To bring the album’s massive sound to life, the band partnered with acclaimed producer Jamie King, whose work with BTBAM and The Contortionist helped define modern progressive metal. His mixing and mastering elevated the album’s intricate compositions into a unified, powerful whole.
The band’s first single, “Creation,” introduces listeners to the album’s final narrative arc. The track blends bright, triumphant chords, intricate rhythms, soaring vocals, and one of the heaviest breakdowns on the record. Lyrically, it explores themes of building something new, forging meaning, and shaping the world one wants to see. The lyric video showcases the song’s emotional intensity and conceptual depth, offering fans their first immersive step into the universe of “The Vision.”
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Hi, you love done to censure?
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Wow, crazy young.
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This is the pipe Man here on the Adventures of
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Pipe Man W four C Y Radio. And I'm totally
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excited about, you know, talking about this next song that
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I just heard that is absolutely amazing. So let's welcome
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to show Solomon from Entropist. How are you.
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It's good, Dean, how about you?
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I'm doing great, man, And like I'm all pumped up
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from this interview after listening to your song.
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Yeah, glad to hear it, man. Yeah, we're really really
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proud of this thing. Super happy to like finally be
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able to share with the world and whatnot.
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You know what I love about the song. Okay, so
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it's like old school to me in the sense of
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listen to it and for a while, because you know,
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we live in today's society, I'm thinking, hmmm, is that
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an instrumental and then boom it hits you. And that's
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why old school was like that, Like you like, people
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don't have the attention span for that the same amore
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to get through like the progression into you know, it's
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like the build up to me, it's so much better.
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Yeah, that's there's a lot of a lot of really
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paste out music. You know, I do feel like, you know,
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especially in the modern day, that like you know, writing
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an album that's an hour long and having all these
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like crazy songs that like stretch on forever and don't
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use like one or two ideas is like almost irresponsible.
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Even it's really the music that got me here, you know,
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that's the most inspiring songs that I've ever heard, are
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like these ridiculous odyssees with just craziness and technicality that
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also like have a journey, you know, the emotional dynamic
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is just the whole thing to me.
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Please, I mean, good example, not a metal but could
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you imagine Dark Side of the Moon only being five
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minutes the whole album? Right, yeah, that would be weird,
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you know. And so and I love the musicianship part,
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which I think kids today maybe maybe they're getting back
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into it. I heard there it's starting to turn around
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a little bit. But the way these I guess, you know,
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well there you go. You know a lot of these
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streaming services they just want you to keep hitting track
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track track, and I think we are making a turnaround
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to go back to musicianship instead, like because I also
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found out from an artist that they've changed the way
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you're supposed to write songs nowadays, like you know, cut
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out the intro, cut out the solo, cut out the
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bridge only two versus immediately.
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There's no yeah, there's no journey to it, right, Like
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it's really it's because of how music is popular, right,
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And there's always like going to be this dichotomy in
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my head of like, you know, music that people make
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for people to hear and to make money and to
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be played in you know, the coffee shop, in the
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grocery store or whatever else. And then there's music that
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people make for expressive purposes, right, yeah, you know, and
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the expressive stuff can like be anything from serious to
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you know, like you know, limp biscuit. But at the
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end of the day, like I think that what I
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find the most meaning and is the latter category of course,
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you know, like if it has to be like designed
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for TikTok, then like are you really still like you know,
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writing in the same way that you typically would Are
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you trying to write for your audience? You know?
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And that you know, that's always been a problem for
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artists since the beginning and time, and I think it's
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only accentuated now, Like you know, before it was the
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record labels telling the artists how to create music and
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and look and everything else, and now it's TikTok telling you.
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Which to be fair, Like, you know, you can get
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really popular overnight. Honestly. We have a couple of buddies
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of ours who in like a band called Colbal Mountain
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and there they're vocalists, Like does this bit where he's
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like he's wearing a cowboy hat but he's doing he's
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just like death cores vocals right over the top craziness, right,
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you know. And he did like a cover of Toxic,
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like Britney Spears Toxic and like death Course Style on America.
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And then some of the judges were like I'm out immediately,
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right because.
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It's so funny.
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How he was like, I want to see where this goes.
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I love it though, because like, all right, so it's funny.
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I have I have a couple of grandeurs there their swifties, okay,
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And so I played them the aversion, the I Prevail
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version of Blank Spaces, and one of them when we
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went in the house, I caught her. She was in
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her room. She looked it up and she was listening
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to that version I'm like, yes, perfect you you know,
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and you're so right about that because and I think
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metal is never supposed to be the type of music
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that you make for radio, for popularity or whatever. And
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I think pop has its place, like you're saying, like,
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there's pop music for a reason, but not every genre
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has to be pop.
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Yeah, I mean, of course unless it's you know, unless
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we're trying to find music that's intended to be listened
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to but as many people as possible so we can
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actually profits, right, Like, you know, that's that's It's never
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been the priority for me. I've I do want people
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to be able to hear the music and connect with it.
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But that's just because this album means a lot to me.
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It's about, you know, really pivotal time in my life
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that you know, I if it wasn't if it wasn't
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for the other amazing musicians in this world, I wouldn't
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have made it through that. And yeah, you do that
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for one person on this earth, then you know, I
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will have done more than I could hope to with this,
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you know. But it's it's really about a journey of
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finding yourself and finding your place in this world, and
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you know, building something that's you know, that makes you
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feel self actualized and you know that. Yeah, I don't know.
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It's about creating your purpose, right, that kind of thing.
