Feb. 7, 2024

PipemanRadio Interviews Lena Scissorhands of Infected Rain About TIME

PipemanRadio Interviews Lena Scissorhands of Infected Rain About TIME

Join me, Pipeman, on a thrilling journey through the musical landscape with Infected Rain's dynamic frontwoman Lena Scissorhands, as we celebrate their trailblazing spirit in the metal scene. Listen in as we praise their innovative sound and the...

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Join me, Pipeman, on a thrilling journey through the musical landscape with Infected Rain's dynamic frontwoman Lena Scissorhands, as we celebrate their trailblazing spirit in the metal scene. Listen in as we praise their innovative sound and the unapologetic way they break the mold, embracing a wide array of influences to create something truly unique. Our discussion goes beyond the notes and lyrics, venturing into the essence of self-expression and the courage it takes to defy the constraints of societal norms. Whether it's the art of music or the art of living, we underline the significance of being genuine, making mistakes, and constantly evolving.

In this riveting chat, we also pull back the curtain on the exhilarating yet daunting world of live performances, especially at festivals where bands like Infected Rain face the unpredictability of weather, technical hiccups, and the immense pressure to meet fan expectations. The conversation sheds light on the resilience and adaptability required by artists in these high-stakes environments, reminding listeners not to hastily judge a band by one performance alone. As the episode draws to a close, we express our gratitude to Infected Rain for their contributions to the music world and for sharing their invaluable insights with us, making this a memorable day on W4CY Radio.

EPISODE CHAPTERS

(0:00:05) - The Adventures of Pipeman

(0:15:45) - The Challenges of Performing at Festivals

(0:27:36) - Don't Judge a Band by One Show

EPISODE CHAPTERS WITH SHORT KEY POINTS

(0:00:05) - The Adventures of Pipeman Infected Rain's frontwoman and I discuss the importance of authenticity, self-expression, and growth in art and life.

(0:15:45) - The Challenges of Performing at Festivals Live performances at festivals bring intense pressure, technical difficulties, and dependency on crews, affecting musicians' mood and delivery.

(0:27:36) - Don't Judge a Band by One Show Nature's live performances should not be hastily judged; multiple chances are needed to truly showcase talent.

EPISODE CHAPTERS WITH FULL SUMMARIES

(0:00:05) - The Adventures of Pipeman (16 Minutes)

This chapter kicks off with a high-energy introduction to the band Infected Rain and their frontwoman, praising their unique and experimental approach to metal music. I express admiration for the band's refusal to adhere to a specific formula, celebrating their diverse musical influences and their commitment to creativity over conformity. The discussion then turns to a broader reflection on the importance of being true to oneself, both in art and in life, touching on societal norms and the unnecessary constraints they can impose. The frontwoman echoes these sentiments, advocating for genuine self-expression and the freedom to blend genres and ideas without fear of judgment. We agree that self-improvement and self-awareness are key, and that making mistakes is a natural part of the creative process. The conversation wraps up with a shared understanding that as artists and individuals, constantly reviewing and refining our work and actions is crucial to growth and authenticity.

(0:15:45) - The Challenges of Performing at Festivals (12 Minutes)

This chapter addresses the intense pressures and unpredictability bands face during live performances, particularly at festivals. We explore the added stress of not having your own sound crew, the havoc weather can wreak on equipment as seen with Nine Inch Nails at Welcome to Rockville, and the heightened anxiety of potentially disappointing fans. The conversation also covers the technical difficulties performers can encounter, such as malfunctioning in-ear monitors, and how these issues not only disrupt the performance but also significantly affect the musicians' mood and delivery on stage. Additionally, we touch on the dependency on both local and touring crews and the challenges that arise when there's a lack of understanding or control over one's equipment. Through these topics, we shed light on the complexities of live performances and the resilience artists must have in the face of such challenges.

(0:27:36) - Don't Judge a Band by One Show (1 Minutes)

This chapter, we explore the idea that live performances by bands should not be hastily judged based on just a few shows, as the quality often depends on many factors out of the musicians' control. I underscore the importance of giving artists multiple chances to showcase their talent live, highlighting that the true essence of a band's ability can be masked by variables they can't always manage. Celebrating the guest's musical prowess, I express gratitude for their contribution to the music scene and for sharing their insights with us on the Adventures of Pipeman on W4CY Radio. Thank you all for tuning in and sharing this beautiful day with us.

