PipemanRadio Interviews Spyder Byte

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Hey, you love them too,
Censure Wow, crazy you. Why up

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America, It's time for the Adventures
of pipe Man on W four C.

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Why I'm com wiz pom Beats is
number one Internet radio station. Here's your

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host, the vipe Man. Just
troll, mohone, love Doc, just

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just sing, which is the pipe
Man here on the Adventures pipe Man W

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four C Y Radio. And we're
going again across the pond for some great

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music. So let's welcome to the
show. Connor from Spider Bite, how

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are you. I'm good? Thanks
pipe Man? How are you? I'm

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doing good. I'm in South Florida. That band name wouldn't work so well

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here because we have some of the
most dangerous, deadly spiders in the world

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all here waiting for us. Yeah. We've not got too many big ones

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around here. Thankfully it's all safe
in the UK. Yeah. So we

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have the black widows, which everybody
knows. We have a brown and we

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have the brown recluse, which will
eat your flesh. But then we have

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these things called banana spiders, and
they are up in the trees and when

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you're like walking through a park and
they're about the size of let's see,

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they're probably about like I would say, the size of a a little bigger

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than a softball. That sounds horrifying, right, biggest one I've seen is

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probably about the size of my thumb
over here, right, Yeah. Can

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you imagine like you're walking and you
know above you, like some big spider

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like that could just jump down onn't
you? Yes, Yeah, I don't

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fancy that. No, that's just
spider bit. You don't want. You

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want spider baits from the UK,
not from Florida. That's it. But

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yeah, so tell our listeners a
little bit about spider bait. What you

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guys are all about, how you
would describe yourself as an artist, all

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that good stuff. Yes, So
we've actually been going for twelve years this

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year. We started when we were
all kids in high school. We were

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I think I was fifteen. I
was one of the older members of the

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band at the time. Nice.
But we classify ourselves as Slee's Metal,

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glam metal, So we take a
lot of influence from the Sunset Strip of

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the old La bands. We love
Motley Crue, we love Rat Warren,

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twisted cysts. That's that's all our
stuff. But we like to we like

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to put a bit of a UK
Motorhead sort of feel to it as well.

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So I love that we're trying to
appeal to as many people on the

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dirty side of rock and roll as
we can. There you go, Well,

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see, because everything you just said
I love and hate you. Let

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me explain why I am from those
eighties Sunset Strip days. Okay, So

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anybody that's from those days, it's
a love hate relationship with it anyway.

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But yeah, I mean when I
go back. Okay. So the first

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club show I ever went to,
all right, I moved out from New

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Jersey to LA in nineteen eighty,
Like that was the perfect timing to move

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out there. I was, It's
like thirteen years old, so I was

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there for the whole start at a
scene, beginning, middle and all of

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it. And the first club show
I ever went to was at the Roxy

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on the Sunset Strip. It was
Motley Cruze before they even had an album,

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and they were more like horror punk
then. They weren't really glam yet,

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but it was the I remember walking
out of there and I'm like,

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I'm never going to a real concert
ever again, because it was just the

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whole experience, and that was the
whole experience for the next four years for

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me on the Sunset Strip, it
was like going to all these shows with

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you know, you had all the
la glam bands. But then I also

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got into bands like Slayer, Metallica
went to their like first shows every So

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that's where the hate comes in because
Okay, I can see your point of

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view that right, because like then
it wasn't like now, okay, you

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had the gatekeepers, okay, And
I always thought it was stupid that none

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of us got along. You know, you could go along with the GLAMs.

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If you were a thrash metal head, you couldn't go along with the

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punks. If you liked metal,
the punks couldn't go along with metal heads.

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And I just saw it was all
stupid. I'm glad we're all together

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now because you know, it's just
all great music and it's all we're all

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kind of outsiders, so we all
should have been on the inside instead of

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creating more outside. And it wasn't
interesting. Like my friends after, you

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know, it's getting into Slayer and
stuff like that. We're like my one

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friend who was like, uh,
yeah, you need to burn all that

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Montley Cruise shit. Like I'm not
burning it either. You're doing it or

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I'm doing it, but you know, we can't have that around here.

