PipemanRadio Interviews The Rods About Rattle The Cage

Join PipemanRadio on a journey through the annals of metal history with my special guest, Carl from the Rods. Listen in as we reminisce about the halcyon days of heavy metal, the unexpected role of record store clerks like Brian Slagel in the...
Join PipemanRadio on a journey through the annals of metal history with my special guest, Carl from the Rods. Listen in as we reminisce about the halcyon days of heavy metal, the unexpected role of record store clerks like Brian Slagel in the discovery of new talent, and the pure joy of vinyl album immersion that seems to be fading in today's digital age. Carl and I lament the waning appreciation for the album as a complete art form, but also celebrate the resurgence of vinyl and the nostalgic quirks of formats like 8-tracks. You won't want to miss the behind-the-scenes look at the Rods' latest album, "Rattle the Cage," and the insightful discussion on how bands like theirs continue to churn out new material for their dedicated fan base.
As we explore the world of metal, I share my observations on the enduring loyalty of European metal fans, comparing it to the lifelong commitment seen in American country music circles. Our conversation highlights the stark contrasts and the vibrant European festival circuit, with experiences like Hellfest and Download that leave U.S. events in the shade. We even venture into the thriving metal scene in Costa Rica, contemplating the potential for new festival havens. I also open up about my personal drive to remain in the music industry, fueled by a passion for drumming and an undying love for musical instruments. Tune in for a chapter that stands as a powerful testament to the global spirit of metal and the undiminished enthusiasm of fans and musicians alike. Plus, get a sneak peek at an upcoming autobiography from a renowned music producer, packed with industry tales and personal anecdotes.
EPISODE CHAPTERS
(0:00:05) - Rods and Music Industry Discussion
(0:07:40) - Metal Fans and Festivals Worldwide
(0:18:29) - Upcoming Autobiography Announcement
EPISODE CHAPTERS WITH SHORT KEY POINTS
(0:00:05) - Rods and Music Industry Discussion
Carl from the Rods and I reminisce about the early days of metal, the lost art of album appreciation, and the Rods' latest album "Rattle the Cage.
(0:07:40) - Metal Fans and Festivals Worldwide
European metal fans, American country fans, vibrant festival scene, thriving underground metal scene, passion for music.
(0:18:29) - Upcoming Autobiography Announcement
Upcoming autobiography of prolific music producer with insights and anecdotes from over 45 albums, stay tuned for updates.
EPISODE CHAPTERS WITH FULL SUMMARIES
(0:00:05) - Rods and Music Industry Discussion (8 Minutes)
This chapter, I take a nostalgic trip down memory lane with Carl from the Rods, reminiscing about the early days of metal, the influential role of record store clerks like Brian Slagel in discovering new bands, and the cherished experience of buying and immersing oneself in a full album. We lament the lost art of album appreciation in today's fast-paced, track-by-track world, but celebrate the resurgence of vinyl and the unique quirks of older formats like 8-tracks. Carl shares the creative process behind the Rods' latest album, "Rattle the Cage," and the prolific songwriting that continues to fuel the band's enduring legacy. With several new tracks already in the works, we discuss how veteran artists like the Rods remain passionate and productive, continually generating fresh material for their fans.
(0:07:40) - Metal Fans and Festivals Worldwide (11 Minutes)
This chapter takes us on a journey through the loyalty and passion of European metal fans, contrasting them with American pop and country music enthusiasts. I discuss the enduring nature of European fandom, where metalheads remain dedicated to their genre for life, mirroring the steadfastness of American country fans. The conversation also touches on the vibrant festival scene in Europe, with events like Hellfest and Download offering experiences unlike any in the U.S. From there, we travel to Costa Rica, uncovering a thriving underground metal scene and contemplating the potential for a new festival. Finally, I share my personal motivations for staying in the music industry, rooted in a lifelong passion for playing the drums and the continuous allure of musical instruments. This chapter is a testament to the global, unyielding spirit of metal music and the power of dedication, both in fandom and personal musical pursuits.
(0:18:29) - Upcoming Autobiography Announcement (1 Minutes)
This chapter we explore the journey of a prolific music producer who has an impressive track record of over forty-five albums. I discuss his upcoming autobiography, which promises to be a treasure trove of anecdotes and insights from his extensive career in the music industry. The book is set to include a wealth of information that fans and readers alike can look forward to discovering. Listeners are encouraged to stay tuned to social media for updates on the book's release and other exciting developments from the life of this accomplished individual.
Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.
Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world.
Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.
Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.
The Adventures of Pipeman Podcasts are heard on The Adventures of Pipeman Site, Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:
• The Adventures of Pipeman
• Pipeman Radio
• Pipeman in the Pit
• Positively Pipeman
Follow @pipemanradio on all social media outlets
Visit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com
Download The Pipeman Radio APP
Phone/Text Contact – 561-506-4031
Email Contact – dean@talk4media.com
The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET.
The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).
The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com).
The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.
1
00:00:04.480 --> 00:00:12.359
Hi, you have then too,
censure, I'm see wow, Prare Young
2
00:00:12.679 --> 00:00:23.640
Roway, why become of America.
It's time for the Adventures of White Men
3
00:00:23.719 --> 00:00:27.760
on W four c HY dot com
West Pomp Beats his number one internet radio
4
00:00:27.879 --> 00:00:55.479
station. Here's your host, the
White Man. This is fight Man here
5
00:00:55.640 --> 00:00:59.960
on the Adventures fight Man W four
c Y Radio. And I'm very excited
6
00:01:00.119 --> 00:01:06.200
up our next guest, because you
know, this span has always had this
7
00:01:06.519 --> 00:01:14.560
underground type of following and that includes
me because I remember, way way way
8
00:01:14.719 --> 00:01:21.719
back when I was in this record
store in the valley in La called Oz
9
00:01:21.920 --> 00:01:26.599
Records, and there was a store
clerk there. His name was Brian Slagel,
10
00:01:26.400 --> 00:01:34.000
and he pointed out this album to
me with a three headed dog on
11
00:01:34.159 --> 00:01:38.439
it, and basically the rest is
history. And now we're here today.
12
00:01:40.239 --> 00:01:46.040
Geez, It's decades and decades later
to celebrate a new album. So let's
13
00:01:46.359 --> 00:01:49.239
welcome to the show. Carl from
the Rods, How are you. I'm
14
00:01:49.319 --> 00:01:53.719
doing great, Thanks for having me
on. And way way way back,
15
00:01:53.799 --> 00:01:57.640
you had to add that extra Way's
that's a that's a really cool story.
16
00:01:57.640 --> 00:02:02.120
I mean, Brian Slagel obviously legend
and metal and so how cool was that,
17
00:02:02.959 --> 00:02:07.319
no doubt. You know. It's
funny because me and my bros used
18
00:02:07.319 --> 00:02:09.520
to go to OZ Records all the
time and he worked there and he just
19
00:02:09.680 --> 00:02:15.879
started Metal Blade, and so what
I told him, like a few years
20
00:02:15.919 --> 00:02:17.840
ago, I'm like, what a
brilliant plan that was, even though it
21
00:02:17.919 --> 00:02:21.520
wasn't really his plan. But you
know, he's like, I was just
22
00:02:21.599 --> 00:02:25.960
a record store clerk, but he
was able to promote all these bands working
23
00:02:27.039 --> 00:02:30.520
at the record store. So we
would go and we would buy these albums.
24
00:02:30.599 --> 00:02:32.840
He's like, hey, check this
out, Hey check this out,
25
00:02:32.960 --> 00:02:38.080
and like, that's how I became
the metal head I am today. That's
26
00:02:38.159 --> 00:02:42.039
right. And they still do.
They play they play music in the store.
27
00:02:42.680 --> 00:02:44.759
It's a great way to promote,
like who's this, Like, oh,
28
00:02:44.840 --> 00:02:49.520
these guys are great, perfect exactly, you know. And I missed
29
00:02:49.560 --> 00:02:54.520
those days too at looking at an
album cover and gone, wow, I
30
00:02:54.639 --> 00:02:59.599
need to buy that album and not
having any clue what it would sound like.
