June 7, 2026

Ted Aguilar of Death Angel at Milwaukee Metal Fest - PipemanRadio Interview

Ted Aguilar of Death Angel at Milwaukee Metal Fest - PipemanRadio Interview
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Pipeman speaks with Ted Aguilar of Death Angel at Milwaukee Metal Fest. We have a lenght conversation discussing the festival and the current tour with Vio-Lence and Incite. Plus we dig deep into sharing stories from the 80s.

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WEBVTT

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Hi, you love lunto censure for Wow, for you young.

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This is the pipe Man here on the Adventures of

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Pipe Man W four c Y Radio. Here at Milwaukee

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Metal Fest. It's raining outside, but thank god this festival

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is inside and we won't get evacuated. Like what happened

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at Welcome to Rockville. And we're here with a band

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that played at Rockville that I just caught at the

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Culture Room in Fort Laurideo and now here they are

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at Milwaukee Metal Fest. Death Angel. How are you?

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I'm doing all right? How are you doing?

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Man? Oh? How could I be bad? We're here at

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a metal festival?

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Man?

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Oh? Totally Milwaukee, the Rave, the good old rave man.

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You know, it is amazing, like the first time ever

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did a festival in Wisconsin. Like I'm a rig from

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Jersey in LA I'm like, what the fuck am I

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going to do in Wisconsin? Until I got here, and

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these metal fans here are fricking insane. I love it.

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Metal fans are diehards man wherever you go.

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You know, it's funny you should say that because I

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meet people and they're like, well, I used to like metal,

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and I'm like, then you never liked metal because there's

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nobody that is a metal head that used.

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To like well, I know a lot of people like

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that were metal was a phase and they get out

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of it. But the true ones, man, they carry it

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on forever. Yeah, exactly, exactly. Mean we all go.

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Through phases in life regardless.

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Then there's people where, like, you know, there's a peak

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of metal where everyone, especially with when the Black Album

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came out, Metallica's by everyone's into metal. Then it dies down,

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you know because of the height. But true metal head

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stick with it.

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See I'm different with the Black Album.

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Oh no, we get amen.

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It's debatable, bro, Let's debate it. I like it. I

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like it now though, but's debate it. Dude. I'm a

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Metallica fan, true and truth was that Metallica's first show

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ever okay in La all right, and so I was

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one of those twenty five original die hard Metallica fans

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that when they came out with them like fucking posers sellouts.

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But it is a great fucking album, you.

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Know what it's I understand from a hardcore fans perspective

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why people don't like the Black Album. I totally get it.

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But it had to be done. I mean even large

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even said it during the Justice tour, like man we

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tapped out, we tapped out. They had to do something different,

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and whether you like it or not, they it was

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their call. It wasn't a record label called. They knew

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they had to do something. And at that time, music

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changes every ten years, remember the seventies. Then you get

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into the eighties and they were writing the eighties and

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they knew, like, we got to do something different musically,

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and if they want to sustain, you have to.

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It's just the nature of the game.

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But I do understand from a hardcore Metallica's fan perspective,

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you know, you know they're sell out.

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I get that.

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But if they would have done another Justice or whatever,

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I don't think they would be as big as they

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would be.

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A lot of like a lot of la thrash bands

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that didn't go to the Bay Area that you don't

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even know who they are today. I mean they were.

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They had good foresight and there were always like five

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steps ahead of everyone else.

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Well, it's funny you should say that too. And before

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I go on with that, I am going to say

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that the difference is I was a teenager when I

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felt that way, and as an adult I get it, yeah,

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And I get it that a musician can't play the

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same album over and over again. You need to expand,

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you need to you know, experiment and really get better

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at your craft. You do, I mean, no matter what.

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As a musician, and when you're especially in metal, you're

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going to get crucified. And judge whether you're going to

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do that if you repeat yourself or you want to expand,

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So what are you gonna do?

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Exactly?

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You're gonna get crucified either way. So I'd rather get

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crucified and expand, and just so you feel happy creatively

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and musically.

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I think we wouldn't be here today if it weren't

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for the Black Album. I don't think so, because you

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wouldn't have the extreme metal going the direction it's gone.

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Yeah, you wouldn't have the people like you know who

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are like who anti Black Album?

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I get it, you know what I mean?

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And it went extreme and you know what, it's all

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good man. Music is subjective, and we're here today. You know,

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some people get it years later, some people don't. And

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it's okay, but you know, all roads lead to here

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exactly exactly.

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Now, I'm going to show you something although I'm kind

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of embarrassed about one thing I'll tell you about. But

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this is my eighties battle vest.

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Wow, dude, well.

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I bring it out during certain interviews to check it out.

