March 7, 2025

PipemanRadio Discusses The Return of The Sweet With New Single-Video INSANE

CLASSIC ROCKERS THE SWEET RETURN WITH NEW SINGLE/VIDEO, "INSANE” OUT TODAY Darkstar Records 

Mar 14        Golden Nugget Casino Showroom Las Vegas NV

“'Insane' flew into my head like a bat out of hell," said Stone. "I went into the shower without...

iHeartRadio podcast player badge
Amazon Music podcast player badge
Audible podcast player badge
Spotify podcast player badge
Pandora podcast player badge
Apple Podcasts podcast player badge
Spreaker podcast player badge
Overcast podcast player badge
Castro podcast player badge
PocketCasts podcast player badge
Podchaser podcast player badge
Deezer podcast player badge
Podcast Addict podcast player badge
RSS Feed podcast player badge
iHeartRadio podcast player iconAmazon Music podcast player iconAudible podcast player iconSpotify podcast player iconPandora podcast player iconApple Podcasts podcast player iconSpreaker podcast player iconOvercast podcast player iconCastro podcast player iconPocketCasts podcast player iconPodchaser podcast player iconDeezer podcast player iconPodcast Addict podcast player iconRSS Feed podcast player icon

CLASSIC ROCKERS THE SWEET RETURN WITH NEW SINGLE/VIDEO, "INSANE” OUT TODAY Darkstar Records

Mar 14 Golden Nugget Casino Showroom Las Vegas NV

“'Insane' flew into my head like a bat out of hell," said Stone. "I went into the shower without it, came out and in my head it was done. I sent Jimmy a voice memo humming the song and he sent back the sick riff on guitar the way we hear it in the recording.

After watching the movies 'X' and 'Maxxxine,' a character in my head came to life and I wrote the lyrics to this half imaginary, half true love, heroine. 'Insane' really takes Sweet back to its roots of dirty rock n' roll, crazy chord changes and larger than life harmonies.

Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”.

Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness.

Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment

Would you like to be a sponsor of the show?
Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?
Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?
Would you like to host your own Radio Show, Streaming TV Show, or Podcast?

Contact the Pipeman:
Phone/Text Contact – 561-506-4031
Email Contact – dean@talk4media.com

Follow @pipemanradio on all socials

Visit Pipeman Radio on the Web at www.linktr.ee/pipemanradio, www.theadventuresofpipeman.com and www.pipemanradio.com. Download The Pipeman Radio APP.

The Adventures of Pipeman is broadcast live Mondays, Tuesdays, Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).

The Adventures of Pipeman Podcast is also available on The Adventures of Pipeman Podcast, Pipeman Radio Podcast, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

WEBVTT

1
00:00:04.599 --> 00:00:07.759
Hey, you have unto censure.

2
00:00:09.640 --> 00:00:15.279
Fore wow crazy you.

3
00:00:20.280 --> 00:00:22.760
Wake up America. It's time for.

4
00:00:22.760 --> 00:00:24.960
The Adventures of Pipe Man on W four c HY

5
00:00:25.120 --> 00:00:25.640
dot com.

6
00:00:25.679 --> 00:00:28.359
West pomp Beats is number one internet radio station.

7
00:00:28.760 --> 00:00:30.679
Here's your host, the pipe Man.

8
00:00:34.799 --> 00:00:41.799
She's a post my Holly Twin. That is pop because.

9
00:00:43.920 --> 00:00:49.719
Roller crostof City World recordire.

10
00:00:49.240 --> 00:00:52.320
Ma elect By.

11
00:00:54.600 --> 00:00:56.600
This is the pipe Man here on the Adventures of

12
00:00:56.600 --> 00:00:59.119
pipe Man W four c Y Radio. And I'm very

13
00:00:59.119 --> 00:01:04.840
excited about her next because man, their music dates back

14
00:01:04.879 --> 00:01:07.599
to when I'm a little kid, and that's that's going

15
00:01:07.959 --> 00:01:12.319
pretty far back. So I'd like to welcome to the show,

16
00:01:12.519 --> 00:01:14.480
Stevie and Ritchie from the suite.

17
00:01:14.599 --> 00:01:17.200
How are you really really great?

18
00:01:17.280 --> 00:01:20.719
Thank you, thank you, thank you. Yep. Yeah, just a

19
00:01:20.760 --> 00:01:22.519
few really, just a few decades.

20
00:01:22.560 --> 00:01:26.120
Really, come on, I know, right, you know, it kind

21
00:01:26.159 --> 00:01:31.400
of like amazes me nowadays that bands like yours or

22
00:01:31.879 --> 00:01:35.079
other bands I've been around that long are even still

23
00:01:35.079 --> 00:01:38.079
around now, you know, Like I think it's so cool.

24
00:01:40.000 --> 00:01:44.239
Yeah, yeah, we're we're we're excited to keep this this

25
00:01:44.439 --> 00:01:48.640
vision alive and we are at we're better than ever. Well,

26
00:01:49.159 --> 00:01:50.959
you know, I'll tell you when the band came out

27
00:01:51.000 --> 00:01:54.239
in the sixties late sixties, as it's evolved in so

28
00:01:54.319 --> 00:01:59.680
many various incarnations. We're very proud of what we're doing

29
00:01:59.719 --> 00:02:03.200
out there and pleasing the fans nationally worldwide.

