Feb. 2, 2024

PipemanRadio Interviews RIOT V About Mean Streets

PipemanRadio Interviews RIOT V About Mean Streets

Join me, The Pipeman, as I sit down with the legendary Todd Michael Hall from Riot V for an electrifying journey through the band's history and the unveiling of their upcoming album, "Mean Streets." We take a stroll down memory lane, exploring Riot's...

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Join me, The Pipeman, as I sit down with the legendary Todd Michael Hall from Riot V for an electrifying journey through the band's history and the unveiling of their upcoming album, "Mean Streets." We take a stroll down memory lane, exploring Riot's ever-evolving lineup and the significant transitions that have marked the band's legacy as a rock powerhouse. Listen in as Todd recounts the story behind Riot's evolution into Riot V, paying homage to their past while injecting a fresh energy into their new music that's sure to excite fans both old and new. It's a conversation that celebrates the fusion of classic and contemporary sounds, all while honoring the saga of "Johnny" and the band's enduring themes of continuity.

Feel the passion and dedication in every word as Todd Michael Hall expresses profound gratitude for the unwavering support of Riot's fans. In this heartwarming exchange, we discuss the challenges and triumphs of juggling day jobs with the pursuit of musical excellence, and the pure joy derived from connecting with audiences around the globe. Todd's appreciation shines through as he reflects on the unique privilege of continuing to craft music that resonates deeply with their loyal fanbase. So, grab your headphones and let's rock out together, as we pay tribute to the legacy of Riot and the exciting future that lies ahead for Riot V and their devoted followers.

EPISODE CHAPTERS

(0:00:05) - Pipeman's Adventures With Riot V

(0:14:25) - Creating a Musical Balance (0:21:24) - Appreciation for Support and Commitment

EPISODE CHAPTERS WITH SHORT KEY POINTS

(0:00:05) - Pipeman's Adventures With Riot V Interview with Todd Michael Hall from Riot V about their new album, blending old and new elements while paying homage to their legacy.

(0:14:25) - Creating a Musical Balance Balancing fan expectations with artistic growth, diverse repertoire, and emotional impact of performing older songs in Riot.

(0:21:24) - Appreciation for Support and Commitment Grateful thanks from Todd Michael Hall of Riot V for fans' support, balancing jobs and music, and future commitment to producing music.

EPISODE CHAPTERS WITH FULL SUMMARIES

(0:00:05) - Pipeman's Adventures With Riot V (14 Minutes)

This chapter kicks off with my excitement about interviewing Todd Michael Hall from Riot V, a band I've been a fan of since the 80s. We chat about the band's evolution and their new album, "Mean Streets," set to drop soon. Todd shares the history of Riot, detailing the changes in the lineup and how it's come to be known as Riot V, marking the fifth chapter of the band. We discuss the significance of the band's past and its influence on the new music, which blends old-school and new-school elements. Todd also gives us insight into the songwriting process and how the band aims to pay homage to their legacy while still keeping the sound fresh for fans old and new. We wrap up touching on the themes of continuity within their albums, particularly the ongoing saga of "Johnny," a nod to the band's storied past.

(0:14:25) - Creating a Musical Balance (7 Minutes)

This chapter we explore the complexities of being a musician in a band with a long history like Riot, and how we balance fan expectations with artistic growth. We touch on the importance of having a diverse repertoire, affectionately referring to some of our songs as "pounders" for their heavy, fast-paced nature. I discuss my personal journey in music, from my father's skepticism to my current appreciation for the unique position I'm in as the vocalist for Riot. We reflect on the challenge of producing new music that resonates with fans while honoring the band's legacy, and the gratification of having fans who appreciate new material as much as the classics. Additionally, I share insights into my approach to performing older songs, aiming to stay true to the original recordings, and the profound emotional impact this can have on our audience.

(0:21:24) - Appreciation for Support and Commitment (1 Minutes)

This chapter wraps up with heartfelt gratitude from Todd Michael Hall of Riot V, who expresses appreciation for the fans and their support of the band's passion project. We touch on the balance between having full-time jobs and pursuing music, highlighting the joy derived from playing shows worldwide and the commitment to continue producing music as long as the fans desire it. Todd's sincere thanks for the support culminates in an encouraging note for the future of their music, and we conclude with his acknowledgment of our show, The Adventures of PipeMan on W4CY Radio.

