March 7, 2025
PipemanRadio Discusses The Return of The Sweet With New Single-Video INSANE
CLASSIC ROCKERS THE SWEET RETURN WITH NEW SINGLE/VIDEO, "INSANE” OUT TODAY Darkstar Records
Mar 14 Golden Nugget Casino Showroom Las Vegas NV
“'Insane' flew into my head like a bat out of hell," said Stone. "I went into the shower without...
CLASSIC ROCKERS THE SWEET RETURN WITH NEW SINGLE/VIDEO, "INSANE” OUT TODAY Darkstar Records
Mar 14 Golden Nugget Casino Showroom Las Vegas NV
“'Insane' flew into my head like a bat out of hell," said Stone. "I went into the shower without it, came out and in my head it was done. I sent Jimmy a voice memo humming the song and he sent back the sick riff on guitar the way we hear it in the recording.
After watching the movies 'X' and 'Maxxxine,' a character in my head came to life and I wrote the lyrics to this half imaginary, half true love, heroine. 'Insane' really takes Sweet back to its roots of dirty rock n' roll, crazy chord changes and larger than life harmonies.
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Hey, you have unto censure.
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Fore wow crazy you.
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Wake up America. It's time for.
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The Adventures of Pipe Man on W four c HY
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dot com.
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West pomp Beats is number one internet radio station.
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Here's your host, the pipe Man.
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She's a post my Holly Twin. That is pop because.
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Roller crostof City World recordire.
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Ma elect By.
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This is the pipe Man here on the Adventures of
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pipe Man W four c Y Radio. And I'm very
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excited about her next because man, their music dates back
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to when I'm a little kid, and that's that's going
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pretty far back. So I'd like to welcome to the show,
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Stevie and Ritchie from the suite.
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How are you really really great?
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Thank you, thank you, thank you. Yep. Yeah, just a
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few really, just a few decades.
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Really, come on, I know, right, you know, it kind
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of like amazes me nowadays that bands like yours or
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other bands I've been around that long are even still
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around now, you know, Like I think it's so cool.
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Yeah, yeah, we're we're we're excited to keep this this
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vision alive and we are at we're better than ever. Well,
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you know, I'll tell you when the band came out
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in the sixties late sixties, as it's evolved in so
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many various incarnations. We're very proud of what we're doing
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out there and pleasing the fans nationally worldwide.
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We're excited about our new material as well. So it's
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all good.
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Yeah.
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So I always like to find out for Maris, I've
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been doing this so long, like what's it like to
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come up with new material now opposed to you know,
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back in your beginning, And I know with this with
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this new song insane basically, you know, it was something
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that like just happened in the shower a little bit.
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That's that's Patrick had his vision of it in the shower.
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But we we kind of all did this somewhat as
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a collaboration that Jimmy, our guitar player are virtuoso guitar player,
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and Patrick had this riff idea and we kind of
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fleshed it out in rehearsal and brought it to the
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brought it into the studio and just cut. Basically, we
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set up a structure for it and we laid down
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the tracks without any vocals, and then then we started
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to craft the song after the fact and put in
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the vocals. We did all that production at my house
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and it's a you know, it's a collaboration thing that
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you know. I think we all have our energy in it.
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That's why you get what you get out of it.
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Well, yeah, I think that's the only way to do
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it right, you know exactly.
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But how's it?
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Like?
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It just boggles my mind that you can just still
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come up with new material, whether it's a riff or lyrics,
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like especially a rift to me because it's like, how
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many riffs could there possibly ever be? I always think,
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you know, and it's like, but yet a new one
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always comes along?
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There are You could never write all the riffs there
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are to Yeah, somebody asked John Williams, you know, you're
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in your nineties, how come you keep writing music? You know,
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what is the point The dude's done everything, and he says,
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because you could never write all the music there is
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to write. So with that in mind, you know, there's
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always a new riff, there's always a new twist, there's
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always a you know, even if we play the exact
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same beat as say, ballroom Wits, it's going to be
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different anyway, because it's a different song, it's a different time,
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it's you know, everything's changed. You know, and a lot
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of the songs that were in the early library were
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written by Mike Chapman. He was He was a very
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very big influence on what happened. He was a great songwriter.
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He's probably in the top ten of all time songwriters.
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This guy. He wrote for everybody. And so they had
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a lot of material to work with to begin with,
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you know, the the classic band and so, and they
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also had Phil Whitton, and they had these people in
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the studio. You know, that's how you made a record
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back then. It had to be successful. There wasn't any
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you know, hey, let's see what happens and put it
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up there on social media. It had to be a success.
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The record company demanded they put the right producers. It
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was a different industry. Now you have just a billion
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songs a week put out there on the internet.
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We want to be that.
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We don't want to be just another billion song on
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the internet. We wanted to do something that is actually
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has a lot of.
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Balls. I love it. Well.
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I'll also add to it that because of the way
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music is now and the way music used to be,
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you guys are part of what's bringing back actual musicianship
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by continuing to write music.
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That's right. I Mean the key thing here is what
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you do live.
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Okay, And so so many people, these tribute bands and
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coverment you know, they play with click tracks and they
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try to do all this kind of thing. We're the
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real deal, and right at the stage, it's like Seeing
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Zeppelin meets you know, seeing you know, that's what we
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grew up with.
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That's what we expect organic, It's what deep purple.