30
00:02:03.280 --> 00:02:06.079
We're excited about our new material as well. So it's

31
00:02:06.200 --> 00:02:06.719
all good.

32
00:02:07.519 --> 00:02:07.760
Yeah.

33
00:02:07.799 --> 00:02:10.240
So I always like to find out for Maris, I've

34
00:02:10.319 --> 00:02:14.800
been doing this so long, like what's it like to

35
00:02:15.199 --> 00:02:19.919
come up with new material now opposed to you know,

36
00:02:20.000 --> 00:02:23.599
back in your beginning, And I know with this with

37
00:02:23.759 --> 00:02:28.680
this new song insane basically, you know, it was something

38
00:02:28.719 --> 00:02:33.560
that like just happened in the shower a little bit.

39
00:02:34.120 --> 00:02:38.520
That's that's Patrick had his vision of it in the shower.

40
00:02:39.280 --> 00:02:42.400
But we we kind of all did this somewhat as

41
00:02:42.400 --> 00:02:48.840
a collaboration that Jimmy, our guitar player are virtuoso guitar player,

42
00:02:48.879 --> 00:02:52.759
and Patrick had this riff idea and we kind of

43
00:02:52.759 --> 00:02:57.759
fleshed it out in rehearsal and brought it to the

44
00:02:57.960 --> 00:03:01.719
brought it into the studio and just cut. Basically, we

45
00:03:01.840 --> 00:03:04.000
set up a structure for it and we laid down

46
00:03:04.039 --> 00:03:08.879
the tracks without any vocals, and then then we started

47
00:03:08.919 --> 00:03:12.319
to craft the song after the fact and put in

48
00:03:12.360 --> 00:03:14.840
the vocals. We did all that production at my house

49
00:03:15.879 --> 00:03:20.280
and it's a you know, it's a collaboration thing that

50
00:03:20.520 --> 00:03:23.879
you know. I think we all have our energy in it.

51
00:03:24.199 --> 00:03:25.879
That's why you get what you get out of it.

52
00:03:26.639 --> 00:03:29.120
Well, yeah, I think that's the only way to do

53
00:03:29.199 --> 00:03:31.159
it right, you know exactly.

54
00:03:32.479 --> 00:03:33.319
But how's it?

55
00:03:33.439 --> 00:03:33.520
Like?

56
00:03:34.800 --> 00:03:37.520
It just boggles my mind that you can just still

57
00:03:37.560 --> 00:03:41.159
come up with new material, whether it's a riff or lyrics,

58
00:03:41.199 --> 00:03:44.759
like especially a rift to me because it's like, how

59
00:03:44.800 --> 00:03:48.759
many riffs could there possibly ever be? I always think,

60
00:03:48.879 --> 00:03:52.039
you know, and it's like, but yet a new one

61
00:03:52.080 --> 00:03:53.000
always comes along?

62
00:03:55.039 --> 00:03:59.560
There are You could never write all the riffs there

63
00:03:59.599 --> 00:04:03.159
are to Yeah, somebody asked John Williams, you know, you're

64
00:04:03.199 --> 00:04:05.960
in your nineties, how come you keep writing music? You know,

65
00:04:06.039 --> 00:04:09.759
what is the point The dude's done everything, and he says,

66
00:04:09.800 --> 00:04:12.240
because you could never write all the music there is

67
00:04:12.280 --> 00:04:16.759
to write. So with that in mind, you know, there's

68
00:04:16.839 --> 00:04:19.240
always a new riff, there's always a new twist, there's

69
00:04:19.240 --> 00:04:22.519
always a you know, even if we play the exact

70
00:04:22.519 --> 00:04:26.920
same beat as say, ballroom Wits, it's going to be

71
00:04:26.959 --> 00:04:31.360
different anyway, because it's a different song, it's a different time,

72
00:04:31.519 --> 00:04:36.680
it's you know, everything's changed. You know, and a lot

73
00:04:36.720 --> 00:04:39.040
of the songs that were in the early library were

74
00:04:39.120 --> 00:04:44.399
written by Mike Chapman. He was He was a very

75
00:04:44.959 --> 00:04:49.560
very big influence on what happened. He was a great songwriter.

76
00:04:49.639 --> 00:04:52.480
He's probably in the top ten of all time songwriters.

77
00:04:52.959 --> 00:04:56.439
This guy. He wrote for everybody. And so they had

78
00:04:56.519 --> 00:04:59.319
a lot of material to work with to begin with,

79
00:04:59.399 --> 00:05:04.480
you know, the the classic band and so, and they

80
00:05:04.480 --> 00:05:07.160
also had Phil Whitton, and they had these people in

81
00:05:07.199 --> 00:05:10.040
the studio. You know, that's how you made a record

82
00:05:10.079 --> 00:05:12.720
back then. It had to be successful. There wasn't any

83
00:05:12.800 --> 00:05:14.600
you know, hey, let's see what happens and put it

84
00:05:14.680 --> 00:05:17.879
up there on social media. It had to be a success.

85
00:05:18.560 --> 00:05:22.040
The record company demanded they put the right producers. It

86
00:05:23.199 --> 00:05:25.759
was a different industry. Now you have just a billion

87
00:05:26.040 --> 00:05:28.959
songs a week put out there on the internet.

