Feb. 15, 2024

PipemanRadio Interviews Velvet Chains About Suspicious Minds & More

PipemanRadio Interviews Velvet Chains About Suspicious Minds & More

Join me, The The Pipeman, on The Adventures of Pipeman, as I welcome back the dynamic group Velvet Chains with their bassist and founder, Nils, leading the charge. This episode, we explore the fabric of musical creativity and influences, unraveling...

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Join me, The The Pipeman, on The Adventures of Pipeman, as I welcome back the dynamic group Velvet Chains with their bassist and founder, Nils, leading the charge. This episode, we explore the fabric of musical creativity and influences, unraveling the threads that connect legendary artists like Paul McCartney to contemporary musicians. Listen in as Nils and I discuss the intriguing origins of McCartney's bass playing and how it echoes through the approaches of today's bassists, pushing the limits and redefining the role of the instrument in a band. Velvet Chains also brings a fresh edge to the timeless classic "Suspicious Minds" by Elvis, and we'll dissect how they maintain the soul of the original while injecting their distinctive rock flair. Producer Jim Kaufman gets a well-deserved nod for his role in this alchemy, and we'll also share some personal insights into the collaborative maze of songwriting, celebrating the serendipitous twists that often lead to musical gold.

Amplifying the presence of Velvet Chains, we delve into the importance of supporting music across the digital landscape. From their compelling music videos on YouTube to the intimate fan interactions on Instagram, Velvet Chains demonstrates how a band can both engage and grow their audience in today's online world. You'll be encouraged to tune into their tunes on Spotify and Apple Music, actions that make a real difference for artists. The episode wraps up with a heartfelt appreciation for the unique contributions Velvet Chains is making to the music scene, underlining the reasons why they are repeat guests on my show. So, crank up the volume and let's rock this journey together with Velvet Chains, right here on W4CY Radio.

EPISODE CHAPTERS

(0:00:06) - Musical Creativity and Influences

(0:13:13) - Promoting Website, Social Media, and Music

EPISODE CHAPTERS WITH SHORT KEY POINTS

(0:00:06) - Musical Creativity and Influences

Velvet Chains' Nils discusses bass playing, their take on "Suspicious Minds," and the complexity of song creation with producer Jim Kaufman.

(0:13:13) - Promoting Website, Social Media, and Music

Velvet Chains' online presence is supported through YouTube, Instagram, Spotify, and Apple Music, with unique music videos and gratitude expressed.

EPISODE CHAPTERS WITH FULL SUMMARIES

(0:00:06) - Musical Creativity and Influences (13 Minutes)

This chapter kicks off with a warm welcome back to the incredible band Velvet Chains, with the spotlight on Nils, the bass-playing founder, highlighting the rarity of a bassist founding a band. I explore why Paul McCartney ended up playing bass for The Beatles and how his approach influenced bass players like Nils to push the boundaries of the instrument. We also discuss the band's unique take on the classic tune "Suspicious Minds" by Elvis, keeping the original essence while infusing their own rock and roll vibe, and giving credit to their producer, Jim Kaufman, for his significant role in the creative process. The conversation then touches on the complexity of song creation, acknowledging the diverse perspectives and collaborative efforts that contribute to the final product, and wraps up with an anecdote about songwriting from my own experience, illustrating the unexpected turns that collaboration can take.

(0:13:13) - Promoting Website, Social Media, and Music (1 Minutes)

This chapter, we explore the online presence of the band Velvet Chains, emphasizing the importance of supporting their music through various platforms. We highlight their engaging content on YouTube, where viewers can find a collection of their killer music videos. The conversation also points out their active engagement with fans on Instagram. Additionally, we encourage listeners to follow and listen to Velvet Chains on Spotify and Apple Music, noting that such actions significantly aid the band. We wrap up by acknowledging the unique elements present in their music videos and expressing gratitude for their contributions to the music scene, thanking them for joining us on The Adventures of Pipeman.