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.

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WEBVTT

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Hi, you have unto censure for
se Wow crazy young Row, Wake up

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of America. It's time for the
Adventures of pipe Man on W four c

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00:00:24.879 --> 00:00:29.239
HY dot com. West Pompeas is
number one internet radio station. Here's your

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host, the pipe Man. This
strongs tell SKR. This is pipe Man

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00:00:54.600 --> 00:00:59.439
here on the Adventures pipe Man W
four c Y Radio. And I'm so

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excited about our next guest because their
music is badass. This front woman is

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a badass. So let's welcome to
show Infected Rain. How are you?

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Hello, Hello everybody, Thank you
for having me, Thank you for that

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nice introduction. Oh my pleasure.
And you know, not only do I

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love your music and all your videos
and stuff like that, but man,

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I love your guest appearances and live
stuff and like it. And now you

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have this new album coming out here
that I mean, this is probably your

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best music yet, I think it. And I love the idea that you're

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experimental with music because the thing that
bothers me as an old school, long

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term metal head is there's so many
metal bands out there that are just doing

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the same thing, almost like they're
just plugging in a formula. And you

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know, there's so many any bands
out there that you have to do something

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to stick out, and that's exactly
what you do. Well, thank you.

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We've we've tried to set this so
called no rule policy when it comes

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to composing since the beginning, because
it's just so difficult to follow a specific

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recipe when you like so many things. Right like, if you like music,

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you don't just like one genre.
You like music. Music is something

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that makes you feel. Music is
something that speaks to you, and it

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can be in different genre. And
growing up that's what I did. I

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listened to different music. Yes,
eventually, when I was, you know,

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a teenager, I started so called
rebelling and listening to specifically alternative music

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mainly. But I've learned again once
again, and I've remembered once again how

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amazing all the music really is.
Slowly, like in closer to my twenties

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and after, you know, like
up until now, I love music,

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and it would be so such a
pity to just not create with what you

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like or how the way you like
it to sound, just because you're trying

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to fit some sort of criteria.
And I know not every metal had agrees

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with me and you when it comes
to that, because you know, it's

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all about this being like distincting people
from one another, like the differences.

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I don't understand why this is necessary
in life, in culture, in why

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is that necessary to be so?
Like I am like this, and you

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know, no step to the left
or to the right. This is what

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I am. You know if it
works for you and for your art or

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for your job or for your life
in general, because we are now talking

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in general, just in general the
rules that humans invent for themselves to restrain

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themselves without even realizing that. And
we live in society like this. Look

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at what we are surrounded by.
There's oh, you can't love this person

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because it's your same Uh, it's
because it's your same gender. Or you

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can't dress that way because you're a
boy, or you can't dress that way

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because you're a girl, or you
can't sing in a metal band and add

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some electronic and some pop or some
wrap. Why not, like, let's

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have fun, you know what I
mean? You write, just do it

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with positivity. As long as you
don't hurting and want like anybody, and

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as long as you're a gen you
in and true to yourself, have fun.

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And that's what we're doing totally.
And my biggest line is just be

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you like it doesn't. You don't
have to be what somebody thinks you should

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be, especially as an artist,
because how can you really be a true

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artist unless you're being totally true yourself
and just letting. It's just like me

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on the radio, whatever floats in
my head sometimes on my show will just

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come out. There's no filter,
there's no ooh, maybe I shouldn't be

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this, maybe I should fit into
this box. And there's nothing wrong with

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that because we're not perfect, and
we often make mistakes and noticing something we

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said or did was out of line
or maybe not appropriate, it's actually the

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first step to recognition is the first
step to becoming better. So there's nothing

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wrong with realizing. Like let's say
tomorrow you watch this and you're like,

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ah, I wish I said this
different. That's totally fine. We need

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to perfect what we're doing, no
matter if it's for fun or if it's

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for money, or that's our career
or that's just something we do in the

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house. We should at least strike
for perfection, right, So it's certainly

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fine if we do mistakes. We're
human beings and like something a year ago,

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maybe I will be better this year, hopefully, because I try to

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at least notice these things. But
of course we don't even notice a lot

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of things that we do so colled
wrong. You know. It's the same

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with shows and music and everything.
I'm often rewatching certain things. I'm like,

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ah, I should do this differently
next time, or whatever, you

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know, like just because I we
don't see ourselves in the moment. We

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don't see ourselves. We don't like
watch. We are not the watcher.

