Oct. 6, 2025

PipemanRadio Interviews The Ataris at Aftershock 2025

PipemanRadio Interviews The Ataris at Aftershock 2025

PipemanRadio Interviews The Ataris at Aftershock 2025 https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support for PERKS, BONUS Content & FREE GIVEWAYS! Aftershock 2025 Draws Record-Breaking Crowd Of Over 164,000 Fans, The...

iHeartRadio podcast player badge
Amazon Music podcast player badge
Audible podcast player badge
Spotify podcast player badge
Pandora podcast player badge
Apple Podcasts podcast player badge
Spreaker podcast player badge
Overcast podcast player badge
Castro podcast player badge
PocketCasts podcast player badge
Podchaser podcast player badge
Deezer podcast player badge
Podcast Addict podcast player badge
RSS Feed podcast player badge
iHeartRadio podcast player iconAmazon Music podcast player iconAudible podcast player iconSpotify podcast player iconPandora podcast player iconApple Podcasts podcast player iconSpreaker podcast player iconOvercast podcast player iconCastro podcast player iconPocketCasts podcast player iconPodchaser podcast player iconDeezer podcast player iconPodcast Addict podcast player iconRSS Feed podcast player icon

PipemanRadio Interviews The Ataris at Aftershock 2025

Click Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS!

Aftershock 2025 Draws Record-Breaking Crowd Of Over 164,000 Fans, The Largest In The Festival’s History

The West Coast’s Ultimate Rock, Punk & Metal Destination 115+ Bands • 4 Unforgettable Days • Fans From Every Corner of the Globe

Danny Wimmer Presents’ record-breaking 2025 festival season concluded October 2–5 with the largest Aftershock in history — drawing over 164,000 fans from all 50 states and more than 30 countries to Sacramento’s Discovery Park, generating an estimated $35 million in local economic impact.

The West Coast’s biggest rock, punk, and metal festival reached new heights in 2025.

Debuting in 2025, Aftershock introduced several new fan-favorite experiences that elevated the festival weekend to new heights. The Capitol Club offered an all-inclusive oasis with premium amenities and elevated views of the main stage, while Tremors Dive Bar kept the energy high with a pop-up set by DJ Rock Feed with surprise guests My Darkest Days, and a special Sunday takeover by Sacramento’s own The Jungle Bird. Fans also discovered spontaneous performances at Beatbox and a blink-and-you’ll-miss-it speakeasy hidden beneath the underpass — each adding to the sense of discovery and excitement that defined this year’s festival.

To celebrate DWP’s cultural and economic impact to the region, Sacramento Mayor Kevin McCarty, Senator Angelique Ashby, and Assemblymember Maggy Krell honored Danny Wimmer Presents with official recognitions from the City of Sacramento, the California State Senate, and the California State Assembly. The proclamation and resolutions celebrate Aftershock’s decade-long legacy, recognizing its profound cultural, economic, and charitable contributions to the Sacramento community and beyond, and highlighting how the festival has firmly established the city as a premier destination for live music in California.

The 2026 dates for Aftershock will be announced in the coming months along with early bird tickets, allowing fans to lock-in lower level pricing and maximum payment plan options. Fans are encouraged to stay tuned to the festival’s official social media channels and AftershockFestival.com.

In addition to music performances, this year’s edition of Aftershock featured various partner onsite activations, award-winning beverages and delectable eats from partners including Animal Place, Astral Tequila, Beatbox Beverages, Black Shades, Blackcraft, Body Art Express, California Army National Guard, Coors Light, Don Julio, Eargasm, Freak On a Leash, Fxck Cancer, Golden State Cider, Hyatt Vacation Club, Jack Daniel's, Jeffree Star Cosmetics, Little Rocker Clothing, Mortus Viventi, Nowhere Fast, Parlor Root Beer, Red Bull, Sierra Nevada, Strüng, Take Me Home, The Pretty Cult, Tito's Handmade Vodka, To Write Love on Her Arms, Topo Chico Hard Seltzer, and Waterloo Sparkling Water.

Aftershock is proud to partner with Visit Sacramento and is produced by Los Angeles-based Danny Wimmer Presents, one of the largest independent producers of destination music festivals in America.

For more information on Aftershock please visit:
Website: www.aftershockfestival.com
Facebook: www.facebook.com/aftershockfestival
Instagram: https://www.instagram.com/aftershockfestival
TikTok: https://www.tiktok.com/@aftershockfestival
Twitter: https://twitter.com/aftershocksac

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”

Would you like to be a sponsor of the show?
Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?
Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?
Would you like to host your own Radio Show, Streaming TV Show, or Podcast?

PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.

The following are the different podcasts to Follow, Listen, Download, Subscribe:
•The Adventures of Pipeman
•Pipeman Radio
•Pipeman in the Pit – Music Interviews & Festivals
•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & Wellness

Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!

Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradio

Stream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV.

Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

WEBVTT

1
00:00:04.400 --> 00:00:10.599
Hi, you have done too, Yes, that's true. W W

2
00:00:11.279 --> 00:00:24.960
forre you you. This is a pipe man here on

3
00:00:25.000 --> 00:00:27.239
the Adventures pipe Man W four c Y Radio and

4
00:00:27.280 --> 00:00:28.000
I'm here with.

5
00:00:28.199 --> 00:00:32.320
Mike from the Atari's Nice Here after Shock we are

6
00:00:32.640 --> 00:00:33.039
that's right.

7
00:00:33.119 --> 00:00:35.280
Have you ever played after Shock? I can't remember.

8
00:00:35.439 --> 00:00:37.200
No, this is our first after Shock. Yeah.

9
00:00:37.240 --> 00:00:39.759
Yeah, so we feel very honored to have done it.

10
00:00:39.880 --> 00:00:43.000
So we're pretty stoked. We're coming hot off a riot

11
00:00:43.000 --> 00:00:43.960
Fest in Chicago.

12
00:00:44.159 --> 00:00:46.479
Yeah, so I wanted to talk about that because it's funny.

13
00:00:46.840 --> 00:00:49.719
I normally cover riot Fest, but this year, for some reason,

14
00:00:49.759 --> 00:00:52.159
it was the same weekend as Loward than Life. It

15
00:00:52.320 --> 00:00:55.079
was so I ended up at Loward in Life and

16
00:00:56.359 --> 00:00:59.600
I heard there was some epic shit that it was rant.

17
00:01:00.560 --> 00:01:03.560
It is my now. I love Aftershock. This is my

18
00:01:03.679 --> 00:01:07.280
first foray into it. But riot Fest is we call you.

19
00:01:07.640 --> 00:01:10.200
We do festivals all over the world and it is

20
00:01:10.359 --> 00:01:14.480
like premiere. And the twentieth anniversary was just crazy. I mean,

21
00:01:14.680 --> 00:01:18.000
Green Day, Blink, Weezer, Bad Religion, it was just one

22
00:01:18.040 --> 00:01:18.680
after another.

23
00:01:18.799 --> 00:01:19.680
It was insane.

24
00:01:20.280 --> 00:01:23.719
And what do you like as an artist about Riotfest

25
00:01:23.719 --> 00:01:24.840
compared to other festivals?

26
00:01:24.840 --> 00:01:26.920
I like the album place we played, We played our

27
00:01:26.920 --> 00:01:28.680
classic album, So Long Astoria.

28
00:01:28.959 --> 00:01:31.280
A lot of bands did that, Weezer did the Blue Album.

29
00:01:31.719 --> 00:01:35.079
I really think album plays are super cool thing for fans,

30
00:01:35.439 --> 00:01:38.359
and it gives you time. Like today, our set was

31
00:01:38.519 --> 00:01:41.640
like thirty minutes and thirty minutes we're just kind of

32
00:01:41.640 --> 00:01:44.480
getting warmed up when we killed it. But it's not

33
00:01:44.560 --> 00:01:47.159
that many songs for us, and so I do like

34
00:01:47.200 --> 00:01:48.439
playing a whole record.

35
00:01:48.480 --> 00:01:49.280
It's really awesome.

36
00:01:49.599 --> 00:01:51.640
Yeah, that is pretty cool, and I think the fans

37
00:01:51.719 --> 00:01:54.680
really dig it too, because I just think back to

38
00:01:54.719 --> 00:01:57.319
the old days where you bought an album and you

39
00:01:57.359 --> 00:02:00.319
sat down and you listened to it over and over

40
00:02:00.359 --> 00:02:03.120
and over again, read all the lyrics, looked at all

41
00:02:03.159 --> 00:02:06.400
the artwork, and it's just an experience that you just

42
00:02:06.680 --> 00:02:07.959
fall into exactly.

43
00:02:08.000 --> 00:02:08.520
Yeah.

