PipemanRadio Interviews Omnivide

Join PipemanRadio as I sit down with Omnivide innovative metal band , where we explore their unique approach to music that transcends genre boundaries. Listen in as Omnivide recounts the band's journey from an Opeth tribute act to pioneering their own...
Join PipemanRadio as I sit down with Omnivide innovative metal band , where we explore their unique approach to music that transcends genre boundaries. Listen in as Omnivide recounts the band's journey from an Opeth tribute act to pioneering their own distinct sound, blending death metal, progressive influences, and symphonic textures into a cohesive and compelling listening experience. The conversation reveals the thoughtful artistry behind their songwriting process and the importance of artistic evolution, highlighting the rewards of moving from performing covers to creating original compositions.
In our engaging chat, we also delve into the nitty-gritty of music creation and the anticipated release of their album "Tale of Fire." Discover how the band harnessed the challenges of the pandemic to hone their craft, and learn about the intricacies of mastering the dual art of playing guitar and singing, as exemplified by legends like Dave Mustaine. Navide offers a behind-the-scenes look at the making of their song "Holy Killer" and invites listeners to connect with Omnivide on various platforms for pre-sales and updates on their upcoming work. Don't miss out on this rich tapestry of metal music mastery and the inside scoop on Omnivide's exciting new developments.
--------- EPISODE CHAPTERS ---------
(0:00:04) - Interview With Omnivide
(0:07:42) - Music Creation and Album Release Discussion
--------- EPISODE CHAPTERS WITH SHORT KEY POINTS ---------
(0:00:04) - Interview With Omnivide
Omnivide discusses their diverse sound, evolution from covers to originals, and breaking genre constraints.
(0:07:42) - Music Creation and Album Release Discussion
Developing the skill of playing guitar and singing, creative songwriting, forming a band during pandemic, and upcoming album release.
--------- EPISODE CHAPTERS WITH FULL SUMMARIES ---------
(0:00:04) - Interview With Omnivide (8 Minutes)
This chapter, PipemanRadio catches up with Omnivide from an up-and-coming metal band that infuses their music with a variety of influences. We discuss their approach to songwriting, which includes blending different metal subgenres and incorporating progressive and symphonic elements to create a dynamic listening experience. Navide shares the band's history, including their origins in an Opeth tribute project and how that experience helped them evolve into original musicians. We talk about the importance of growth for artists and the challenges and rewards of transitioning from performing covers to crafting original music. Throughout, the theme of artistic freedom and the desire to break out of genre constraints is emphasized, highlighting the band's commitment to diversity in their sound and their journey as evolving musicians.
(0:07:42) - Music Creation and Album Release Discussion (9 Minutes)
This chapter examines the challenges and processes behind becoming a proficient musician who can simultaneously play guitar and sing, highlighting that this skill isn't innate but can be developed through persistent practice. I share insights on how musicians like Dave Mustaine have mastered this, emphasizing the importance of making the instrument playing automatic to focus on vocals. We also touch on the creative approach to songwriting, using the song "Holy Killer" as an example, where dynamic shifts in intensity aim to enhance the listening experience. Furthermore, we explore the benefits of forming a band during the 2020 pandemic, which provided time for focused songwriting and development, as opposed to the constant touring cycle. I then provide information on the upcoming album "Tale of Fire," set for release on March 22nd, and encourage listeners to engage with the band, Omnivide, through social media, Bandcamp, and YouTube for pre-sales and updates.
Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.
Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world.
Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.
Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.
The Adventures of Pipeman Podcasts are heard on The Adventures of Pipeman Site, Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:
• The Adventures of Pipeman
• Pipeman Radio
• Pipeman in the Pit
• Positively Pipeman
Follow @pipemanradio on all social media outlets
Visit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com
Download The Pipeman Radio APP
Phone/Text Contact – 561-506-4031
Email Contact – dean@talk4media.com
The Adventures of Pipeman is broadcast live daily at 8AM ET.
The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).
The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com).
The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.
1
00:00:04.480 --> 00:00:21.280
Hy you have done to censure?
Wow for you young, whycoup America.
2
00:00:21.839 --> 00:00:25.519
It's time for the Adventures of Pipeman
on W four c Y dot com.