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No, I see, I love it because I'm also a
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motivational speaker. So even the album named the Vision to
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me that I talk about that all the time, you know,
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but it is true also, It's like you know, artists,
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they they are expressing because they're going through something, but
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at the same time, they're expressing because they want other
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people to know they're not alone.
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Mm hmmm, damn straight.
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And that that's what means about to me, music is
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the best therapy. It's therapy for the artists and therapy
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for the listener, and what therapy you get at that
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is up to you. Like that's that's a sign to me.
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That's a sign of a really good song, not one
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that TikTok says is a great song. To me, it's
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that song that you know, basically anybody can They don't
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have to have your meaning, but they put some meaning
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to it and it helps them in their life, you know,
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and they may have a total totally different perception of
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what your lyrics are than the artist, than the artist
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is meaning by them, and that's cool.
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Yeah, that's one of the most amazing things about it, right,
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Like the the experience of listening to it the experience
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of creating it are completely different things, right. You know,
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music is a lot, in a lot of ways, very
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much a language. I think that that isn't I'm not
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unique in using that analogy. But one of the things
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that I think is the most profound about that is
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really that by the time that you've converted the thought
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into language, you've changed it, yeah, a certain degree, and
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then what the other person has heard has also changed
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it yet again, right, because it's within the context of
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their own, you know, their own universe, their own memories,
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their own ideas of what those things mean. Right, And
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so when you start getting into like the abstract concepts
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like these, and when you start getting into the emotional,
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visceral impact of music, then it's just a different world
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for everyone, which.
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Is now And everything you're saying is so spot on,
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And I kind of relate it to speaking a foreign language,
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like you know, like I go to Costa Rica a lot.
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I know Spanish, but I'm in my head, I'm thinking
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in English and then translating it and depending on the
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different countries you would go, it's not going to translate
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the same. Like you know, here in the States, we're
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taught the type of Spanish. It's only spoken Spain. So
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when you go to places like Costa Rica or Columbia
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or anything place like that, they don't. They translate it
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totally different what you're saying because you're not saying the
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way they speak Spanish, you know. And I think it's
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kind of the same thing. It's like, what are what
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you're saying, whether their habits, what's in their head that
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they're associating to whatever you're saying, and you you're trying
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to translate something and it never really comes across exactly.
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Right, yeah, right. I think the way that you realize
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very much that you're still an animal, say, and you know,
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on whatever level it could be, we can we don't
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have to give to the philosophy all that. But one
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of the interesting things thereof is that like try talking
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to somebody who doesn't speak the same language as you,
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and you're back to being animals, right, right, exactly. You
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cannot convey these complex thoughts to one another. You you
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have better ability to communicate because it's the same species,
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right but if you don't actually speak the same language
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as them, then you're one like magical methodology of transmitting
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your thoughts to some body else is gone, and suddenly
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now you're just figuring it out right.
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Like because to that other person, it's like listening to
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a dog bark like dogs communicating no clue what you're saying,
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you know.
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But that's where speaking like Arabic or Chinese and I
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have no chance at like understanding much much more than
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their tone of voice, their inflection expressions right exactly.
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And you know, that's where music is the great communicator,
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because I'm always fascinated by bands going to other countries
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singing in different language and those people may not speak
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the language at all, but they're singing your lyrics back
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to you and they know what it means. And that
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always kind of blows my mind. And that's the cool
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thing about music, because music is universal that straight.
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Yeah, this is one of the really powerful things about.
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It, exactly.
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I that's part of why I wrote this album. Actually,
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there was a lot I felt like I needed to convey,
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and not just to like, you know, the people I knew,
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I needed to convey to the people who spoke this language, right, Like,
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oftentimes I'm asking myself why metal in a certain sense,
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because at the end of the day, metal as a genre,
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like just the sound of it is very harsh. It's intense,
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it's emotionally like gripping in a way that isn't even
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for people like so some people are just going to
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turn it off the second they hear a scream.
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Yeah, totally, you know, which is very fun.
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I was one of them when I was growing up. Honestly,
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I grew up in like, you know, seventies eighties music, right,
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like the Bops, the disco, right Stevie Wonder, that kind
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of thing. And these days then, like you know, screaming
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is just another language I speak in a sense, you know, right, right,
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That's just a way to communicate certain and emotions, certain experiences,
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certain feelings. And also sometimes it's only it's the only
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thing that actually fits musically.
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It is a great way to get all your crap
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out too, because like people don't realize that things like
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the mash pit are not about us hurting each other.
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It's about making sure we don't hurt anybody in the
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outside world and getting all our crap out with it
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with a common person you know that that knows what
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we're thinking and knows what why we're there.
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You know, it's the environment of pure catharsis right. I've
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always referred to the metal concerts as the church for me, you.
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Know, oh, no doubt about it. And the funny thing
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is is I always laugh with a lot of ours
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because we we People think we're such scary people, metal heads,
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and it's like the farthest thing from like, I'll tell
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you a funny story. Uh So I had to cover two,
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Like I go on to our to media coverage of
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festivals all over the US, UK and Europe, and I
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had to cover two in one weekend once. So I
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had this girl that worked for me, she also co
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hosts my show. She was a country girl, never been
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to a rock show in her life, and so I'm like,
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you're gonna have to cover this gig and she was
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a little scared about it because it's it was metal,
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and I'm like, listen, I'm just gonna fill you in
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on something. Metal heads are like one big lovable family.
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You know. The mosh pits aren't about hurting people. In
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fact that we have rules, like somebody falls, you pick
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them up. We're a big community. You go to these
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country shows where there's a bunch of drunk rednecks beating
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the shit out of each other, and you're scared of
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a metal show. And I was like, you're gonna go
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