88
00:05:29.879 --> 00:05:30.720
We want to be that.

89
00:05:30.839 --> 00:05:33.399
We don't want to be just another billion song on

90
00:05:33.480 --> 00:05:36.360
the internet. We wanted to do something that is actually

91
00:05:36.480 --> 00:05:37.319
has a lot of.

92
00:05:39.000 --> 00:05:41.879
Balls. I love it. Well.

93
00:05:42.079 --> 00:05:45.920
I'll also add to it that because of the way

94
00:05:46.040 --> 00:05:48.560
music is now and the way music used to be,

95
00:05:49.439 --> 00:05:54.360
you guys are part of what's bringing back actual musicianship

96
00:05:54.399 --> 00:05:56.439
by continuing to write music.

97
00:05:57.319 --> 00:05:59.759
That's right. I Mean the key thing here is what

98
00:05:59.800 --> 00:06:00.680
you do live.

99
00:06:00.959 --> 00:06:04.519
Okay, And so so many people, these tribute bands and

100
00:06:04.560 --> 00:06:06.879
coverment you know, they play with click tracks and they

101
00:06:06.879 --> 00:06:08.879
try to do all this kind of thing. We're the

102
00:06:08.920 --> 00:06:12.560
real deal, and right at the stage, it's like Seeing

103
00:06:12.639 --> 00:06:17.360
Zeppelin meets you know, seeing you know, that's what we

104
00:06:17.519 --> 00:06:18.199
grew up with.

105
00:06:18.720 --> 00:06:22.720
That's what we expect organic, It's what deep purple.

106
00:06:22.720 --> 00:06:26.560
When they you jam, we jam, we play, We spread

107
00:06:26.600 --> 00:06:29.959
it out, and we go into solos, we go where

108
00:06:30.040 --> 00:06:32.759
we want to go, and that's what keeps it alive

109
00:06:32.839 --> 00:06:36.639
and fresh for us. And that's where the audience picks up.

110
00:06:36.639 --> 00:06:39.720
And that's what made led Zeppelin and all those bands

111
00:06:39.879 --> 00:06:44.360
really ignite the people wanted to hear that spontaneity.

112
00:06:45.439 --> 00:06:45.959
Yeah.

113
00:06:46.399 --> 00:06:50.199
Oh, I'm one of those people, okay. Like you know,

114
00:06:50.519 --> 00:06:52.959
I go and I tour and I do radio coverage

115
00:06:52.959 --> 00:06:56.000
at music festivals all over the US, UK and Europe.

116
00:06:56.279 --> 00:06:59.879
And there's some bands that I love that now like

117
00:07:00.079 --> 00:07:04.439
it's like, all right, I can quote everything that they

118
00:07:04.600 --> 00:07:08.720
even say in between songs, like so then it's like

119
00:07:08.879 --> 00:07:12.360
I'm disinterested. But then there's the other bands where man,

120
00:07:12.439 --> 00:07:15.040
it's I could see them ten times a year, and

121
00:07:15.120 --> 00:07:17.920
it's still a surprise, and it still gets me pumping.

122
00:07:18.079 --> 00:07:22.439
And that's because it's actual, you know, a live show

123
00:07:22.600 --> 00:07:25.839
with with what could be mistakes or what have you.

124
00:07:26.079 --> 00:07:28.879
I feel that way with radio too. It shouldn't be polished.

125
00:07:29.199 --> 00:07:29.360
You know.

126
00:07:29.399 --> 00:07:32.120
When I edit my interviews, I don't edit my fuck ups.

127
00:07:32.680 --> 00:07:34.839
I just make it sound better.

128
00:07:37.240 --> 00:07:40.639
Yeah, you condense it, you know, to what you need.

129
00:07:42.000 --> 00:07:45.319
Yeah, And and like, I like including the things that

130
00:07:45.360 --> 00:07:47.480
are screw ups because that's the real deal. And I

131
00:07:47.519 --> 00:07:50.759
think that's I think that is what people want nowadays.

132
00:07:50.759 --> 00:07:53.800
They want the real deal. They don't want something scripted.

133
00:07:53.879 --> 00:07:55.399
They don't want something that.

134
00:07:55.759 --> 00:07:56.959
Like, is predictable.

135
00:07:57.560 --> 00:08:00.720
You know, I've told this story of few times, but

136
00:08:00.879 --> 00:08:05.079
one of my biggest memories of thousands of concerts I've

137
00:08:05.120 --> 00:08:08.720
ever been to, was the US Festival in nineteen eighty

138
00:08:08.720 --> 00:08:11.920
three where David Lee Roth forgot the words they ain't

139
00:08:11.959 --> 00:08:15.759
talking about love, and instead of trying to fake it,

140
00:08:15.879 --> 00:08:18.920
he just yelled out to three hundred thousand people, I

141
00:08:19.160 --> 00:08:22.120
fucking forgot the words, and they roared like it was

142
00:08:22.160 --> 00:08:23.800
the best thing that ever happened.

143
00:08:24.120 --> 00:08:24.319
There.