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The reason I'm embarrassed is as pretty much every band

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on there except that Angel, I don't know how that happens.

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That's okay, man, that's okay. You know we're one of those.

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Slayer didn't even have a patch yet, so I made

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that up. That's awesome, dude. That's like iron right, like

105
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an iron felt felt in l A. People thought it

106
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was gang Bagger and that was my gang maid. Oh totally, dude.

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It looked like it looked like you're from La Hood, right,

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And I drew all that ship on there. That's true.

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That's that's real deal, right, hey man, that's what we

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did back then, exactly.

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Like I look at some of these other battle vests,

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I'm like, I don't want to buy a pre made

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one because.

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This but that's today. But that's me. But yeah, that's

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that's sign of the times, right. I mean, but now

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you have, you know, options, which is good. You know,

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you just got to adjust to the times. I know that.

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I get it.

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People old school, this should do. But we're not living there.

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But I'm glad, but we're glad we lived it right.

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So, and I agree with you because would I buy

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one of those pre made battle vests if it was cool? Yeah,

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but this is the one that was me is type

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of thing. It even has blood on it from.

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I'll tell you. If there were pre made back then

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people would buy it. But there wasn't. So you had

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to go.

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Exactly, exactly exactly. And so how did it happen that

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you ended up in Death Angel?

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Wow? Good question. Let me go back. I've been a

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fan of theirs for a very long time. My first

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time seeing Death Angel was on the Ultra Violence tour.

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It was a show in San Francisco. It was for

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the Voracious Soul's video shoot. They were shooting video for

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it and they were doing live footage at a show

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and it was ironically, it was with Violence before Eternal

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Nightmare came out. They were under Demo Nice. It was

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in July of eighty seven.

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I just graduated from grade school eighth grade.

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Wow.

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Yeah, And I went to see him.

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I had the Ultra Violence incredible record and I saw

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him on all their tours. I saw him on ultra

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violence for Alic through the park in Act three, I

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saw him, and of course they broke up, and you know,

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Mark went and did his thing. He moved to New

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York the other guys from the organization, and I got

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to know the guys throughout the years.

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And was it.

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In late late nineties early two thousands, Mark came back

151
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to San Francisco, or he was already there, and him

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and Rob and Andy got back together and they formed

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a rock band called Swarm. And at the time, I

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was in a local band. I formed a local band

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with some friends called Sift, and we were doing like

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you know, Alice and Chains neurosis type music, and our

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band and Mark and Rob's band, Swarm would play together

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locally in the San Francisco Bay area at the time.

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We did a lot of shows together.

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And when it was there was the Chuck Billy benefit

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Thrash of the Titans. Yeah, and dath Angel was the

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last band to confirm, and I remember.

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Holy shit thatthing was doing.

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I never thought they'd do it, because those guys said,

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we're done with it, you know, we left, you know,

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we ended it on the high. They went out and

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did all other musical projects and I respected him for that,

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and I remember Rob called me and goes, hey, dude,

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you know, did you hear that dath Angels doing this

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benefit for Chuck Billy?

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And I said, dude, I saw it. I heard about it, dude.

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And I actually to Rob, dude, if you need any

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help loading gear, I'll help you out with your guitars.

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Excuse me, I'll tech for you whatever. I just want

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to see the show fucking Death Angels back together. And

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he actually goes, well, we talk. Everyone's in. But Gus Peppa,

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the original guitar player, he was living at the Philippines

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at the time.

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He goes, he gave us our blessing. He can't do it.

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Do you want to do it with us? Nice?

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Twenty five years later.

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That's kind of how it happens sometimes too, like back

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in the day again, going back to back in the day,

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like you always, I rode for like pretty much every

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band just to hang out, to hang.

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Out and just to get into the shows to for

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free and party or whatever exactly.

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But it's so many people I know that were like

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text and they got their break because somebody left the

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band or they were saying, and then they play and

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it's like, holy shit, Yeah, they're good. Yeah, you know,

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and you know, here we are, and I can tell

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that you're still a major fan of Death Angel told

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hus I watch your tiktoks, okay, and there they tell

195
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me that you're a total Death Angel fan.

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Dude, I'm a fan, man, That's true.

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That's the difference I think between metal bands. And I'm

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not talking about commercial but metal like thrash bands, stuff

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like that. Is every musician pretty much is a fan first,

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fan first, man, exactly, fan first. I still get giddy.

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When we play certain songs. I go, oh shit, dude,

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it's pretty cool, you know, right. I remember when you

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guys played this on this show and this and that.

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You know, how does it feel doing the whole act three?

205
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It's great?

206
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Man, that's it's It's my favorite Death Angel record for

207
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the fact that, I mean, I love all.

208
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The records I've been on. Don't get me wrong.

