PipemanRadio Interviews Starbenders at Aftershock 2023

On this episode of The Adventures of Pipeman, we’re joined by special guest Starbenders at Aftershock. Starbenders describes their sound as an aggressive, ethereal rock band with a wide spectrum of emotions. The band discusses how they got together...
On this episode of The Adventures of Pipeman, we’re joined by special guest Starbenders at Aftershock. Starbenders describes their sound as an aggressive, ethereal rock band with a wide spectrum of emotions. The band discusses how they got together and how the power of Craigslist connected these artists together. You can find more information about Starbender’s upcoming tour dates, merch, and latest releases at starbenders.com. Check out the band’s latest release “The Game” available on all streaming platforms now!
Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.
Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world.
Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.
Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.
The Adventures of Pipeman Podcasts are heard on The Adventures of Pipeman Site, Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:
• The Adventures of Pipeman
• Pipeman Radio
• Pipeman in the Pit
• Positively Pipeman
Follow @pipemanradio on all social media outlets
Visit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com
Download The Pipeman Radio APP
Phone/Text Contact – 561-506-4031
Email Contact – dean@talk4media.com
The Adventures of Pipeman is broadcast live daily at 8AM ET.
The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).
The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com).
The Adventures of Pipeman Podcast is also available on
1
00:00:01.000 --> 00:00:20.719
Hi, you love then too,
censure? Wow crazy you why become of
2
00:00:20.839 --> 00:00:24.920
America. It's time for the Adventures
of Pipe Man on W four c Y
3
00:00:25.000 --> 00:00:29.160
dot com. West Palm Beats is
number one internet radio station. Here's your
4
00:00:29.239 --> 00:00:52.039
host, the pipe Man. Yes, this is the pipe Man here on
5
00:00:52.159 --> 00:00:55.880
the Adventure's Pipe Man W four c
Y Radio. And I'm here with You're
6
00:00:55.880 --> 00:00:59.439
with starbanders from Atlanta, Georgia.
I'm Kimmy Shelter. I'm the lead singer
7
00:00:59.439 --> 00:01:03.520
in Rhythm get Player. I'm Emily
Moon. I played drums. I'm Aaron
8
00:01:03.560 --> 00:01:07.599
I play bass. I'm Chris I
play guitar. Nice. So Aftershock how
9
00:01:07.599 --> 00:01:11.599
does it feel to be an Aftershock
cool festival? Right? Yeah, it's
10
00:01:11.599 --> 00:01:17.480
really awesome, super organized and just
awesome bands, very very nice. So,
11
00:01:17.519 --> 00:01:22.040
since you're from Atlanta, have you
ever performed or been at the Shaky
12
00:01:22.079 --> 00:01:25.799
Knees Festival. We've gone to the
Shaking Ees Festival, but we've yet to
13
00:01:25.920 --> 00:01:32.040
play it, which is something that
chaps our ause from Atlanta. I know
14
00:01:32.159 --> 00:01:36.439
you should. That should be like
a given, right. Yes, We're
15
00:01:36.439 --> 00:01:42.159
gonna send around a paper trying to
get us on. Yeah. Yeah,
16
00:01:42.319 --> 00:01:46.680
just keep howking them till they're like
yeah, we need them to leave us
17
00:01:46.719 --> 00:01:49.239
alone. Just put them on the
bill. Yeah, this is unacceptable.
18
00:01:49.359 --> 00:01:53.519
You know what I didn't like about
Shaky Knees is, Oh my god,
19
00:01:53.560 --> 00:01:57.280
there's no parking in your town.
What is up with that? Any traffic
20
00:01:57.480 --> 00:02:01.719
parking car related activity in Atlanta is
going to be a bitch. Oh,
21
00:02:01.920 --> 00:02:07.040
Like, especially where that festival is. It's funny because there were cops.
22
00:02:07.120 --> 00:02:10.319
I'm like, normal thing, Can
I park here? He goes, I
23
00:02:10.360 --> 00:02:13.960
don't know. I'm like, well, you mean you don't know. Well,
24
00:02:14.000 --> 00:02:16.240
that's not our area. I'm like, but you're the one giving out
25
00:02:16.280 --> 00:02:21.840
tickets. Well you'll have to ask. Was it that they call it there
26
00:02:21.919 --> 00:02:28.280
that handles the traffic stuff? I
forget. No, it's like some agency
27
00:02:28.680 --> 00:02:32.039
I don't even remember. But you
have a Department of Public Safety something like
28
00:02:32.080 --> 00:02:37.719
that, some county thing. I'm
like, really, the cops don't know
29
00:02:38.240 --> 00:02:40.000
what's legal and what's now. I
don't care either. No, they didn't.
