Oct. 1, 2025
PipemanRadio Interviews Lorna Shore at Louder Than Life 2025
PipemanRadio Interviews Lorna Shore at Louder Than Life 2025 https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support for PERKS, BONUS Content & FREE GIVEWAYS! Louder Than Life 2025 Wrapped Up 8 Electrifying Days Of Music...
PipemanRadio Interviews Lorna Shore at Louder Than Life 2025
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Louder Than Life 2025 Wrapped Up 8 Electrifying Days Of Music Performances In Louisville, With America’s Loudest Rock & Metal Festival (Sept 18-21) & Bourbon & Beyond A Week Prior (Sept 11-14) Bringing In A Combined, Record-Breaking Attendance Of Over 450,000 Fans
Louder Than Life Returns September 17-20, 2026 First Headliner Revealed: My Chemical Romance Plus Many More Acts To Be Announced Early Bird Tickets Will Go On Sale This Fall At LouderThanLifeFestival.com
Louder Than Life not only continues its reputation as America’s Loudest Rock & Metal Festival with the 2025 edition, but the 11th year of the event also marked the biggest festival in the history of DWP, and breaking rock festival records in North America. There were a number of once-in-a-lifetime moments over the course of the four days that added to the specialness of Louder Than Life.
In addition to music performances, this year’s edition of Louder Than Life featured various partner onsite activations, award-winning beverages and delectable eats from partners including Acathla Clothing, Al Capone, Angel's Envy, Basil Hayden, Beatbox Beverages, Black Shades, Blackcraft Cult, Bud Light, Cutwater Spirits, Demons Behind Me, Dimebag Hardware, Drew Estate, Eargasm, Elijah Craig, Fxck Cancer, Huber's Starlight Distillery, Jack Daniel's, Jim Beam, Knob Creek & Rye, KREWE, Kroger, Maker's Mark, Middle West Spirits, Milagro Tequila, Old Forester, Park Community Credit Union, Voices for Consumer Choice and Citizens for Tobacco Rights, Parlor Root Beer, Red Bull, Strüng, Take Me Home, The Music Experience, The Taylor Foundation, Tito's Handmade Vodka, To Write Love on Her Arms, U.S. Army, U.S. Marines, Voices for Consumer Choice and Citizens for Tobacco Rights, White Claw, and Willett Distillery. According to Louisville Tourism, it is estimated that Bourbon & Beyond and Louder Than Life together generated nearly $43 million in local economic impact in 2025. The back-to-back festivals also drove some of the highest hotel demand of the year, with overall occupancy reaching more than 80% citywide. These preliminary estimates highlight the tremendous tourism and economic value of the festivals, which bring hundreds of thousands of visitors to Louisville and fuel spending across hotels, restaurants, bourbon attractions, and local businesses.
Louder Than Life is produced by Danny Wimmer Presents, one of the largest independent producers of destination music festivals in America.
To learn more about Louder Than Life, please visit:
Website: https://louderthanlifefestival.com
Facebook: https://www.facebook.com/louderthanlifefestival
Twitter: https://twitter.com/LTLFest
Instagram: https://www.instagram.com/louderthanlifefest
TikTok: https://www.tiktok.com/@louderthanlifefestival
#LouderThanLife
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WEBVTT
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Hey, you lunto here's sure.
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For see. Wow.
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Crazy Young.
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Is a pipe man here on the Adventures pipe Man
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W four c Y Radio.
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And I'm here with Adam Dimiko from Lorna Shore Nice.
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Here at Louder than Life. I've been following you all
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over the world actually because I do festivals here UK Europe,
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and you guys have just been everywhere.
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We have been everywhere, literally have been everywhere. It feels
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like it.
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How wild is that? Like, from starting out and then
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being a death core band and then all of a
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sudden you're accepted in like even Lollapalooz are like everywhere
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you go like they want you.
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It is very surreal to think about the band from
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the scope of like being a New Jersey local band,
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and then it's already hard as is.
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To I feel like, to make it outside of like
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the state.
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And then to be able to make it across the
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country and then across the different countries and across the world.
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It is kind of crazy to see, especially the style
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of music that we play is not really something that
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I would expect to be able to be in all
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these different places. But definitely humble and grateful that we
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get to do all these things.
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But yeah, it's nothing I've ever expected.
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I was just grateful that we got to like leave
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New Jersey.