209
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It's just being biased if I say that, I have

210
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to remove myself from the equation rights.

211
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It's an album.

212
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When it came out, it was different, very different, very diverse.

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They were that album. They here's how I look at it.

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Ultra Violence came out. It was all thrash, you know,

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I mean, great album Frolics through the Park came out

216
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and you could kind of tell the trying.

217
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To find themselves.

218
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They were really like pushing the boundaries and pushing the

219
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envelope per se, like what are we doing here? Then

220
00:10:09.120 --> 00:10:10.879
when the Act three came out, it was like this

221
00:10:11.000 --> 00:10:13.480
is our style, Like this is Death Angel. They were

222
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able to mix. You know, they still had the foundation

223
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of ultra violence, but they were able to mix like

224
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stuff like Room of the View, Veila Deception, and you

225
00:10:21.559 --> 00:10:24.799
had like hard rock songs like the Organization, you have

226
00:10:24.919 --> 00:10:29.159
this you know, epic tune of like Discontinued. It's a

227
00:10:29.200 --> 00:10:32.639
well written album, well produced and it just came out

228
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at a time where I totally relate to it. Yeah,

229
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I mean.

230
00:10:35.960 --> 00:10:39.320
Totally, and I agree with everything you're saying, Like it

231
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goes again to expanding getting better at your craft. And

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like when I saw you guys at the Culture Room,

233
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because it's different than seeing a f festival. Now you're

234
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seeing your real show. Yes, and I was like, this

235
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is fucking killer because it was like doing Act three,

236
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it was like going to multiple concerts because it's so

237
00:10:58.639 --> 00:11:00.960
some of the songs are so different yeah.

238
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That's sort of like variety, you know sometimes, and you

239
00:11:03.919 --> 00:11:08.639
know there's bands out there who just you know, Exodus

240
00:11:08.639 --> 00:11:09.200
for example.

241
00:11:09.279 --> 00:11:09.960
I love the band.

242
00:11:09.960 --> 00:11:12.759
They're just straight brutal, you know, and that's their style

243
00:11:12.799 --> 00:11:14.720
and they're good at it and I love it, you know,

244
00:11:14.799 --> 00:11:15.919
and everyone has their thing.

245
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I like variety.

246
00:11:17.360 --> 00:11:19.080
And you know, when I saw Death in July back

247
00:11:19.080 --> 00:11:21.240
in the day, they busted out the acoustics, they bust

248
00:11:21.240 --> 00:11:23.159
it out right, all this different stuff where you're like,

249
00:11:23.159 --> 00:11:25.720
fuck yeah, and I'm into that stuff. That's my you know.

250
00:11:25.840 --> 00:11:28.960
I love pop music, I love all that stuff. I

251
00:11:29.000 --> 00:11:31.200
love acoustic music. And these guys knew how to blend

252
00:11:31.240 --> 00:11:33.440
it well with and make it their own.

253
00:11:33.720 --> 00:11:36.039
And I love hearing that too, because most people think

254
00:11:36.080 --> 00:11:38.519
metal heads only listen to metal, No man.

255
00:11:38.480 --> 00:11:40.559
I mean we I mean, of course, it's our forte.

256
00:11:40.759 --> 00:11:42.279
You know, we love it because we grew up on it,

257
00:11:42.320 --> 00:11:45.559
we started playing it. But we you know, everyone in

258
00:11:45.639 --> 00:11:49.240
the band has an eclectic taste in music.

259
00:11:49.720 --> 00:11:53.200
You know, it ranges a lot and it does bleed in,

260
00:11:53.480 --> 00:11:55.960
you know what I mean. And that's what that's what

261
00:11:56.039 --> 00:11:59.519
I love about old school, especially thrash metal, compared to

262
00:11:59.759 --> 00:12:02.519
some of it today, where they kind of use like

263
00:12:02.559 --> 00:12:05.879
an algebraic equation to make metal, whereas back then it

264
00:12:05.960 --> 00:12:09.440
was just whatever whatever we feel like playing, And none

265
00:12:09.480 --> 00:12:13.360
of the thrash bands sounded the same exactly. I agree

266
00:12:13.399 --> 00:12:13.720
with you.

267
00:12:13.799 --> 00:12:16.320
I mean, there's nothing against the metal bands of today,

268
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and the good thing about it is there's a lot

269
00:12:18.320 --> 00:12:19.320
of them.

270
00:12:19.279 --> 00:12:23.240
Maybe a little too much. Sometimes that's over that's probably why.

271
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And and they're keeping it alive, you know. I mean,

272
00:12:27.639 --> 00:12:30.240
they're carrying the torch. But I grew up in a

273
00:12:30.279 --> 00:12:36.399
time where you know, thrash metal. Anthrack sounded different from Overkill,

274
00:12:37.039 --> 00:12:38.799
that Angels sounded different from Testament.