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We are the protagonist. We are
the one talking, and often we get

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carried away with emotions and it's okay, just right, you know, I'm

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sure you do it. I all
the time, Like I'll watch and listen

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to my interviews after the fact and
critique it as the person watching it or

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listening to it that I didn't even
notice because I'm in the zone while I'm

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doing the interview. But I'm also
my own worst critic, as I'm sure

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you are and every artist is,
because everybody else will say, wow,

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that was great, and I'm sitting
or going, well, actually, blah

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blah blah blah blah in my head. Yeah yeah, and I don't know.

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I often do think about it and
what is the right way to react

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there, like, for example,
we recently had a show that I am

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very unsatisfied with for many reasons.
Some reasons were not connected to me,

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some reasons we're not connected to my
band. It was like local reason,

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technical problems, certain things that were
done different, and we trusted, you

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know, and then so thinks I
didn't do up to my standards, and

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I have an explanation why, But
I don't want to be that person that

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is like finding excuses, you know. And people kept telling us how awesome

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the show was, and I kept
having the urge to say thank you,

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but you know, I know it
wasn't. We had so many difficulties.

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I was so nauseous, and it
was on a cruise. I never I

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never performed on a cruise, And
so many excuses, right, And I

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stop myself often and think people don't
even need these excuses. They are so

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excited they tell you about their emotions
and even if they are exaggerating a little

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bit, because they are such big
fans, and they maybe they even know

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that you can be better because they've
seen your life before or something, you

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know, some people did, or
maybe that was their first time, and

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I don't know. I often think
do we have to tell them everything that

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is behind the scene from one side. You want them to know because then,

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you know, it's good when the
listeners and the fans they do realize

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how much more is involved in a
show, just like your show right now,

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how much is involved in like I
never even used this platform for example,

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you know, like and stuff like
that, like this background you chose

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with the album. I'm sure you
put so much work in it. It

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looks fantastic. Thank you so much, but thank you, you know,

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and things like that that people don't
know how you did it, and what

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are the little maybe obstacles that you
might find every day because we depend on

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technology, we depend on programs,
we depend on other people, we depend

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on gadgets, We depend on the
ship moving. In that moment, I

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was depending on that. Apparently I'm
way more motion you know, sensitive than

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I thought, even even though I
took precaution I did just in case I

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guess I don't know. You know, I was going to ask you about

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that too, because I saw in
your socials being on seventy thousand tons of

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metal, and most of what I
saw was all the fun you were having,

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which was so cool. But then
I'm thinking myself as an artist,

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man, it must be really difficult
like to perform, especially if the boat

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sway. And for get getting sick
for a second, because that's one whole

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problem. Yeah, but even like
I've been standing on a boat and just

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standing there and the boat moved me. So if you're performing on a first

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performance, we had two shows.
On the first show, I fell on

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my butt. I had like a
big bruise in my butt cheek because I

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actually on the third or fourth song. It was already late evening. It

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was when the cruise moved. We
played the first day and I didn't realize

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that that's what happened, but my
floor all of a sudden went away from

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under my beat and I was jumping
like normal. I didn't think that I

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had to move a little bit different, maybe on a moving vessel. But

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you know, I guess you live
and learn. There you go, Thank

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you. We tried to show you
know, some awesome moments from the cruise,

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but there was a lot of challenges
for all the musicians. We we

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got to talk with a lot of
bands, and a lot of bands,

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like one band even canceled their performance. They had the same situation as ours,

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there was some like gear that was
lost and at least not delivering time.

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Let's say that because it was never
fully lost, they found they found

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it when we didn't need it anymore. Right, And that happens even on

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tour, right, that happens.
That happens all the time on tour.