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Right, what exit do you live off of? I'm from
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Jersey to.
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Where in New Jersey. I grew up on Exit one? Nice.
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I grew up in Montclair, roseland Little Fall, so not far.
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From Union County. So yeah, yeah, so I still live
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in Union County. I just don't live I live off
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Exit one thirty five now, so yeah, Scotch Plains area,
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so that's where.
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I live, and that I lived in South Plainfield.
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Nice is nice, nice nights.
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I used to be years and years ago, manager of
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Harrows On in Union. I don't even know if it
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was open because it closed like several years. It was
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open for like sixty years. Okay, it was the pool place.
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Oh, okay, you know what I think. I think I
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didn't have a pool, but I think I know exactly
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what you're talking.
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About it, yeah, Jersey, Well, yeah, exactly. It's a very
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small world.
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So to be able to escape and be able to like,
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you know, play in different countries and different parts of
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the world is very surreal.
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I would say.
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Totally because I remember back in the day, Like back
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in the nineties, it was like either you play club
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Stocks we called it pig Pen, but it was play
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Pen or Birch Hill and Old Bridge or like one
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of those little places, and like that's kind of where
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it stayed, Like Metallica, that's where that was their home
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after their home was in the Bay Area after LA.
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Yeah, yeah, yeah, yeah, yeah. No.
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It's crazy because like we grew up playing really really
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small like VFW fire halls and like all that type
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of stuff wasn't even like venues because there really wasn't
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many outside of like bigger ones stuff like Starland and
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like Walmont and stuff like that, which we were not
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capable of playing.
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At that point in time.
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So to be able to do that and to be
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able to take the band from where we were to
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where we are now is just really awesome.
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I have my thoughts. I want to hear your thoughts
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and then I'll express mine of what do you think
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propelled you to play all over the world and especially
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in places probably Death Gore would normally not play.
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Honestly, the more I try to think about it, the
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less magical it is, right, I think, the more try
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to figure it out, so that maybe I shouldn't tell
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you no, please tell of your opinion, because everyone always
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tells us the opinion, and it's cool to hear.
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It's like cool to hear the people's take on it.
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But to me, I just feel like my whole thing
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is that I feel not just our band, but I
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think just the world that our band comes from, just
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from being extreme music. I think it's starting to be
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more accepted these days. I think people are starting to
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be more open minded to it and being more open
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to it, and I think that has allowed us to
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be able to exist and thrive in places that we
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probably shouldn't have been in because I feel like these
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days everyone is a lot more open minded to what
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we are producing, and I think more people are understanding it.
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I would say, is that's the way that I kind
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of see it, just from not band, but from just
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the extreme mental standpoints I feel like growing up, I
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feel like if I explain to anyone, like my family
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or anyone that any friends I didn't listen to it,
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they never got why I listened to that stuff. But
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I feel like nowadays, I think people are being a
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little more are diving deeper and trying to understand what
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it is that makes us music, and I feel like
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kind of gaining more fans from that, That's how I
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kind of see it.
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Totally agree with that as somebody that comes from the
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original eighties band, Like I went to slayers first show ever,
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Metallica's first show ever. That's my battle vest nice in
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the eighties and Slayer didn't even have a patch back then,
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so I just did that Nice, there you go. And
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so like, I think it's because the world first of
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all metal. We're one big family now, so there's a
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lot of people that are accepting metal that would have
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never back then. I think there's a lot less gatekeepers
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is one thing. There's some still, but not like then,
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Like you couldn't even listen if you listen to this band,
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you can listen to that band. But I think most importantly,
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the world right now is so crazy and your music
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is so emotional and so real that people are really
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that and relating to the lyrics and the feeling that
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they get from it.
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Yeah, I think definitely think we put a lot of
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our emotion and we wear a heart on our sleeve.
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I'd say when we writ our music, I think we
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really lean into that. And I think we've taken some
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chances in the past by leaning into that kind of
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route and it's done well for us, Yeah, which is
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always kind of nice to kind of be like, put
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yourself out there and then people will receive it the
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way you kind of wanted to be received is a
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good you know, feeling and good experience. And I think
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the more we've done that, the more people we've reached,
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which is a good Obviously, good feeling allows me to
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go to different places that I never thought oud would be,
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so it's really cool.
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I definitely agree with that.