30
00:02:40.039 --> 00:02:46.280
That's the point. So but here
after shock, how cool is this
31
00:02:46.439 --> 00:02:51.439
vibe back here? Right? Like? This whole area, the artist media
32
00:02:51.599 --> 00:02:54.599
area. Most festivals don't have this. Yeah, it's really beautiful and it's
33
00:02:54.759 --> 00:02:59.360
it really helps us when places kind
of take the artist and the media and
34
00:02:59.400 --> 00:03:02.039
everybody in the consideration, because we're
out here all day, you know,
35
00:03:02.240 --> 00:03:07.960
and it really helps, like having
nice places to sit and do these kinds
36
00:03:07.000 --> 00:03:10.199
of things in and did you see
the food. There's a chef out there
37
00:03:10.199 --> 00:03:15.000
making fun. It's awesome, and
you know, it just makes it fun.
38
00:03:15.280 --> 00:03:16.719
I know, right, why we're
here. See, I think they're
39
00:03:16.759 --> 00:03:21.800
so smart because that's when artists want
to hang in the press tent and stuff
40
00:03:21.840 --> 00:03:27.319
like this. Otherwise they want to
avoid it, usually because too many people
41
00:03:27.360 --> 00:03:30.240
are asking them how'd you got your
boom moon? Which you'll never hear me
42
00:03:30.360 --> 00:03:36.319
ask. So tell the listeners,
if they haven't heard your music before,
43
00:03:36.360 --> 00:03:39.960
how you would describe your music?
Not from a genre necessarily, because that's
44
00:03:40.039 --> 00:03:44.680
just boxes artists, and I'd like
to hear how the artists express themselves.
45
00:03:45.199 --> 00:03:53.879
I think we are an aggressive,
ethereal, emotional, whimsical rock band.
46
00:03:53.439 --> 00:03:58.879
That's a great that should be a
new genre, white spectrum of emotions and
47
00:04:00.520 --> 00:04:02.560
characters, if you will. It
should be that way though, right,
48
00:04:02.680 --> 00:04:05.919
I mean, music is emotion,
you know. I think a lot of
49
00:04:05.960 --> 00:04:11.479
our favorite bands collectively as a band
were bands like that. They weren't bands
50
00:04:11.520 --> 00:04:15.199
you could really put in the box, right, Like The Cure is one
51
00:04:15.240 --> 00:04:17.160
of our favorite bands, and they
always they had such a wide spectrum of
52
00:04:17.240 --> 00:04:23.279
sounds. So yeah, I mean
it's kind of nice to say be able
53
00:04:23.279 --> 00:04:26.000
to say in that way because it's
like, well, we kind of kind
54
00:04:26.000 --> 00:04:29.360
of like Blondie or like Bowie and
this and that, and we were always
55
00:04:29.800 --> 00:04:32.439
you know, I think there's multiple
ways to describe who we are as a
56
00:04:32.480 --> 00:04:39.040
band, and I think when you
blend different influences, you can't be compared
57
00:04:39.120 --> 00:04:43.759
to another band because you're uniquely you. Yeah, and it's it's tough because
58
00:04:43.759 --> 00:04:47.439
that's that's how people like to ask
questions or learn about things. They want
59
00:04:47.480 --> 00:04:51.800
you to tell They want you to
tell them, yeah, they So it's
60
00:04:51.879 --> 00:04:56.040
it's hard because, as a friend
of ours has referred to us, we're
61
00:04:56.040 --> 00:05:00.680
tweet ers, so we're between genres
and things like that. I don't think
62
00:05:00.680 --> 00:05:06.240
we've fully been necessarily classified. So
we just keep doing what's natural to us.