31
00:03:00.439 --> 00:03:02.840
You know, I think kids today
are missing that with that whole track
32
00:03:02.960 --> 00:03:10.800
track track mentality, you know,
where you get this full album experience completely
33
00:03:10.879 --> 00:03:15.759
and you immerse yourself. There's even
bands I didn't like when I first heard
34
00:03:15.800 --> 00:03:17.599
it, but you know, I
paid my record, so I listened to
35
00:03:17.680 --> 00:03:21.800
it over and over again, and
then they pay my favorite band. Mm
36
00:03:21.840 --> 00:03:24.159
hm, that's the same for me. Immerse yourself and I listened to the
37
00:03:24.199 --> 00:03:28.280
album. But people, you know, people are busy. People have time
38
00:03:28.319 --> 00:03:30.840
to sit and listen to an album
unless you're really die hard fan. But
39
00:03:30.919 --> 00:03:34.919
it is a shame about the physical
But you do see people like I know,
40
00:03:35.000 --> 00:03:38.240
for this Rogs album right of the
Cage, we're sold out of almost
41
00:03:38.319 --> 00:03:43.680
all the vinyl now wow, the
reordery, so it's actually fantastic, but
42
00:03:44.120 --> 00:03:47.879
people are buying vinyl. I love
that vinyls making comeback. And I even
43
00:03:49.039 --> 00:03:53.000
laugh because there's bands I've interviewed over
the past few years that are playing out
44
00:03:53.080 --> 00:03:58.039
cassettes too, and I love that
too. I still have a whole stack
45
00:03:58.159 --> 00:04:02.560
of my albums, including that Rod's
album from way back, and I still
46
00:04:02.639 --> 00:04:08.159
have like boxes and boxes of cassettes. The only thing I didn't keep were
47
00:04:08.240 --> 00:04:13.639
my eight tracks. I just heard
somebody was some band was trying to do
48
00:04:14.240 --> 00:04:16.639
a release on an eight track.
I can't imagine where do you play that?
49
00:04:16.839 --> 00:04:21.040
But that's pretty I don't even that
would be cool. But I can't
50
00:04:21.040 --> 00:04:25.639
even find an eight track. Maybe
it's just a collector's at it, but
51
00:04:25.680 --> 00:04:30.000
it's a cool idea, no doubt. I remember I had Blizzard of Odds
52
00:04:30.079 --> 00:04:34.439
and mister Crowley used to cut in
the middle to change from track to the
53
00:04:34.600 --> 00:04:39.720
track free and it would like fade
out and then fade back in, and
54
00:04:39.800 --> 00:04:44.920
I'd have to put a match book
cover under the tape so it would play
55
00:04:45.079 --> 00:04:49.959
slowly. And you know, the
struggles eight tracks were a struggle for sure,
56
00:04:50.680 --> 00:04:55.879
no doubt. So tell us about
the new album. And you know,
57
00:04:56.639 --> 00:05:00.680
I'm always fascinated with artists like you
that have been around doing this for
58
00:05:00.959 --> 00:05:04.480
so long. How you keep coming
up with new material to write like you
59
00:05:04.759 --> 00:05:11.240
you would think at some point you
run out of material to write. Yeah,
60
00:05:11.319 --> 00:05:14.279
that you know, I guess that's
a case of the muse. In
61
00:05:14.399 --> 00:05:18.319
this album. For this album we
have, David just was on a terror
62
00:05:18.399 --> 00:05:21.480
like he was really prolific. He
would call me every couple of days,
63
00:05:21.839 --> 00:05:26.480
I have another one, I have
another one. And you know, this
64
00:05:26.600 --> 00:05:30.439
album, with the exception of Heaven
and Helen high Water, which Freddy brought
65
00:05:30.480 --> 00:05:34.399
in the riff and the song title, I've sent David the lyrics for Rattle
66
00:05:34.439 --> 00:05:38.720
the Cage the idea for that and
for a shock wave, which was the
67
00:05:38.800 --> 00:05:43.800
working title until Rattle the Cage became
such a what we thought was a great
68
00:05:43.879 --> 00:05:47.720
song and perfect for the album.
You know. In this for this album,
69
00:05:47.800 --> 00:05:51.279
David's just been on a roll and
we're already through. I just sent
70
00:05:51.399 --> 00:05:55.639
them some ideas. I picked up
my guitar. Finally, I've been very
71
00:05:55.720 --> 00:05:58.800
busy the last couple of years.