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WEBVTT

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00:00:04.480 --> 00:00:20.640
Hey, you have then too,
censure forty wow, crazy young wyke Up

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00:00:20.760 --> 00:00:25.160
America. It's time for the Adventures
of Pipeman on W four C why dot

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00:00:25.199 --> 00:00:29.519
com West pomp Beats is number one
internet radio station. Here's your host,

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00:00:29.600 --> 00:00:44.799
the White Man. We go ahead
a tray h k oh cow because to

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00:00:45.479 --> 00:00:55.679
un baby, I can't you see? This is the pipe Man here on

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00:00:55.759 --> 00:01:00.320
the Adventures pipe Man W four c
Y Radio and I have a return guest,

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00:01:00.479 --> 00:01:07.519
and their only returned guests if their
music is badass those otherwise they can't

8
00:01:07.519 --> 00:01:11.640
come back. So you know that
you're gonna want to listen to this because

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man taking this first, We're going
to talk about this great tune that's been

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00:01:18.840 --> 00:01:23.120
around forever and this killer band making
it their own. So let's welcome to

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the show. Velvet Chains. How
are you? Hey, Hey, that's

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00:01:26.599 --> 00:01:30.840
a great compliment. Thank you so
much. We're super excited to be here.

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00:01:30.879 --> 00:01:33.879
I'm super excited to be here.
I'm Nil's the bass player and founder

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of the band and not doing great. Thank you for having me. You

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know well, I love hearing there. How often do you hear that the

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bassis is the founder of the band. I love that. Yeah, No,

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it's the only way to be heard
and listened in the band if you're

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the bass player, right unless you
that's right. Well, yeah, it's

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quite unique, I suppose. Okay, so I have a trivia question for

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00:01:57.840 --> 00:02:07.079
you before we even get arted.
Okay, yeah, So why is Paul

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McCartney a bass player? That's that's
a great question. Can I put my

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own twist in it? Or I
don't know to say whatever you want.

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It's your world of just living in
it right now. Yeah, all I

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know is that Rolling Stone magazine put
him in the list of best guitar players

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ever. So I'm not even sure
he's a bass player anymore. But no,

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I don't know what the answer is, so please go ahead. So

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there, there's that's part of it
right there. Because he was a guitar

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player. He never played bass,
and when the Beatles got together there was

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George and John, they didn't they
didn't need another guitarist, they needed a

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bassis. So he changed to bass. And that's also they say why he's

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ranked as one of the top bass
players ever, because he plays it more

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like a guitar. I love that. I love that. I did not

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know that. I love that,
and I actually I didn't know it either

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like till like a year ago.
I mean, I was like, wow,

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that's such good information. I actually
relate because I sometimes feel like I

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play my bass a little boy like
like I would a guitar. But I

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love it. That's so cool.
I have a lot of comment with Paul

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McCartney. See, and I love
that too, Okay. I love bassis

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that like are out there and you
know, really taking full advantage of the

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instrument instead of just what people think
it's meant to be. Just like see,

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to me, music is experimentation anyway. There are no rules. I

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believe in that one hundred percent.
And I agree. I'm all about,

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Hey, that's I do what I
want with my bass and whatever works,

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and there's no limits to to if
I may do something wrong, I may

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do some right, but if I
feel like it works, then let's go

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with that. So that's so cool. And see, that's what makes you

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or any other musician unique is when
they have their own way of playing their

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00:04:05.879 --> 00:04:12.560
instrument. Yeah. I really dig
that too. I'm very unapologetic about how

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I play my bass and how I
live my life in general. And I

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could see that, and that's a
little bit more uniqueness to each musician.

51
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So that's so cool. Yeah,
I love it. So speaking of uniqueness,

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okay, so you have this well
known song that totally I found was

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unique without changing it so drastically that
it's not the same song. See that's

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one thing too. I think if
you're going to cover a song and record

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it, it should have your own
sound, but still have the original sound.

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And what you did with Suspicious and
Suspicious Minds from Elvis is exactly that.

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Yeah, thank you for that,
and I agree with that that it

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keeps the song relatable and it keeps
it like, oh cool, and it

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doesn't go too far away from the
original version. But we wanted to add

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a lot of rock and roll to
it. And to be honest, I

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have to credit Jim Kaufman, who
was our producer on that song. And

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we went to him and we said, hey, man, we want to

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do a cover. We want to
do something that we're from Vegas. We

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want something to honor our city.
And he's a huge Elvis fan, and

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he said, how about this,
and he gave us a little bit of

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the idea that he had. He
shared, he grabbed a guitar and shared

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a little bit and we're like this
is sick. So yeah, we went

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all in with that. But huge
credit to him. He's amazing. Well,

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that is amazing, and that's always
a key ingredient. A lot of

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people don't realize there's so many ingredients
to the recipe of making a song.

