PipemanRadio Interviews Gerald V Casale of Devo at Punk Rock Bowling XXIV
PipemanRadio discussing Punk Rock Bowling XXIV with Gerald V Casale of Devo at the festival taking over Downtown Las Vegas with Live Music at the Festival, Late Night Club Shows, Bowling Tournaments and so much more at this cool and fun gathering of...
PipemanRadio discussing Punk Rock Bowling XXIV with Gerald V Casale of Devo at the festival taking over Downtown Las Vegas with Live Music at the Festival, Late Night Club Shows, Bowling Tournaments and so much more at this cool and fun gathering of our punk family. We discuss performing at the music festival, important issues of today and the past, and the fun factor of this festival plus all upcoming music, tour dates, and merch. We also share good, bad, crazy, and/or wild stories you want to hear.
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Hey, you have done to censure
w C Why were you young? Whycoume
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America. It's time for the Adventures
of Pipe Man on W four c Y
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dot com. West Pomp beats his
number one internet radio station. Here's your
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host, the White Man. Correct, this is the pipe Man here on
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the Adventure's pipe Man W four c
Y Radio. And I'm here with Gerald
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V. Casally from Devo. Yes
here at Punk Rock Bowling. Yes,
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Oh my god. What this is
an amazing festival. Isn't different than other
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festivals. Like it's so it's kind
of cool because you have the club shows
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and then you have the festival itself
and they kind of just invade downtown Las
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Vegas and take it over. Yeah, it definitely has its own flavor.
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It's very different than any other festival
we've ever played because there's a very kind
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of a homogeneous crowd in a way. Yeah. Yeah, they're of like
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minds. It's one tribe comes together
here and you know what's wild is it's
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like, what I think is cool
about twenty twenty four is that tribe that's
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here wouldn't have been a tribe in
the eighties. Like, no, in
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the eighties, my friends when it
would never tolerate me liking Devo. So
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I liked Devo, just nobody ever
knew it. Yeah, you know,
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you know how the days were back
then, and even with any you know,
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genres, like, everything was so
like separated, and right now we're
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all united. So at least something
from back then has gotten better. But
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well, I think what's happened is
people do realize that de evolution is real,
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and so that any any band that
was playing with a sense of urgency,
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with a sense of honesty, with
a DIY aesthetic, which I think
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is central to punk, do it
yourself and you know, trying to avoid
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blindly conforming and and basically resisting illegitimate
authority, which is a big part of
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punk. I think all the bands
that did that in their own way are
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now appreciated as opposed to this orthodoxy
where oh no, you got to have
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these same three chords and you have
to have the safety pins and the riped
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shirt, you have to act like
this, right, there was too much
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orthodoxy where the punks actually turned into
what they didn't like. Ms. That's
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a great, great point, and
like that's the perfect example I was talking
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about because I was a long hair
back then, so I wasn't allowed to
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go to punk shows. Yeah,
yeah, right, you know, and
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it was kind of silly, you
know, yeah, all petty. So
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now the other things you talk about
with de evolution, Yeah, did you
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ever think in twenty twenty four it
would be even worse? No, we
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never thought it would be this bad. You know, we were you know,
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we were kind of smart ass about
our satire and you know, we
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were not taking it too seriously.
There was always a you know, humorous
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edge to DEVO, and we were
more like canaries in a coal mine,
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just kind of warning people to what
we saw. But did I ever think
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it would be like this? No, right, not at all, none
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of us. None of us did. If anybody in the band said that,
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they'd be lying, it seems like
too. We started to move forward
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and took like fifty million steps backward. That's humans. It is. It
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is because I'm sure you're saying it
too. And I see I go all
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over the world and it's happening everywhere, not just oh yeah, yeah,
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there's a trend, and even in
the places you wouldn't expect. That's what
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I mean. There's a palpable sense
of evil in the air and it's almost
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global and all Western democracies and other
countries that were semi democratic are quickly unraveling,
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and authoritarianism, plutocracy, fascism in
fact, is on the march,
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and it's just disheartening. It's unbelievable
to watch it work. Yeah, And
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that's what we were trying to warn
people about, is there is the negative
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part of human nature is being unleashed
right now. Yeah, that's what you're
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seeing exactly one hundred. So thank
god we have Devo now in twenty twenty
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four. And I say that,
you know, not only because of Devo,
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but just music in general. I
think music is the ultimate uniter and
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in my opinion, the elimination of
live music during the lockdown, yeah,
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is what made people very angry,
very depressed, very all kinds of things
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because there was no outlet. What
was punk music. It was always an
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outlet for all of that. Oh
yeah, definitely. COVID was that extra
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shot that nobody needed. I mean
that just really propelled everything right down the
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rabbit hole. Oh yeah. Now, one thing I have if you're going
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to say something positive about that time, I think, and you tell me
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how you feel, as somebody has
been ours for so long that artists were
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on this hamster wheel that was going
really fast that they couldn't get off of,
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and that allowed them to get off
the hamster wheel and get creative again.