144
00:08:24.360 --> 00:08:27.439
You go, that's a lean stinger. That's the guy that

145
00:08:27.560 --> 00:08:31.399
knows what he's doing. He's in his skin. That band,

146
00:08:31.560 --> 00:08:35.320
the chemistry, you know, it was just there. You know,

147
00:08:35.519 --> 00:08:36.399
what do you say?

148
00:08:37.039 --> 00:08:38.519
Right exactly?

149
00:08:38.519 --> 00:08:40.840
You have to be ready to do stuff like that live.

150
00:08:41.039 --> 00:08:43.960
You know, we have so much stuff that's done to tracks,

151
00:08:43.960 --> 00:08:45.840
and we even play with a lot of bands today

152
00:08:45.919 --> 00:08:49.600
that do. They're doing music that's classic rock music and

153
00:08:49.600 --> 00:08:53.480
they're doing it to tracks, And I just think, well, whatever,

154
00:08:53.639 --> 00:08:56.960
you know, I mean, whatever you think you need to

155
00:08:56.960 --> 00:08:59.200
do to get your show done. But that's not us.

156
00:08:59.360 --> 00:09:01.600
We're gonna go out there. We're going to hammer it

157
00:09:01.639 --> 00:09:05.480
out and and if there's if there's problems, we're going

158
00:09:05.559 --> 00:09:07.759
to plow right through it. We're going to give them

159
00:09:07.799 --> 00:09:09.879
the show of their life. That's our goal.

160
00:09:11.080 --> 00:09:13.159
I think too that that's the only and that's the

161
00:09:13.200 --> 00:09:16.279
way to get people off their phones nowadays at concerts

162
00:09:16.279 --> 00:09:18.600
by them not knowing what to expect.

163
00:09:18.639 --> 00:09:23.320
They have to look up the whole time. Yeah right, Well,

164
00:09:23.440 --> 00:09:24.120
you know it.

165
00:09:24.120 --> 00:09:26.600
All gets captured now. I mean, you can't do a

166
00:09:26.639 --> 00:09:29.759
show without it being totally captured a thousand times, so

167
00:09:31.159 --> 00:09:32.240
no doubt. Yeah.

168
00:09:32.399 --> 00:09:35.360
Good, And you guys have been doing a lot live.

169
00:09:35.440 --> 00:09:38.919
You got something coming up very soon here in Vegas

170
00:09:39.000 --> 00:09:40.080
at the Golden Nugget.

171
00:09:40.480 --> 00:09:44.399
So that's cool for us there we place.

172
00:09:44.639 --> 00:09:49.960
Yeah, so what can people expect at that show? For

173
00:09:50.080 --> 00:09:52.360
people that have never gone to one of your shows,

174
00:09:53.200 --> 00:09:55.159
tell me why they should be there.

175
00:09:55.639 --> 00:09:58.799
Because it's the first time we've ever come on stage nude.

176
00:09:59.120 --> 00:10:09.480
Okay, maybe for you, maybe for you? Sorry, sorry sorry,

177
00:10:11.000 --> 00:10:13.600
you should do that at the Sphere and then it's

178
00:10:13.639 --> 00:10:15.879
like it'll be just like all over the whole sphere.

179
00:10:16.240 --> 00:10:17.440
Yeah.

180
00:10:18.399 --> 00:10:20.360
No, that would not be pretty Okay, that would not

181
00:10:20.399 --> 00:10:22.919
be pretty good. What's gonna be amazing is you're going

182
00:10:22.960 --> 00:10:25.120
to see the new songs that we've created. You're gonna

183
00:10:25.159 --> 00:10:27.960
hear Insane and Little Miracle, and you're gonna see a

184
00:10:27.960 --> 00:10:33.000
presentation that's the Spice on this time, but we mix

185
00:10:33.039 --> 00:10:33.399
it up.

186
00:10:33.759 --> 00:10:34.919
It will be another set.

187
00:10:35.600 --> 00:10:35.879
Uh.

188
00:10:36.080 --> 00:10:38.240
It's something that we play The Nugget a couple of

189
00:10:38.279 --> 00:10:40.279
times a year. This time we're gonna mix it up,

190
00:10:40.840 --> 00:10:45.559
so it's gonna be fresh and uh, you know, uh.

191
00:10:45.279 --> 00:10:47.039
We've really evolved the show.

192
00:10:47.600 --> 00:10:50.960
So even in between the songs, we jam And that's

193
00:10:50.960 --> 00:10:53.480
what I was saying, the spontaneity of what we do

194
00:10:54.200 --> 00:10:57.960
and we're flying by the seat of our pants too, and.

195
00:10:58.120 --> 00:11:01.480
We're fun, right yeah, and when you fly.

196
00:11:01.399 --> 00:11:04.000
By the seat of your pants, you know, it's like,

197
00:11:04.159 --> 00:11:07.960
but if you're a qualified musician, you should be able

198
00:11:08.000 --> 00:11:12.320
to play and be able to just salvage whatever you've got.

199
00:11:12.399 --> 00:11:14.679
You just you know, it's just like, Okay, let's go

200
00:11:15.200 --> 00:11:17.679
and that's what you're going to see at the Golden

201
00:11:17.720 --> 00:11:18.600
Nugg at this time.

202
00:11:18.919 --> 00:11:20.200
It's going to be better than ever.

