May 14, 2025
Kurt Cobain Unplugged – The story behind one of music’s most iconic guitars nomusic
One of the most famous acoustic guitars in rock history – Kurt Cobain’s Martin D-18E – will go on show at the Royal College of Music Museum in London as part of a landmark exhibition exploring Nirvana’s groundbreakingMTV Unpluggedperformance. Opening on 3 June 2025, theKurt Cobain Unpluggedexhibition will be the first time Cobain’s iconic guitar has been shown in the UK. Booking forKurt Cobain Unpluggedopens on Wednesday, 30 April. Visitors canjoin the waitlistto be among the first to know when tickets go on sale and receive updates and event highlights related to the exhibition.
Kurt Cobain Unpluggedexhibition delves into the musical legacy of Nirvana and Kurt Cobain. It traces the remarkable journey of this iconic guitar, which became the most expensive guitar ever sold at auction in 2020 when it was bought for over $6 million by Australian entrepreneur Peter Freedman AM. Peter is the founder of RØDE Microphones, founding supporter of the Royal College of Music’s Australia Commonwealth Scholarship and has generously loaned the guitar for this special exhibition.
Peter Freedman commented: ‘When I purchased this guitar, my intention was to have it begin a worldwide tour of exhibitions, to support performing artists. I am delighted that this intent will be premiered at the Royal College of Music, London, with the first exhibition of its kind and will support talented musicians worldwide.'
The exhibition also reunites the guitar with another piece of rock history – Cobain’s famous olive-green mohair cardigan, worn during the 1993Unpluggedperformance. This marks the first time these two legendary items have been displayed together.
Alongside these items, a carefully curated selection of Nirvana memorabilia will provide insight into the band’s influence, Cobain’s songwriting, and the enduring legacy of Nirvana and theirMTV Unpluggedperformance. Key highlights of the exhibition also include:
- A selection of Nirvana gig posters featuring a 90s punk/grunge aesthetic.
- A selection of collectible Nirvana vinyl in its original shrink wrap.
- The top portion of a Soundboard of another guitar from the same series.
Alan Di Perna says, ‘I’m delighted to be a part of the Royal College of Music Museum’s first-ever rock music exhibition. MTV’sNirvana Unpluggedin New York was a landmark event—a stand-out performance by a group that changed the course of rock history in the 1990s.’
Gabriele Rossi Rognoni hopes theKurt Cobain Unpluggedexhibition will extend the profile and reach of the work of the Museum and Royal College of Music, opening cross dialogues with students of different backgrounds and creating bridges between historical and contemporary music. He says: ‘One of the treasures in the collections of the Royal College of Music Museum is the world’s oldest guitar. I am thrilled that this exhibition will build on our extraordinary heritage, connecting it with a monument of today’s music such as Kurt Cobain. I look forward to the dialogues, musical encounters and new ideas that this exhibition will spark among our visitors and the top-class musicians that study at the College.’
A series of events will accompany the exhibition including new works and performances by RCM students inspired by the guitar alongside family friendly workshops and concerts....
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Hi, you love then too? Yes, that's sure. Why Crazy
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youngro Whacome of America. It's time for the Adventures of
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pipe Man on W four C.
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Why do com list poon Beats is number one internet
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radio station.
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Here's your host, the pipe Man.
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This is the pipe Man here on the Adventures of
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pipe Man W four C Y Radio. And I'm here
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with our next guest. And we have something very exciting
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to talk about. And this person is legendary, a legendary journalist.
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I don't know how I always get to interview all
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the coolest journalists and radio personalities, but it is kind
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of cool to do. And this one here, well, I'll
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let him tell his story. But he's been around forever
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and is iconic, and we have something very cool to
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talk about. So let's welcome to the show. Alan Deperna.
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How are you.
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I'm fine. How are you, Jan?
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I'm doing great. So let's start off with let's tell
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the listeners a little bit about yourself for people that
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don't know you, like, you know, basically your elevator explanation
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of what you've done for so many years for the
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music industry and journalism.
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Okay, yeah, so I've been I've been kicking around for
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a long, long year. I started. I started writing as
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a professional journalist in nineteen eighty I was living in
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New York at the time, playing in a playing in
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a new romantic synth band, and needed a day job.
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So I got a job on a magazine called Music
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Sound Output, and journalism became my career. I shifted to
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LA in nineteen eighty three. I started freelancing and we're
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working as that as a contractor for lots of publications
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rolling Song Cream, Billboard, Guitar World, Guitar Player, a lot
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of guitar mags, and I've been blessed to interview so
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many legendary artists, David Bowie, Keith Richards, Pete Towns and
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Ray Charles. The list goes on and on, including everybody
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from Nirvana except for Kirk Cobain unfortunately, but he was
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going so quickly. But I've had opportunities to debut Dave Grohl,
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Pat Smear, Christen o Oselk and Fortney Love as well.