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WEBVTT

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Hey, you have done to censure. Wow, crazy young, Wake up

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America. It's time for the Adventures
of pipe Man on W four c Y

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00:00:25.079 --> 00:00:29.239
dot com. West pomp Beach is
number one internet radio station. Here's your

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00:00:29.320 --> 00:00:53.600
host, the pipe Man. This
is the pipe Man here on the Adventures

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00:00:53.640 --> 00:00:57.359
pipe Man W four c Y Radio, and I'm here with our next guest.

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00:00:57.640 --> 00:01:00.600
I gotta tell the story about this
though, because I was really excited

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00:01:00.280 --> 00:01:06.079
because there's like a couple band,
a couple albums are like my favorite albums

8
00:01:06.640 --> 00:01:08.719
out there, and bands are my
favorite bands I like listen to all the

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time. And so the publicist sends
me over information about this new album and

10
00:01:15.879 --> 00:01:22.079
I look at him like, oh
my god, I will definitely interview them,

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because you know, you get all
kinds of requests all the time,

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and it's like some of them you
know, some of them you don't.

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But this band and this artist we
have here absolutely freaking incredible. I've been

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listening to them since the eighties,
and so I'd like to welcome to the

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show Todd Michael Hall from Riot five. How are you, hey man?

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Thank you very much, bike Man. I appreciate it. It's just a

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real pleasure to be with you here
today. Oh, pleasure to have you

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and forty old school fans. Okay, I know it's interesting, like you

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00:02:00.280 --> 00:02:05.000
came up with the five part because
is it like the first time there's been

20
00:02:05.120 --> 00:02:08.240
like five people in the band.
No, No, actually it's considered the

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fifth chapter of the band because oh, okay, there you go. Yep,

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00:02:12.479 --> 00:02:15.120
there's been a lot of different there's
been five different singers that have recorded

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with Riot. So you had the
initial guy guys Beranza, and then they

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transitioned after the third album into RHTT
Forrester, and then they transitioned into kind

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of more of a poor power metal
style, and they brought on Tony Moore

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for the thunder Steel album and Privilege
of Power, and then after that there

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was Mike DeMeo for quite a few
albums, and then they did have a

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thunder Steel reunion, so they put
out an album in twenty eleven with Tony

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Moore and all the original Thundersteel guys, and then Mark Reality passed away about

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a year after that in twenty twelve, and that's when they and that's when

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we then when they I mean I
wasn't technically in the band yet. I

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was kind of in kind of in
the process of getting in the band as

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they were forming the you know,
you know, kind of regrouping, and

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that's when, and out of respect
for Mark reality, Donnie and Mike decided

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to add the V, which a
lot of people will say Riot V,

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but it's really Riot five is what
we call. And that's when they decide,

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I respect him, just to kind
of signify a new chapter for the

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band. But really, realistically,
people know this is riot. When we're

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out and people are chanting their name
or whatever at a show, it's usually

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just right, yeah, right,
you know, right and right yet five,

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you know, so that's so cool. And you know, one thing

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I will say too is so I'm
listening to new music. You got the

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new album dropping on the twelfth,
mean streets. And it's always tough when

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you you know, when you listen
to bands for a long time, whether

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they had change ups or not,
especially if you're an old school OG fan

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to kind of like like the stuff
that's thirty years later, you know.

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But I gotta tell you, I
mean, this music you have now is

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absolutely amazing. It's like, I
don't know, it's like old school and

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new school all put into one with
a great flavor to it, thank you

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00:04:12.159 --> 00:04:15.759
very much. I mean that's definitely, you know, definitely something that we

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were going for. I mean,
you know, we really have two principal

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writers of music on the album.
That's Donnie the bass player, and then

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Mike the guitar player, and I
tend to write a lot of lyrics,

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and we all work together on the
vocal melodies. And you know, Donnie

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has actually met Mark Reality way back
in the early eighties and then you know,

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back then they were just friends.
They would jam together when Mark was

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visiting Texas, and that's how they
met. And then you know, later

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on, Donnie ended up getting in
the band, and thunder Steel was the

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first album that he was on and
he was a principal writer on that.

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And so because of that, we
kind of considered because Thundersteel is really that

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transition to what I would call power
metal, bringing in that side of it,

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even though Riot's always been pretty diverse
obviously, and and you know,

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so Donnie definitely has that in spades. But Donnie grew up as a big

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fan of Riots, so he loves
all from the first album on. He

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said, it used to be on
the radio and he was a kid,

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you know, younger kid in San
Antonio, and so you know, like

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when he first met Mark, he
was like meeting one of his heroes,

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you know, and so yeah,
so definitely, you know, don you

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know, and then Mike's obviously been
in the band since eighty nine, so

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he's got a ton of history and
experience with with the band and with with

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Mark reality and everything. And I
think if you look at the history Riot,

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it's pretty you know, even when
you've got an album like Privilege of

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Power that has tons of heavy songs
on it, like on your Knees and

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black Leather and glittering Steel, you
still have a song like Marianne, which

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is more like a pop hit kind
of things. So there's definitely some diversity

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there, and that's what we wanted
to have, kind of just some diversity.