3
00:00:25.519 --> 00:00:29.800
Wis pomp Beats is number one internet
radio station. Here's your host, the
4
00:00:29.839 --> 00:00:56.439
pipe Man rack. This is the
pipe Man here on the Adventures pipe Man
5
00:00:56.560 --> 00:01:00.920
W four c Y Radio. And
I'm here with my my next guest,
6
00:01:00.960 --> 00:01:04.920
who is from the north actually from
where I am right now. A lot
7
00:01:06.040 --> 00:01:14.879
more but man, some badass music
that I really What I really love about
8
00:01:14.920 --> 00:01:19.560
what I heard is that it has
a lot of different components to the song,
9
00:01:19.640 --> 00:01:23.239
opposed to a lot of music nowadays
that the whole song. Once you've
10
00:01:23.280 --> 00:01:26.879
listened to the first fifteen seconds,
you've heard the whole song. This is
11
00:01:26.959 --> 00:01:30.599
like old school to me, where
you just want to listen to the whole
12
00:01:30.599 --> 00:01:34.920
thing from beginning to end. So
I want to welcome to a show.
13
00:01:36.159 --> 00:01:38.480
I'm divide. How are you?
I'm doing pretty good? Thank you?
14
00:01:40.040 --> 00:01:45.359
Sure? Hey, my pleasure,
and so tell us a little bit about
15
00:01:45.400 --> 00:01:49.719
your band, how it came about, you know, and how you as
16
00:01:49.760 --> 00:01:55.599
an artist would describe your music opposed
to a genre, because I hate genres.
17
00:01:55.680 --> 00:02:00.040
They box artists in to be something
that is it's like in this little
18
00:02:00.120 --> 00:02:05.239
box that they fit into, and
I'd rather hear from an artist's point of
19
00:02:05.319 --> 00:02:08.960
view how they describe their music.
Sure, well, it was really cool
20
00:02:09.000 --> 00:02:13.719
that you said that in the introduction, how you found there was a lot
21
00:02:13.719 --> 00:02:17.919
of components to our music. That's
certainly something that we had in mind as
22
00:02:17.919 --> 00:02:23.120
soon as we started writing music for
this band, was really that we're fans
23
00:02:23.159 --> 00:02:27.240
of many genres of music. And
obviously you've heard the song. It's still
24
00:02:27.400 --> 00:02:30.800
very much metal, but within metal, we're fans of a lot of different
25
00:02:30.800 --> 00:02:36.199
genres and we didn't want to limit
ourselves to fitting a specific aesthetic. So
26
00:02:36.879 --> 00:02:42.000
that song, and more broadly the
whole album is really a combination of our
27
00:02:42.039 --> 00:02:46.400
favorite genres, which you know,
goes from more typical death metal to more
28
00:02:46.439 --> 00:02:51.560
adventurous prague metal, and you know, some symphonic elements just kind of throwing
29
00:02:51.599 --> 00:02:55.360
all that in a blender. And
I think that maybe those three elements are
30
00:02:55.400 --> 00:03:00.479
kind of the main stays of what
define our sound as a broader and really
31
00:03:00.520 --> 00:03:06.360
the progressive aspect is what gives it
more freedom. We really like to just
32
00:03:06.439 --> 00:03:10.680
you know, kind of the opeth
idea of having extremely heavy parts and extremely
33
00:03:10.680 --> 00:03:15.479
clean parts, which obviously aren't unique
to Opeth, but just a band that
34
00:03:15.520 --> 00:03:19.080
did it really well early on,
and that's something we like. And then
35
00:03:19.120 --> 00:03:23.680
we also take from you know,
kind of more melodic bands, and you
36
00:03:23.680 --> 00:03:29.199
know, we really try to have
songs that will have dry, more aggressive
37
00:03:29.199 --> 00:03:34.639
sections and then go into something more
grandiose and musical and kind of piece all
38
00:03:34.680 --> 00:03:38.199
that together in a way that makes
a song and then the whole album more
39
00:03:38.199 --> 00:03:43.639
of a diverse listening experience and hopefully, you know, just make it something
40
00:03:43.680 --> 00:03:46.080
that, like you said, is
something you want to listen to again.
41
00:03:46.560 --> 00:03:51.479
So I think it's interesting because I
wasn't going to bring it up till you
42
00:03:51.520 --> 00:03:57.280
brought it up, but you talked
about Opath and probably even a lot of
43
00:03:57.879 --> 00:04:03.199
bands that know your music now may
not know that, you know, originally
44
00:04:03.639 --> 00:04:09.319
members of the band were in an
Opeth tribute project. So that's pretty cool.