44
00:02:08.199 --> 00:02:11.400
I'm an old school album guy too, and we actually

45
00:02:11.400 --> 00:02:14.400
put together our records. We're not these bands like that's

46
00:02:14.439 --> 00:02:17.479
thrown out singles. We put together albums. It's a big

47
00:02:17.520 --> 00:02:21.080
deal for us. Artwork still everything. So vinyl is super

48
00:02:21.120 --> 00:02:23.120
important to us and that's how we grew up. Right,

49
00:02:23.199 --> 00:02:26.479
So to play play a record side A, side B,

50
00:02:26.840 --> 00:02:27.639
that's really cool.

51
00:02:27.560 --> 00:02:29.919
Right, And I love that you mentioned artwork because that's

52
00:02:29.919 --> 00:02:31.800
the only way you bought an album. You couldn't hear

53
00:02:31.840 --> 00:02:35.319
what it sounds, right, They're like, oh that looks cool.

54
00:02:35.479 --> 00:02:37.280
Yeah, you know. I used to go to the record

55
00:02:37.280 --> 00:02:38.039
store as a kid.

56
00:02:38.120 --> 00:02:40.240
I grew up in a little town called Santa Maria

57
00:02:40.280 --> 00:02:42.879
and we had a record store called Cheap Thrills.

58
00:02:43.199 --> 00:02:44.439
And I used to go to Cheap.

59
00:02:44.240 --> 00:02:46.680
Thrills and just thumb through the albums and I got

60
00:02:46.680 --> 00:02:49.879
turned onto bands like Which Finder General because I love

61
00:02:49.919 --> 00:02:52.240
the album cover, you know what I mean, stuff like that.

62
00:02:52.240 --> 00:02:54.879
They're a great band, but people have no idea, but

63
00:02:55.159 --> 00:02:56.919
the album covers what sold.

64
00:02:56.639 --> 00:02:58.439
Me, right, So totally.

65
00:02:58.599 --> 00:03:01.639
I have the same experience in La I used to

66
00:03:01.639 --> 00:03:04.680
go to this little record store called OZ Records in

67
00:03:04.719 --> 00:03:07.879
the valley, and every time I walked in there, the

68
00:03:07.960 --> 00:03:10.759
record store clerk would say, hey, check this band out.

69
00:03:10.840 --> 00:03:15.080
That's hey, check this turns out was Brian Slagel. Oh yeah,

70
00:03:15.199 --> 00:03:17.360
that's when he was starting Metal Blade.

71
00:03:17.400 --> 00:03:17.719
Wow.

72
00:03:17.879 --> 00:03:21.319
Okay, it was like I told him a few years ago.

73
00:03:21.360 --> 00:03:24.280
I'm like, that was some genius marketing. It's like I

74
00:03:24.360 --> 00:03:28.039
was just a record store clerk, but it was brillianta

75
00:03:28.400 --> 00:03:29.360
We would listen to him.

76
00:03:29.400 --> 00:03:30.840
Yeah, where'd you grow up in the Valley.

77
00:03:31.280 --> 00:03:33.360
I lived in a Goura and Westlake.

78
00:03:33.520 --> 00:03:36.520
Okay, all right, I live in North Hollywood now nice. Yeah.

79
00:03:36.560 --> 00:03:38.879
So I lived in Agora before they called it a

80
00:03:38.919 --> 00:03:42.960
Goora Hill. Wow, when it was like nothing. Nobody lived

81
00:03:42.960 --> 00:03:44.960
there and all we did was get in trouble.

82
00:03:45.240 --> 00:03:47.400
Yeah. Now it's big. Yeah, right, it's crazy.

83
00:03:47.439 --> 00:03:49.479
I wish they had was it. I can't believe I'm

84
00:03:49.560 --> 00:03:52.319
drawing a blank. The club there, the Canyon Club, I

85
00:03:52.360 --> 00:03:54.479
wish they had that while I was a teenager. I wouldn't.

86
00:03:54.479 --> 00:03:55.800
I had to go to La all the time.

87
00:03:55.719 --> 00:03:56.159
Believe it or not.

88
00:03:56.240 --> 00:03:59.280
Our management is a Regime entertainment group and they do

89
00:03:59.599 --> 00:04:03.159
US and Sublime and House of Pain and Everlast and

90
00:04:03.319 --> 00:04:06.240
War and all these great bands. And they're complex. They

91
00:04:06.240 --> 00:04:08.240
have this big complex is in Agora Hills.

92
00:04:08.400 --> 00:04:10.960
Nice. It's right off the freeway. I'm like, wow, this

93
00:04:11.080 --> 00:04:13.159
is crazy, it's wild. Yeah, they do.

94
00:04:13.680 --> 00:04:17.800
They have a studio there, they have screen printing facilities,

95
00:04:17.800 --> 00:04:20.480
they do all everything's in house at Regime, and so

96
00:04:20.519 --> 00:04:21.480
it's really super cool.