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And certainly when you're in a what
I would call a legacy band like

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Riot, you want to try and
have some winks to the past here and

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there. And like, you know, the title of the album is Mean

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Streets, and Donnie wrote a song
called Johnny's Back, and so pretty much

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every album, you know, Donnie
wants to have a Johnny type saga song,

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and so like Mean Streets is more
of the continuation of that Johnny Saga

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on this new album. So nice, Hey Sids, Okay, you're talking

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about power metal. I have a
trivia question for you. Oh boy,

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what thrash metal band was originally considered
power metal? Because there was no such

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thing as thrash metal yet? Hmmm, I don't like exciter or something like

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that. That'd be my gift.
Well close, So I'll tell you a

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story to answer it. I went
to this band's first show ever in LA

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and this dude gets off the stage
after a show. I think I was

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like fifteen years old. He starts
talking to me and then he gives me

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his business card and it said Metallica
power metal. Oh Dave Mustain. Wow

92
00:07:06.399 --> 00:07:12.639
right, And it's like I think
about and like, why were they power

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metal? It didn't sound power metal, but you know, it's like it's

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almost like power metal was sometimes a
genre that was given the bands that you

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didn't know what genre to put them
in. Of metal, Yeah, And

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it's so hard. I mean,
there's so many darned different names for metal.

97
00:07:30.680 --> 00:07:33.800
I think. For me, when
I think of power metal, in

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my mind, power metal is it
can be fast and heavy, for sure,

99
00:07:40.040 --> 00:07:44.000
but it usually is melodic and has
kind of soaring so that that to

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00:07:44.040 --> 00:07:46.800
me is kind of the definition of
so I would think of like say your

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00:07:46.920 --> 00:07:50.439
Maiden or do O or Queen Drike
at times, you know, stuff like

102
00:07:50.480 --> 00:07:55.399
that. Yeah, there's no way
that like hit the lights of power metal.

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Yeah, definitely metal, but you
know, not the soaring vocals at

104
00:08:00.639 --> 00:08:05.920
least not so much exactly. So
tell us a little bit about this new

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album. You know, what's the
creativity behind it? And you know,

106
00:08:09.759 --> 00:08:13.720
I have another question, because I
have the album cover behind me, maybe

107
00:08:13.720 --> 00:08:20.160
you could tell people the story about
why you have the animal on the album

108
00:08:20.279 --> 00:08:24.160
cover. Well, I mean,
so I have to tell you through hearsay,

109
00:08:24.199 --> 00:08:26.839
but I do know. I mean
I was I was about eight years

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00:08:26.839 --> 00:08:31.240
old when the first album came out
in nineteen seventy seven, and I do

111
00:08:31.360 --> 00:08:35.559
remember way back then that there was
a lot of talk about baby seals getting

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00:08:35.600 --> 00:08:39.559
clubbed and killed for their fur,
and people were up in arms and upset

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00:08:39.600 --> 00:08:43.159
about it happening and all that.
And so if you look at the very

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first album that was released in seventy
seven, Rock City, there was an

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00:08:48.679 --> 00:08:52.799
art the artist that had made the
cover. I have to believe that was

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what was on his mind, because
if you look at the cover, it

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is a guy with a baby seal
head holding an act. It's like a

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00:09:00.399 --> 00:09:03.639
dead body behind him in a city
in flames behind him. And so my

119
00:09:03.879 --> 00:09:09.600
you know, my interpretation is that
that's basically the baby seal getting back at

120
00:09:09.639 --> 00:09:15.039
man. And when that happened,
I think it was so I don't know

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00:09:15.120 --> 00:09:16.720
back then, you know, I
think it was so rased. So when

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00:09:16.720 --> 00:09:20.639
they came up with the next album, Narita, you know, they they

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00:09:20.679 --> 00:09:24.159
had a jack, they had a
sumer wrestler with a you know, with

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00:09:24.480 --> 00:09:26.960
a seal head. And then when
they came out with the third album,

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Fired down Under, it was just
a close up of a sealed guy with