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It's not just a musician, it's
not just a songwriter. There's so much

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that goes into it. Yeah,
and it's never an exact science, right.

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Something may come completely stem from us. Another song may completely stem from

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a songwriter that we work with.
It may come from the producer. It

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may be a mix of three,
four or five different things. And we

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try to keep our creativity and our
process kind of like that where we're not

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just boxed into one thing and it's
worked out. It's worked out at least

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for the time being. Yeah.
Well, yeah, and it's cool to

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have different people's viewpoints come into it
that maybe you don't notice or you know

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anything, like a different perspective,
because there are going to be different perspectives

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out there. Funny story, I
wrote a song once that I was collaborating

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with my friends who were a duo. And I'm a book writer, okay,

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like I'm an author, So I
wrote this song and I brought it

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to my bro like, here,
what do you think of this? It's

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like, what is this a fucking
book? But then he turned it into

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a song, you know, like
I thought it was a song, but

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it was it really he was right, it was a book and he but

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you know, it's hard too when
you're like the songwriter or the musician to

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like eliminate anything. So sometimes you
need some of the outside point of view

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to make changes, eliminations, additions, because you're like he like, he

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even said to me, what can
we take guy here? And my answer

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was nothing. And I'm like,
you might as well just take whatever you're

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gonna take out of there, because
I'm not going to be able to pick.

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And I love that because for us, it's we got no ego in

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this right. So I may write
something that I'm like, oh my god,

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this is the best song ever and
this is gonna be huge, and

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then somebody else in the band or
a producer or a friend or a family

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member or whomever. An author could
be like you could come and say,

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hey, man, what if we
change this, what if we kill that?

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And that mayually be what makes the
song great. So I just we

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00:08:03.240 --> 00:08:05.279
always try to keep an open mind
and again keep ego out of the way

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00:08:05.800 --> 00:08:11.720
and really rely on people that have
perhaps more experience, perhaps greater success.

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Ultimately it'll be our decision. Yeah, we like to listen to others,

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and I think that's so important.
It's absolutely important, I think in anything,

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and you do that, you do
in life. The I think the

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most important question for you, though, is why Usher didn't have you guys

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come perform Suspicious Minds at the super
Bowl. You know, we were waiting

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for that call and we knew it
was going to happen. But the universe,

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I think his cell phone was broken
or he lost our number. It's

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got to be that. It's got
to be that, you know what,

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00:08:45.440 --> 00:08:48.559
it might have been just somebody watching
out for you, because all you see

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on the internet with the trolls is
either talking negative crap about Taylor Swift or

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negative crap about Usher from this super
Bowl. And you know what, you

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00:09:00.759 --> 00:09:05.600
were better off without that because you
guys are badass and you were You were

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00:09:05.720 --> 00:09:09.559
just on tour in Brazil with Slash, So that's even cooler than the super

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Bowl in my opinion. Hey,
no, for sure, But they say

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there's no such thing as bad news. Right, So hey, as long

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as my name is out there,
I tell people, Hey, if you

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00:09:18.480 --> 00:09:22.480
like our stuff, comment, If
you hate it, comment too. We

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00:09:22.519 --> 00:09:24.679
want to know. So yeah,
we love the exposure. But yeah,

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we were just out with Slash and
Brasil and it was essentially mind blowing is

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00:09:30.639 --> 00:09:33.440
probably the best way to describe it. And I don't I don't want a

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00:09:33.480 --> 00:09:39.039
fanboy, but I mean Slash is
one of, if not our biggest influence,

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one of them at least, so
yeah, it was pretty epic.

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Yeah see there, you know,
at certain points, there's nothing wrong with

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fanboying out. Like going back to
Paul McCartney. I don't know if you

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00:09:50.240 --> 00:09:56.360
watched that documentary where he was with
I think it was what Rick Rubin and

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they were listening to old Beatles songs
and Paul McCartney just sat there. At

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00:10:01.600 --> 00:10:07.039
one point he's like, you know, back then, I was just playing

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with my bloke John, and now
I'm listening to I'm like, holy shit,

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I was playing with John Lennon and
he was fan boying out John Lennon

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from his own music. That's incredible. No, I missed that episode.