275
00:12:38.799 --> 00:12:41.759
They have their own sound, but it was thrash, you know.

276
00:12:41.840 --> 00:12:43.840
Of course they were all influenced by the new wave

277
00:12:43.840 --> 00:12:47.200
of British heavy metal and punk rock, and of course Metallica.

278
00:12:47.240 --> 00:12:50.879
Everyone's influenced by Metallica and Exodus, right because they were

279
00:12:50.960 --> 00:12:54.600
like in the forefront. But everyone just says we want

280
00:12:54.759 --> 00:12:58.399
that aggression, but our style exact like for example, like

281
00:12:59.080 --> 00:13:01.559
Mark doesn't sound like Chuck Billy, Chuck Billy doesn't sound

282
00:13:01.559 --> 00:13:04.440
like Sean Killian, and no one sounds like Zetro, you know.

283
00:13:05.159 --> 00:13:09.840
And my gripe about today's metal and this is just

284
00:13:09.919 --> 00:13:12.720
me and it's no dish to these bands.

285
00:13:12.759 --> 00:13:16.200
I can't tell who from who? Oh listen, I go

286
00:13:16.279 --> 00:13:19.600
through a lot of concerns. You got these sub microjnre

287
00:13:19.639 --> 00:13:24.000
exactly so specific. That's why I say like an algebraic

288
00:13:24.000 --> 00:13:27.120
equation or using a formula to make metal music. Yeah,

289
00:13:27.440 --> 00:13:30.759
to me, metal was always experimentation. Yeah, and I.

290
00:13:30.720 --> 00:13:34.799
Mean and I think metal nowadays there's some incredible players

291
00:13:34.799 --> 00:13:36.960
like oh my god, they could run circles around this

292
00:13:37.120 --> 00:13:40.320
and they're very talented. Where then it's just like you

293
00:13:40.440 --> 00:13:43.000
figured out your instrument together as a band, let's write

294
00:13:43.039 --> 00:13:45.759
song as I do covers, like you're figuring it out together.

295
00:13:46.320 --> 00:13:50.080
Where in this day and age, and again there's no

296
00:13:50.240 --> 00:13:54.399
disc because there's amazing musicians out there, incredible like, oh man,

297
00:13:54.480 --> 00:13:56.559
I wish I could do it. But what's in the

298
00:13:56.600 --> 00:14:00.120
water today that you could run circles around everyone? But

299
00:14:00.200 --> 00:14:03.159
you know it's just the YouTubers and the influencers or whatnot.

300
00:14:03.159 --> 00:14:05.639
Where then it's just like you had to figure out

301
00:14:05.679 --> 00:14:07.480
you had to be a band together. You know, there's

302
00:14:07.480 --> 00:14:10.559
something about being in a room together with everyone learning

303
00:14:10.600 --> 00:14:13.440
from each other, bouncing ideas instead of you know, you're

304
00:14:13.480 --> 00:14:16.759
all by yourself. Then you finally join the band and

305
00:14:16.799 --> 00:14:18.919
you're so used to being by yourself you don't know

306
00:14:18.960 --> 00:14:21.240
how to click with another musician.

307
00:14:21.320 --> 00:14:21.799
You know what I mean.

308
00:14:22.600 --> 00:14:23.039
I love it.

309
00:14:23.120 --> 00:14:24.639
That's the organic way back then.

310
00:14:24.679 --> 00:14:26.320
It's just like you get in a room, let's play,

311
00:14:26.360 --> 00:14:28.639
and you go home and you keep playing, you write,

312
00:14:28.679 --> 00:14:29.159
you come back.

313
00:14:29.200 --> 00:14:30.759
Hey, guys, I got this idea, and you work on

314
00:14:30.840 --> 00:14:33.039
it together. Now, I mean pros and cons.

315
00:14:33.039 --> 00:14:35.440
There's pros and cons to everything, like anything, Like anything

316
00:14:35.519 --> 00:14:37.879
in life. You have the technology where you could write

317
00:14:37.919 --> 00:14:39.960
riffs and show send it to somebody, they learn it,

318
00:14:40.000 --> 00:14:42.840
and you can record, but you still got to get

319
00:14:42.840 --> 00:14:44.000
in a room about that.

320
00:14:44.240 --> 00:14:45.360
There's a synergy there.

321
00:14:45.399 --> 00:14:49.360
Yeah, there's a synergy where a human contact. You get

322
00:14:49.360 --> 00:14:52.200
to see someone's face, how they feel about it, what

323
00:14:52.240 --> 00:14:56.639
they contribute, and maybe the disagreements or whatever. You know.