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00:09:30.759 --> 00:09:33.200
a seal head and fire behind him. So, you know, they kept

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00:09:33.240 --> 00:09:37.519
sticking with it, and and actually
they they did have albums where they didn't

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00:09:37.559 --> 00:09:39.840
but I mean, really, uh, you know, I think Born in

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America had it on there and Restless
Breed he was half seal, and you

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00:09:43.519 --> 00:09:46.039
know, so it's just been around
for so long, and in some ways

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some people have teased kind of ride
you know, and says, you know,

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00:09:48.759 --> 00:09:52.399
without those you know, those terrible
album covers, you know, and

133
00:09:52.440 --> 00:09:54.840
whatnot, have you and maybe they've
been more famous if the album covers were

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00:09:54.919 --> 00:09:58.320
so crappy and and I think,
but but for us, we've kind of

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00:09:58.360 --> 00:10:01.519
come first circle just kind of like
we totally embrace it. So when we

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00:10:01.600 --> 00:10:05.799
came out with Unleash the Fire,
because they didn't have the seal on well

137
00:10:07.120 --> 00:10:11.600
on the one on Immortal Soul.
But when we came out with it,

138
00:10:11.639 --> 00:10:13.799
Donnie wanted to bring it back,
but he thought, maybe bring him in

139
00:10:13.879 --> 00:10:16.080
the future and make him somewhat of
a cyborg or whatever, and you know.

140
00:10:16.120 --> 00:10:20.279
And then last the last album,
Armor of Light, that's where we

141
00:10:20.360 --> 00:10:22.799
introduced the notion of a gang and
so there's multiples you know, of them,

142
00:10:22.799 --> 00:10:26.320
and then we continued the gang.
This time it's a biker gang of

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00:10:26.440 --> 00:10:31.840
seals. So I love it.
You know why I asked that because it's

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00:10:31.919 --> 00:10:35.399
very interesting, Like I have all
those old albums still to this day,

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00:10:35.720 --> 00:10:43.879
and it wasn't until looking at this
album and reading something that I ever put

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00:10:43.960 --> 00:10:50.679
together that was what was always on
the albums. It didn't even register in

147
00:10:50.720 --> 00:10:54.240
my mind that those albums had the
same kind of character, which is really

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00:10:54.279 --> 00:11:01.480
weird. You know. I remember
the album covers in my head, but

149
00:11:01.600 --> 00:11:05.159
I never thought of it that way
until this one. I'm like, holy

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00:11:05.440 --> 00:11:11.480
crap, Like, how did I
not notice that it's funny? Right?

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So, and this album covers Badass
too, by the way, I love

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see I miss that nowadays of like
really enjoying the artwork of an album cover,

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you know, and this one definitely
does it for me. But let's

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talk about the music, you know, so tell us a little bit about

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what prompted this album, you know, what kind of creativity went into it,

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and what you really want to accomplish
with the music, you know.

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I think you know, some bands, when they sit back, they you

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know, they maybe try to go
for an overall concept with it. You

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know. We tend to be more
like we just we like to write great

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songs, and so the creative process
is pretty interactive. I mean, Donnie's

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a principal songwriter, so is Mike. Donnie usually sends a pretty developed song

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and then a demo, and a
lot of times he'll send it to me

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and I can listen and try to
write lyrics and vocal melodies. Michael do

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the same thing. Sometimes Donnie will
write his own lyrics and vocal melodies.

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But you know, we interact.
We'll even have arguments now and then you

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know, like there's the song high
Noon that was like the first single or

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released. Actually I called it first
Light, and the chorus was like show

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down at First Night, you know, you know whatever. That was my

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chorus, and I was like,
I like my chorus better than this high

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Noon chorus. And so like we
went back to Mike. I was like,

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Mike, come on, man,
I got him and Donnie the I'm

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like, Mike, come on,
listen to him both. Man, isn't

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mine's better, isn't it? He's
like, No, I like Donnie's.