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When they you jam, we jam, we play, We spread
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it out, and we go into solos, we go where
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we want to go, and that's what keeps it alive
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and fresh for us. And that's where the audience picks up.
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And that's what made led Zeppelin and all those bands
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really ignite the people wanted to hear that spontaneity.
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Yeah.
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Oh, I'm one of those people, okay. Like you know,
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I go and I tour and I do radio coverage
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at music festivals all over the US, UK and Europe.
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And there's some bands that I love that now like
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it's like, all right, I can quote everything that they
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even say in between songs, like so then it's like
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I'm disinterested. But then there's the other bands where man,
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it's I could see them ten times a year, and
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it's still a surprise, and it still gets me pumping.
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And that's because it's actual, you know, a live show
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with with what could be mistakes or what have you.
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I feel that way with radio too. It shouldn't be polished.
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You know.
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When I edit my interviews, I don't edit my fuck ups.
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I just make it sound better.
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Yeah, you condense it, you know, to what you need.
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Yeah, And and like, I like including the things that
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are screw ups because that's the real deal. And I
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think that's I think that is what people want nowadays.
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They want the real deal. They don't want something scripted.
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They don't want something that.
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Like, is predictable.
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You know, I've told this story of few times, but
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one of my biggest memories of thousands of concerts I've
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ever been to, was the US Festival in nineteen eighty
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three where David Lee Roth forgot the words they ain't
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talking about love, and instead of trying to fake it,
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he just yelled out to three hundred thousand people, I
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fucking forgot the words, and they roared like it was
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the best thing that ever happened.
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There.
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You go, that's a lean stinger. That's the guy that
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knows what he's doing. He's in his skin. That band,
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the chemistry, you know, it was just there. You know,
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what do you say?
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Right exactly?
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You have to be ready to do stuff like that live.
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You know, we have so much stuff that's done to tracks,
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and we even play with a lot of bands today
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that do. They're doing music that's classic rock music and
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they're doing it to tracks, And I just think, well, whatever,
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you know, I mean, whatever you think you need to
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do to get your show done. But that's not us.
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We're gonna go out there. We're going to hammer it
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out and and if there's if there's problems, we're going
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to plow right through it. We're going to give them
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the show of their life. That's our goal.
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I think too that that's the only and that's the
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way to get people off their phones nowadays at concerts
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by them not knowing what to expect.
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They have to look up the whole time. Yeah right, Well,
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you know it.
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All gets captured now. I mean, you can't do a
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show without it being totally captured a thousand times, so
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no doubt. Yeah.
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Good, And you guys have been doing a lot live.
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You got something coming up very soon here in Vegas
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at the Golden Nugget.
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So that's cool for us there we place.
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Yeah, so what can people expect at that show? For
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people that have never gone to one of your shows,
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tell me why they should be there.
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Because it's the first time we've ever come on stage nude.
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Okay, maybe for you, maybe for you? Sorry, sorry sorry,
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you should do that at the Sphere and then it's
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like it'll be just like all over the whole sphere.
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Yeah.
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No, that would not be pretty Okay, that would not
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be pretty good. What's gonna be amazing is you're going
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to see the new songs that we've created. You're gonna
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hear Insane and Little Miracle, and you're gonna see a
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presentation that's the Spice on this time, but we mix
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it up.
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It will be another set.
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Uh.
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It's something that we play The Nugget a couple of
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times a year. This time we're gonna mix it up,
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so it's gonna be fresh and uh, you know, uh.
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We've really evolved the show.
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So even in between the songs, we jam And that's
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what I was saying, the spontaneity of what we do
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and we're flying by the seat of our pants too, and.
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We're fun, right yeah, and when you fly.
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By the seat of your pants, you know, it's like,
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but if you're a qualified musician, you should be able
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to play and be able to just salvage whatever you've got.
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You just you know, it's just like, Okay, let's go
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and that's what you're going to see at the Golden
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Nugg at this time.
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It's going to be better than ever.
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I love it.
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And so you know, a lot of times audiences they
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only want to hear old stuff. They don't want to
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hear new stuff. And to me, the benchmarker of how
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good the new music is is how well the audience
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is accepting it, especially when you've been around a while.
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So what have you been experiencing, Like the audience has
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been like loving your new music so far?
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Right, yeah they do. They're singing the words by the
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end of the scene, you know, So what more can
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you ask for?
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That says it all? Right there? Like yeah, you know,
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because there's so many times when people.
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Are like play this so like they go for their
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you know, their drink or whatever during the new song.
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So to hear that they're singing a song.
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Nobody leaves our show. That just says, nobody leaves our show.
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It's just there on their feet. We we blow the
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place up every single time. That's just it's just what
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we do.
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And that that's why you're true musicians. Now, I want
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to talk about your background there, because that is the
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cover and I absolutely love artwork.
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When it comes.
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I think kids are missing that nowadays. Man, that's part
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part of the whole experience. So tell us a little
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bit about how how that creativity came about.
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Got you. Okay, Uh, this was created by Drake Fassa
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and he's he's our graphics guy. He uh, he just this.
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Actually he did our video for it as well. So
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we've felt like, let's just keep with this theme of this.
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You know, it's like a DC comic video and so
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it's so cool, you know, it just it spans all
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the generations. There's it's not like some old thing. It's
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not you know, it's just like everything at once. So
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this girl is so instrumental in the video. We've just
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