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Wow.
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So the museum part of my career begins. Around two
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thousand and eight, I saw that the Internet was starting
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to detimate the music industry, and then the print journalism
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game so I started to see if I could work
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with music related museums. The first thing I did was
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text for the Grammy Museum in Los Angeles when that
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was first going out. I worked as a consultant for
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the Musical Instrument Museum in Phoenix, where I'm now located,
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and I consulted with the Metropolitan Museum of Art twenty
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sixteen on an exhibition of rock and roll instruments, a
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historic exhibition really that they didn't called Play a Loud,
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which was actually named after a book I wrote. So
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on the basis of all of that, I was contacted
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by the World College of Music in London late last
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year and asked if I wanted to co curate an
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exhibition based around Nirvana Kurt Cobain, the historic of the
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Martin d eighteen e that Kirk played the sweater he
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wore on the MTV unplug program. So that's how I
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come to be here.
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Well, you know what's really cool, especially when I got
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the press release about this, is that you know, I
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loved Nirvana and I love heavy, heavy music, and the
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thing is is that unplugged performance is probably my favorite
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of Nirvana, which you would think somebody that's in real heavy.
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They may not be, but that acoustic performance was amazing.
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Can you tell us what made that guitar that he
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was using so iconic?
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Well, a few things. It's a very rare instrument for long.
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It was made in nineteen fifty nine by Martin Guitar Company.
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It was a very noted maker of acoustic guitars. But
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in fifty nine the world was going crazy for the
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electric guitar. Rock and roll was happening, so Martin wanted
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to get in on that game, so they came out
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with an electric model with dace. They put some pickups
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on it. Unfortunately, it didn't sound that great as an
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acoustic guitar, so the model wasn't very successful as there
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was a they only made three hundred and two of
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them total in the whole world. Wow. So for Kurt
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Cobain to come upon this instrument at a guitar show
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in La Voltage Guitar was, you know, you know, kind
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of a weird coincidence of history. If he if he hadn't,
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if he hadn't come upon that instrument, he probably it
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probably wouldn't it never would have claimed six million dollars
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at auction, but he adopted it. To make it his own.
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The way I look at it is that the guitar
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is kind of an outcast like Kurt. I mean, how
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punk is it to take a guitar that wasn't popular
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and you know, turn it into this iconic rock and
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roll instrument.
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That is something that sounds so Kurt, even though I
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never knew Kurt, but he just he seemed to be
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somebody like that. And then even the green sweater that
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was like his favorite and his final year of life.
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Do you have stories of why that sweater is so important?
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Uh? Well, as you said it was a favorite of
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his in his last year of life. It's again it's
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very indicative of her who Kurt Cobain was. I mean,
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the whole the adopting thrift shop fair wearing inexpensive clothing
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other people's cast off was very much part of the
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grunge esthetic nineties and really has its origin in the
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punk explosion of the seventies. That Johnny Rotten of The
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Sex also wore ripped up sweaters. But for you know,
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for Kirk to keep wearing this kind of garment after
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he she worldwide fame as a rock star, I see
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as a kind of a statement you know, a show
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of solidarity with his Indian rock roots, a way of saying,
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you know, come as you are. In a way, this
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is who I am. Take me as you know, take
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me as you find me. So I think it's significant
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for that event, for that for that reason, I mean,
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and uh, and it's it's it's marked by Kurt. It's
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got cigarette burns, there's some kind of mysterious stain in
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one of the pockets that he really knows what the
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hell that is. And uh, it's missing a button. It's
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it's a real lived in garment.
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Wow.
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Yeah.
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And you know it just says something because he was
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a true musician. And I say that in the fact
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that most iconic musicians have no clue nor did they
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want to be a quote unquote rock star.
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Yeah. Yeah, well Kurt wasn't. Kurt wasn't there wasn't it
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wasn't comfortable with being a rock star. I mean, you
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know that's fir. He he did everything he could to
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uh avoid being seen in that life. But it's inevitable.
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I mean, you know, he was. He was so important
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to so many people. He just had a hard time
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dealing with us. Yeah.
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Absolutely, And see me, that's what makes him a true
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musician because he was doing it truly for the art
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itself and the love of the art. And you know,
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it's kind of unfortunate that really that theme and everything
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kind of I think got to him a lot, you know,
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and he just wanted to play music.