63
00:05:06.240 --> 00:05:11.680
And we've been really lucky because the
four of us matched one another really
64
00:05:11.680 --> 00:05:15.160
well in terms of our capabilities on
our instruments. That's important, so we're
65
00:05:15.160 --> 00:05:19.040
able. We've always been just able
to keep climbing and growing. Just as
66
00:05:19.120 --> 00:05:25.040
musicians, and we've been able to
maintain and protect our joy in this which
67
00:05:25.040 --> 00:05:29.560
has been really important. Sounds like
there's no ego too, because just you
68
00:05:29.720 --> 00:05:34.759
saying about the matching in musical instruments
and stuff like that, Like, usually
69
00:05:34.839 --> 00:05:39.680
when there's ego, that's the death
of a band, and I think there's
70
00:05:39.839 --> 00:05:43.639
with us. To me, it's
always important to acknowledge the ego. But
71
00:05:44.279 --> 00:05:46.160
there's a quote about not redecorating the
abyss. Yeah, you know, so
72
00:05:46.199 --> 00:05:49.680
we try not to do that.
Yeah, it's good to have an ego,
73
00:05:49.800 --> 00:05:55.360
but not an out of control ego, maniac ego. Yeah. I
74
00:05:55.360 --> 00:06:00.759
think that it's one of those things
where once you look at it, the
75
00:06:00.879 --> 00:06:05.240
dynamic changes. So as soon as
you're you pull that ego out of your
76
00:06:05.240 --> 00:06:09.199
peripheral and into your direct line of
sight, you're able to address it in
77
00:06:09.240 --> 00:06:13.519
a different way and get along better. Absolutely, you can invite your demons
78
00:06:13.560 --> 00:06:17.360
to dinner with you, right,
and you end up understanding each other.
79
00:06:17.439 --> 00:06:21.360
I think that's what happens a lot
of times, is sometimes because they're not
80
00:06:21.600 --> 00:06:27.439
matched, they don't really understand the
other person's perspective, and that's important.
81
00:06:27.519 --> 00:06:30.199
Yeah, we've been really lucky too, because I think each of us as
82
00:06:30.240 --> 00:06:35.480
individuals has had that hunger and that
drive to get to where we're going.
83
00:06:35.519 --> 00:06:39.439
We're all seekers in our own different
way, whether it be you know,
84
00:06:39.720 --> 00:06:45.199
all of us operate within different mediums. But because we're all each holding up
85
00:06:45.240 --> 00:06:48.759
four corners, nobody is necessarily occupying
the same space at any given time,
86
00:06:48.800 --> 00:06:51.800
so we're able to like really play
off of each other's strengths and weaknesses and
87
00:06:51.800 --> 00:06:58.160
that way, both in our personal
dynamics and on stage as well. So
88
00:06:58.199 --> 00:07:01.079
since you have such a good chemistry
together, how did you guys all meet?
89
00:07:01.160 --> 00:07:05.040
Then? Kimmy and I knew one
another before this, before this band.
90
00:07:08.040 --> 00:07:10.199
I just remember when she called me
and said, dude, we're gonna
91
00:07:10.199 --> 00:07:12.920
do another band, let's do it. And so I mean that was on
92
00:07:13.000 --> 00:07:16.800
boarded. But when Chris and Emily
came, that was that was the final
93
00:07:16.839 --> 00:07:20.839
piece that was are born on day. And so that's when the band really
94
00:07:20.920 --> 00:07:26.160
like started to take off, both
musically and like career wise. That's when
95
00:07:26.160 --> 00:07:31.079
we started actually doing more things.
So so it's like instant right like you
96
00:07:31.199 --> 00:07:35.319
knew right away. Also say this
like it's less important like how we met
97
00:07:35.360 --> 00:07:41.639
and more important to note that like
it was the stars coming together in aligning,
98
00:07:41.759 --> 00:07:44.920
and if anything had been a little
bit different, we would not have
99
00:07:44.959 --> 00:07:48.759
Starvenders today. So I'm profoundly grateful
that we all came together when we did.
100
00:07:51.639 --> 00:07:56.639
Craigslist isn't dead, y'all. It
might be dead now, but in
101
00:07:56.720 --> 00:08:01.680
twenty seventeen, it wasn't dead.