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People don't. I was at one
of the festivals in uh Europe. I

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think it was Hell Yeah, it
was, I think it was hell Fest,

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and one of the bands they their
stuff did not get there, and

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so another band let them use their
instruments, which was way cool that everybody,

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you know, helped each other.
But then even so it's like you're

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used to your own kay, thank
you. That's one thing people don't realize

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because often people that are not musicians, actual performing musicians, people that are

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a part of crew. Even that's
what they tried to tell us, you

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know, they're like, we will
find you instruments, you know, we

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will find you instruments. But we
were like, okay, every band has

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unique instruments. My guitar player plays
half of the show on seven string guitars

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and another half on eight. Now, not many people even have a seven

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string guitar because the most common one
is six right then the bass bass player,

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even though it's four string, is
specific tuning, and it's you have

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to untune and tune a different instrument
for someone. The weight of the instrument

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is different. Everything is so different, the strings are different. Like my

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bass player did not have her bass. We did have amazing musicians stepping up

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and trying to help us. I
want to say thank you by the way

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so much, Oh my god.
We had three or four different bands trying

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their best to help us during this
moment. And finally she borrowed an instrument,

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but she hurt her fingers so much
because she was not used to the

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quirks that were specifically put on this
instrument. And there are so many ups

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and downs. And then the same
happened with the drummer. The drummer didn't

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have his own snare, which is
also tuned in a certain way. And

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also, you know, it's a
certain sound that we are all kind of

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used to, and everything sounded different. Everything, And let's not forget about

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the stress we up until ten minutes
before the showtime, we thought we were

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not going to play. That's how
stressful that was. And you know,

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what are you going to say?
You don't play because you don't have instruments,

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you have the right to do that. That's what the other band did,

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you know, I believe it Equilibrium
had the same situation as us,

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and they didn't even play. And
I don't blame them. You know,

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we took the hit and we decided
to play no matter that what, And

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I mean, of course we did
our best. Of course, people were

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happy to see us because there were
a lot of people there for us,

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and it was so cool that they
were. They stopped letting people like in

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this like little area where we were
performing. But at the same time,

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you want, especially big events like
festivals to be as perfect as possible for

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a band, because festivals are out
there for exposure mainly unless you're the headliner

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of the main guest, and then
that's not for exposure. That's you know,

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a little bit different. You are
bringing people. We're talking about every

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other band that plays at festivals.
There was sixty bands on this cruise.

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We were there mainly like ninety percent
of these bands were they're for exposure.

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That means doing your best, to
sound your best, to look your best

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so people can come back, hopefully
and see you. When you tour you

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know, and that is the disappointed
the disappointing part, because if we are

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not happy with our own performance,
I mean, yeah, of course it

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matters how much people say they liked
the performance. Absolutely, of course.

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However, we are not satisfied with
ourselves and with everything that happened. And

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I mean we did our best.
Of course, we know we did our

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best, and we had our best
crew that did their best, and the

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local crew did their best, but
it's just circumstances of the things all kind

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of went together and it led to
that, you know, which, again,

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it was an experience. We tried
to learn from our experiences, and

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yeah, hopefully people do understand how
stressful it is for a band to play

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in those conditions. I hope they
really do, because and you're mentioning festivals.

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I think it's way more stress for
a band at a festival because sometimes

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it's not your sound people. Sometimes
this happened. There was I think it

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was a couple of years ago.
Nine Inch Nails was playing Welcome to Rockville

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and it's so freaking humid in Florida
that something went haywire and Trent's vocals you

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couldn't hear and he had to stop
like three times. Yeah, and like

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if I was in that position,
which I've been in that position too,

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It's like people don't realize how much
stress that is or how bad you feel,

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because of course, you know this
is maybe there's somebody there only seeing

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you for the first time and they
think that's what you're all about. Yeah,

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thank you. And then of course
you don't want people to, you

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know, have this memory and especially
share this memory with other friends and be

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like, ah, they are okay
life. You know, you want to

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be the band that they want to
see life, of course, because light

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shows is where everything is at,
you know, the emotion and the adrenaline

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and everything a musician feels on stage
is why we are going through all this

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stress and discomfort on tour. It's
for this one hour on stage. If

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we're lucky, sometimes it's less forty
five minutes. Sometimes it's more seventy five

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minutes. You know. So it
depends on the conditions that you agree on,

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and depends on the tour, and
depends on the festival. But yeah,

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festivals are unpredictable. You don't have
time for sound check unless maybe the

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headliner. And when I say maybe, I mean if there is time if

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they fly in time with no delays, because sometimes there is time, but

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you have delays. On the other
side, there are so many factors that

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can in impact a band's performance that
like a couple of pages now being off

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both sides for me to fill out
how many things influence how you sound,

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how you look, how you feel
on stage. For example, my second

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performance on the same cruise, I
had a device that was not working.