203
00:11:20.919 --> 00:11:21.519
I love it.

204
00:11:21.600 --> 00:11:25.600
And so you know, a lot of times audiences they

205
00:11:25.600 --> 00:11:27.679
only want to hear old stuff. They don't want to

206
00:11:27.679 --> 00:11:31.399
hear new stuff. And to me, the benchmarker of how

207
00:11:31.440 --> 00:11:34.960
good the new music is is how well the audience

208
00:11:35.279 --> 00:11:38.600
is accepting it, especially when you've been around a while.

209
00:11:38.679 --> 00:11:43.080
So what have you been experiencing, Like the audience has

210
00:11:43.080 --> 00:11:45.000
been like loving your new music so far?

211
00:11:45.159 --> 00:11:48.360
Right, yeah they do. They're singing the words by the

212
00:11:48.480 --> 00:11:51.320
end of the scene, you know, So what more can

213
00:11:51.320 --> 00:11:51.879
you ask for?

214
00:11:52.600 --> 00:11:55.519
That says it all? Right there? Like yeah, you know,

215
00:11:55.559 --> 00:11:57.320
because there's so many times when people.

216
00:11:57.120 --> 00:12:01.039
Are like play this so like they go for their

217
00:12:01.639 --> 00:12:04.200
you know, their drink or whatever during the new song.

218
00:12:04.360 --> 00:12:06.120
So to hear that they're singing a song.

219
00:12:06.840 --> 00:12:11.360
Nobody leaves our show. That just says, nobody leaves our show.

220
00:12:11.879 --> 00:12:15.080
It's just there on their feet. We we blow the

221
00:12:15.120 --> 00:12:18.279
place up every single time. That's just it's just what

222
00:12:18.320 --> 00:12:18.679
we do.

223
00:12:19.960 --> 00:12:23.840
And that that's why you're true musicians. Now, I want

224
00:12:23.879 --> 00:12:26.600
to talk about your background there, because that is the

225
00:12:26.639 --> 00:12:32.480
cover and I absolutely love artwork.

226
00:12:32.080 --> 00:12:32.720
When it comes.

227
00:12:33.080 --> 00:12:36.080
I think kids are missing that nowadays. Man, that's part

228
00:12:36.559 --> 00:12:39.440
part of the whole experience. So tell us a little

229
00:12:39.480 --> 00:12:43.840
bit about how how that creativity came about.

230
00:12:45.120 --> 00:12:51.039
Got you. Okay, Uh, this was created by Drake Fassa

231
00:12:51.720 --> 00:12:56.039
and he's he's our graphics guy. He uh, he just this.

232
00:12:56.159 --> 00:12:59.600
Actually he did our video for it as well. So

233
00:12:59.759 --> 00:13:03.200
we've felt like, let's just keep with this theme of this.

234
00:13:03.440 --> 00:13:07.919
You know, it's like a DC comic video and so

235
00:13:08.240 --> 00:13:11.200
it's so cool, you know, it just it spans all

236
00:13:11.240 --> 00:13:14.720
the generations. There's it's not like some old thing. It's

237
00:13:14.759 --> 00:13:17.960
not you know, it's just like everything at once. So

238
00:13:19.039 --> 00:13:22.159
this girl is so instrumental in the video. We've just

239
00:13:22.240 --> 00:13:25.480
figured let's just have her be the shot. You know. Yeah,

240
00:13:25.759 --> 00:13:30.840
Drake found this particular look and I think it's it

241
00:13:31.039 --> 00:13:33.879
just says everything insane. I mean, look at this girl

242
00:13:36.080 --> 00:13:41.120
that it's bleeding. I know it's badasst I've taken some

243
00:13:41.200 --> 00:13:42.200
girls like this home.

244
00:13:42.639 --> 00:13:43.240
My god.

245
00:13:43.679 --> 00:13:46.440
I think she may I think she makes Harley Quinn

246
00:13:46.440 --> 00:13:53.200
look sane pretty much. And yes, I have to say

247
00:13:53.279 --> 00:13:55.159
I've probably taken a few like that. I like the

248
00:13:55.200 --> 00:13:57.879
crazy ones. I have a sign okay in my bedroom

249
00:13:57.919 --> 00:14:01.360
that two of my daughters bought me that says my

250
00:14:01.519 --> 00:14:06.480
next wife won't be crazy. And I responded to they

251
00:14:06.519 --> 00:14:09.279
bought this for me. They're talking about their mother, and

252
00:14:09.320 --> 00:14:12.639
I'm like, I'm like, yeah, I wouldn't bet on that.

253
00:14:18.000 --> 00:14:20.600
I was just talking about it on my live show yesterday.

254
00:14:20.919 --> 00:14:23.600
It's so funny that we're talking about this now because

255
00:14:24.679 --> 00:14:28.799
the subject of my live show yesterday was why do

256
00:14:28.960 --> 00:14:31.360
women love serial killers?

257
00:14:31.919 --> 00:14:34.919
And then and then I talked.

258
00:14:34.559 --> 00:14:37.840
About myself, and I'm like, well, is it bad that

259
00:14:37.919 --> 00:14:40.480
two of the three loves of my life aren't even

260
00:14:40.519 --> 00:14:41.399
real life people?