That's actually how I met the nice that
102
00:08:01.800 --> 00:08:05.800
kind of reminds me of like,
uh, bands in the old days and
103
00:08:05.959 --> 00:08:11.000
that you know, answered and ad
like Metallica, Yeah looking for leady guitar
104
00:08:11.040 --> 00:08:13.240
player. Yeah, yeah, you
know that's how Metallica start, Yes an
105
00:08:13.240 --> 00:08:20.360
ad, yes, you know,
yeah, And I love that nowadays there's
106
00:08:20.399 --> 00:08:24.519
still bands like you that are using
that because to me, that's organic.
107
00:08:26.079 --> 00:08:28.720
You know, it happens, you
know, if there's a vibe, you
108
00:08:28.759 --> 00:08:31.919
know, if there's chemistry and then
boom. You know, that's a long
109
00:08:33.000 --> 00:08:35.600
lasting band. Yeah, and that's
why we keep fighting for it. And
110
00:08:37.320 --> 00:08:43.279
I think in our in this day
and age, everything's disposable and everything's thrown
111
00:08:43.320 --> 00:08:46.639
out, you know, everything,
everything's single use and yeah, you know,
112
00:08:46.720 --> 00:08:50.000
nobody even like views something like marriage
as being like it used to be,
113
00:08:50.080 --> 00:08:52.039
like, oh you're with that person
forever. Now it's like, oh,
114
00:08:52.039 --> 00:08:56.159
that's gonna be my third ex wife, you know whatever. But it's
115
00:08:56.200 --> 00:08:58.200
funny you should say that because there's
two things I'll say on that point.
116
00:08:58.320 --> 00:09:03.360
Is one is people go into marriagees
nowadays with the idea of of if it
117
00:09:03.360 --> 00:09:05.960
doesn't work, I can get divorced, and that's good. There's an out,
118
00:09:05.080 --> 00:09:09.519
you know. And we're essentially married
because we're an illegally binding contract with
119
00:09:09.559 --> 00:09:15.519
one another. That's right. So
we just we just keep fighting for one
120
00:09:15.559 --> 00:09:18.519
another and it keeps making sense.
And you know, it's been a long
121
00:09:18.519 --> 00:09:22.279
and winding road for us. But
any time that we start to or I
122
00:09:22.320 --> 00:09:26.159
start to feel overwhelmed, I just
read the lyrics to you know, ACDC
123
00:09:26.360 --> 00:09:30.000
is along way the top. If
you want a rocky roll, Well you
124
00:09:30.080 --> 00:09:33.799
know what they say, it takes
about twenty years to become an overnight success.
125
00:09:33.960 --> 00:09:37.480
Oh yeah, yeah. We're really
looking forward to people talking about how
126
00:09:37.480 --> 00:09:39.799
we sold out. I know,
right. So it's funny we were talking
127
00:09:39.799 --> 00:09:43.639
about Metallica. That's a perfect example
because I went to like the first Metallica
128
00:09:43.679 --> 00:09:50.279
show ever, and so the twenty
five of us which were their fans when
129
00:09:50.320 --> 00:09:52.720
they made the Black album or like
fuck them, posters, we're not listening
130
00:09:52.759 --> 00:09:56.279
to them again. But you know
what at the end of the day,
131
00:09:56.480 --> 00:10:01.559
where they were smart is yes,
they may have lost us then and they
132
00:10:01.600 --> 00:10:05.840
gained millions and we all came back
anyway. So you know, I think,
133
00:10:05.320 --> 00:10:09.080
listen, if you're going to be
an artist, that whole sellout thing.
134
00:10:09.120 --> 00:10:11.000
I used to be like that when
I was a teenager. But listen,
135
00:10:11.039 --> 00:10:13.720
this is how you gotta make your
living, if this is what you're
136
00:10:13.799 --> 00:10:20.360
really gonna do, So it's not
really selling out, it's growing and maturing
137
00:10:20.480 --> 00:10:26.159
and becoming a career. You know. Yeah, yeah, I think honestly,
138
00:10:26.279 --> 00:10:31.799
like what's always guided us in the
right direction is like serving the song
139
00:10:31.879 --> 00:10:35.879
and serving the band as an idea, and that's always kind of led us
140
00:10:35.919 --> 00:10:39.279
in the right path no matter how
dark things got, even when you know,
141
00:10:39.399 --> 00:10:43.440
even a couple of years ago when
nobody could tour, I think we
142
00:10:43.519 --> 00:10:48.200
always just like held strong to what
this band really meant to us, and
143
00:10:48.200 --> 00:10:50.879
you know, and here we are. You know, that's a good point
144
00:10:50.879 --> 00:10:54.360
you brought up, because I think
two things happened from that lockdown. Either
145
00:10:54.519 --> 00:11:03.000
bands disbanded or bands found each other
or found their real calling. Because you
146
00:11:03.039 --> 00:11:07.559
know, you guys, as artists, you're on this hamster wheel and you
147
00:11:07.720 --> 00:11:11.240
really don't have time to stop and
think where you want things to go.