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You know, So Donnie's ended up
winning out, you know. So every

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now and then you have those little
contests and I'm still convinced my chorus is

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better, but I like high Noon
too. But you know, so there

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is that interactive process. And then
there's other times where you look at a

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song like lean Into It, which
is kind of what I would call it

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has a real good, kind of
old school throwback vibe. Sounds like something

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off of Rock City to me,
and but Donnie sent me the music and

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it was just really sang to me, and I just I sent it back

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to him with lyrics and vocal melodies
and it was like boom, there we

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go. You know. So sometimes
they just go really fast and then other

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ones, you know, other ones
they're just a labor of love. And

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so for us, you know,
you know, it just it just comes

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down the songs. We just want
a great song. You know, we're

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we're kind of beyond the notion of
well, we want to impress somebody with

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high screams or fast solos or whatever. It's like, we just want to

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write a great song. That's all. Well, you know what, I

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think that's something that's missing nowadays,
you know, because especially in the metal

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genre. As a lifelong metal head, I find myself sometimes saying things now

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that people said to me that it
wasn't true back then. But it's like,

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huh, every metal band sounds exactly
the same. And I used to

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say, no, they didn't,
But now I see certain bands it's almost

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like they use this algebraic equation to
make a metal song, and the musicianship

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is kind of not necessary, is
there, Whereas back in the day it

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was about musicianship. So I love
that bands like you guys are like bringing

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that back, because it is coming
back where it's important to be a good

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musician and to have a good song, not just here, let's just put

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this out like we're in a puppy
mill. Yeah, yeah, thank you,

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thank you. I appreciate that.
You know, it is really tough.

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There's that fine balance, you know. To some extent, it's like,

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you know, your fans. You're
kind of in a box with your

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fans, right like they kind of
know what you are and they want to

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feel like they know what to expect
from you. The nice thing about Riot

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is with with a long history,
there's been some diversity, and so I

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think, you know, our fans
are there, but you know, I

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think for us, we just we
think about the people and we want to

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have a little bit of everything for
him. So we always have some pounders.

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We call them the ones that got
the real fast, heavy double bass

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and all that. We like to
have some old school and we like to

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have dot Donnie says. We have
two types of songs. We have up

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and down, which is like and
then we have the left and right,

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which is done, you know or
whatever. So you always have a little

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bit of that, you know,
So like feel the Fire has a little

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bit more of that, just kind
of old maybe Judas Priest fire where it's

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just you know, kind of heavy
and but more mid tempo and stuff.

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So, you know, I think
for us that was it just try to

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mix it up and kind of you
know, as you're writing, you know,

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don't limit yourself. Well I can
only write this, or I can

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only write that. It was like, you know, but there's always some

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extra songs that you don't end up
using and stuff where you're like, ah,

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you know, maybe that's not good
for us. Whatever, we won't

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do that. I always say that's
the key to being a great artist is

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not it's not like thinking about it, it's just what comes to you.

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It's like I remember being in high
school and I was playing guitar and my

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dad would be like, you should
give that up because you suck. And

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what I was really doing is I
was just like experimenting with these different sounds.

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So like I wanted to see what
I could come up with with,

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not do something that everybody else was
doing. Yeah, yeah, for sure.

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And it's like it's hard because with
a band like Riot, with our

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long legacy of albums, and it's
the seventeenth album and there's that fine line.

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You know, you want to come
out with something that's in the spirit

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of the band but doesn't sound like
it's the exact same thing over again,

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And you know it could be hard. I mean, we try to be

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successful, but it's definitely hard to
do. So I always say that too,

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like my hat's off to you,
because when when you have that many

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albums out or you've been a musician
for that long, I always think,

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man, how hard is it to
come up with new songs that people are

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gonna like because they want you to
do all the same old stuff. But

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as an evolved musician that you know, has been learning the trade, you

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want to do new things and not
do the same thing you've done your whole

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life. Yeah, yeah, for
sure. Well, I mean I feel

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really blessed to be in the band
because first of all, I mean,

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you know, there's been different singers, and my voice just fits the pocket

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of certainly Guy Speranza and Tony Moore
tend to be the ones that we play

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the most songs from, and then
obviously our own songs, and you know

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that's it just fits my vocal pocket
really well. You know, So in

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that regard, I feel blessed.
But you know, and the opportunities all

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the shows I've gotten to play,
but also just the fact that we have

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people that, like when we went
to South America, even back in twenty

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sixteen, there were people singing,
you know, take Me Back, which

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is a song I wrote on Unleash
the Fire, you know, I wrote

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the lyrics to that, and it's
pretty overwhelming, like because because some bands,

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like the legacy bands, they can
only play the old stuff no one

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even, you know, they won't
even put out in New Albus because nobody

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cares to hear it or something.
And I think with ours, we have

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fans that expect new songs and want
to hear the new songs, and they

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sing a long with the new songs
too, you know. And that's where

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I feel really blessed, because it's
like I feel like we're still pushing the

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thing forward. We're not just out
schlepping the old stuff, you know.

