June 23, 2026
Butthole Surfers Finally After The Astronaut Their Way - PipemanRadio Interview
BUTTHOLE SURFERS Releases a Tour de Fart with New Single/Video “IMBUYA” off the Upcoming Album AFTER THE ASTRONAUT Out June 26, 2026 via Sunset Blvd.
Pipeman chatted with Paul Leary about finally releasing this album the way they originally wanted to. We also discussed artists and the industry plus the documentary coming out which is brilliantly edited.
Nearly three decades after it was shelved for being “too abrasive” (their words, not mine, but also, very on brand), the band is finally releasing After the Astronaut on June 26 via Sunset Blvd.—the original version of the record they intended, before their label turned it into 2001’s Weird Revolution. Consider this the alternate timeline where things got appropriately strange.
Alongside the announcement, the new single “Imbuya" is a gloriously unhinged, psych-sludge detour that guitarist Paul Leary describes as being “conceived and produced much like a fart after eating beans.” (Yes, really. No notes.) It follows the surf-punk oddity “Jet Fighter,” and together they set the tone for a record that leans into electronics, industrial textures, and the band’s signature anti-everything ethos.
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WEBVTT
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Hi, you have done too, dear censure, for se Wow,
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for you your.
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It's the pipe Man here on the Adventures pipe Man
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W four CY Radio. Super excited about this interview because man,
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this is one of the best freaking live bands ever
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in the history of music in my opinion and a
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lot of other people's opinions too, and they am so
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happy that they are finally releasing this kind of ghost
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album that was record labels decided not to have it
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the way the butthole surfers would have it, and in
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twenty twenty six, we're gonna have it the way the
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butthole surfers have it.
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So let's welcome to the show, Paul.
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How are you h great? Thanks for having me.
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Oh my pleasure.
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Like you as somebody from the eighties and the beginning
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of you know stuff like I remember sitting backstage on
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the Sunset Strip and those record labels shut telling bands
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how to write their music, how to look, how to
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do things, and I was like, I'm out, that is
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not how music should be. Let the artists be the creatives.
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The business people the suits do the business, but let
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the artists be creative. And here we are, all these
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years later, finally releasing this album the way you wanted to.
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Yeah, well I can. I can definitely relate to what
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you're saying, because you know, we were just we were
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too weird. You know, we got we got side to
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a major label, but they didn't know what to do
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with this. I mean, you know, we're the butthole Surfers.
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They just they just left us to our own devices,
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other than giving us a bunch of money to record
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with so we could go out and hire John Paul
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Jones and go to a country club studio and all
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that other kind of stuff. But you know, then once
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we had a number one hit in the song Pepper,
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then all of a sudden they took an interest and
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decided they needed to step in and tell us how
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to be.
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I mean, what did they expect, You're to butthole surfers?
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Like the name alone should say you're gonna be a
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little weird and it should stay that way.
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Yeah, you know, I thought we were just going to
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be free to be whatever we wanted to be, you know,
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without any interference.
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And that was very naive and we ended up going.
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Through the Ringer and and you know, our our drummer
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jokes about you know, they wanted us to write a
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song with kid rock, so we do that and our
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drummers like reduced to playing tambourine on a kid rock song,
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And oh boy, he likes to bring that up a lot,
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so I thought I'd bring it up for him here.
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Right there, you go. You know, it was funny.
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I was just doing media coverage at festival, Milwaukee metal Fest,
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and one of the sets I was at, I was like,
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you know, that would be a cool.
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Tour to do the butthole surfers.
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And then it was Green Jello, who's now called green
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Jelly because Jello only supports Peedos but they won't support
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a band as good music and sue them for using
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the name.
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We live in crazy times, I love, right, I know.
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And you know it's like some of the stuff you
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guys did way back when, uh you know, that's what
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made shows fun. Man, Like this Green Jello show that
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I was at at the festival, it was like they
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handed out like noodles, like pool noodles. Everybody in the
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whole wash pit was noodles and it was it was
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like the funniest most fun washpit I was ever in.
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And that's the way it should be like, don't take
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yourself too seriously. It's music, it's created, and create creativity
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to art.
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And that's really that's actually a really great idea. You know,
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they don't have things in their hands.
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They tend to like start throwing punches at each other
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and stuff.
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True, that sounds great.
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Right totally.
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So let me ask you, as the artist, how do
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you compare the way you wanted this album to be,
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which it is now coming out in a few days
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after the Astronaut Astronaut compared to what they want to
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turn it into when they turned it into Weird Revolution.
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Well, you know, a lot of the songs are the same,
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but they they're mixed different and a lot of them
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are have different arrangements. And then a couple of the
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weirder songs off the record they just didn't they just
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didn't want them at all. So they cut off a
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couple of songs, two or three songs, I can't remember that,
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and that album was called Weird Revolution.
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I believe, Yeah, yeah, totally, so, so we got to bring
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those back and they're they're kind of the stupid or
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crazier songs, and to me, that's what we live for.
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And uh, you know, they're they're like my favorite songs
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on the record.
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Because for you, that's why you know, it's all you.
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It's kind of like, and you know what I was
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thinking about when you were talking about the mixes I
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heard I think it was Hetfield talking about when they
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did Kill Them All and they weren't the band wasn't
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even allowed in the studio when they did the final
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master mix. Like this band had been playing these same
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songs for years, they knew exactly the way they wanted it,
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and they don't even have a say.