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I feel there is a lot going on, and I've
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always said that our job as musicians is to be
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the wage between people and the shit they deal with.
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Yeah, and trying.
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To create that piece for a little bit, and that
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means finding something to relate to in our music or
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finding something to escape to in our music. Is I
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feel like we're doing our service to the world.
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I agree, and it's true because back in the day,
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you know, metal wasn't supposed to be the emotional music.
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It was something different, but we all got therapy from it.
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But now it's there's different therapy. I think there's different
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therapy mean now than there was then.
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Yeah, I think for me, what I got into metal
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was all I got into it was I felt like
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it was an escape and it was a release from
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just like being super intense. And I've always loved that,
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and we try to put that in our music as well,
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because I also do find that there is a place
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for it, but I just feel as if it's adding
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the other elements to it is just as necessary. But
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it's not like a conscious thought. It just kind of
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comes out organically. It kind of like comes out and
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how we write, and it's not like we sit down
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and go, we need to write this because of these
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blank reasons, because I just feel like that feels very disingenuous. Yeah,
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so we try writing from a very honest standpoint what
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we're feeling. And I even said, I can't write a
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sad song if I'm not feeling sad. You can't force
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me to write something. And I'm not gonna write an angry
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song if I'm not really angry or not having a
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need to express those emotions. So I feel human beings
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are very dense and have a lot of emotions they
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kind of go through on a regular basis and try
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to find a way to channel that and put into
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songs and put it on an album and people can
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relate to it or escape from it.
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I love hearing that too, because on the other end,
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there are a lot of metal bands nowadays I kind
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of go by this formula of what they should be
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for whatever their micro genre is. And I love what
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you're saying because to me an artists, you're just expressing
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yourself and you're right, whatever mood you're in, you can't
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force another mood and you can't fake it.
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No.
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I think I try to.
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It's always come out really wrong and just very It's
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something I wouldn't even listen to. But I feel like, oh,
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I have to be this thing and I'm not in
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the mood to do that. Then it won't come out
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in a productive manner. So yeah, I also feel we
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all have different emotions that we go through. I think
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some people spend more time in certain ones than others,
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but I feel that's true. What we try to do
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with writing a record is having a diverse spectrum of
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emotions that you can kind of relate to, and whether
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it be good or bad, or ones you're trying to
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escape from or ones you're trying to live in.
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A little bit more.
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I think just try to have that because I feel
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like we all kind of go through that throughout the
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week or throughout the day or throughout the year, and
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I feel like just having that as an availability is
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something that I try to think about.
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And I love what you said before because like, to me, like,
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if you are just true to yourself, your people will come.
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And I think that's what happened. Yeah, you didn't think
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about what you should do, what you have to do,
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or what people would like. You just did what you felt.
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And then that I think that's why you got out
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of Jersey.
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Can't you can't figure out what people like?
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I think someone says something to me forever ago was
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like you can be the ripest, juiciest peach under the sun,
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but someone stile allergic to it. That's a great So, like,
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it doesn't matter what you do, someone's gonna find something
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they don't like about it or don't even have any
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interest in. So uh, to try to write from that
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standpoint of trying to be the best for someone, they
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might not even like it anyway. So trying to create
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with that intention is, I just feel is very disingenuous
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and it's very inauthentic, and it doesn't allow people to
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organically come to the band, which I feel like for
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me as a still a fan of music, it's nice
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to just come to something organically and not someone telling
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you you must listen to this thing because here said reasons.
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The contrarian to me, doesn't really prescribe to that anyway, right,
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So to me, it's really nice to have come across
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something organically because it connects to you and it's not
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something and it feels nice that it's being written not
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because of like any other reason other than that's just
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what they felt like expressing.
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So absolutely, And how do you feel it's been for
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you as an artist? Like to me, I know music
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is therapy to the artists and to the listener. How
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do you think it's helped you through your hard times?
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Just writing and performing the music.
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It's a way to express yourself. It's a way to
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make sense of things that don't make sense. Think of
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things like emotions have they don't make any sense at all,
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at least that's what I tell myself. And to find
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a place to express it, to almost somewhat put it
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to paper is I think really healthy. It's really productive
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and I find it just it's been cool to just
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put it out to the world and have other people
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relate to that. So it's a really cool moment for me.
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I think I've always found it, whether it be at
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this scale or at a smaller scale, which is cool
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