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Yeah, yeah, I think it was. It was definitely a
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factor in his decision to end his life. And I mean,
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you know, he wrote a sort of farewell known he
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made it clear that the discomfort with with the rock
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star thing was part of part of what drove him
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to it. It's really tragic. Yeah, he's he's he's one
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of the He's one of the tragic heroes of rock
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history for sure.
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Absolutely. And so let's talk about the Royal College of
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Music Museum. So let's tell our listeners a little more
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about that and about you know, what they and why
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people should check it out.
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Okay, Well, the Royal Colleges with the Royal College of
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Music Museums in London. It's in Kensington. It dates back
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to the nineteenth century. It is uh principally a classical
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music school. This is their first ever rock and roll exhibition. Wow.
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The leadership Yeah yeah, yeah, So it's uh we're we're,
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we're we're we're rocking the Royal We're rocking the Royal here. Uh.
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The leadership decided that they wanted to expand their horizons
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a little bit, reach, reach, reach a wider group of people, uh,
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create some cross cultural dialogue. So so they decided to
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uh to do this rock and roll exhibition. And uh,
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the way it came about is is the entrepreneur Peter
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Friedman had purchased the Kobaying guitar at auction, and he
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purchased it with the with the intention of sharing it
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with the world. He definitely didn't want to just keep
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this locked up in his in his office or his
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living room. He wanted he wanted Kurt's fans to be
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able to see this instrument and learn learn about its
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history and everything. So he and he's also a benefactor
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of the Royal College of Music, so he kind of
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got together with the college and said, let's let's put
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this on exhibit at your at your museum. Uh. And
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then my job, along with my co curator, uh Gabrielle
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Rossi Rognoni, who's who's the curator of the Royal College
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Museum itself, our our job was to build an exhibition
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around that, which she which we set out doing. We
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were able to obtain the sweater, which also sold met
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a record price at auction, and uh, and we went
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from there.
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I would have bought bought the sweater and I don't
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even wear those type of sweaters. I was just gonna
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say it was iconic because if I think of Kurt Cobain,
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I think of that sweater.
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Oh yeah, A lot of people, A lot of people
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see him that way. He's often seen in posters with that.
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It's also kind of interesting how much he's seen in
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posters as a saint or an angel or Jesus even,
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you know, almost almost like a religious icon in a way.
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And I think the sweater is part of that iconography,
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part of the image absolutely.
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So where do you think Nirvana would be today if
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Kurt had still lived In your opinion.
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That's really hard to say. I think they would. I
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think they would still be around if Kurt had been
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able to straighten out some of his personal problems. And
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I'd like to think that they would have stuck together.
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And I would like to think that the direction that
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they were starting to pursue with MTV unplugged more acoustic sounds,
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weaving a cello into the mix, and involvement for Pat Smear,
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who'd really just joined the band after their last studio
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album in Utero. I think they would have developed in
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a nice way, and I think that they are important
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enough that you know that they would still be around
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in one way or another. I mean, rock and roll
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has gone through so many profound changes in the digital era,
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but the cream has always risen to the top, and
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I think I think that Kurt Cobain and Nirvana would
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have would have been among the cream for sure.
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Well, I tend to agree. So basically, the opening is
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on June third, correct, correct? And when's it lasting till?
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It runs until November eighteenth of this year?
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And how do people you know book two? I know
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that there's a you know, open on April thirtieth. To
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be able to join the wait list or to be
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able to go see it, can you tell everybody a
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little bit about what they need to do and how
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they can connect to the museum and any other pertinent
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information like that?
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Sure tickets are Tickets are available through the museum's website,
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I believe, which is a RCM dot ac dot UK
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slash Kurt Cobain, or if you just google Royal College
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of Music Kurt Cobain, you should be able to find
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Your tickets are five pounds five quid, a very affordable ticket.
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And I'm not sure about the waiting list, but I
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hope everybody gets to see this.
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I hope they do too. It's really really cool. Is
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there anything else you want to add that the listeners
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need to know?
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Well, just really that this is the first time that
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the guitar will be seen out site of Australia where
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Peter Friedman lives. It's never been exhibited before, and this
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is this is the first time that the guitar and
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the sweater will be seen together. We've been able to
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bring them together. I don't know if that's going to
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happen again. So if so, for your American listeners, if if,
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if it's within your budget at all to travel to
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London and you're a Nirvana fan, it would be worth
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the trip. And if and for any English listeners or
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European listeners, we hope you can make it down.
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I hope they do too, because it is I think
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a once in a lifetime opportunity. And I'm going to
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tell you something too that you're going to find pretty funny.
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But we are actually our board that we use to
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record this interview right now. You know, Peter's the founder
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of Road Microphones and we use the Road procaster too.
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Oh that's perfect.
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See, So there you go, there's the connection right there. Well,
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