148
00:11:11.519 --> 00:11:15.399
Yeah, and that kind of forced
artists to stop and think, is this
149
00:11:15.559 --> 00:11:18.360
really where I want to be going? Or do I want to shift tears?
150
00:11:18.759 --> 00:11:22.320
Yeah? Yeah, I mean and
the record we just put out definitely
151
00:11:22.320 --> 00:11:26.559
has that introspective element to it,
you know, like a lot of people
152
00:11:26.639 --> 00:11:31.480
that put out music in the same
era, if you will, I think
153
00:11:31.559 --> 00:11:35.399
we, you know it did.
We did take the time to really look
154
00:11:35.480 --> 00:11:41.000
into ourselves as a band, and
what came out was this really visceral group
155
00:11:41.039 --> 00:11:45.919
of songs you know that I feel
like, really represent us live and in
156
00:11:45.960 --> 00:11:50.639
the studio. I love that,
you know, And I will say that
157
00:11:50.320 --> 00:11:54.240
what a tough time to come through
being an artist. So if you're an
158
00:11:54.320 --> 00:11:58.960
artist still after that time, my
hat's off to you, because I don't
159
00:11:58.000 --> 00:12:03.519
think people realize as how rough mentally
and everything else it is to be an
160
00:12:03.600 --> 00:12:07.720
artist through that lockdown period. Yeah, I mean, you know, I
161
00:12:07.720 --> 00:12:11.080
think we had a lot of compassion
for people on every walk of life.
162
00:12:11.120 --> 00:12:16.039
But we continued to kind of talk
about the metaphor of like the band playing
163
00:12:16.080 --> 00:12:18.840
as the ship goes down, and
that's what musicians had to do during that
164
00:12:18.919 --> 00:12:24.159
time. We had to kind of
like keep creating as like all of these
165
00:12:24.200 --> 00:12:28.080
systems were being challenged and all this
kind of stuff. And so honestly,
166
00:12:28.840 --> 00:12:33.960
our producer mentor since se Nico Constantine, played a really big part in that,
167
00:12:35.120 --> 00:12:37.480
like because he he had his knee
in our back the whole time,
168
00:12:37.559 --> 00:12:43.559
and like what's kind of like a
really fearless leader for us at that time,
169
00:12:43.639 --> 00:12:48.200
and we were able to like keep
pushing and keep moving and he found
170
00:12:48.240 --> 00:12:52.480
a way to make it so that
we were able to do that financially and
171
00:12:52.559 --> 00:12:58.000
otherwise to keep be able to keep
creating and our label as well. So
172
00:12:58.600 --> 00:13:01.240
between him and our label, like
we were we were actually really lucky and
173
00:13:01.720 --> 00:13:07.000
we just spotted out and you know, we had an opportunity to get healthier
174
00:13:07.080 --> 00:13:09.799
during that time. Nice and look
at some of the stuff that had been
175
00:13:11.120 --> 00:13:15.639
sort of unattended to. So you
know, here we are at after Shock
176
00:13:16.000 --> 00:13:20.039
three. Nice. I love it. Tell everybody how they reach out to
177
00:13:20.080 --> 00:13:24.039
you guys on socials, on the
web, by your merch check out your
178
00:13:24.120 --> 00:13:26.919
music tour days, all that stuff. Yeah, all you have to do
179
00:13:26.000 --> 00:13:31.039
is type starbenders into Google and there
she is. The best way to reach
180
00:13:31.120 --> 00:13:37.200
us is on Instagram, but we're
on all the socials, so just seek
181
00:13:37.240 --> 00:13:39.399
and you shall find. That's an
hard thing nowadays. I think of artists
182
00:13:39.480 --> 00:13:43.720
like I remember back in days,
we had to tape trading days and all
183
00:13:43.799 --> 00:13:46.960
that, and now to be an
artist it's a lot of fricking work now.