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And it was it was funny back
in the days. He went to a

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Slayer show and you know, if
somebody was wearing Motley Cruse shirt in the

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audience, they would you would rip
it off their back, throw it up

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to Tom on stage and he would
burn it on stage, right. So

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that's where that all comes from.
But it was also some of the listen

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some of the best times ever.
So I'm glad a band like you is

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keeping that alive because and even when
you said the Motorhead thing, because you

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know, you had the combination hanging
out with all these glam bands on the

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Sunset Strip when I was like fifteen
years old, and then going over to

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Rainbow, like you would walk over
with the band to the Rainbow because I

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wondered how I got in there,
or being fifteen, that's how. And

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then you'd be hanging out next thing, you know, you're hanging out with

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Lemmy because he was always at the
Rainbow, so yeah, I mean he

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wasn't yeah, and it was he
was like one of the most incredible human

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beings too, you know, and
the epitome of a rock star. And

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really that's what that whole was about, just the whole rock star lifestyle,

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which that part I love because that's
a lost thing nowadays, except for guys

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like you keeping alive. Well,
well, we try our best, and

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it's you know, just going back
to Motorhead, you say about, you

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know, all these different genres of
heavy metal coming through in the eighties and

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nineties, the one band. I
mean, we're exactly the same. We

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play the glam stuff, but we
all listen to different different sorts of music.

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Our singer is massively into Slayer,
funnily enough, and I'm more into

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the kind of European speed metal stuff
I like, except and Halloween things like

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that. But everybody too meets in
the middle at Motorhead. I don't know

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anybody who dislikes Motorhead, right,
That's what brought the punts, That's what

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brought the punks together too, you
know, like it with the metal.

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You know, he united all of
us, and that was one I think

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that's his legacy more than the music. Yeah, so what twelve years ago,

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what was it that kind of gave
you this idea to go to this

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type of music? Because listen,
we know a lot of it kind of

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died out after the eighties and you
know, in the nineties. But you

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know, the interesting thing is it's
like you got Steel Panther nowadays, that

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there is not one metal head,
no matter what metal they listen to,

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that doesn't love Steel Panther. Like
I've sat there and watched Corey Taylor watching

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from Slipknot watching Steel Panther and having
the best time. I mean, you've

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got a lot of Steel Panther,
haven't you. Yeah, tongue in cheek,

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but it's it's good fun. And
their quality musicians as well, they're

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all so good. Yeah. Really, I mean we all we all met

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as mates at school. Really,
we all played. We used to play

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in like a covers band. We
used to do you know, ac DC,

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Metallica, bits in Nirvana, you
know, the easy my first rock

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and roll band kind of songs.
Right. How it got to the kind

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of sleazy glammy stuff and at such
a young age is it's really just through

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raiding our parents' record collections. Really
nice. I think Nathan who's you know,

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he's the main songwriter of the band. He is always for as long

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as I've known him, has always
loved Motley Crue and we kind of got

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on from there just looking through you
know, the old Vinyl records in blowing

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the dust off and one of the
ones that really turned me on was the

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Tiger Tows album Berserk from Wales,
which was you know, and I went

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onto YouTube, as you can of
our generation watch these this video of all

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this glitter of big hair and pink, and for some reason, it's it

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just appealed to us. And I
mean take from that what you will.

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Well, I mean, listen,
it is a lot of fun and music

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should be fun, and I think
that's where it's better nowadays and back in

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the day, because that that gatekeeper
attitude and taking things way too seriously is

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come on, it's music. It's
just supposed to be fun. There's not

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supposed to be a rules, right. You just do what you feel.