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Well that's that's a nice way to
look at it, and I hope
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you're right, and I hope that
wasn't just wishful thinking. But yeah,
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I guess when people are forced into
isolation and sitting in a back room twiddling
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near thumbs, there was enough at
home music equipment permeating the culture that they
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could all do it yourself in their
bedroom, right, yeah, exactly.
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So, yeah, it wasn't all
masturbation. It was some pretty good stuff
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there. You gotta find some kind
of lemonade, right, Yeah. Yeah.
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And speaking of creativity, let's talk
a little bit about your solo project.
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Okay. Well, first of all, what I'm really excited about is
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if we go on your website,
there's these cool action figures. Yeah,
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let's talk about that. Tell us
about your action figures. Yeah, that
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company that does those, you know, decided it was time to do one
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of me. And I've always been
partial to the new traditionalist outfit with the
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black plastic pompadour Hairdoo and the action
vest that I had designed, and our
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spud gun because the spud gun was
part of a movie that never happened where
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Divo were Alter Ego is called the
Smart Patrol, and they lived in a
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dystopian society, not unlike our own. There was an epidemic disease called asubuku
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mayelidas that turned your bones to jelly
and you didn't die, but you just
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became a gelatinous mass. And Universal
Health Systems owned all the patents on the
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medicines and the ectoskeletons that could help
people walk and everything. So it was
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a monopoly and kind of like,
now, yeah, they weren't making anybody
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any better, but they were just
making money off of osso bucomyelitis. And
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and so the Smart Patrol worked for
this uh, this professor that worked in
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a recomminatet DNA lab and they come
up with a basically a nickel and dime
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cure that seems to work, and
of course, right away Universal Health Systems
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is out to get them. And
a group evangelical group called the Pilgrims that
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are a televangelical group right and they're
kind of aligned with Universal Health systems and
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they actually wear bad suits and pilgrim
hats, oh boy, and yeah,
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and Divo has to to the smart
Patrol has to have to defend themselves with
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these spud guns that shoot net graphite
net out and take these guys out.
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And yeah, and so I'm holding
the spud gun in my outfit from New
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Traditionalists nineteen eighty one when I wrote
that plot, and I'm glad to see
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it at least come out as an
action figure. There you go, and
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you know, I want to explore
the creative mind there, like what makes
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you just come up with stuff like
that? Because it's genius creativity that you
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know, it's not something everybody could
do. Well, yeah, I mean,
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I guess that's what makes an artist
and an artist what makes them different
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from everybody else. To me,
it's because you get an idea and you
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can't let go of it. A
lot of people have great ideas and they
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think everything that an artist thinks,
but they didn't do anything about it,
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and they move on, or they
get socialized, or they get told you
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don't want to do that. You
want to like succeed and get a normal
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job. But an artist doesn't have
the good sense or the choice. It's
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almost like a genetic imperative, like
you're forced to go through with these ideas
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that you have and make them happen. Yeah, you know, that's it
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you. It doesn't occur to you
not to do it. You have to
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do it. I love that because
that just means you're just a true artist.
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There's people that are true artists and
there's those that do it for other
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reasons. I guess so. And
that's why you're here at Punk Rock Bowl
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in twenty twenty four, because I
think it's only the true artist that can
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last as long as you guys have
fifty years of deevolution. If somebody told
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you that when you first start this, would you be like yeah, I
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mean cause you them perceive them.
I didn't even think back then I would
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be alive at this point. You
know, it's like, doesn't matter the
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world's going to blow up in nineteen
eighty four anyway. So you know that
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whole attitude. And tell me about
your newest music. Tell me about Invisible
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Man. Oh yeah, have you
heard the lounge version of that yet?