I picked up my guitar and bass and
72
00:05:58.879 --> 00:06:00.800
I record these little home So I
just already sent them some ideas. We
73
00:06:00.879 --> 00:06:05.839
already have four or five songs recorded
in the can that I need drum tracks
74
00:06:05.879 --> 00:06:10.720
to and then you know, Sweeten
Me and David's written I think one or
75
00:06:10.759 --> 00:06:14.519
two more songs, and Freddy has
ideas. So it's you know, we're
76
00:06:14.560 --> 00:06:17.600
not short of ideas. We'll have
our next album done in the next few
77
00:06:17.680 --> 00:06:25.120
months. Wow, that's amazing,
you know, it's it's amazing because artists
78
00:06:25.160 --> 00:06:28.399
have been doing this as well as
you. It seems like they're playing out
79
00:06:28.519 --> 00:06:33.160
more music now than they and in
a rut then back in the day.
80
00:06:33.240 --> 00:06:39.240
And I guess there is a lot
of material nowadays to speak about on albums.
81
00:06:39.920 --> 00:06:44.759
It almost seems like we have a
repeat of stuff in the eighties to
82
00:06:44.920 --> 00:06:48.480
talk about. Well, no,
there's definitely you know, things, it's
83
00:06:48.800 --> 00:06:53.639
cyclical and I think things come back
around and you see things coming back like
84
00:06:54.000 --> 00:06:58.839
power pop, power rock, hard
rock, like it just you know,
85
00:06:59.319 --> 00:07:02.759
along with all the other genres and
you know, and sub genres of metal,
86
00:07:03.720 --> 00:07:06.360
extreme metal. So it's a it's
cool, it's you know, to
87
00:07:06.439 --> 00:07:09.800
me. I have some friends who
are older like, oh, the music
88
00:07:09.920 --> 00:07:12.240
is blah blah blah blah blah,
and I'm like, I don't know what
89
00:07:12.319 --> 00:07:15.399
you're listening to because there's so much
great music out there. Every day there's
90
00:07:15.519 --> 00:07:20.639
new great music in the so well, you know, it's funny because there
91
00:07:20.720 --> 00:07:25.959
are people that I knew, you
know, years ago, that I went
92
00:07:26.040 --> 00:07:29.920
to shows with and they kind of
say, yeah, I used to be
93
00:07:30.000 --> 00:07:32.600
a metal head, and I'm like, yeah, you weren't really a metal
94
00:07:32.680 --> 00:07:35.519
head. If you say used to
a metal head is a metal head and
95
00:07:35.560 --> 00:07:41.800
a matter of go ahead, No, it's in Europe. You know.
96
00:07:41.920 --> 00:07:46.920
We found once we started going to
Europe that in Europe are fans like we
97
00:07:46.000 --> 00:07:50.720
have fans who are doctors, lawyers, like they're they're well into their career,
98
00:07:50.800 --> 00:07:56.079
they're older, they're hardcore metal fans, you know, successful business people,
99
00:07:56.439 --> 00:08:00.519
they're not. It's like here in
America, country fans our country fans
100
00:08:00.600 --> 00:08:03.639
for life. There's no fickle Oh
yeah, well I used to be a
101
00:08:03.720 --> 00:08:05.600
country fan, you know. I
was a country fan, still a country
102
00:08:05.680 --> 00:08:09.560
fan. For some reason. In
America, there's been this pop sensibility where
103
00:08:11.600 --> 00:08:15.560
you were fed this top forty thing, and once that was pass a then
104
00:08:15.639 --> 00:08:18.920
suddenly that group or that style of
music was no longer cool. But that's
105
00:08:18.959 --> 00:08:24.199
not the way for Europeans who love
music. They know what they like and
106
00:08:24.319 --> 00:08:26.160
they find the good bands that they
like and they stay with them. And
107
00:08:26.240 --> 00:08:31.680
as long as you're putting out music
that's true and to the band, it
108
00:08:31.839 --> 00:08:35.159
isn't just basic crap. You know, those fans stay with you. It's
109
00:08:35.200 --> 00:08:37.679
not about I used to be metal, like you said, and it's but
110
00:08:37.799 --> 00:08:39.840
in America, country fans are like
the metal fans are in Europe, they're
111
00:08:39.879 --> 00:08:43.399
heard there for life, they like
it. They're there. Yeah, true
112
00:08:43.440 --> 00:08:48.120
story, And you know, I'm
glad you brought that up because that's why
113
00:08:48.159 --> 00:08:52.639
I found going over to Europe is
that. Man. I thought, like,
114
00:08:52.759 --> 00:08:56.159
there's some bands that I love back
in the eighties that I thought were
115
00:08:56.320 --> 00:09:00.799
not around anymore, and turns out
they've just been in Europe all this time
116
00:09:00.919 --> 00:09:05.559
because they love the old school metal, the new school medal. They love
117
00:09:05.639 --> 00:09:09.600
it all. You know, I
did coverage of festivals, and going to
118
00:09:09.720 --> 00:09:18.799
a European festival like Hellfest or Vodkin
or any of those is a whole different
119
00:09:18.919 --> 00:09:24.759
experience than my experience in the US. Yeah, totally different. And like
120
00:09:24.919 --> 00:09:26.799
Download first, I went to downloads. Oh my god, it's like a
121
00:09:28.240 --> 00:09:31.480
it's a city. They built a
city for the festival, right right.