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You like what you like, don't
you exactly, And it's okay to like

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more than one thing, you know. And that's the thing too that I

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think is cool nowadays. Bands like
you and you even said it, you

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know, you blend your kind of
influences to come up with your unique sound

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and it doesn't have to sound like
this specific genre. It just has to

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be good. Music and good fun. That's my opinion. Yeah, yeah,

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and I totally agree with that.
So you basically, you guys just

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dropped Hooked back in July, which
is definitely a banger, and you just

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dropped your your new EP, The
Taste of Filth, and I've listened to

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the whole thing and every one of
them's a banger there. So what do

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you think your difference is in your
writing style now and your ability to write

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great music compared to twelve years ago? I think, to be totally honest,

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it's just getting older, a bit
more experience, a bit more,

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a bit more understanding of the music. Really. You know, twelve years

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ago we were writing very basic songs
about things that we didn't really understand.

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You know, we were fourteen fifteen
between us, so you know, kids

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writing songs about sex, drugs and
rock and roll. It doesn't really doesn't

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really show through. So well,
right, yeah, I think it's just

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to be we've just got a bit
older, bit more matured. We've understood

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that we could write in lots of
different styles now, you know, we've

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all listened to all sorts of different
kinds of music, and hey, you

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know, not even just rock and
metal music all sorts of things that you

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know, you can throw everything in
and what works works. So yeah,

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those four tracks, they I think
that's kind of I won't ever say the

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peak because there's only up to go, but I think it's the best we've

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released so far, and I'm personally
looking really forward to getting all the new

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stuff out as well. Yeah,
and you know what, you made some

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great points there, because I think
that is wind of benefit to getting older,

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is that you're not as much in
even yourself a gatekeeper like. You

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have a lot more influencers that you
allow in, and I think you expand

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your creativity and experimenting in your music
because you feel like, hey, I

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can just do whatever I feel instead
of whatever somebody says I should do.

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Yeah, that's exactly it, you
know, coloring outside the lines as it

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were. It's yeah, you're right, there are no rules. We can

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write whatever we want, and I
mean, we want other people to think

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it sounds good, but the first
judges yourself, isn't it so right?

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Yeah? Exactly, because listen,
if you don't like it, how's anybody

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else going to like it? Absolutely? Absolutely your own worst critic. But

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I think that's a good thing.
It definitely is because listen, at the

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end of the day, you have
to write music for you and if other

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people connect to it, that's a
bonus absolutely. So what else you have

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going on for the rest of the
year and maybe in twenty twenty for that

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you want to talk about and let
the listeners know. So twenty twenty four

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you can absolutely expect some new music. We've we've got straight back into writing

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because for the back end of this
year we're actually quite quiet. We've got

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we've got a couple of gigs hearing
about in the UK coming up, but

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the main focus right now is back
into the studio, back into writing for

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the next record. You know,
we're hoping to actually get a full album

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out next year and hopefully actually break
into Europe as well. You know,

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it's only on our doorstep and in
twelve years we've never played a gig outside

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of the UK, so that we'll
try and go into national and tradits if

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you'll have us. Yeah, I
mean that trips me out because you know

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what else I find as well,
Like you guys would feel in great in

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Europe because the first time I started
going to Europe to cover music festivals and

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stuff, because I go and I
go on tour and cover music festivals all

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over the US Europe. And when
I first started doing Europe, I'm like,

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man, I thought all these bands
were gone, Like all the bands

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that I knew from back in the
eighties, I thought they were all gone.

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But they've just been playing in Europe
all these years because the Europeans.

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Oh yeah, the Europeans love the
eighties stuff, like it's still like huge,

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and so yeah, you definitely need
to get over to Europe for sure.

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Yeah, that's the plan, definitely. And we need to get you

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on some festivals over here too.
Oh do you know what? We would

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love to come over that that's the
dream really is a breaking into the US.

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It's so wild to me too,
because like, okay, so back

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in the day, back in the
eighties, it was our dream to go

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to London, you know, because
that's where the scene was, you know,

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and it's it's so funny and like
we had the British invasion originally and

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then you had the punk thing,
and I love it. It's so great.

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When I talked to all my UK
mates and that are in bands and

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their dream is to come play in
the US, it just goes to show

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no matter where you are, you
look somewhere else and go I want to

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go there. That's it, isn't
it. You just want to travel the

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world in US, Japan, anywhere, in Europe. I'd go anywhere,

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to be honest, anywhere. We'll
give me a pair of drumsticks and a

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kit. I'll be there. There
you go. So when did you first

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pick up your first pair of drumsticks? Good question? A long time ago,

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right, I would have been I'm
twenty seven now, I would have

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been about eleven, I think,
so, yeah, about sixteen years ago.