45
00:04:11.520 --> 00:04:15.560
Yeah, for sure. That's how
three of the musicians in our band
46
00:04:15.599 --> 00:04:19.759
right now got together, myself,
Nick and Sam. Sam's our keyboard player,
47
00:04:19.759 --> 00:04:24.439
and Nick's the other guitarists. I
do vocals and guitar, and yeah,
48
00:04:24.480 --> 00:04:27.040
we did that project for about a
year and a half. It was
49
00:04:27.160 --> 00:04:29.680
loads of fun. It was just
kind of something we wanted to do because
50
00:04:29.680 --> 00:04:32.079
we were such big fans of Opeth. So we did it for like,
51
00:04:32.120 --> 00:04:35.240
you know, we did maybe four
or five shows. It was a lot
52
00:04:35.279 --> 00:04:40.480
of work for the actual result in
payoff, but it was really just a
53
00:04:40.480 --> 00:04:45.600
good musical experience overall. And as
we were doing that and towards the end
54
00:04:45.600 --> 00:04:47.680
of that year and a half,
we really decided then that we wanted to
55
00:04:47.680 --> 00:04:51.360
write together, and that's how this
project came along. See. I love
56
00:04:51.399 --> 00:04:56.399
that you made that transition because there's
so many like tribute bands out there that
57
00:04:56.439 --> 00:05:00.079
they just stay there for a long
time, or even like the most infamous
58
00:05:00.079 --> 00:05:05.160
that he did end up in Priest. But you know, Ripper was in
59
00:05:05.279 --> 00:05:12.439
a tribute Priest band forever and then
all of a sudden he's in Priest for
60
00:05:12.480 --> 00:05:16.240
a while, and now he's in
you know, Kk's Priest. Then it's
61
00:05:16.720 --> 00:05:23.680
I think at some point as an
artist, you really want to do your
62
00:05:23.759 --> 00:05:29.040
own thing and have your own artistry, and it's good to start off a
63
00:05:29.040 --> 00:05:33.920
certain way, but I think a
true musician evolves, and that's exactly what
64
00:05:33.959 --> 00:05:39.839
you guys did. Yeah, that
was kind of the intent from the beginning
65
00:05:40.160 --> 00:05:42.759
that you know, we were aware
that we weren't going to do that for
66
00:05:42.839 --> 00:05:46.079
you know, ten years or something. Really, from my perspective, I'd
67
00:05:46.120 --> 00:05:49.720
never done vocals and metal guitar at
the same time. You know, I'd
68
00:05:49.879 --> 00:05:53.639
sung a little bit on my own, but I wanted to practice that aspect,
69
00:05:53.720 --> 00:05:57.360
in the live performance aspect. So
doing that project was a way to
70
00:05:57.720 --> 00:06:00.399
kick myself in the ass a little
bit, get it done, and learn
71
00:06:00.959 --> 00:06:05.319
and get better. So that was
a conscious thing throughout that process, and
72
00:06:05.800 --> 00:06:09.920
I always I and probably most of
the other members of the band, I'm
73
00:06:09.920 --> 00:06:13.759
pretty sure all had in mind that
we wanted to write our own music.
74
00:06:13.839 --> 00:06:16.519
So it was really more of a
stepping stepping stone, sorry, than kind
75
00:06:16.560 --> 00:06:20.199
of a long term project. Absolutely, And I think it's kind of harder
76
00:06:20.240 --> 00:06:24.920
to be a tribute band than to
write your own music, because when you're
77
00:06:24.920 --> 00:06:28.319
doing your own music, it's coming
from inside of you and you have the
78
00:06:28.560 --> 00:06:32.759
innate passion for what you're doing,
and when you're doing a tribute it's kind
79
00:06:32.759 --> 00:06:36.680
of like you're using the passion of
something else you like instead, And I
80
00:06:36.680 --> 00:06:42.600
think there's a big fundamental difference.
Yeah, and that's why it felt right
81
00:06:42.959 --> 00:06:46.000
for it to be kind of a
temporary project, something that we did for
82
00:06:46.120 --> 00:06:49.360
fun in a sense, but not
something that we you know, tried to
83
00:06:49.360 --> 00:06:54.759
write awave off of it for ten
years or anything like that. So we
84
00:06:54.920 --> 00:06:58.519
definitely felt like people were going to
judge our performance based on you know,
85
00:06:59.279 --> 00:07:01.839
an amazing and like o bet so
we weren't pretending to be nearly as good,
86
00:07:01.839 --> 00:07:04.959
but it was just a great experience
overall for us to learn and get
87
00:07:05.000 --> 00:07:10.199
better. Yeah. Yeah, And
I love what you said about being and
88
00:07:10.319 --> 00:07:15.519
doing vocals and playing guitar, because
I always am in awe of somebody that
89
00:07:15.639 --> 00:07:17.839
can do both of those. It's
kind of like that thing when you're a
90
00:07:17.920 --> 00:07:21.879
kid trying to rub your head and
you're tummy at the same time, because
91
00:07:23.560 --> 00:07:30.480
it's gotta be so hard to focus
on both because usually both are like very
92
00:07:30.680 --> 00:07:36.920
important parts of all songs, and
they're usually the front runners. And now
93
00:07:36.920 --> 00:07:42.680
it's like you're doing both of them
at the same time. Oh absolutely.