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I love that. It's almost like
the attitude of your fans are the old

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school, underground type of fans,
you know, like, you know,

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it doesn't matter what you put out
as long as it's good, you know,

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and they don't need you to be
just this and please play this song

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that you've played fifty million times,
because that's the only one I want to

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hear. You know, yeah,
it's you know, it's amazing. There's

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just we do have some really incredible
fans. I mean I've been I remember

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playing shows. I mean like on
quite a few occasions, I mean like

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three four at least occasions. I've
had grown men come up to me and

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tell me that they were crying as
we played blood Streets, which is a

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song of Thundersteal, because it brought
back all these emotions of when they were

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a kid, and they just thought
that we sounded so true to the original

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that they just loved it. And
like, that's for me. I mean

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as a vocalist. You know,
vocalists have different theories of how they want

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to do stuff. Like for me, when I do the older stuff,

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my goal is to try to have
it sound as much like the original as

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I can. I don't change the
melodies around and do anything. I just

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try to do it exactly because to
me, that's what you know, you

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know, like, and I'm not
saying that that's the only way to do

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it. I mean some people prefer
to change stuff up. I went to

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see Counting Crows and Concert and Adam
changes the melodies all the time. I

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didn't even know what songs he was
playing at the time, the words,

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you know, but that's not my
thing. I don't work that way.

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So I like your way actually,
because you can be your own on your

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new songs, but then you give
that nostalgic vibe at the same time with

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the old songs, So I love
it. Tell everybody how they can connect

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to you guys on socials, on
the web, how they can get the

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new album when it drops. They
definitely have to check out the video that's

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out for Feel of Fire, because
that's badass, not just the music,

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but the video itself itself as cool
as hell. And every way that they

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can check everything out, I'm sure
they can pre order or pre save.

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I know there's multiple colors of vinyl
and all that cool stuff. Yeah.

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Well, obviously, you know we're
on the social social media, so Facebook,

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you'll find us some under Riot,
and you'll find us on Instagram.

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I don't even sure what that one
is, but if you look up right,

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I'm sure you'll find us. You
know our web pages. Are you

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ready to riot dot com? So
if you go there, you're gonna find

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links to pre order the album.
It's also you know, you'll see it

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on Amazon and all over. It's
we're on Atomic Fire of the record label,

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so they've got their own site.
So yeah, there's sites all over

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the place, right, you'll connect
with it. And we have a you

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know, you know, just a
lot of a lot of great stuff.

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The Psyche is Psyche. We have
another. I think Mean Streets will be

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the next video that we're going to
release in a little while, and then

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we'll even have a lyric video for
a Love beyond the Grave I think when

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the album drops and so it comes
out April twelfth, and so we're just

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hoping everybody picks it up and enjoys
it. And as a Jersey boy,

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I love that you shot the new
and the video in Jersey. So I'm

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going to say that we definitely did. Yeah, we and we got some

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scenes of us walking around, uh
walking around. I think the second one

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for was in New York, but
Feel the Fire was definitely in Jersey and

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a little studio in Jersey. And
I think the gal in it, I

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correct me if I'm wrong. I
think she was Miss Jersey. Oh really,

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yeah, it's cool. I'm forgetting
her name, but she was real

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nice gal obviously, But Donnie sent
me a picture of this Miss New Jersey

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and I'm like, well, who's
that because that's the one in our video

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And I'm like really, so wow, that's cool. You have a final

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words you want to leave our listeners
with that we haven't covered that maybe they

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need to know. Yeah, I
just want to thank you for, you

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know, first of all doing the
interview, and just thank all the people

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that support us. I mean,
you know, this is like a passion

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project for us. You know,
it's something that obviously I have a full

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time job like most everyone, this
is something that we do for fun.

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And it's been great for us because
they get to play shows all over the

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world and stuff. But it's we
go because the people are there and they

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want us to come, and they
want us to play shows, and they

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want us to put up more music. And just appreciate the support that people

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give us, and thank you and
we'll keep keep keep giving you if you

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want it, we'll keep coming.
Oh we want more for sure. Thanks

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for giving us more music all these
years later, and thanks for being on

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the Adventures of pipe Man. All
right, man, well, thank you

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for having me my pleasure. Hey, this is Todd Michael Hall from Riot

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five and you are listening to the
Pipe Main on W four c Y Radio.

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00:22:26.920 --> 00:22:33.960
Thank you for listening to the adventures
of Pipemin on W for c u

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00:22:33.079 --> 00:22:34.160
I Radio.