261
00:14:41.440 --> 00:14:45.480
Their characters like one is Harley Quinn. So that just

262
00:14:45.519 --> 00:14:46.159
says it all.

263
00:14:49.120 --> 00:14:52.240
I don't know. I've always wondered that myself. People just

264
00:14:52.399 --> 00:14:54.879
line up for these people that are doing life in

265
00:14:54.919 --> 00:14:58.679
prison for murder or whatever. Right, talk about the ultimate

266
00:14:58.799 --> 00:14:59.720
bad boy, you know?

267
00:15:00.159 --> 00:15:05.200
Just I mean think about it, Charles Manson okay, what

268
00:15:05.279 --> 00:15:10.240
these women would do for Charles Manson okay or Ted

269
00:15:10.360 --> 00:15:14.000
Bundy And and like they let some of these serial

270
00:15:14.080 --> 00:15:19.679
killers they live like normal lives with a wife and

271
00:15:19.240 --> 00:15:22.360
the wife's like clueless of what's really going on.

272
00:15:24.480 --> 00:15:26.399
Well, you have to hide it. I mean you don't

273
00:15:26.440 --> 00:15:28.679
want to, you know, it's not something you want to

274
00:15:28.720 --> 00:15:31.480
advertise that you're out there just like slaying people.

275
00:15:33.120 --> 00:15:35.840
Well, unless you're Dexter. Have you ever watched that show?

276
00:15:36.480 --> 00:15:36.600
That?

277
00:15:38.519 --> 00:15:39.960
So that's my other love of.

278
00:15:39.879 --> 00:15:45.320
My life is Hannah McKay again a character, but like

279
00:15:45.559 --> 00:15:48.559
he could be himself around.

280
00:15:48.240 --> 00:15:51.320
Her because she was a psycho serial killer too.

281
00:15:52.000 --> 00:15:55.279
Yeah, that was a cool, cool series. They rebooted it too,

282
00:15:55.320 --> 00:15:55.919
I think did they?

283
00:15:56.080 --> 00:15:56.240
Oh?

284
00:15:56.440 --> 00:15:58.600
Not only did they reboot it, but now they have

285
00:15:58.639 --> 00:16:03.480
another series, like a prequil series. So they had the

286
00:16:03.639 --> 00:16:07.360
what that's the reboot probably that's probably, but it's like

287
00:16:07.399 --> 00:16:10.480
a prequill. And they had the one where he where

288
00:16:11.039 --> 00:16:13.360
how he is now ten years later? But that was

289
00:16:13.399 --> 00:16:15.639
like a one off, that was a one season and

290
00:16:15.679 --> 00:16:18.559
that's it. Now they have this new season of when

291
00:16:18.559 --> 00:16:22.360
he's younger and how he how he got to that point.

292
00:16:22.440 --> 00:16:27.159
It's killing frogs or whatever, dissecting lizards.

293
00:16:27.679 --> 00:16:30.720
Yeah, and then like it gives a lot of the

294
00:16:30.759 --> 00:16:32.399
backstory of his brother.

295
00:16:33.759 --> 00:16:36.480
And how his brother stalked him his whole childhood.

296
00:16:36.679 --> 00:16:41.159
Oh wow, yeah, so yeah, yeah, you'll have to check

297
00:16:41.200 --> 00:16:44.039
it out. If you like Dexter, you'll like that. You'll

298
00:16:44.120 --> 00:16:45.919
like both of the new ones for sure.

299
00:16:46.600 --> 00:16:46.799
Yeah.

300
00:16:46.799 --> 00:16:51.039
That's cool, man, So tell everybody how they can get

301
00:16:51.120 --> 00:16:53.519
the new music, how they can check out all.

302
00:16:53.440 --> 00:16:54.200
Your tour dates.

303
00:16:54.200 --> 00:16:56.519
You have a pretty badass website, so let's give that

304
00:16:56.600 --> 00:16:58.919
out and give your socials and all that stuff.

305
00:16:59.519 --> 00:17:04.440
Go ahead, Yeah, go to the sweet sw e E

306
00:17:04.519 --> 00:17:10.559
t sweet band dot com, thesweet band dot com, and

307
00:17:10.599 --> 00:17:12.799
that will get you everything you need as far as

308
00:17:12.799 --> 00:17:17.680
tour dates, they're being added daily, and as far as

309
00:17:17.799 --> 00:17:20.680
going on Spotify and all the major to get insane

310
00:17:20.920 --> 00:17:25.039
download Insane Spotify and everywhere you can find and say

311
00:17:25.240 --> 00:17:27.359
just put it in your computer and they'll pull that up.

312
00:17:28.160 --> 00:17:32.960
So that's the main way way to reach us. And

313
00:17:33.720 --> 00:17:34.240
there you go.

314
00:17:34.920 --> 00:17:35.400
Nice.

315
00:17:35.960 --> 00:17:40.519
So one story, good or bad that you probably both

316
00:17:40.559 --> 00:17:44.119
have different stories in your whole career of doing music

317
00:17:44.599 --> 00:17:49.680
or doing this project or anything. What holds out in

318
00:17:49.720 --> 00:17:51.119
your mind most of all.

319
00:17:52.240 --> 00:17:55.079
Wow, that's that's a long career.