94
00:07:42.759 --> 00:07:46.560
And it doesn't come especially naturally for
me either, I think from what I've
95
00:07:46.560 --> 00:07:48.839
seen and heard other people talk,
it does more so for other people.
96
00:07:48.920 --> 00:07:53.720
I just grind it a lot,
and you know, eventually your brain and
97
00:07:53.720 --> 00:07:57.959
body adapts, whether it's easy or
not. To just do both at the
98
00:07:57.959 --> 00:08:01.519
same time and things just be more
automatic. And that's really what enables you
99
00:08:01.560 --> 00:08:05.399
to do two things at once is
when you really don't have to think about
100
00:08:05.399 --> 00:08:09.199
your hands anymore, you can focus
on the vocals. I'd say that's more
101
00:08:09.279 --> 00:08:13.279
the perspective is your the hands become
automatic, and then the vocals are the
102
00:08:13.319 --> 00:08:16.360
thing that have more of a conscious
thing because it's more of a physical process
103
00:08:16.560 --> 00:08:20.959
even than the playing the guitars.
So for me anyways, that's how it
104
00:08:20.040 --> 00:08:26.800
is. I have noticed that too, because like you look at certain guitars,
105
00:08:26.000 --> 00:08:31.240
like I'll take Dave Mustain, you
know, who never wanted to really
106
00:08:31.320 --> 00:08:37.919
sing. He got thrust into that, but what amazing, amazing guitarist and
107
00:08:37.960 --> 00:08:39.919
now you watch him, man,
it's like he doesn't have to look as
108
00:08:41.039 --> 00:08:45.559
guitar at all. He just like
right, yeah, it's just second nature.
109
00:08:45.600 --> 00:08:48.840
He's doing way more focusing on the
singing than he is on the guitar
110
00:08:48.919 --> 00:08:54.799
play. Yeah, I think that's
the way that a lot of performers end
111
00:08:54.919 --> 00:08:58.759
up maybe viewing it as well.
But yeah, it's definitely not something that
112
00:08:58.759 --> 00:09:03.200
comes easy for me. And every
song is a new challenge every time.
113
00:09:03.000 --> 00:09:09.120
It's it's not innate for sure.
And one thing I want to say about
114
00:09:09.279 --> 00:09:15.360
the song is that, Okay,
so it's a killer song. But going
115
00:09:15.440 --> 00:09:20.279
back to what we were talking about
when I first turned it on, like
116
00:09:20.320 --> 00:09:24.039
for the first couple of seconds,
I'm like, it was kind of like
117
00:09:24.080 --> 00:09:30.519
when I heard a song like Battery
or I heard like Fast as a Shark,
118
00:09:30.559 --> 00:09:33.759
and you're like, at first,
gone, well that's not metal,
119
00:09:33.639 --> 00:09:37.399
and then all of a sudden,
just out of nowhere, you get like
120
00:09:37.559 --> 00:09:45.080
thrown up against the wall. Yeah. That's definitely another thing that, like
121
00:09:45.120 --> 00:09:48.440
I said earlier, we tried to
do with the album is to have different
122
00:09:48.519 --> 00:09:54.759
levels of intensity and energy and styles
of sections. And there's there's a few
123
00:09:54.759 --> 00:09:58.120
songs where we like to start kind
of slow like that and then slamming with
124
00:09:58.679 --> 00:10:03.480
a real the heavy section afterwards,
just to kind of hoping that the clean
125
00:10:03.559 --> 00:10:07.840
section before will make the heaviness that
comes afterwards more impactful. That's kind of
126
00:10:07.840 --> 00:10:11.480
the idea behind it. So that
was an example in Holy Killer. That's
127
00:10:11.840 --> 00:10:16.799
what the intent is behind that introduction. So Holy Killer, which is the
128
00:10:16.879 --> 00:10:22.320
first song or the first single off
the album that's going to be coming out,
129
00:10:22.360 --> 00:10:26.480
that just dropped on Friday on the
nineteenth and maybe tell us a little
130
00:10:26.519 --> 00:10:31.840
bit about the background of that song. Yeah. Sure, So that was
131