122
00:09:31.679 --> 00:09:35.960
And same with Hellfest, that whole
city of Plisana. It's all like a
123
00:09:37.120 --> 00:09:41.440
health best city. And Download.
You know, it's funny you mentioned Download
124
00:09:41.440 --> 00:09:50.200
because last year at Download, Metallica
headline and there were complaints fifteen miles away
125
00:09:50.000 --> 00:09:56.440
from people that music was too loud
and they can hear with dallag loud and
126
00:09:56.559 --> 00:10:01.200
clear fifteen miles away of like,
that's pretty badass, that's badass. Yeah,
127
00:10:01.039 --> 00:10:05.320
they're looking they didn't get charged.
Those tickets were pretty high. Oh
128
00:10:05.440 --> 00:10:11.279
yeah, I'm sure. And you
know, it's just interesting to see,
129
00:10:11.799 --> 00:10:15.200
like you're saying, going to these
different festivals and even here right now,
130
00:10:15.279 --> 00:10:18.440
I'm in Costa Rica, right,
now. Oh, you know, I
131
00:10:18.639 --> 00:10:24.039
met somebody the first day I got
here that is a musician and he puts
132
00:10:24.120 --> 00:10:28.879
on different events and small festivals here, and I've talked about, Man,
133
00:10:28.960 --> 00:10:31.759
I want to do a festival in
Costa Rica because you don't really have a
134
00:10:31.840 --> 00:10:35.679
metal festival here. Well, that's
what I thought. To talk to this
135
00:10:35.879 --> 00:10:39.919
guy and we're talking about maybe putting
on a festival here. He said,
136
00:10:39.200 --> 00:10:46.080
there's a huge underground metal scene in
Costa Rica and I never even knew that,
137
00:10:46.600 --> 00:10:50.240
you know. So it just goes
to show metal has never died.
138
00:10:50.639 --> 00:10:56.159
It's worldwide and in some places bigger
than it ever was. Yeah, I
139
00:10:56.360 --> 00:11:03.240
agree. So what what is it
that you know throughout the years keeps you
140
00:11:03.480 --> 00:11:09.919
going and keeps you doing this Besides
the love of the music, what other
141
00:11:09.159 --> 00:11:15.879
things fuel your passion for being a
musician. Well, I've wanted to play
142
00:11:15.960 --> 00:11:18.759
drums since I was four and a
half and I didn't get drums until I
143
00:11:18.919 --> 00:11:22.600
was thirteen. I've got a practice
pad when I was maybe eleven or something,
144
00:11:22.519 --> 00:11:26.399
but I didn't get drums. So
I was thirteen, you know,
145
00:11:26.559 --> 00:11:31.039
single mom, poor and just didn't
get them. So when I did,
146
00:11:31.519 --> 00:11:35.480
I hit the ground running and I've
always wanted to play. I still have
147
00:11:35.559 --> 00:11:39.440
that same passion today about playing my
drums. I recorded a drum track.
148
00:11:39.519 --> 00:11:45.120
I worked for hire or someone and
did that drum track yesterday, and I
149
00:11:45.159 --> 00:11:48.159
couldn't wait to play it. I
was excited to actually go in and knock
150
00:11:48.200 --> 00:11:54.360
out the drum part and be creative. And so those things are just it's
151
00:11:54.399 --> 00:11:56.080
something that I just want to play
my drums. I'm as excited about my
152
00:11:56.159 --> 00:12:00.559
drums today as I was when I
was a kid. When I look at
153
00:12:00.600 --> 00:12:03.799
my drums, I look at all
the shiny symbols and the shiny symbol stands
154
00:12:03.840 --> 00:12:07.159
and the drums, and you know, I just it's like it's cool.