320
00:17:54.880 --> 00:17:58.240
Of I know, that's the hardest question in the universe.

321
00:17:58.319 --> 00:17:59.920
Right there, I can throw one.

322
00:17:59.839 --> 00:18:04.160
Out, that's uh, we're not a language barrier show, correct.

323
00:18:04.240 --> 00:18:04.960
We can say.

324
00:18:04.759 --> 00:18:07.480
Whatever you could say, whatever the fuck you want. In

325
00:18:07.519 --> 00:18:10.359
fact that my show yesterday is what the fuck Wednesday?

326
00:18:10.359 --> 00:18:12.720
On my Wednesday show Wednesday?

327
00:18:13.000 --> 00:18:16.359
Okay, all right, so we get the we get. My

328
00:18:16.440 --> 00:18:20.319
dear friend Nick Saint Nicholas is from Steppenwolf, and when

329
00:18:20.359 --> 00:18:22.119
I was young, I was in my twenties and I

330
00:18:22.200 --> 00:18:24.119
was playing with him. This is kind of he broke

331
00:18:24.160 --> 00:18:26.720
me into the into the you know, the big time

332
00:18:26.839 --> 00:18:30.799
kind of you know, and we always ended up playing

333
00:18:31.359 --> 00:18:35.119
micer festivals. Right, And so if you're associated with Steppenwolf,

334
00:18:35.119 --> 00:18:37.720
you kind of get a get out of jail card

335
00:18:37.799 --> 00:18:42.079
from the Hell's Angels for free, no matter what, for life, right,

336
00:18:42.119 --> 00:18:45.160
It's the thing. Right So I haven't used mine yet,

337
00:18:45.160 --> 00:18:49.039
but I've still got it. I threatened people with it though. Anyway,

338
00:18:49.400 --> 00:18:52.119
we're playing this, we're playing a private show for the

339
00:18:52.160 --> 00:18:57.200
Hell's Angels Minnesota chapter, and it's this big field, you know,

340
00:18:57.279 --> 00:19:01.279
and there's just hundreds of maybe two thousand bikers they're

341
00:19:01.319 --> 00:19:04.960
all Hell's Angels and then Hell's angels, you know friends,

342
00:19:05.119 --> 00:19:08.960
you know, whoever right guys are that they allow to

343
00:19:09.079 --> 00:19:11.880
exist and they don't fight with and they're all out

344
00:19:11.880 --> 00:19:14.319
there and we're up on this trailer and we're just

345
00:19:14.400 --> 00:19:17.200
hammering away, you know, we're just playing this shit, you know,

346
00:19:17.279 --> 00:19:19.119
and we're trying to do everything we can to get

347
00:19:19.119 --> 00:19:21.880
their attention. And everybody's just got their they just got

348
00:19:21.880 --> 00:19:24.039
their back to us. They could give a shit, they

349
00:19:24.119 --> 00:19:27.559
could care less. And I'm standing over there on keyboards

350
00:19:27.559 --> 00:19:29.319
at the time, and Nick goes up to the mic

351
00:19:29.519 --> 00:19:43.319
and takes the mic. Motherfuckers, Hey, motherfuckers, motherfuckers, and they

352
00:19:43.440 --> 00:19:45.839
slowly start to turn around and they're looking at and

353
00:19:45.839 --> 00:19:49.079
they're kind of like reaching for their fucking peace and shit, right,

354
00:19:49.400 --> 00:19:53.960
oh my god man. And then the next thing, you know,

355
00:19:54.039 --> 00:19:58.359
there's just like yeah, they start fucking yeah, you fuckers,

356
00:19:58.359 --> 00:20:01.079
and they're yelling back at us, and we're yelling at

357
00:20:01.079 --> 00:20:03.559
each other, fuck you, and there fuck you, and then

358
00:20:03.559 --> 00:20:05.680
we started playing the Pusher and the rest of the

359
00:20:05.759 --> 00:20:07.920
night was just unbelievably cool.

360
00:20:09.079 --> 00:20:12.359
That does rank up at That's one of the most

361
00:20:12.400 --> 00:20:18.119
amazing stories I've heard, and I've heard a lot of them, okay,

362
00:20:18.799 --> 00:20:20.599
and that that one's really cool.

363
00:20:20.839 --> 00:20:23.839
And it reminded me right from the get go.

364
00:20:23.920 --> 00:20:26.839
It reminded me of the David Lee Ross story because

365
00:20:27.079 --> 00:20:31.519
after he did that, some one dude heckled him and

366
00:20:31.559 --> 00:20:34.759
he and you've probably seen the video, he goes, I'm

367
00:20:34.799 --> 00:20:38.799
gonna fuck your girlfriend.

368
00:20:40.039 --> 00:20:40.519
I'll give you.

369
00:20:41.000 --> 00:20:43.160
I'll give you a quick one, okay, Because you're talking

370
00:20:43.200 --> 00:20:46.960
about serial killers. Growing up in La so I saw

371
00:20:47.119 --> 00:20:49.440
Van Halen play at Gazaaris and I was in a

372
00:20:49.480 --> 00:20:51.559
big band at the time in LA at the Los

373
00:20:51.599 --> 00:20:54.119
Angeles and so, you know, it was the days of

374
00:20:54.200 --> 00:20:56.960
coke and everything you could imagine, and I was in

375
00:20:57.000 --> 00:20:58.759
a big popular band in Los Angeles.