324
00:14:57.600 --> 00:15:01.039
I agree totally. Well, you got a badass. I'm so

325
00:15:01.080 --> 00:15:03.039
happy I got to see you, like three weeks.

326
00:15:02.799 --> 00:15:03.279
In a row.

327
00:15:03.399 --> 00:15:06.480
Thank you, thank you, and thanks for being on the

328
00:15:06.480 --> 00:15:07.440
Adventures of Pipe Man.

329
00:15:07.600 --> 00:15:10.759
No, thank you, man. I can love having chit chats

330
00:15:10.759 --> 00:15:14.519
and you know, conversations. I think all interviews should just

331
00:15:14.559 --> 00:15:15.480
be a conversation and.

332
00:15:15.519 --> 00:15:18.679
The scripted you know what I mean, agreed on. I mean,

333
00:15:18.799 --> 00:15:22.360
so it just makes it more comfortable, you know exactly,

334
00:15:22.480 --> 00:15:24.200
and it takes a life of its own, it does.

335
00:15:24.320 --> 00:15:27.360
You don't even go anywhere exactly. I could go anywhere,

336
00:15:27.759 --> 00:15:27.960
you know.

337
00:15:28.039 --> 00:15:30.639
And we're stoked to you know that we have people

338
00:15:30.679 --> 00:15:33.200
like you who are into it that we do want

339
00:15:33.240 --> 00:15:36.200
to interview us. It's like, and are into the music.

340
00:15:36.279 --> 00:15:39.320
And you know, I love hearing stories. We love hearing stories.

341
00:15:39.360 --> 00:15:42.279
Like you said, like you're from back in the day. Yeah,

342
00:15:42.399 --> 00:15:43.840
and I'm from back in the day as well. We

343
00:15:43.840 --> 00:15:45.000
could exchange stories.

344
00:15:45.159 --> 00:15:45.399
I know.

345
00:15:45.440 --> 00:15:48.200
We could sit here all day. Probably we can do

346
00:15:48.240 --> 00:15:50.200
another ten minutes if you want. I got time, bro,

347
00:15:50.320 --> 00:15:50.840
you know we can.

348
00:15:51.360 --> 00:15:52.799
I got Sean waiting for me.

349
00:15:52.879 --> 00:15:56.840
Now that Sean k yes here, you can bring this

350
00:15:57.000 --> 00:15:57.480
up to Sean.

351
00:15:58.799 --> 00:15:59.720
We have a history.

352
00:16:00.399 --> 00:16:02.919
Not only does he have a history with you know,

353
00:16:03.120 --> 00:16:06.879
Death Angel. Then because me and Will Carroll are band.

354
00:16:06.960 --> 00:16:10.080
We had a band in the eighties, late eighties early

355
00:16:10.159 --> 00:16:13.240
nineties called Warfare DC, and Sean Killian produced one of

356
00:16:13.240 --> 00:16:15.240
our demos, Nice, so we have that.

357
00:16:15.360 --> 00:16:15.559
You know.

358
00:16:15.639 --> 00:16:18.399
This is when Oppressing the Masses came out and We're

359
00:16:18.519 --> 00:16:20.000
huge Violence fans too. Man.

360
00:16:20.039 --> 00:16:22.320
We're like, dude, Sean's producing our demo.

361
00:16:22.759 --> 00:16:25.759
And the story is like, Sean produced our demo and

362
00:16:25.840 --> 00:16:28.720
we were young kids. Man, we didn't have equipment. Phil

363
00:16:28.799 --> 00:16:30.440
Demo lent me his guitar wo.

364
00:16:30.720 --> 00:16:33.399
Rob Flynn lent me his half stack wow. And Sean

365
00:16:33.559 --> 00:16:34.200
was guiding us.

366
00:16:34.200 --> 00:16:36.360
We were just teenagers in a like, Dude, we're in

367
00:16:36.360 --> 00:16:39.840
a real studio with Sean Killian like producing, and there's

368
00:16:39.840 --> 00:16:41.759
a long story to cut the you know, make a

369
00:16:41.759 --> 00:16:46.080
long story short. Like after the recording sessions, Sean goes,

370
00:16:46.120 --> 00:16:47.879
you could stay at our you could stay at my place,

371
00:16:47.919 --> 00:16:49.320
and he made a spaghetti and.

372
00:16:49.600 --> 00:16:51.879
You know, we were just kids going, fuck, dude, this

373
00:16:52.039 --> 00:16:52.440
is cool.