97
00:04:21.560 --> 00:04:22.079
I love it.

98
00:04:22.519 --> 00:04:25.639
And so if you were to pick one story, good

99
00:04:25.720 --> 00:04:28.839
or bad in your whole musical journey, what would it be?

100
00:04:29.319 --> 00:04:29.959
One story?

101
00:04:30.040 --> 00:04:32.240
Oh, it's a hard one, right, Yeah, that one's insane

102
00:04:32.279 --> 00:04:35.079
because we've been a band twenty nine years Halloween, but

103
00:04:35.160 --> 00:04:38.879
I would say, yeah, it's a long time. But I

104
00:04:38.920 --> 00:04:41.040
have lots of stories I could pick, but off the

105
00:04:41.079 --> 00:04:44.000
top of my head, I like stories of we were

106
00:04:44.120 --> 00:04:46.399
driving through Texas on our way to play show with

107
00:04:46.439 --> 00:04:50.360
the Vandals and lag Wagon and somebody crossed. In Texas,

108
00:04:50.399 --> 00:04:53.519
they don't have dividers, they have these ditches in between,

109
00:04:53.839 --> 00:04:57.160
and somebody swerved to miss an armadillo and came on

110
00:04:57.199 --> 00:04:59.240
the other side and caused a.

111
00:04:59.199 --> 00:04:59.920
Thirteen car pile.

112
00:05:00.279 --> 00:05:02.240
We were in our RV and we were like going

113
00:05:02.240 --> 00:05:05.120
to cancel the tour, and then as we're sitting on

114
00:05:05.120 --> 00:05:07.720
the side of the road, we thought, okay, well maybe

115
00:05:07.759 --> 00:05:09.839
we'll just cancel a couple shows and try to get

116
00:05:09.879 --> 00:05:12.360
back after it. And then after a couple more hours passed,

117
00:05:12.360 --> 00:05:12.959
we thought.

118
00:05:12.879 --> 00:05:14.120
I wonder if we could make the show.

119
00:05:14.319 --> 00:05:16.720
So we hitched a ride on this flatbed truck and

120
00:05:16.759 --> 00:05:19.120
we made it to the club in Dallas and we

121
00:05:19.199 --> 00:05:22.199
played probably the show of our lives because we almost

122
00:05:22.319 --> 00:05:23.600
lost our lives in that crash.

123
00:05:23.639 --> 00:05:24.639
So wow, that was a.

124
00:05:24.639 --> 00:05:28.040
Really cool one. And let me ask you, speaking about

125
00:05:28.040 --> 00:05:30.600
old days, what do you miss about the old days

126
00:05:30.600 --> 00:05:34.160
when you were broke in the road and playing gigs

127
00:05:34.199 --> 00:05:38.199
and like not do having anything.

128
00:05:38.800 --> 00:05:41.519
I do like the closeness of the band back then.

129
00:05:41.720 --> 00:05:43.800
Now all four of us live in different parts of

130
00:05:43.839 --> 00:05:47.120
the country. Literally we don't rehearse. We know our stuff enough.

131
00:05:47.160 --> 00:05:49.480
We rehearse at home on our own and we come

132
00:05:49.519 --> 00:05:52.079
together and we play rock shows and it's super cool.

133
00:05:52.160 --> 00:05:54.160
We all have wives, kids now, that kind of thing.

134
00:05:54.399 --> 00:05:56.360
But you know, one of us loves in Phoenix once

135
00:05:56.680 --> 00:05:58.639
I'm in North Hollywood, the other ones in San Francisco,

136
00:05:58.639 --> 00:06:01.439
the other one's in New York. So it's really that

137
00:06:01.519 --> 00:06:04.879
kind of camaraderie us in the van for three months.

138
00:06:05.000 --> 00:06:08.639
It doesn't exist anymore. We're still friends and we lived

139
00:06:08.680 --> 00:06:09.319
through those times.

140
00:06:09.360 --> 00:06:10.040
Yeah, I love that.

141
00:06:10.360 --> 00:06:12.759
He that. Yeah, Yeah, we're still friends and we lived

142
00:06:12.759 --> 00:06:17.079
through those times. But that was four kids, like against

143
00:06:17.120 --> 00:06:19.680
the world, right right, So yeah, it was cool.

144
00:06:19.759 --> 00:06:22.639
It is a vibe. Yeah, And you either have people

145
00:06:22.720 --> 00:06:26.199
like you that are still friends or people that go

146
00:06:26.319 --> 00:06:29.480
on that same journey and hate each other.