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00:10:22.080 --> 00:10:24.759
I gotta go check it out.
But that's that's wow. That's a great

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00:10:24.759 --> 00:10:28.679
way to say that. Yeah wow, yeah, so see, I see

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nothing wrong with that. Listen,
when you're out with somebody like Slash,

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I don't care who you are,
you could be anybody. I think you

137
00:10:37.440 --> 00:10:41.559
could be Axel Rose and still be
like, Wow, I'm playing the slack,

138
00:10:41.320 --> 00:10:46.039
you know. So there you go. And what was it like playing

139
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in Brazil? Because I've heard that
brazil are like the most serious rockers in

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00:10:52.919 --> 00:10:54.519
the whole world. And I go
to festivals all over the world, but

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I haven't been to Rock and Rio
yet, and that's why I want to

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00:10:58.440 --> 00:11:03.000
go to press coverage at Rock and
Rio. Yeah, Brazil is incredible,

143
00:11:03.240 --> 00:11:07.919
like most of South America is incredible
for rock and roll. And our band

144
00:11:07.000 --> 00:11:11.679
is kind of unusual because we have
Tucilan's at Brazilian and two Americans in the

145
00:11:11.720 --> 00:11:15.919
band born and raised. We all
live in Vegas, but born and rased

146
00:11:15.960 --> 00:11:18.120
in different countries, so we have
a little bit of understanding of how it

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00:11:18.159 --> 00:11:22.480
works down there. But you can
never get enough of it. This is

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00:11:22.519 --> 00:11:24.879
our second time going there. Last
year we went with Stone Temple, Pilots

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00:11:24.879 --> 00:11:30.000
and the Winery Dogs and we played
a couple shows in Rio Soplo. We

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00:11:30.000 --> 00:11:33.399
did Summer Breeze Festival, so we
kind of knew what we were going in

151
00:11:33.480 --> 00:11:37.279
for, but it's just once you're
on that stage and the energy of the

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00:11:37.320 --> 00:11:41.879
fans just brings out that extra rock
and roll out of us and it's just

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00:11:41.919 --> 00:11:45.960
so much fun. Yeah, no
doubt. So what do you got coming

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00:11:46.039 --> 00:11:50.960
up next? Going forward? Yeah, we're looking at doing well. We

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are booked for a show here in
Vegas. It's a radio industry program radio

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programmers show. It's called Hat Happens, so sure you're familiar with it,

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and we'll be doing that end of
February, and then after that we're actively

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looking at what's happening. We are
trying to get out there again. We're

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trying to look at Europe see if
we're able to jump on something, either

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support or our own tour, but
definitely trying to get that Velvet Chain's name

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out there. And it's every time
that we do a show, it seems

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like we just grow by leaps and
bounce, but it's it's also a challenge

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to how do we get people to
listen to our stuff, So it's always

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an ongoing battle. But once we're
out there, it works. Well,

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there you go, Well, that
people definitely have to listen to your stuff,

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and they have to listen to suspicious
minds be cuz it's pretty killer.

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I just have to say, And
if they don't listen, they can't listen

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to my show. I'll support that. I'm with you there. You go

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tell everybody how they reach out to
you on the web, on the socials,

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merch all that good stuff. Yeah, we're super active on Instagram.

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We're a little guilty that we're not
too active on TikTok, but Instagram is

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the way I think we got Facebook
too. We will reply to every single

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message on Instagram, share your stories
whatever. Merch our website, velvet chains

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dot com. That's the way to
go. YouTube. We got a bunch

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of killer music videos in there.
Check them out. But yeah, we're

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very active on Instagram, very cool. I love it. Is there anything

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else you want the listeners to know
that we haven't covered yet? No,

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check out our Spotify, Apple Music, whatever you use. It helps us

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a ton if you follow us on
there and you check up the music videos.

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They're kind of unique. We got
all sorts of stuff going on in

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there, so hopefully you dig it. I'm sure they will. Thanks for

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continuing to make us great music.
And thanks for being on the Adventures of

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Pipe Man Hey, thank you so
much for having us again mean sometime,

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thank you. Thank you for listening
to the Adventures of Pipemin on w for

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CUI Radio.