374
00:16:52.480 --> 00:16:54.679
And you know, and now we're touring with Seawn and

375
00:16:55.519 --> 00:16:57.120
I go a long way with Sean, and I love

376
00:16:57.159 --> 00:17:00.440
Sean and I'm glad he's still doing it. Lens is

377
00:17:00.440 --> 00:17:03.240
a great band totally. You know. My favorite album is

378
00:17:03.240 --> 00:17:05.640
Oppressing the Masses, and I always teach them, Hey, man,

379
00:17:05.640 --> 00:17:08.039
when you're gonna play mentally Afflicted, dude, that's my favorite song.

380
00:17:09.359 --> 00:17:12.200
Like again, dude, I'm a fan first, dude. That's the

381
00:17:12.240 --> 00:17:14.200
way it should be fanned first. And that's why I

382
00:17:14.200 --> 00:17:16.440
love bands like you, because that's what it's about.

383
00:17:16.559 --> 00:17:16.839
Dude.

384
00:17:16.880 --> 00:17:18.799
I still you know when we go tour Europe in

385
00:17:18.839 --> 00:17:21.640
the festivals, when we you know, we did some shows

386
00:17:21.680 --> 00:17:24.559
with Creator and I talked to Milla. I'm like, I

387
00:17:24.599 --> 00:17:26.759
bought Pleasures to Kill at the Record Vault in San

388
00:17:26.799 --> 00:17:30.039
Francisco when it came out. Dude, I bought Flag of Hate.

389
00:17:30.559 --> 00:17:32.960
I fucking you know, we saw you at the shone

390
00:17:33.000 --> 00:17:35.160
with Corner. You know what I mean, we were there,

391
00:17:35.160 --> 00:17:35.680
we were.

392
00:17:35.519 --> 00:17:35.960
In the pit.

393
00:17:36.039 --> 00:17:38.400
He was like, ohh so I still geek out. Same

394
00:17:38.440 --> 00:17:41.640
with like Sepultura. Like when I talked to Andreas and

395
00:17:41.720 --> 00:17:44.880
Paulo separately from Max and Igor, he goes, hey, do

396
00:17:44.920 --> 00:17:46.880
you remember that show when you guys played with Ministry

397
00:17:46.880 --> 00:17:49.319
and Helmet. It was like close to New Year's even

398
00:17:49.319 --> 00:17:51.400
San Francisco. Bill grahams, if you go, yeah, we remember,

399
00:17:51.440 --> 00:17:51.680
I go do?

400
00:17:51.839 --> 00:17:52.400
I was there.

401
00:17:52.759 --> 00:17:54.799
I was there when you fucking came, you know with

402
00:17:54.839 --> 00:17:57.400
Fudge Tunnel. I mentioned all the shows I was in there,

403
00:17:57.400 --> 00:17:59.920
Like whoa, I'm a fan first, dude, I get gear,

404
00:18:00.440 --> 00:18:03.839
especially now that I know these people as peers and friends. Yeah,

405
00:18:03.920 --> 00:18:07.240
that fan people still comes out you know you're man.

406
00:18:07.720 --> 00:18:09.640
And that's what makes you great. I love it. Yeah,

407
00:18:09.839 --> 00:18:14.400
when when when the fan thing is overstopped? Right, If

408
00:18:14.400 --> 00:18:17.440
you're not having fun in this business, it's the wrong business,

409
00:18:17.960 --> 00:18:18.200
you know.

410
00:18:18.519 --> 00:18:20.640
And you know, as we get older, and you know,

411
00:18:20.799 --> 00:18:24.039
with long tours and you know whatnot you know, with

412
00:18:24.519 --> 00:18:26.960
of course a lot of people passing, as we know,

413
00:18:27.359 --> 00:18:31.160
Phil Campbell, who else, you know, the list goes on. Yeah,

414
00:18:31.200 --> 00:18:33.240
there's a lot of people passing. I look at us.

415
00:18:33.279 --> 00:18:36.200
Every day above ground is a good day, yeah, you know,

416
00:18:36.480 --> 00:18:39.160
and don't waste those days. Don't waste those days. And

417
00:18:40.359 --> 00:18:43.319
of course you're away from your loved ones, but try

418
00:18:43.319 --> 00:18:44.519
to enjoy yourself, you know.

419
00:18:44.720 --> 00:18:45.920
I embrace everything.

420
00:18:46.000 --> 00:18:48.200
Yeah, it could be hard on the tour, but it's

421
00:18:48.279 --> 00:18:52.039
hard no matter what job you're not lack of a

422
00:18:52.039 --> 00:18:56.720
better word, job, no matter what you're doing in any industry,

423
00:18:56.799 --> 00:19:00.839
it's gonna be hard. But we we have a great

424
00:19:01.519 --> 00:19:04.279
job to do. We love playing music, We love playing

425
00:19:04.279 --> 00:19:07.119
the people who come and all the fans.