184
00:13:46.039 --> 00:13:48.120
Of those bands back then, I
had to do that much work.
185
00:13:48.159 --> 00:13:54.519
Their biggest work was stapleing flyers on
telephone poles. Yeah, now like social
186
00:13:54.600 --> 00:13:58.840
media, even like TikTok's a full
time job. Man. It is like
187
00:13:58.960 --> 00:14:03.879
I have like mad respect for people
to do tiktoks because it's like I don't
188
00:14:03.919 --> 00:14:09.639
have eight hours to do one minute
TikTok. Yeah, it's definitely. It's
189
00:14:09.679 --> 00:14:13.480
definitely a new world. Yeah,
you guys have to work so much harder.
190
00:14:13.879 --> 00:14:18.320
That's why people need to support bands, support you by buying merch,
191
00:14:18.960 --> 00:14:20.679
you know, because it's the only
way you really survive. And you know,
192
00:14:22.360 --> 00:14:26.399
we're out here and we love all
the people that still are loving music
193
00:14:26.440 --> 00:14:28.480
and rock and roll and comedy of
these things, and people like you keeping
194
00:14:28.519 --> 00:14:33.879
things going and turning people onto cool
new things, and we really appreciate all
195
00:14:33.919 --> 00:14:35.360
of it, and if you see
us on the street, say, hey,
196
00:14:35.399 --> 00:14:37.279
we're all real nice. We might
look a little scary, but we
197
00:14:37.320 --> 00:14:43.080
don't bite, but you might want. It's funny. I was talking to
198
00:14:43.519 --> 00:14:48.919
another artist I was friends with and
we're talking about how people think metal heads
199
00:14:48.919 --> 00:14:54.120
are scary, and he was like, let's keep them thinking that. Yeah,
200
00:14:54.399 --> 00:14:58.120
metal heads are the absolute sweetest people. Well, and we're all metal
201
00:14:58.120 --> 00:15:03.039
heads here in this band too.
But you know, it's really funny because
202
00:15:03.399 --> 00:15:05.320
are like softer, more ballad songs
like those are what the metal guys will
203
00:15:05.320 --> 00:15:07.440
come up to us and say they
like because we'll play the heavy shit and
204
00:15:07.440 --> 00:15:09.360
I'll be like you like that?
You like that, man, and they're
205
00:15:09.399 --> 00:15:15.120
like I like the ballad right,
Yeah, well listen as a total flash
206
00:15:15.200 --> 00:15:18.320
metal head, one of my favorite
ever Metallica songs is nothing else matters.
207
00:15:18.480 --> 00:15:24.440
Yeah, So that goes against everything
that I should believe. I think it's
208
00:15:24.440 --> 00:15:28.639
songs like that you like. You
need that contrast totally. That that's what's
209
00:15:28.639 --> 00:15:33.519
exciting about being a band that's open, and that's it gives you such a
210
00:15:33.559 --> 00:15:37.840
breath of like more possibilities as an
artist. You should be able to be
211
00:15:39.000 --> 00:15:43.000
open and just create. You know
instead. Oh, you need to create
212
00:15:43.039 --> 00:15:46.519
it, just like this or any
other box they put you in. Yes,
213
00:15:46.600 --> 00:15:52.639
we like exercising our neuroplasticity and making
sure that we stay limbly bimbly as
214
00:15:52.679 --> 00:15:56.879
we go forward. I love it. Any final words you want to leave
215
00:15:56.879 --> 00:16:03.480
our listeners with that we haven't covered
yet, Rocking Aftershock. Yes, Chris
216
00:16:03.600 --> 00:16:11.039
is like teeth kick kick teeth,
nice, dyslexia, We're stuff. Well
217
00:16:11.080 --> 00:16:14.759
you guys rock. I'm so glad
you're here after Shock. And thanks for
218
00:16:14.799 --> 00:16:17.600
being on the Adventures of Payment.
Oh yeah, thank you, love you
219
00:16:17.679 --> 00:16:23.840
have a great one. Thank you
for listening to the Adventures of Payment.
220
00:16:25.480 --> 00:16:27.960
I'm w for c u I Radio.










