376
00:20:58.839 --> 00:21:00.160
We would outdraw in him, and.

377
00:21:02.000 --> 00:21:04.599
So we had everybody that would come out, you know,

378
00:21:04.640 --> 00:21:07.359
Glenn Hughes, everybody would come to see our band, and

379
00:21:07.400 --> 00:21:08.880
a lot of you know, Chuck Wright was in the

380
00:21:08.920 --> 00:21:12.279
band re called Saturn and s A T. Y R.

381
00:21:12.559 --> 00:21:15.519
So we're this major band and.

382
00:21:15.559 --> 00:21:18.079
The star Wood was a big, big club, and so

383
00:21:18.119 --> 00:21:22.160
we met this one cat who you know, sold drugs,

384
00:21:22.680 --> 00:21:25.559
and long story short, I was at his house one

385
00:21:25.640 --> 00:21:29.480
night and talking about serial killers. Come to find out

386
00:21:29.559 --> 00:21:33.200
later it was the Hillside Strangler and the house We're

387
00:21:33.200 --> 00:21:36.880
We're there, and I was handcuffed and almost killed by

388
00:21:36.880 --> 00:21:41.519
the Hillside Stranglers. It was Bono and Biance who broke in,

389
00:21:41.680 --> 00:21:44.359
and there was a drug rip off that night, but

390
00:21:44.599 --> 00:21:50.519
they came in as cops with homicide badges. We're handcuffed

391
00:21:50.519 --> 00:21:52.000
and I had a gun to my name. I was

392
00:21:52.039 --> 00:21:55.559
pleading for my life. So that's the dark side of

393
00:21:55.599 --> 00:21:59.240
what was a rock and roll So you know, you

394
00:21:59.319 --> 00:22:01.680
want a real sorry about rock and roll and being

395
00:22:01.720 --> 00:22:04.079
involved in that CD club of the Starwood and the

396
00:22:04.119 --> 00:22:06.960
Whiskey and that whole scene and growing up in La

397
00:22:07.359 --> 00:22:08.319
I'll give you that one.

398
00:22:08.559 --> 00:22:12.759
But anyways, and for anybody that thinks that's like unbelievable,

399
00:22:12.880 --> 00:22:17.000
I lived that Sunset strip scene in the eighties full on.

400
00:22:17.920 --> 00:22:24.599
That is so believable. And like I lost my virginity

401
00:22:24.640 --> 00:22:25.839
in the Manson Caves.

402
00:22:30.839 --> 00:22:37.079
Oh says it all man exactly. So anything else you

403
00:22:37.119 --> 00:22:39.359
guys want to share with the listeners that we haven't

404
00:22:39.359 --> 00:22:42.480
covered yet that they need to know before we go

405
00:22:41.880 --> 00:22:44.519
the band, Yes.

406
00:22:44.680 --> 00:22:48.000
Come see the band and demand that our band comes

407
00:22:48.079 --> 00:22:52.799
to your city because we want to spread our music

408
00:22:53.119 --> 00:22:56.079
all over people that in the us, they kind of

409
00:22:56.119 --> 00:22:58.759
listen to they know the Ballroom lets Fox.

410
00:22:58.519 --> 00:23:00.640
On the Run, but not as much in Canada or

411
00:23:00.680 --> 00:23:04.119
the UK where they know the name Sweet So Sweet.

412
00:23:04.640 --> 00:23:08.200
Keep it in your mind and we're ready to rock

413
00:23:08.240 --> 00:23:11.480
the house. So we really appreciate it. Thank you, see you, and.

414
00:23:11.759 --> 00:23:16.480
Make sure you go listen to Insane and go download

415
00:23:16.480 --> 00:23:20.960
that baby or put it in your playlist. Long list

416
00:23:21.000 --> 00:23:24.680
your playlist, and we'll see you out there somewhere. We're

417
00:23:24.680 --> 00:23:28.119
playing Golden Nugget next weekend on the fourteenth.

418
00:23:27.599 --> 00:23:30.640
Nice and it is a badass song. I used it

419
00:23:30.759 --> 00:23:33.599
as my fuel to get me pumped up for the interview,

420
00:23:33.960 --> 00:23:36.839
you know, because music is always the pump up for me,

421
00:23:37.119 --> 00:23:40.759
and that song definitely gets the adrenaline pumping for sure.

422
00:23:41.319 --> 00:23:41.839
Excellent.

423
00:23:41.920 --> 00:23:45.039
Thank you well, Thank you guys for making great music

424
00:23:45.079 --> 00:23:47.359
and thanks for being on the Adventures of pipe Man.

425
00:23:47.759 --> 00:23:51.799
Right on, buddy, Thank you. This is Stevie Stewart from

426
00:23:51.839 --> 00:23:56.480
the Suite and you're listening to and watching the pipe

427
00:23:56.480 --> 00:24:00.440
Man that is on W four ste Why Radio.

428
00:24:08.799 --> 00:24:13.599
Thank you for listening to the Adventures of Pipemin on

429
00:24:14.279 --> 00:24:17.000
W for c u I Radio.