426
00:19:07.200 --> 00:19:09.240
We just did a meet and greet. I enjoy it.

427
00:19:09.400 --> 00:19:13.079
I love seeing I look at them like man, if

428
00:19:13.160 --> 00:19:14.640
I was able to do a meet and greet like

429
00:19:14.640 --> 00:19:16.680
that with you know, like with all these bands.

430
00:19:16.680 --> 00:19:19.359
If they did it, oh man, I would so totally

431
00:19:19.400 --> 00:19:22.720
do it, you know. Nice, And it's it's cool to

432
00:19:22.720 --> 00:19:23.720
see the people their.

433
00:19:23.680 --> 00:19:25.960
Smiles on their faces. I get a kick off it. Man.

434
00:19:26.119 --> 00:19:30.640
It's I'm grateful, I'm blessed, we're appreciative, we're just so

435
00:19:30.759 --> 00:19:32.960
stoked to be here. Like it can be taken away

436
00:19:33.000 --> 00:19:36.319
at any time. Yeah, So enjoy the moment, and you know,

437
00:19:36.400 --> 00:19:38.319
you take the bad with the good, like you know,

438
00:19:38.359 --> 00:19:40.240
I'll quote a few things like, you can't enjoy the

439
00:19:40.240 --> 00:19:41.200
sunshine without.

440
00:19:41.039 --> 00:19:44.039
The rain, man, that's so true, right. I love that you.

441
00:19:44.000 --> 00:19:46.400
Can't enjoy the sunshine without the rain. But if you

442
00:19:46.440 --> 00:19:48.759
want the rain, you got to deal with the mud.

443
00:19:48.599 --> 00:19:51.880
Too, That's right, you know what I mean. So it's

444
00:19:52.000 --> 00:19:52.920
raining out.

445
00:19:53.319 --> 00:19:55.880
It sucks rain, But hey, we're playing a metal fest, man,

446
00:19:55.920 --> 00:19:59.680
and there's inside and there's people here who not only

447
00:19:59.680 --> 00:20:03.000
come but all these bands, yeah, who have traveled a

448
00:20:03.000 --> 00:20:03.400
long way.

449
00:20:03.519 --> 00:20:05.559
So go out there and treat it with respect.

450
00:20:05.599 --> 00:20:05.799
Man.

451
00:20:06.119 --> 00:20:07.039
Yeah, on the best show.

452
00:20:07.079 --> 00:20:10.160
You can know that people come a long way, paid

453
00:20:10.160 --> 00:20:11.480
money and they're stoked to see it.

454
00:20:12.519 --> 00:20:13.680
Let's go out there and enjoy it.

455
00:20:13.720 --> 00:20:16.240
And I'd like to say that to everyone not only

456
00:20:16.279 --> 00:20:20.920
in music, sports acting. You know, if you're a color away,

457
00:20:21.359 --> 00:20:25.079
no matter what you do, man, you know, because the

458
00:20:25.119 --> 00:20:28.160
world's crazy nowadays, no matter what side you're on. So

459
00:20:28.240 --> 00:20:29.880
the best thing we could do to make it better

460
00:20:30.200 --> 00:20:31.839
is through music exactly.

461
00:20:31.880 --> 00:20:34.240
That's where we stand united. That's where we stand united.

462
00:20:34.279 --> 00:20:35.839
And we just keep it that way, you know what

463
00:20:35.839 --> 00:20:37.920
I mean. Leave all your problems out the door when

464
00:20:37.960 --> 00:20:41.640
you're in this room at the Rave, at the Eagles Ballroom,

465
00:20:42.160 --> 00:20:44.480
leave everything out the door. Let's have a good time,

466
00:20:44.559 --> 00:20:47.680
Let's enjoy music, Let's enjoy each other. When the night's over,

467
00:20:48.440 --> 00:20:50.960
take your problems, go home with it and whatever. But

468
00:20:51.359 --> 00:20:53.559
today is the time to enjoy music and unity.

469
00:20:54.559 --> 00:20:56.519
Those are great words, and I love it and it's

470
00:20:56.640 --> 00:20:58.839
what I'm all about. And that's why we're here. That's why.

471
00:20:58.880 --> 00:20:59.960
That's why guys are bad.

472
00:21:00.440 --> 00:21:02.319
Thank you, man, thank you.

473
00:21:01.960 --> 00:21:03.200
No, thank you for this interview.

474
00:21:03.240 --> 00:21:06.039
Man. Like I said, I you know, not only me

475
00:21:06.079 --> 00:21:08.359
and I speak for the rest of the band. We

476
00:21:08.440 --> 00:21:11.160
love meeting people, we love meeting fans, we love meeting

477
00:21:11.200 --> 00:21:14.599
the press. Because you know, you took your time out

478
00:21:14.640 --> 00:21:17.960
of everyone, you picked us one of many to interview,

479
00:21:18.559 --> 00:21:22.039
and we just love sitting down and talking like this. Man,

480
00:21:22.079 --> 00:21:30.039
nothing is scripted, nothing like you know, I could exactly exactly.