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Nice. Well, hats off to
you because I started playing drums when

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I was in first grade and I
sucked. So instead I interview cool,

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good drummers like you instead of sucky
drummers like me, I'll bless you what

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everyone sucks for a bit? Right? Right? Yeah? You know what

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it is? You really to me? And you guys have this. You

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have to have a passion for it, beyond a passion for it. Like

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it's like, you know, you
look at guy and you're probably like this

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too. You look at guys like
Tommy Lee and he's drumming like twenty four

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to seven, Like seeing at table
he's drumming, you know, and that's

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kind of it's either in you where
it's not. And I dug it,

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but I don't think I put enough
into it because I didn't maybe didn't have

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passion to that level, you know, had passion for the music and the

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concept of it. But to be
a true drummer like you, it's like

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you live and breathe it. Well, I am to be honest, and

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I know every drummer I know is
the same. My other half, my

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soon to be wife, gets the
real lump with me because it is I'll

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be sitting on the sofa on the
couch, just tapping away on my knees.

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She's just like, oh, well, you just shut up. I

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don't even realize I'm doing it right. Oh then I love hearing it.

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So how do people connect to you
guys? On socials? On the web,

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check out your music and anything else
you want to check out. So

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music, the best place, well, the best place for us is to

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go onto our website, which is
www. Dot spider Bite band, dot

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co dot UK. No, that's
a bit of a mouthful. That's the

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best one we could get. And
you can buy our music on their download

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or buy it from our online store. But I do understand that CDs aren't

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as big as they used to be, so we're on Spotify, Apple Music,

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Amazon, ds are all the big
online retailers. But yeah, otherwise,

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if you just want to connect to
us, just have a chat.

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We're on Instagram, Facebook. We
got TikTok going. We are still learning

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how to use it, so that's
a bit past us, but we are

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getting there, so be patient with
us on that. But yeah, wherever

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you can find us, give us
a chat online. We'd love to be

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in touch. And I don't blame
you. I think the listeners should know

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that for anybody, it's not dinet. Tiktoks are not as easy as it

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looks. Okay, Like I have
a TikTok, and my hat's off to

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people that do tiktoks because I'm like, I don't have eight hours to make

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a one minute video exactly. So
I started the TikTok myself to start pushing

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the music video more than the EP
itself, And it really was. I

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was sitting there for ages learning how
to do everything right. Yeah, the

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video is thirty seconds long. I
know it's it's hard. Look no,

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no, people don't even know.
And it's like, but when I see

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great careers on TikTok, I'm like, man, more power to them.

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Like that, that in itself is
a talent. If you can use it,

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go for it right exactly. So
what I've learned by talking to bands

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though, is that if you want
to have a good TikTok has nothing to

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do with the music, just do
stupid videos. That's what they keep telling

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me. All the artists, they're
like, those are the ones that go

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viral, not are not the ones
about our music, the ones where we

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just do stupid shit. Yeah,
maybe off to try that. There you

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go, there you go. Yeah, TikTok's are a lot of work,

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and you know, I think you
just need to instead of putting all that

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work in, just go out with
your blokes, get drunk and do some

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stupid videos. Just see what happens. I guess, yeah right, it

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could be like the band going out
the pubs and getting doing stupid shit.

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It would so fit in with the
type of bandyard too, Like it could

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be like whatever the equivalent to sunset
strip is where you are in the UK,

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go there and just you know,
do some crazy stuff in the different

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pubs and clubs and stuff. We'll
have to take a trip into London.

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There you go. Love it well, you guys rock. Thanks for making

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us great music. I hope all
the listeners check you out because you're badass.

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And thanks for being on the Adventures
of Pipeman. Thank you for having

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us, it's been a pleasure.
Thank you for listening to the Adventures of

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Pipelin on w for CUI Radio.