155
00:12:07.240 --> 00:12:11.480
It's like I go into like a
store like Harbor Freight or you know,
156
00:12:11.559 --> 00:12:16.440
any store like that, like Ace
Hardware, and I look at the wall
157
00:12:16.480 --> 00:12:18.960
and I'll see all the duels.
I don't want to use them. I
158
00:12:18.000 --> 00:12:22.080
don't know how to use them.
You know, all that boys stuff doesn't
159
00:12:22.120 --> 00:12:24.360
work for me. I can't.
I can change light bulbs, but I
160
00:12:24.399 --> 00:12:28.320
can do basic stuff. But when
I look at all this stuff, I'm
161
00:12:28.399 --> 00:12:30.960
like, Wow, that is so
cool. That's how I feel when I
162
00:12:31.039 --> 00:12:33.480
look at drums. I'm always looking
at a gear. I got guitars over
163
00:12:33.519 --> 00:12:37.399
here in the corner. You know, just something about it that I love.
164
00:12:37.440 --> 00:12:41.600
It attracts me. But it's fun
to play. And I still,
165
00:12:41.720 --> 00:12:43.480
you know, every day I want
to get up and I want to play
166
00:12:43.519 --> 00:12:46.240
my drums, and when I don't, I kind of feel guilty about it.
167
00:12:46.159 --> 00:12:48.360
So I think that's just in me. You know, it's just the
168
00:12:48.399 --> 00:12:52.960
way it is, and it's Someone
asked me about my daughter, who is
169
00:12:52.000 --> 00:12:54.960
a music teacher in a public school, and they said, oh, you
170
00:12:56.039 --> 00:12:58.799
must have really wanted your daughter to
be a musician. I had a recording
171
00:13:00.240 --> 00:13:03.360
when she was born, so she
was always there with me. I had
172
00:13:03.399 --> 00:13:05.159
a nanny who was there, and
my daughter was with me all the time.
173
00:13:05.840 --> 00:13:09.879
And I said, no, you, oh you must you know,
174
00:13:09.960 --> 00:13:13.279
do you push her to play this? I'm like, she's got a whole
175
00:13:13.320 --> 00:13:16.960
studio full of equipment. She's interested
in something. It's right there every day
176
00:13:18.080 --> 00:13:22.120
for her. But I never said
a word about it, and because I
177
00:13:22.200 --> 00:13:26.200
didn't want her to be like me. If I hear sneakers in the dryer,
178
00:13:26.279 --> 00:13:30.720
I'm listening to the rhythm, you
know, if there's a solid machine,
179
00:13:30.720 --> 00:13:33.240
I'm listening to the edit point when
I turned the radio and I'm listening
180
00:13:33.240 --> 00:13:35.440
to how do they do that?
Listen to the way they've stacked the vocals,
181
00:13:35.480 --> 00:13:37.759
listen to the rhythm section, how
do they do what's that based on?
182
00:13:37.879 --> 00:13:41.039
Is that a fretless Your brain is
going all the time. And people
183
00:13:41.159 --> 00:13:43.559
used to say to me after we
come out of a long session and I
184
00:13:43.639 --> 00:13:46.799
turned the radio and like, well, you want to listen to more music.
185
00:13:46.919 --> 00:13:50.679
I'm like yeah, And so that's
that's just it. And I didn't
186
00:13:50.720 --> 00:13:52.840
want to. That's a curse to
me, you know, as much as
187
00:13:52.919 --> 00:13:56.639
I love it, it's it's something
that'said I wanted. My daughter did not
188
00:13:56.759 --> 00:13:58.720
have that, and she doesn't.
You know, she's a brilliant musician.