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With this device is what gives me
sound for myself. My inner monitors were

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attached to this wireless little body pack. Let's say that was malfunctioning. It

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was just turning off. On song
number one after the very first few two

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words, I said, it turned
fully off. Now I cannot stop the

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song. As the first song,
I take it off, give it to

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the crew, and I continue singing
without hearing anything like a deaf person.

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That doesn't mean audience didn't hear me. So what I'm trying to say is

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what the audience hears, and the
quality of what audience hears is not even

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close to what we hear on stage. And in order for us to perform

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well, we have to hear as
good as possible, as asome as possible,

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as close as possible to what we
are used to, because all of

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a sudden, I don't hear myself, I don't hear the musicians. I

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don't even know if I'm in a
right part of the song. Granted,

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it's a song that we played many
many times, and I could go by

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memory, but that's not fun.
Not fun to by memory and hope that

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everything's fine. You know. The
problem continued even with the second song,

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and it was a heavier, more
difficult song where I don't really have time

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to stop and breathe and check what's
going on. And in my head,

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the stress about it, that feeling
that I'm going to have to deal with

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this with the entire show also influences
my mood. Right My mood in a

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way or another is reflected through my
voice, and I really despise that very

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much. That's something that has so
many ups and downs in my career,

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my instrument being my own body,
because if I'm very emotional about out what's

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going on or about the song,
people will feel it. And often it's

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the good emotion that I do want
to deliver. I focus on that.

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If the sound is good and I
have no problems, that's what I'm focusing

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on and I continue with that,
and I can deliver as good as I

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can that day at my let's say, at my best that day, right,

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because we all feel different different days. But if I have extra problems

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so many at the same time,
it's quite difficult for me to filter this

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emotions and not think about them and
not have anxiety about that, like straight

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up anxiety that you went such a
long way to be here, and now

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who knows whose fold this is?
The person that gave me that body pack

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didn't even know what happened. He
comes to me, So what happened with

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it? I was like, I
don't know. You tell me it's your

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equipment, right, not mine?
So you tell me. I didn't even

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jump once I said two words and
it turned off. So again, I

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don't want to that's stressful too,
exactly. I don't want to speak badly

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about any crew. We are very
grateful for local crew, our crew.

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We are depending on them, though, you know, and and often not

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knowing or not understanding what's going on
with your own equipment. You know,

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how can I solve it? So
because you get in a zone on stage,

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Hey, I again no finger pointing
here, but it's happen. That's

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what I've been through. Insanely stressful, and you get in a zone when

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you go on stage, so when
something like that happens, it snaps you

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out of the zone, which makes
it like so hard to get back in

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the zone because you can't prep your
head before you go on stage, and

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then the minute that mike turns on. I know it happens for me,

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there's like a switch in your head. And if you have technical issues I

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had happened recently because I'm currently in
Costa Rica. In the first interview I

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did in Costa Rica where I'm not
in my own studio, I had the

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wrong mic, like miked up,
but didn't know at first, and then

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I realized and then I'm in the
middle of the interview. I can't stop

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the interview. I can't like you
know, I just had to go with

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it. But the whole time I'm
thinking, oh, it's gonna sound like

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crap, and stopping after often stopping
a show cuts the time. For example,

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like me and you, we have
a specific amount of time because I

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have a different interview after same during
festivals, we have a specific time on

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stage. And if I would have
been like you know, I'm sorry for

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my friend. Fuck this solving problem
first, then I will continue. That

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might have meant minus couple of songs, maybe even more, because nobody even

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knew what the problem was. So
I decided to go you know, hardcore,

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took the give you know, the
device to people to look into continue

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the show, even though I was
actually hurting myself and I was mentally insanely

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anxious. Let's say that. Yeah, and it's not something you want to

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do. It's not especially again,
especially you know, when you are there

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for exposure and there's in a way
some sort of like I don't know,

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you you put those these expectations on
yourself in a way. You know,

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you're like, you need to like
show the best we can here, you

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know, because hey, we barely
we didn't even like have enough to pay

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off our trip. So that's what
I'm trying to say. Often ben's all

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that, you know, without even
receiving a dime or I mean, that's

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not what I'm trying to say.
Bens do receive their fees, but often

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these fees are not even enough to
cover your trip, but you still think

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it's worth it and you want to
go for it, and you want to

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do it, and it's often worth
it. But when you have all this

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going on, you were like,
was it even worth it? Really?