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I did. That's what I mean
by creativity too. You know a lot
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of those songs came about you know, I mean, Devo was on ice
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because Mark wasn't interested in doing any
new Devo material and wasn't interested in collaborating.
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And and here I am. I'm
I'm the guy that wrote or co
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wrote ninety percent of Devo songs with
Mark, and and so I still have
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plenty of musical ideas, just not
that often do I have an outlet to
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do it. But I started working
with Josh Freeze. And Josh Freeze is
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a great person in addition to being
one of the best drummers on the planet,
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and we work well together and a
lot of times we'd be just messing
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around. Went back when Divo was
rehearsing to play a festival or this or
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that in the early two thousands,
and we kind of amassed all these like
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little like scraps of half formed songs. And at some point he said to
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me, why don't we finish these? Why don't we do something about these?
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And I was glad he said that, and that's what I started doing
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with him. Invisible Man was the
last one. But now I'm working on
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a whole suite of music based on
a concept that I won't bore you with,
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but anybody can look this up.
It's an American Indian and Native American
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Indian term that they came up with
to describe the horror they felt at encountering
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the white man. When the white
man came to America, it settled and
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took their land and started killing everybody. And it's called wet tico w e
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t iko, wetiko. And when
I read about it, and I never
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knew about it, I was blown
away because it was like, oh,
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this is their version of de evolution. Wow. And it's inspired me to
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write a whole suite of songs that
the record will be called Wittiko. And
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once you look it up, or
anybody looks it up, they'll go,
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oh of course. Casally would of
course write a sweet based on Wittko.
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Oh man, that's as killer stuff. And how do people go your website
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socials and stuff like that so they
can check all this stuff out when that
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comes out? Check out in visible
man, check out your action figures because
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those are like super cool where they
go. I thought it was geraldvcasally dot
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com that might be the I made
it easy. I know, right there
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you go and everything's right there,
and yeah, they can check everything out,
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and so what can people expect that
Devo live show that they've never been
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to Devo before. I think I've
never been. I'm trying to think.
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I think I wasn't allowed to be
at Divo. They can expect to be
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entertained. We can still do it. I love that. That's pretty cool.
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Well, you probably can do it
better than ever too, right,
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Somewhat, You're right, some things
we do better than ever. I don't
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think we could play an hour and
a half at the speeds we used to
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play at right, which were when
I watched them now a bit insane.
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I'm like, we did that,
and we'd do two shows a night.
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We do an early show all in
the yellow suits until we stripped them off
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for Jockohomo, right, and then
we would rest an hour and we'd do
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it again. Wow, that is
major, because I'm just impressed when there's
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artists that play in two different bands
at a festival right like hours apart.
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But to do that, you know, I think people don't realize how much
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goes into that, especially a show
like a live Devot show. Yeah,
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Devo was actually known for their live
shows because people from the press and from
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the records, they didn't know what
was about to happen live was a whole
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other thing where we brought a whole
other dimension, you know, to the
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party. Yeah, and I feel
that a band should do that. Why
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should you see a band that stands
there shoegazing, sounding just like their record
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exac Weekly, We brought a whole
other dimension, theatrics, visuals, film,
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and we still do that, and
we really pump out energy. People
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are very surprised to find out how
ballsy rock and roll devo can be nice.
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I love it, and it's true
because an artist, just because you're
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making music doesn't mean you're not an
artists in many other ways. That's right,
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and it's the full sensory. A
live show is the full sensory of
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all of it. Right should be, and you guys execute that perfectly.
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You're going to execute it here tonight
at Punk Rock Bowling and man, thanks
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for being here and still spreading a
positive message for the world, still giving
186
00:16:00.559 --> 00:16:03.840
us great music. Yeah, and
given the pipe Man a chance to see
187
00:16:03.879 --> 00:16:07.159
you tonight. Well, thank you, Pipeman, Thank you for being on
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00:16:07.200 --> 00:16:14.440
the Adventures Pipe all right, thank
you for listening to the Adventures of Pipemin
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00:16:15.039 --> 00:16:30.679
on w for CUI Radio. This
is Gerald Vica Sally from Deevo, and
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00:16:30.720 --> 00:16:36.240
you're listening to the pipemin on w
for cy dot com.




