00:10:33.559 --> 00:10:37.000
one of the first songs that we
wrote as a band the way that we
132
00:10:37.039 --> 00:10:41.159
wrote the album, and Nick,
our other guitarists, and myself are kind
133
00:10:41.200 --> 00:10:46.840
of the main composers, and we
each mainly wrote four songs that you know,
134
00:10:46.919 --> 00:10:50.080
we all ended up pitching in and
working on together to some extent,
135
00:10:50.159 --> 00:10:56.200
But that was kind of his first
song and he wanted to add in synthathizers
136
00:10:56.240 --> 00:11:01.639
and orchestral elements early on, and
that really gave us a lot of direction
137
00:11:01.919 --> 00:11:07.080
for what we wanted to do for
the next songs moving forward. So that
138
00:11:07.240 --> 00:11:13.240
song is one of the more I
guess original first songs that we wrote that
139
00:11:13.720 --> 00:11:18.600
gave us a bit of an idea
what we wanted to do musically. Nice
140
00:11:18.200 --> 00:11:24.639
and the whole album Tail of Fire
is set to drop on the twenty second
141
00:11:24.720 --> 00:11:30.960
of March. Do you have any
kind of like pre saves or places you
142
00:11:31.000 --> 00:11:35.679
want to send people so that they
can get the new album my drops?
143
00:11:35.679 --> 00:11:39.519
And also you know, tell everybody
how they can hit you up on socials
144
00:11:39.559 --> 00:11:46.039
on the web all your connected and
ways to connect with you. Yeah,
145
00:11:46.080 --> 00:11:50.919
for sure. So we're gonna add
down some pre sage soon for upcoming singles
146
00:11:50.960 --> 00:11:54.879
and the album. So I tell
people to follow us on Facebook and Instagram,
147
00:11:54.960 --> 00:11:58.600
where basically all of our news will
come out, and then for any
148
00:11:58.679 --> 00:12:03.399
kind of support on band camp.
Our album is already available for pre sale
149
00:12:03.480 --> 00:12:09.159
as well as a CD and a
T shirt that can all be pre ordered,
150
00:12:09.200 --> 00:12:13.320
so any kind of support or buying
the digital album can go there.
151
00:12:13.440 --> 00:12:20.080
And we also have the YouTube video. The lyric video is on YouTube,
152
00:12:20.120 --> 00:12:24.080
so that's another place to follow us
that and we have our own website.
153
00:12:24.080 --> 00:12:28.000
If you just type omnivide. We
we tried to find a word that wasn't
154
00:12:28.000 --> 00:12:31.279
too common, so if you google
omnivide, I think we do come up
155
00:12:31.320 --> 00:12:35.200
first right now, so it's easy
to find, yeah, and you can
156
00:12:35.279 --> 00:12:43.240
actually spell it the right way without
symbols or numbers like so many bands nowadays.
157
00:12:43.279 --> 00:12:46.799
It's like how that it's so hard
to come up with a band name
158
00:12:46.840 --> 00:12:50.919
nowadays, because like some may have
been taken already, you know exactly.
159
00:12:52.240 --> 00:12:56.679
Yeah, we were on the Encyclopepedia
Metalum trying to find a name that didn't
160
00:12:56.679 --> 00:12:58.919
already exist, and it would always
be like, oh, yeah, the
161
00:13:00.159 --> 00:13:01.799
one, and then next thing.
You know, it's like, Nope,
162
00:13:01.919 --> 00:13:03.759
some band from the early two thousands
took it, and then it's like,
163
00:13:05.360 --> 00:13:07.360
if they're not active anymore, you
could take it. But we really wanted
164
00:13:07.399 --> 00:13:11.759
to find something that hadn't been taken, and to what we could find.
165
00:13:11.799 --> 00:13:16.039
The closest thing that has our name
is like some real estate company in Australia
166
00:13:16.120 --> 00:13:20.320
that actually had her name, but
we figured that was far enough. Yeah,
167
00:13:20.360 --> 00:13:24.480
there you go. And so also, I gotta say hats off to
168
00:13:24.519 --> 00:13:28.720
you because you guys formed in twenty
twenty. What a time to form.