147
00:06:29.560 --> 00:06:30.040
It's funny.

148
00:06:30.040 --> 00:06:32.360
I played forgot what it was called, but it was

149
00:06:32.399 --> 00:06:36.079
a big touring festival in Australia and Lincoln Park was

150
00:06:36.120 --> 00:06:39.120
on that and we were tripped out because Lincoln Park

151
00:06:39.160 --> 00:06:42.680
would show up each guy in a different like like

152
00:06:42.839 --> 00:06:45.759
the SUV suburban, right, different black suburban.

153
00:06:45.959 --> 00:06:48.279
They don't talk to each other. They were friends.

154
00:06:48.360 --> 00:06:51.199
It was when Chester was still live, but I always thought, man,

155
00:06:51.279 --> 00:06:53.000
that's kind of a bummer way to live, you know.

156
00:06:53.199 --> 00:06:56.079
So I think it portrays on stage too.

157
00:06:56.319 --> 00:06:56.720
It does.

158
00:06:56.879 --> 00:06:59.319
You can tell who has chemistry and who's just up

159
00:06:59.319 --> 00:07:00.000
there doing their.

160
00:07:00.279 --> 00:07:01.879
At that time, you could definitely tell.

161
00:07:01.959 --> 00:07:05.240
I think now that maybe that they've lost Chester and

162
00:07:05.319 --> 00:07:07.879
all of those things happened. I think maybe now that

163
00:07:07.920 --> 00:07:10.079
they've kind of got some of that back. It's a

164
00:07:10.079 --> 00:07:13.439
different chemistry obviously, but I think that they're trying to

165
00:07:13.560 --> 00:07:17.439
obtain that again. But at that time, its twenty fourteen,

166
00:07:17.560 --> 00:07:20.079
and yeah, I thought it was really strange because it's

167
00:07:20.079 --> 00:07:21.120
one thing to live apart.

168
00:07:21.160 --> 00:07:23.680
But we all joke and hang out and stuff like that.

169
00:07:23.839 --> 00:07:25.920
So yeah, we're friend, We're all friend.

170
00:07:26.000 --> 00:07:27.160
We do stuff right best.

171
00:07:27.360 --> 00:07:29.360
We're all running to see Jawbreaker on the side of

172
00:07:29.360 --> 00:07:31.560
the stage or bad Religion on the side of the stage.

173
00:07:31.839 --> 00:07:36.000
Nice. Yeah, So is there anything else that we haven't

174
00:07:36.040 --> 00:07:38.959
talked about that you want to let the listeners know definitely.

175
00:07:39.040 --> 00:07:42.279
Our first new single, number fifty one on the Alternative

176
00:07:42.360 --> 00:07:44.480
Charts this week is called car Song.

177
00:07:44.839 --> 00:07:45.839
It's like hung around.

178
00:07:45.879 --> 00:07:48.839
It's not ever shot to the top, but for five

179
00:07:48.920 --> 00:07:51.759
months it's hung in the forties and fifties, so it's

180
00:07:51.800 --> 00:07:54.639
like one radio station will pick it up, another another

181
00:07:54.680 --> 00:07:57.079
one will go through it. So car Song is out there,

182
00:07:57.480 --> 00:08:00.360
stream it, download it, check it out it up.

183
00:08:00.399 --> 00:08:01.839
The new album comes out early.

184
00:08:01.639 --> 00:08:04.879
Next year and it is a badass song. Thank you,

185
00:08:05.399 --> 00:08:07.879
and I love when artists doing this this man of

186
00:08:07.920 --> 00:08:10.240
yours can still come out with something fresh.

187
00:08:10.279 --> 00:08:12.120
Thanks, I appreciate it well, we.

188
00:08:12.120 --> 00:08:14.680
Appreciate you being here at Aftershock and thanks for being

189
00:08:14.720 --> 00:08:15.839
on the Adventures of pipe Man.

190
00:08:16.000 --> 00:08:21.879
Nice to meet you now to stay your intencent belongs Dear, Hey,

191
00:08:21.879 --> 00:08:24.199
this is Mike from the Ataris and you're listening to

192
00:08:24.279 --> 00:08:26.680
pipe Man on W four c Y Radio.

193
00:08:32.639 --> 00:08:37.000
As thank you

194
00:08:37.120 --> 00:08:42.120
For listening to the Adventures of pipe Man on W

195
00:08:42.759 --> 00:08:44.720
for CUI Radio.