481
00:21:30.200 --> 00:21:32.799
Man. Damn Spitz is one of my best friends, and

482
00:21:33.240 --> 00:21:35.359
he's like, I wish when we were on tour that

483
00:21:35.480 --> 00:21:37.880
people would have asked me what skin condition I use

484
00:21:37.920 --> 00:21:41.319
on tour because I'm so sick of all the other questions.

485
00:21:40.799 --> 00:21:43.319
You know, and because I'm because I'm a fan of

486
00:21:43.359 --> 00:21:46.680
like podcasts where people just Joe Rogan off the cuff.

487
00:21:47.200 --> 00:21:49.960
That's what makes it, you know, and then people go, man,

488
00:21:50.039 --> 00:21:54.000
but it's not edited, it's not scripted, and that's where

489
00:21:54.000 --> 00:21:56.519
I go real, where I go for real when it's

490
00:21:56.559 --> 00:21:59.559
scripted and editing you can tell. I don't know, but yeah,

491
00:21:59.640 --> 00:22:01.559
interview like this, I have a great time, man, So

492
00:22:01.640 --> 00:22:04.039
thank you for having us. Man, hope you enjoy the

493
00:22:04.039 --> 00:22:04.559
show today.

494
00:22:04.680 --> 00:22:07.400
I will, and we'll have to do this again on

495
00:22:07.440 --> 00:22:10.319
a remote where we will have time to change. Oh, dude,

496
00:22:10.759 --> 00:22:12.680
trade stories because I got lots of them too.

497
00:22:12.680 --> 00:22:14.160
I got a lot of them too, and we can

498
00:22:14.240 --> 00:22:15.759
debate and taco all you want.

499
00:22:15.839 --> 00:22:18.319
Dude, there it is. I'm still There's still one of

500
00:22:18.319 --> 00:22:21.599
my favorite bands. So it was just that small blipping time.

501
00:22:21.640 --> 00:22:21.759
Now.

502
00:22:21.759 --> 00:22:23.680
I was like, fuck, them. I get it.

503
00:22:23.759 --> 00:22:27.119
But but here's the thing. They evolved much faster than

504
00:22:27.200 --> 00:22:30.279
we did. Yeah, and we were still stuck on that thrashboard.

505
00:22:30.279 --> 00:22:32.680
They were ahead the forward thinkers.

506
00:22:33.000 --> 00:22:35.079
Yes, and they're still thrash. I mean you take their

507
00:22:35.160 --> 00:22:39.079
latest albums and they're thrash. That's old school Metallica too,

508
00:22:39.160 --> 00:22:45.079
but with better production, musicianship production, everything. Even James says

509
00:22:45.480 --> 00:22:47.759
he hates the way he's sang back then. I love

510
00:22:47.799 --> 00:22:48.160
the way he.

511
00:22:48.200 --> 00:22:50.599
Said, love it, but I see it from his standpoint, right,

512
00:22:50.680 --> 00:22:55.960
I do standpoint, But I'm looking at it as like, man,

513
00:22:56.119 --> 00:22:59.759
come on, dude, it's it's not nineteen eighty six no more. Dude,

514
00:23:00.079 --> 00:23:02.880
can't recreate them that moment in time, exactly, that moment

515
00:23:02.880 --> 00:23:04.880
in time. And I tell people, if you want that

516
00:23:04.920 --> 00:23:07.319
moment in time, go listen to the records or.

517
00:23:07.279 --> 00:23:10.039
Go watch a bootleg. And that's true.

518
00:23:10.119 --> 00:23:13.400
And you know what, all these bands, there's there's no

519
00:23:13.799 --> 00:23:15.960
there's not going to be an Iron Maiden Metallica. Do

520
00:23:16.039 --> 00:23:19.960
you just appreciate anymore? These headliners, the Aerosmiths and the whatever.

521
00:23:20.599 --> 00:23:23.799
So enjoy them now, man, appreciate them now, and just

522
00:23:24.079 --> 00:23:26.240
because they're not going to be around forever man true.

523
00:23:26.720 --> 00:23:30.119
Well, you guys kill it here at Milwaukee Metal Fast

524
00:23:30.240 --> 00:23:35.039
and we'll talk again soon. Totally thank you for listening

525
00:23:35.240 --> 00:23:40.200
to the adventures of plate Man. I'm W for c

526
00:23:40.440 --> 00:23:41.759
u I Radio.