169
00:13:28.759 --> 00:13:31.039
But I have a different spin on
that than most people. I think it
170
00:13:31.080 --> 00:13:35.799
was the best time to form a
band, because you know, before that,
171
00:13:37.000 --> 00:13:41.120
all these bands are on the hamster
wheel and touring all the time,
172
00:13:41.200 --> 00:13:43.759
on the road all the time,
and rushing to put music out because we
173
00:13:43.840 --> 00:13:48.159
didn't have any time. So they're
writing it on the tour bus and they
174
00:13:48.159 --> 00:13:52.960
have a deadline they have to meet. And I think twenty twenty and twenty
175
00:13:52.039 --> 00:13:58.240
one allowed artists like you guys to
really do things the old school way and
176
00:13:58.360 --> 00:14:03.399
like really work on the songwriting and
perfecting the songs without just playing them out
177
00:14:03.440 --> 00:14:09.240
half done. Oh it certainly did. I mean, I remember one of
178
00:14:09.240 --> 00:14:15.679
our first jams when we'd actually got
together after some songwriting that was just exchanges
179
00:14:15.720 --> 00:14:18.279
over the internet, when it was
maybe three or four gems in. Then
180
00:14:18.720 --> 00:14:24.919
lockdown started happening and that got us, you know, made us unable to
181
00:14:24.000 --> 00:14:28.399
jam for a few months on and
off throughout COVID, but we would always
182
00:14:28.399 --> 00:14:31.519
get back together when we could,
and when we couldn't, we were writing
183
00:14:31.720 --> 00:14:33.879
and just working on the songs,
and it really gave us a good gestation
184
00:14:35.039 --> 00:14:39.120
period to try to just write the
music and focus solely on the music.
185
00:14:39.200 --> 00:14:41.480
You know, we didn't have a
Facebook page yet anything like that, so
186
00:14:41.519 --> 00:14:45.759
we were solely focused on the music
and it was really nice to be honest.
187
00:14:46.200 --> 00:14:48.039
And now we're in the release process, so it's kind of the opposite,
188
00:14:48.080 --> 00:14:52.840
but I think it's it gave me
a sense that it's good to maybe
189
00:14:52.919 --> 00:14:56.759
cut yourself off a little bit when
you're trying to be creative because all the
190
00:14:56.840 --> 00:15:03.480
worldly distractions can really clutter your mind. So totally, it was really good
191
00:15:03.519 --> 00:15:07.600
for us for sure to have that
time to focus and write together. Yeah.
192
00:15:07.679 --> 00:15:11.519
Oh, I mean, like how
many artists out there, you know,
193
00:15:11.360 --> 00:15:16.000
they put on an album and then
the album sound they're like, oh,
194
00:15:16.080 --> 00:15:18.679
man, I should have done it
this way because they didn't really have
195
00:15:18.720 --> 00:15:24.440
the time to restructure any songs or
really evalue it. It's like bam wam
196
00:15:24.519 --> 00:15:28.480
bam. Thank you ma'am. Yeah, yeah, for sure, Yeah,
197
00:15:28.519 --> 00:15:31.720
we that's not something we'd want to
do where we're going to try to put
198
00:15:31.720 --> 00:15:37.399
out something a second album eventually sooner
than later, but also take our time
199
00:15:37.480 --> 00:15:39.559
and make sure we're happy with it
when we put it out. Yea.
200
00:15:41.399 --> 00:15:43.960
Well, that's why it's great music. I love it. Everybody needs to
201
00:15:45.039 --> 00:15:48.840
check you guys out, check out
the you know, the album of course
202
00:15:48.840 --> 00:15:54.399
when it comes out, but definitely
they need to listen to Holy Killer now.
203
00:15:54.639 --> 00:15:58.000
They will love it and they will
definitely be can't wait for that album.
204
00:15:58.360 --> 00:16:02.919
So thanks for giving us such great
music, and thanks for being on
205
00:16:02.960 --> 00:16:07.559
the Adventures of pipe Man. Thank
you appreciate it, Appreciate the kind words.
206
00:16:07.600 --> 00:16:11.639
And just to know, we'll have
two more singles out before the albums
207
00:16:11.679 --> 00:16:14.320
which people follow us, they'll be
able to tune in on that as well.
208
00:16:14.759 --> 00:16:18.840
Nice. I love it. Thank
you for listening to the Adventures of
209
00:16:19.039 --> 00:16:23.600
pipe Man on w for CUI Radio.










