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So how Kill Them All came out?
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Yeah, it was a good album, but not what Metallica
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wanted that album to be.
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I can't believe that they put up.
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With that, right, you know? And I mean I do.
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I do a lot of mixing work for bands, and
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I don't let anybody in the studio when I'm mixing.
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But what I do is send them a mix and
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say what do you think? And they'll say, well, I
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want to more of this and less of that.
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And that's fine.
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That's what I do because the artist deserves to have
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what they want to have.
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There's just there should be no compromising ever.
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No, I mean, otherwise, how you play the songs and
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have the same kind of feeling towards them. It's like
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sometimes I guess as an artist, you probably feel like
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it's not even your song anymore when they start doing.
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That, right, absolutely, and it happens.
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Yeah, yeah, And I suppose.
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For some people that it doesn't really matter that much.
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But when you're as fucked up and crazy as we are,
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you know, we kind of need fucked up and crazy.
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We can't have some guy to suit, you know, try
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to tamp down on that. That's just ridiculous. That's that's
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not that's not how we got along in the first.
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Place, exactly.
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And I think that's why you also had have the
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following that you do and had the following that you did,
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because you were unique. You know, it's easy to be
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like everybody else, and it's even easier though, to be yourself.
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Yeah.
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Well, we did piss off a few people along the way.
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That's kind of fun. Sometimes they get very good.
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It's it's kind of surprising when it happens. You know.
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It's like.
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Our very first EP I think, you know, we had
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a women's group in San Francisco very upset with us
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over a song called something because it talks about kicking
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kicking a woman in the teeth, and you know, it
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sounds terrible and I understand, but it was all done
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in joke. It's like, you know, you don't criticize an
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actor for playing a thug in a movie.
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You know that it's a part.
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I'm glad you brought that up. Like people don't realize,
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like even me on my radio show. Some a lot
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of times on my radio show, there's zero filter. Okay,
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Like whatever weird screwed up thought comes in my head
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is coming out on the mic because you're just like
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playing a role. And if people have known me my
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whole life, they'll call me up and like what the
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fuck happened to you?
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I'm like, I'm just playing a role.
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Many like I'm entertaining, you know, and people don't get
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that concept.
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It blows my mind, you know.
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I mean, like I said, you know, if you're if
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a band name is called the Butthole Surfers, are you
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really going to expect them to be like serious suit
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type people.
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I don't think so.
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Like now, you know, we we go through the underground
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scene and survive out the other end and get signed
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to a major label, and people are upset because we
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sold out, you know, to be on a major label.
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But god damn, I mean the butthole surfers on the
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same leg with the Beatles and Queenen's Clearwater Revival and
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Grand Funk and Dean Martin and Frank Sinatra. It just
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it's like, come on, man, I'm not passing that up
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just to be cool.
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See.
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I love that you're saying that, because you know, it
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is kind of a thing like when you're a teenager,
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you're at least me.
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I was kind of thinking.
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That whole sellout thing, poser sell out thing, not towards you,
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actually towards like I said Metallica, I felt that way
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about the Black Album. But then as I became an adult,
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I was like, well, that was a pretty stupid way
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of me thinking, like, first of all, as an artist,
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don't you want to grow? You know, why do you
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you don't want to stay a garage band forever? And
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you know, why would you pass that up, like to
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be on the same label as the Beatles, Like, I
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don't think it gets much better than that.
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No, And be able to smoke a joint on the
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roof of the Capitol Building and work with John Paul
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fucking Jones.
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Right, stuff.
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That stuff was just awesome and it and it made
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no sense. I mean, the Butthole Surfers of all bands
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it you know, it seemed it reads like a joke.
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One hundred percent. But I think it's also you know,
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like a band like you also paved the way for
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other bands, especially underground and punk bands, that maybe even
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they felt okay the Butthole Surfers are doing, maybe it's
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okay for us to actually get better at what we do.
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Well, I feel like we got worse at what we did.
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It's a testament to the value of trying. It's like
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why botherhood. You know, our first record came out and
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I just I thought it sounded so like cheap, and
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I mean we recorded it and mixed it in like
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three days.
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And it wasn't what I wanted to sound like.
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And then the you know, the first album come full
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length album comes out and it was getting a little
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better for me, but it was still.
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Not what I had in mind.
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And album after album and kids like the early stuff,
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you know, the stuff that didn't sound the way I
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was wanting to sound, but that's how he sounded, and
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that's you know, it's recording.
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Is like taking a picture of a man, and.
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Then it takes years and decades to finally hone it
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in and get the sound and everything the way you
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like it.
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And you know, I don't know if I don't know how.
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You know, those early fans feel about our later stuff.
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Some of them like it, some of them don't.
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You know what I at least I.
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Got to achieve what I wanted to achieve.
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Well, that's what's important. And you know, in a way
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I think about it is listen, As an artist, first
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of all, you're gonna want to grow, especially a lot
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of times you start a punk band because you don't
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even know how to play your instrument yet. So you
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start to learn more and get better. And then it's
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kind of like I was just sitting with the coec recently,
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and you know, listen, I remember them pre Pepper when
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you know, when they were hardcore punk, and I have
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that nostalgia of that, you know, But I can also
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see the other side of an artist not wanting to
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stay there and like explore. Like that's one of the
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cool things about your bands. You explore different genres all
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within one song usually, you know, and like that's to me,
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