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You know, and you don't want
to have these kind of thoughts. As

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a musician, you don't want to
have those a negative, destructive kind of

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thoughts. Well, as a fan, I think it's totally worth worth it

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from the fan side, because a
bad live show is better than no live

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show in my opinion. And you
guys are badass. Thank you. Tell

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everybody how you can, how everybody
can reach out to you, socials connect

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00:24:30.319 --> 00:24:34.160
on socials, how they can get
the new album Time, which drops on

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February ninth, and check out your
tour dates, all that good stuff.

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Well, it's it's as easy as
find the official website of the band that

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you're interested in. Ours is just
infected dot com. All the information is

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00:24:52.119 --> 00:24:57.160
there, all the news about the
upcoming material, upcoming tours available, merch

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00:24:57.279 --> 00:25:03.799
available, meet and greet is all
there. We made it as accessible and

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00:25:04.119 --> 00:25:08.960
as easy as possible for everybody to
understand. You can change the language,

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you can click and find everything there. Our album comes out indeed a February

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ninth. However, tomorrow is a
very special day. For us as well,

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because a new single from this album
drops as a small little gift Prayer

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Pray album drop, So I love
it. Don't forget to click that as

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well. I love it, and
I know you guys go So while,

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00:25:33.160 --> 00:25:37.960
is there any final words you want
to leave the listeners with? Thank you

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00:25:37.000 --> 00:25:40.599
so much for having me. Thank
you so much for your support, guys,

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00:25:40.960 --> 00:25:45.640
even though I was quite complaining right
now, we had fun meeting a

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lot of people, and of course
we had fun hanging out with a lot

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00:25:49.359 --> 00:25:56.119
of people and discovering many new things
for us. So just know that we

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are very strict with ourselves and we
are trying our best always to deliver what

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we can the best we can that
day. And I'm not only speaking about

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Infected Drain. It's a human factor. It's about every single band on this

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planet that plays life absolutely. And
you know, I'm glad you said all

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that stuff because I don't think.
I don't look at it as complaining.

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I look at it as simply informing
people what you go through every day so

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00:26:25.440 --> 00:26:29.920
that they can understand, because everybody
has a good day that day. Thankfully,

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00:26:29.960 --> 00:26:38.200
sorry, thankfully, that's very rare
occasions. The more experience do you

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get. Let's say, the more
shows you play, the more you understand

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what you need to in the future
to avoid certain things. And I believe,

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as I said, we also learned
many things of how to avoid like

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situations. So it's actually very rare
nowadays that we have situations like that,

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very rare, And that's why it
was so frustrating for us, because we're

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like, Okay, it's been a
while since stuff like that happened to us,

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you know what I mean. Like, we invest and we believe in

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00:27:10.039 --> 00:27:14.480
our crew so much, and we
trust each other so much, and we

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try to grow so much together to
avoid that. We talk about our performance

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00:27:18.079 --> 00:27:23.319
after we perform or after a tour, and we try to you know,

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00:27:25.000 --> 00:27:29.160
perfect things and make things a little
bit better if possible. But it's it's

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00:27:29.240 --> 00:27:33.519
unpredictable sometimes and thankfully it doesn't happen
often, but it does still happen to

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00:27:33.599 --> 00:27:38.400
everybody. That's right. Do we
judge a band by one or two shows

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00:27:38.400 --> 00:27:42.759
that you've seen, don't judge them. Immediately, give them extra tries,

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00:27:42.920 --> 00:27:49.960
because trust me, it is often
even less than fifty percent depends on the

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00:27:51.000 --> 00:27:55.839
band during a live show, even
less than fifty often, I think You're

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00:27:55.880 --> 00:28:00.640
incredible musician, incredible artists and you
guys do rock live and your new music

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00:28:00.759 --> 00:28:04.680
is insane. People are gonna love
it, so thanks for giving that to

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00:28:04.759 --> 00:28:07.559
us, and thanks for being on
the Adventures of Pipe Man. Thank you

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00:28:07.640 --> 00:28:14.359
for having me have a beautiful day. Bye. Thank you for listening to

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the Adventures of Pipemin on w for
CUI Radio.