189
00:14:00.559 --> 00:14:05.879
She's the quote real musician in the
family. But you know she doesn't have
190
00:14:05.080 --> 00:14:11.279
that compulsive I must play and I
must do all these things. So that's
191
00:14:11.320 --> 00:14:13.840
a good thing, just not in
her head all the time, torturing her
192
00:14:13.200 --> 00:14:16.679
like it does mean. But at
the same time I say torture, I
193
00:14:16.840 --> 00:14:22.639
love it. What a great viewpoint, though, because you know it's funny
194
00:14:22.840 --> 00:14:26.039
as you're saying that, you and
I talked before getting on that. You
195
00:14:26.120 --> 00:14:30.240
know, I played drums for nine
years from a little kid, and then
196
00:14:30.759 --> 00:14:35.120
you know, I played them the
school band, school orchestra, and I
197
00:14:35.320 --> 00:14:39.480
ended up realizing that that kind of
sucked, but probably for that reason that
198
00:14:39.919 --> 00:14:43.639
I didn't have that same obsession over
it, like I wanted to do it
199
00:14:43.679 --> 00:14:48.960
and I loved it, but I
didn't love love it. And it's funny
200
00:14:48.000 --> 00:14:52.759
you brought me back when you talked
about the practice pad, because I think
201
00:14:52.840 --> 00:14:56.080
part of what turned me off too
is similar story, but you went in
202
00:14:56.200 --> 00:15:01.360
different directions. I had that practice
pad for like years and bord the crap
203
00:15:01.480 --> 00:15:05.559
at me and then yes, but
my dad finally got me a drum set
204
00:15:05.600 --> 00:15:09.519
because I kept begging for one,
beggar. It was like this little crappy
205
00:15:09.639 --> 00:15:15.200
one. So I was like kind
of kind disenchanted, but you have to
206
00:15:15.279 --> 00:15:18.679
figure it. Yeah, absolutely,
it opens the world to you. My
207
00:15:18.799 --> 00:15:24.440
first drum kit was a crappy couldn't
afford anything, you know, real legit
208
00:15:24.600 --> 00:15:26.600
drum set. So I found a
Japanese and this guy was kind of a
209
00:15:26.679 --> 00:15:31.200
shister, and my mother was working
at the post office as a clerk in
210
00:15:31.240 --> 00:15:35.519
the window, and so we show
up and I just begged and she finally
211
00:15:35.000 --> 00:15:39.440
signed this installment agreement for sixty dollars
a month, which was a lot of
212
00:15:39.519 --> 00:15:43.759
money back then, and for you
know, sixty dollars a month for this
213
00:15:43.960 --> 00:15:50.080
crappy Japanese set called name was Gracy
Drums, and I still have the receipt
214
00:15:50.120 --> 00:15:52.559
for it, believe it or not. But you know, it was all
215
00:15:52.600 --> 00:15:56.720
we could afford. But parents didn't
know. You know, you're sure your
216
00:15:56.879 --> 00:15:58.240
dad didn't know. They didn't know
what to buy. They you know,
217
00:15:58.320 --> 00:16:00.879
they just like, oh, a
drum set, like all drum sets are
218
00:16:00.919 --> 00:16:04.200
equal to somebody who doesn't know,
so, you know, and I didn't
219
00:16:04.200 --> 00:16:07.759
know either. So this Gracie drum
set, all I knew was it had
220
00:16:07.679 --> 00:16:11.600
you know, two mounted or two
tom times, a mounted time, a
221
00:16:11.679 --> 00:16:14.879
floor time, a snare, a
high hat, a ride symbol, a
222
00:16:15.000 --> 00:16:17.759
crash symbol. Like I was like, wow, this is a big kit.
223
00:16:18.320 --> 00:16:19.799
So that's all I cared about.
And it got me through until it
224
00:16:19.840 --> 00:16:23.759
started falling apart. But by then
I was able to buy little pieces to
225
00:16:23.879 --> 00:16:29.720
replace it and got me started.
And here you are, new album,
226
00:16:30.399 --> 00:16:34.799
absolutely awesome. How do people get
the new music? Check out the new
227
00:16:34.919 --> 00:16:40.360
music, get the new album,
connect with you guys on socials on the
228
00:16:40.480 --> 00:16:44.360
web, all that good stuff.
The Rods dot Com is a good place
229
00:16:44.440 --> 00:16:48.720
and of course on Facebook Official The
Rods. The Rods Official fan page,
230
00:16:48.879 --> 00:16:53.879
I think is where you go and
Carl Kennedy, David Rockfeinstein, Freddie Vallano.
231
00:16:55.000 --> 00:16:56.840
You can find us on Facebook,
Instagram, We're all you know,
232
00:16:56.960 --> 00:17:00.919
we're there. The Rods. Just
search for us and we always love to
233
00:17:00.960 --> 00:17:03.559
hear from people, so you know, definitely come and say hi. Let
234
00:17:03.639 --> 00:17:06.359
us know what you think about the
new album. We're very proud of it.
235
00:17:06.759 --> 00:17:08.440
We think it's one of our best
since the first album, and our
236
00:17:08.480 --> 00:17:14.039
new bass player Freddie, has added
so much to the band sonically and musically.
237
00:17:15.000 --> 00:17:18.559
Just it's been a huge, huge
move forward for us, a big
238
00:17:19.400 --> 00:17:25.480
basically the big Vitamin B shot for
the band. Nice I love it.
239
00:17:26.480 --> 00:17:30.319
Is there anything else you want to
share with the listeners that we haven't covered
240
00:17:30.400 --> 00:17:33.400
array that they need to know about
you and the Rocks, Well, the
241
00:17:33.480 --> 00:17:38.799
Ron We're going to Australia with doing
a bill with Ross the Boss and Anvil,
242
00:17:40.559 --> 00:17:42.160
So this is like old whole week
because you know, Ross and I
243
00:17:42.319 --> 00:17:45.519
were bandmates in the First Man of
War, in the early Man of War
244
00:17:45.960 --> 00:17:51.079
genesis of that band, and so
we've been friends for all those years and
245
00:17:51.599 --> 00:17:55.200
all these years, and then of
course Buddy's and Anvil. We're good friends
246
00:17:55.240 --> 00:17:56.880
with those guys, so I love
them and I can't wait to hang with
247
00:17:56.960 --> 00:18:00.720
them. So we're really excited.
It's going to be old homework. So
248
00:18:00.759 --> 00:18:03.920
we're doing four dates in Australia starting
in March, and I need to get
249
00:18:03.960 --> 00:18:07.599
the dates together, but it's you
know, i'll be posting stuff on that,
250
00:18:07.799 --> 00:18:08.960
but it's it's going to be fun
in Australia, and then we have
251
00:18:10.039 --> 00:18:12.519
other regional dates that will be coming
up and hopefully from European as well.
252
00:18:14.880 --> 00:18:18.839
Love it, Love you guys.
I'm glad you're still making great music and
253
00:18:18.000 --> 00:18:22.799
I think everybody needs to check you
out. Get the new album, and
254
00:18:22.160 --> 00:18:26.519
uh, you know, anywhere you
play, hey live music's the best and
255
00:18:27.519 --> 00:18:33.440
you guys are still killing it.
So thank you so much giving me oh
256
00:18:33.559 --> 00:18:36.640
my pleasure, thank you. I
appreciating on the adventures of pipe Man,
257
00:18:37.920 --> 00:18:40.559
no problem, thank you. And
oh, by the way, I have
258
00:18:40.599 --> 00:18:45.119
a new book coming out. Oh
I's about that. That's an autobiography.
259
00:18:45.319 --> 00:18:48.359
And you know, as you can
see in the wall behind me, forty
260
00:18:48.440 --> 00:18:55.400
five plus albums I've produced are recorded
and so you know, it's a pretty
261
00:18:55.440 --> 00:18:57.880
interesting book, I think, I
hope we'll see you never know until they
262
00:18:57.920 --> 00:19:02.680
put it out, but a lot
of information in it, so I'll be
263
00:19:02.759 --> 00:19:06.519
posting on that soon, so I'll
let you know about that, all right,
264
00:19:06.599 --> 00:19:08.119
cool, So if people want to
keep updated on that, they just
265
00:19:08.240 --> 00:19:12.240
check you out on the socials and
they'll find out more about the book as
266
00:19:12.319 --> 00:19:18.119
it as knows long well, cool, I love it, and hey look
267
00:19:18.200 --> 00:19:22.359
forward to seeing a lot more of
you. Great. Thank you so much
268
00:19:22.200 --> 00:19:29.279
my pleasure. Thank you for listening
to the Adventures of tight Man. I'm
269
00:19:29.799 --> 00:19:32.480
w for CUI Radio.










































